19.077 resultados
1989ref. 33427Weinheim, VCH Verlagsgesellschaft, 1989. Broschiert
ref. R260261922au bureau du journal. non daté. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 60 pages environ augmentées de nombreuses photos en couleurs hors texte.. . . . Classification Dewey : 391-Mode
1911ref. 207961911 Grande carte d'invitation datée 1911, 23,5 X 15 cm.
ref. 20387Carte d'invitation dépliante, 27 X 11 cm.
1966ref. 57807Arlington VA: Institute of Naval Studies Center for Naval Analyses 1966. Reprint. Reprinted 1972. Wraps. Good. No dust jacket as issued. Highlighting/underlining. Underlining is very need. Some ink comments. Cover has some wear and soiling. ix 208 p. 27 cm. Illustrations Maps. Center for Naval Analyses. CNA research contribution no. 144. This document has been approved for public release. The Work was conducted under contract N00014-68-A-0091. Additional authors included R. N. Perle and R. P. Whitten. Document number 02 000144.00. Institute of Naval Studies, Center for Naval Analyses paperback
1978ref. 2353210New York: Alfred A. Knopf 1978. First Edition. Hard Cover. Very Good/Good. 8x5x0. First edition. Jacket toned with a couple tiny closed tears along corners board edges faded. Binding tight and square pages clean bright and unmarked. 1978 Hard Cover. 130 pp. A lighthearted high-society romance following Nicholas Romney a Philadelphia banker whose wife of twenty-five years suddenly divorces him. Spackman's general tone and use of tongue-in-cheek dialogue has drawn comparisons to P.G. Wodehouse and Tom Wolfe. Alfred A. Knopf hardcover books
1993ref. 688Random House 1993 New York. 28 9 × 36 3 cm. 1993. Richard Avedon An Autobiography. New York Random House 1993. Première édition. Grand in-4° (28 9 × 36 3 cm). Reliure d'éditeur bien complète de son rhodoïd de protection. Exemplaire portant la signature autographe de Richard Avedon accompagnée de la date 1994. Important ouvrage rétrospectif consacré à l'œuvre du photographe américain Richard Avedon (1923-2004) figure majeure de la photographie de mode et du portrait au XXe siècle. État : Occasion – Très bon état rhodoïd conservé
1924ref. 2006080557xbvkMünchen, Verlag von Albert Langen, ohne Jahr (ca. 1924). 1 Seite Text 'Otto Lendecke', 1 S. Verzeichnis der Bilder; 30 einseitig bedruckte Farbtafeln. - Graublauer Original-Leineneinband mit montierter farbiger Deckelillustration und schwarzgeprägtem Deckeltitel in Frakturschrift; Folio (ca. 40 x 28 cm; ca. 1,2 kg.).
1975ref. 21186ABReinbek (bei Hamburg), Rowohlt, 1975. 19 cm. (20) Bl., davon 18 getönte Postkarten. Taschenbuch (Softcover), festerer Karton. [1.Aufl.] Tadelloses frisches Exemplar. rororo ; 1833.
1947This is a very good softcover copy with some wear to the back cover and back page upper corner creased. Clean inside and out. Short introduction by curators Charles Fabens Kelley and Margaret O. Gentles. 114 carpets in the exhibition, many illustrated in black & white. Bibliography. 4to, 10" high X 7" wide. This book will be securely packed and shipped with tracking.
4°. (32,7 x 23 cm). 176 p. (English Language). Original cloth with gilt stamped title to spine and to front cover. Original dust jacket with title to spine and illustrated title to front cover. Jacket with low signs of use, otherwise well preserved. Generally in good to very good condition. The publication contains a lot of fotografic images (coloured).
4°. (32,7 x 23 cm). 304 p. (English Language). Original cloth with gilt stamped title to spine. Original dust jacket with title to spine and illustrated title to front cover. Jacket with low signs of use, otherwise well preserved. Generally in good to very good condition. The publication contains a lot of fotografic images (coloured).
