Fashion - Kiblitsky, Joseph (Editor)Antiquariat.de
19.496 resultados
2009ref. 132513Aachen, The Russian Museum. St. Petersburg Palace Editions 2009. 280 pages. With a lot of illustrations. Illustrated original hardcover and an illustrated dustjacket. New condition. 32x25 cm
1950ref. 14631AB1950. Vienna ca. 1950. 42 : 30 cm. 27 plates with many designs partly in colour. Shows also designs for smaller tallor and dicker woman. 2 plates with many designs for evening dresses. unknown
1956ref. 14629AB1956. Vienna 1956-1958. 47 : 32 cm. 64 pencil drawings of special paper. Womans dresses from the 1950-ties also designs for hats shoes etc. From a pupil of the prestigious Viennese fashion-school housed in the castle of Hetzendorf a suburb of Vienna which was founded in 1846 in an 1694 build castle and which is now famous worldwide. Gives a good inside of the designs and fashion the in the late 1950-ties. unknown
1942ref. 14634AB1942. Vienna 1942. 46 : 30 cm. Many designs some in colour on 17 plates. All signed and dated. The designs show different woman's cloth dresses coats skirts etc. some with water-colours all on paper of different colours. All signed Ruth Brose and dated 1942. - with light middle fold. hardcover
1920ref. 13507AB1920. No place o.J.ca. 1920. 20 : 15 cm. Original-Pappband. Leporellowith 5 plates with 66 coloured mounted samples each. Original-Pappband. Shows 330 different sewing threads cotton for tailoring. unknown
1934ref. 11072AB1934. London Paris Vienna 1934. 335 : 225 cm. 4 pages with description With 20 mounted coloured plates. Typographic printed original wrappers. Overview of the winter fashion collection for 1934. Each design in vivid colours shows the model in the center and on the side there are some detailled views of the dress. With a description of each model in French English and German. - Here present are 20 out of 39 plates; upper parts of the plates with water-stains but not effecting the image; wrappers with some defects. unknown
1902ref. 10884AB1902. Paris Societé Francaise d'Éditions d'Art 1902. 305 : 235 cm. 14 pages with 100 plates in coloured etching and 1 coloured etched title-vignette. Contemporary red half calf spine richly gilt top edge gilt. One of only 600 numbered copies of the only edition. Wonderful coloured etchings which show perfectly the style of that time. - "Henri Boutet 1851-1919 a traduit a la point-seche avec un elegance zn peu mievre les graces de la Parisienne. Dans l'eau-fort en couleurs il a fait preuve d'un art beaucoup plus sur. Certains de ses dernieres estampes notamment ses paysannes normandes ont un veritable caractere" Benezit. - Reliure demi-cuir à coins jolis motifs au dos. Couvertures du broché conservées mais pas le dos. Chaque illustration est protégée par une serpente épaisse le papier lui-même est très épais si bien qu'en dehors d'une courte préface de Clarétie le livre ne contient en fait que les 100 illustrations une par feuille le recto est vide. Collationné complet. Henri BOUTET Les Modes féminines au XIXe siècle interprétées en cent pointes sèches aquarellées au pinceau 1801-1900. Préface de Jules Clarétie. Paris Société Française d'Éditions d'Art 1902. l'un des 600 après 60 sur Japon les 2 seuls tirages. 100 illustrations aquarellées une par année. Binding a bit rubbed otherwise a mint copy. unknown
1880ref. 15769AB1880. Vienna 1880. 25 : 32 cm. 48 leaves with many illustrations. Contemporary half calf. Hand-written pattern-sample book for all sort of linen-cloth. With detailled drawings and long descriptions for man woman and children of all ages. hardcover
1927ref. 19102AB1927. Paris Draeger 1927. 275 : 22 cm. 8 leaves with the text of Colette 6 plates by Jean Dupas 1 mounted plate. Original cloth original black wrappers illustrated in silver and red bound in. Excellent copy of the album Toi founded by Maison Les Fourrures Max and illustrated by Jean Dupas for the poems of Colette. One of the most beautiful catalogues created in art-déco."Ce bel étui noir onré de fleurs rouges et argent contient de superbes planches en camaieu gris et noir. La provocation des nus féminins que Jean Dupas a drapé des fourrures de la novelle collection est atténué par leur hiératisme de statue" in 'Arts et Métiers Graphiques' No.1 1927 - Bibliothèque Exposition Forney 1988. No.18. Jean Dupas Bordeaux 1882 - 1964 Grand Prix de Rome of painting in 1910 lead this album to the summit of publicity. - Some text-pages verso with mist of stains otherwise a superb copy of this mark stone of art deco. hardcover
ref. SONG0415462339Used: Good unknown
ref. DADAX0847810739New unknown
ref. DADAX1405398795New unknown
ref. 133200France: 18th century. Puffs Powders Patches Bibles Billet-doux A beautifully crafted vanity kit bound to mimic a French Book of Hours. Its elaborately gilt-tooled red morocco casing disguises an ingenious interior of fashionable accoutrements bodkin brush looking glass and miniature essentials writing tools all key elements of the ritualized toilette. Books of Hours - personal prayer books kept by laypersons for private devotion - were frequently the remit of women whether gifted to commissioned by or made for them. The books' content encouraged quiet introspection while their lavish illumination decoration and bindings became an external expression of wealth and status. This palm-sized "Heures Royal" as the spine label reads encourages reflection of a more literal kind. Instead of religious meditations its contents include a set of six vanity tools a removable mirror an ivory writing tablet and a retractable pencil all carefully positioned within a compartmentalized silk- and ribbon-lined interior. "A wealthy woman never left home without her travelling case or nécessaire which held her perfumes and toiletries" Martin p. 18. French vanity boxes ranged from the larger nécessaire de voyage and nécessaire de toilette to "nécessaires de poche which housed one or two important bottles and brushes for emergency application deep in the many pockets of their voluminous gowns" Martin. Even tinier were "much smaller vanity cases called etuis intended to fit into a pocket. another must-have item. These were also used as containers for other items such as sewing kits and writing tools" Stewart. Most of the finest manufacturers and retailers of nécessaires were located near to the Palais Royal in Paris. Cases were available in a wide variety of costly materials and designs often incorporated precious stones. Book-form examples like this are much more unusual. Alexander Pope satirized the toilette in The Rape of the Lock 1712 mocking the frivolous combination of "Puffs Powders Patches Bibles Billet-doux" - a clash of religious and cosmetic devotion neatly encapsulated in this etui case. This item has been registered with the UK government's ivory declaration service. Book-form box sextodecimo 112 x 72 mm. Original red morocco green spine label lettered "Heures Royal" raised bands compartments covers and inner dentelles heavily gilt-tooled with floriate scrollwork and star motifs edges gilt 2 metal catches. Interior lined with green moiré silk and trimmed with yellow ribbon. Interior sections include recesses one holding 12 blank paper slips tied with pink ribbon a hinged panel supporting an ivory aide-memoire leaf on recto and a pull-out mirror on verso and compartments for 6 miniature engraved vanity tools: 2 retractable styluses likely formerly holding a pencil or tooth pick pair of scissors bodkin with ear spoon at end scraper and brush. Externally bright and well preserved small chip at upper outer corner of front cover tiny pinholes at edges near catches; internally sound lining a little frayed implements tarnished mirror desilvered and corroded. A remarkable survival. Morag Martin Selling Beauty: Cosmetics Commerce and French Society 2009; Susan Stewart Common and Uncommon Scents: A Social History of Perfume 2022. hardcover
1920ref. 14632AB1920. Vienna n.d. ca.1920 36 : 30 cm - 15 : 12 cm 21 water-colours partly heightened in white on grey cardboard. Beautiful very detailled elaborated custome designs in different colours white black blue red green yellow pink. The designs show mainly woman maybe designs for Bizet's 'Carmen' Two plates show actors and actress dancing with masks. unknown
1934ref. FASHION004963J.H. Ltd no place. 1934. First edition. Folio. A fashion illustration portfolio with twenty nine colour lithographic plates each measuring approx 37 x 31cm showing women's dresses in various fabrics from silk to tweed. The covers are unusual: full gilt textured cloth with titles in art deco style on front.Some spotting. Very good indeed. J.H. Ltd, no place. hardcover
1919ref. 15780AB1919. Year 1919/1920. Issues 1 - 12. Vienna 1919-1920. 32 : 235 cm With many illustrations. Coloured illustrated original wrappers. Shows very clearly the spirit of the time. unknown
1950ref. 19417Innsbruck: Ernst Kainrath Wub . Very Good with no dust jacket. First Edition. Non-Book. These illustrated boards are in very good condition and consist of 1 Niedrosterreich 2 Obersoterriech 3 Saltzburg Pingau Flachgau 5 Steirmark 6 Karnten 7 Tirol lechtal 8 Trol Oztal. Each sheet has sixteen cut-out figures. Quite scarce.; 12.5" x 9.5"; 7 pages . c1950. Ernst Kainrath (Wub) unknown
2006ref. 42414Roma. La Biblioteca di Repubblica, 2006. 4 origi.Pappbände, 4°, 261/521 / 513/ 281 Seiten. Text auf italienisch.