1955ref. 62463New York NY Kansas City MO & Carmel Santa Barbara & San Francisco CA: Marian Ross Mizelle Madrigal 1955-1974. Four Vols. and original Store Sign for Carmel CA boutique. Folio. 2 - 12 x 15.25 in. & 2 - 13 x 19 in. 48; 48; 48; 48 pp unpaginated. all w/ mylar sleeves archival black paper insert backings with 151 original designs in gouache watercolour chalk and pen & ink 38 in pen & ink or pencil sized from 7 x 11 in. up to 10 x 15 in. and nearly all signed by Marian Ross three feature original fabric sample swatches affixed to them including one w/ pencil MS “Winner” and mimeographed description affixed to verso several of them are translucent pochoir stapled to backing paper many are on thick stiff studio board while others on assorted textured paper stock. In addition there are three newspaper and magazine clippings 1966 & 2013 a photostat copy of early Ross Mizelle “Mod” fashion designs and original black & white silver gelatin photo of young Marian Ross modeling a wedding dress. All are preserved in flexible vinyl portfolios printed labels on spines some minor scuffing & shelfwear to portfolios occasional very minor closed tears or edgewear to the designs a few w/ minor holes from removed staples still an exemplary archive of designs together with the original Madrigal signboard sized 16 x 27 in. from their Carmel CA store. This sensational archive of original fashion designs for Kansas City MO based department store suppliers by Marian Ross Mizelle before her move to California in the 1970’s to establish the Madrigal boutique with her husband Elliot A. Mizelle 1916-2007. These vividly reveal the Mid-20th-Century fashion trends following World War II. Many of the designs in this collection reflect the transition from the late 1950’s elegance and emphasis on Dior’s “New Look” highlighting femininity and opulent use of fabrics towards the more youthful designs emerging out of Swinging London which were a slimming down beginning to raise hemlines with short skirts bolero tops and increasing influence of Pierre Cardin Andre Courreges and Givenchy. The Mid-20th-Century saw a tremendous upsurge in marketing slimmer lines tighter fitting bodices and fashions emerging from such cultural events as Audry Hepburn in her iconic 1961 “Breakfast at Tiffany’s” film which heavily influenced a generation of young women.Young Marian Ross b. 1936 after completing her Fashion Academy certificate in 1955 free-lanced and worked in the New York fashion industry before landing with the influential and hot-selling Gay Gibson label with Gernes Garment Co. in 1961. The Gernes Garment Co. had been originally founded in 1928 by Sara Desaix Gernes 1896-1978 and her husband Alexander Gernes 1882-1947 to market her groundbreaking fashion designs targeting everyday fashion for young women juniors and teens. Her designs proved very popular as she initiated and fashioned sizing and dresses and clothing for teenagers through young college-age women and her designs proved very successful and were marketed through Chicago’s Marshall Field’s department store. By 1961 the Gernes Garment Co. moved their design and pattern making department to New York to capture young fashion designers such as Marian Ross as well as be closer to the influential couturier houses in New York & Paris. The Gay Gibson label was marketed in Mademoiselle Seventeen Glamour and Vogue magazines with Twiggy often modeling Gay Gibson dresses in the 1960’s. Marian’s designs were inventive playful and emphasizing movement as well as comfort. Many of the fashion patterns depict her models in flats ballet flats or even shoeless while dressed in elegant evening or formal dress. Also depicted are designs such as billowing harem pants modified and sleek upscale poodle skirts and Tartan patterned capes pockets dresses and accessories. Others encompass swimwear ski wear as well as the emphasized and often enforced domesticity of the late 1950’s to 1960’s with stylish plaid house-dresses in the kitchen and bar as