1980ref. 140454Milan: Styling Consulting Service 1980s. Rare visual reference for patterned textiles First and only edition of this visually beguiling and historically informative collection. The title leaf reports that "this photographic publication composed of pictures of original fabrics from 1903 up to 1925 taken from private files has been created to offer a proof of art and culture in the evolution of costume". We have been unable to trace any other copies. There is no indication of a printer or publisher anywhere in either volume or in the custom boxes nor any other hints as to the origin of this fascinating collection of pin-sharp colour photographs of fabric swatches. The work however is clearly of Italian origin and there is a hint of FMR in the thematic and in the precision of execution and presentation. The first volume concentrates on wool weaves; tweeds herringbones plaids and checks in a wide range of weights and colourways; the second is filled an even wider selection of patterned cottons a fabulous array encompassing design trends from the early decades of the 20th Century with inevitable hints at art deco art nouveau and sometimes brasher "jazz" influences; all kinds of stripes gingham tartans textiles suggestive of ties cravats suit linings waistcoats figured fabrics for dresses or skirts women's coats or jackets even upholstery or blinds. A painstaking and no doubt costly exercise the precision in the execution of the photography and processing bespeak a seriousness of purpose which makes the anonymity of the project even more extraordinary. 2 vols folio 297 x 210 mm. Black rough-weave cloth solander boxes with drop sides title gilt to spines and front boards explanatory title leaf to vol. I gold printed on glossy black medium card-stock the boxes containing respectively 50 and 100 loose sheets of similar card-stock each with mounted high-quality colour photographs c.180 x 180 mm to c.228 x 172 mm of fabric swatch composites between 3 and 8 samples to each lettered and numbered in gold. Slightly rubbed and a little dusty spines sunned corners bumped small neatly repaired tear at foot of spine of volume II card leaves with the occasional minor scuff but remains very good. hardcover
1938ref. 162513New York: Rosecliff-Quaker Corp. 1938. First in the field with the newest styles An ephemeral window onto menswear retailing in FDR's America offering the dream of personalized tailoring at an affordable cost. The Rosecliff-Quaker Corporation boasted that it employed 10000 people coast to coast used only unionized labour and guaranteed its shirts for a year. Octavo 214 x 120 mm. Original leatherette wallet binder unfolding to 214 x 460 mm two folding printed card advertising panels with mounted fabric samples 20 tie and 27 hosiery 50 shirt fabric samples each 170 x 120 mm in post-binder with four interleaved printed advertisements central panel lettered in silver. Occasional old pencil annotations. Binder sturdy and still fresh all samples present occasional offsetting and soiling to card panels majority of shirt samples with original paper information slips crudely removed with resulting paper residue. A very good example. hardcover
1949ref. 95082Paris: Lucien Lelong 1949. First edition of this notably rare spectacular promotional brochure for Lelong's fragrances with no other copies traced. Largely forgotten today apart from amongst the couture cognoscenti Lelong 1889-1958 was enormously influential. After the First World War Lelong took charge of his parents' small fashion house which was noted for its espousal of the modern look - the chic autobiographical heroine of Colette's 1908 novella Les Vrilles de la vigne is dressed by Lelong - and continued their tradition of innovation advancing the concept of the "kinétique" clothes "constructed in such a way that their true shape would emerge in movement not at rest". Not a designer himself he employed a number of young designers who were later to strike out on their own. Christian Dior Pierre Balmain and Hubert de Givenchy all spent time developing collections for Lelong. His contribution to the success of the house was in his vision and his marketing brilliance: he redesigned his parents' salon decorating entirely in black so that it was said to resemble a black-lined jewellery box he offered discounts to society women who agreed to be photographed in his dresses and was early into the branded perfume market. The first fragrances offered by Lelong were enigmatically named A B C J and N intending to evoke a sense of mystery and romance. The artfully designed bottles were largely the work of Lelong himself. Over 30 years he created a total of 27 different fragrances. This superbly produced catalogue features ten suitably mysterious and evocative plates by Cassandre né Adolphe Jean-Marie Mouron the Ukrainian-born French painter illustrator poster designer and typographer probably best-known for his imposing poster for the great CGT liner Normandie. Octavo. With 10 chromolithographic plates after illustrations by Cassandre and similarly printed plates from photographs of the perfume bottles themselves by Réné Messager. Original plain boards in cream wrapper front panel with company device embossed within debossed cartouche. Wrappers a little rubbed and irregularly toned spine slightly chipped at ends repair to short split at head of front joint contemporary gift inscription to front free endpaper else very good. hardcover
1905ref. 11083AB1905. 2 parts in 1 volume. Paris and Berlin Brunet resp. Liebig 1905 - 1911. 365 : 27 cm. with together 56 4 double-page partly coloured plates with many illustrations. Cloth. Interesting compilation of French and German hair style at the beginning of the 20th century. With many extravagant samples. - Edges a bit stained and wrinkled; binding a bit rubbed. hardcover
1931ref. 11073ABVienna, 1931. 24,5 : 20 cm. 43 pages With 34 mounted coloured designs for dresses.
1987ref. 224281987 Pastel signé, 1987, 63 x 45 cm.