well as frequent use of lace. The Gay Gibson label maintained a showroom at 1407 Broadway on the 39th Floor in New York ad held over 24 showings from 1961-1969 including Junior Dresses Summer Collections Spring Junior Collections as well as Holiday and Resort collections. By the early 1970’s the label was having financial difficulties and the popularity began to drop with the company run by Desaix Gernes her mother and husband Paul before folding a few years after Sara Desaix Gernes’ death. Marian and Elliot Mizelle established Madrigal Inc. name chosen because of the seductive chic of Manhattan’s Le Madrigal restaurant and grew into a legendary luxury boutique at one point operating store fronts in Santa Barbara downtown San Francisco and Carmel CA. In her 2015 interview for “Women in Business” with the Carmel Pine Cone Marian stated she “wanted to be an actress but it didn’t work out that way. I used to sketch a lot so I studied design instead. Everything I touched while was designing worked. I got a lot of jobs and was featured on a lot of Seventeen magazine covers.” This cataloguer could find not similar extant archive of original designs for the 1960’s period of the Gay Gibson label or for Marian Ross Mizelle; See: Interview with Desaix Gernes Garment Industry Oral History Collection The Kansas City Public Library Jan. 14 2005 SC229 Series 2 2024; Gay Gibson Vintage Fashion Guild 2025; Donnelly Garment Company vs. International Ladies Garment Workers Union et al Photographs Clothing Demonstration The Pendergast Years Kansas City in the Jazz Age & Great Depression 2025. Marian Ross Mizelle, Madrigal, hardcover
ref. 28934New York: 214 Broadway 1848 2141. First edition. Wrappers a little worn and soiled and chipped at the spine but sound and complete; very good copy. Small 8vo original pictorial wrappers 54 pages. Four full-page illustrations and about depending on how you count them 35 vignettes in the text; illustration of the Genin Hatter store in Manhattan on the lower wrapper. An attractive promotional pamphlet for the Genin Hatter business on the subject of the hat and its history by the proprietor of the firm John Nicholas Genin 1819-1878 one of the most famous hatters of his generation. "Like P. T. Barnum his neighbor on Broadway Genin had a remarkable knack for using publicity to boost his business" - Wikipedia. The imprint of 214 Broadway was the address of the Genin Hatter store. New York: 214 Broadway, 1848 unknown
1991ref. 94581Philadelphia, New York The Fabric Workshop, W.W. Norton & Company 1991 1 vol. relié in-4 étroit, cartonnage illustré sous rhodoïd imprimé, 223 pp., nombreuses photos en couleurs. Texte en anglais. Très bon état.
1991ref. 94581Philadelphia, New York The Fabric Workshop, W.W. Norton & Company 1991 1 vol. relié in-4 étroit, cartonnage illustré sous rhodoïd imprimé, 223 pp., nombreuses photos en couleurs. Texte en anglais. Très bon état.
Nikolaus Pevsner An outline of european architecture. , Murray s.d. 0, Legatura editoriale. Copertina in cartoncino uso tela,lievemente scolorita. Paginazione brunita.Interno in ottime condizioni. Sovraccoperta mancante. Buono (Good) . 238
1987Munchen, Munchener Stadmuseum, 1987, 4to brossura con copertina illustrata a colori, pp. 648 completamente illustrato in nero e a colori. In ottime condizioni.
ref. BN600527Graz / Wien / Köln Verlag Styria 1998. An-Denken Festgabe für Eugen Biser. Europäische Akademie der Wissenschaften und Künste 1998. Herausgegeben von Erwin Möde Felix Unger und Karl Matthäus Woschitz. An-Denken Festgabe für Eugen Biser. Europäische Akademie der Wissenschaften und Künste 1998. Herausgegeben von Erwin Möde Felix Unger und Karl Matthäus Woschitz. Möde Erwin Felix Unger Karl Matthäus Woschitz u. a. Graz / Wien / Köln, Verlag Styria, 1998. unknown
1982Fine Fine English Original bdg. Dust wrapper. Oblong large 8vo. (23 x 24 cm). In Turkish. [2], [69] p. Anadolu günesi. Dünkü ve bugünkü Türkiye. Designed, scenario, texts by Ferit Edgü. Creative fashion design: Necla Seyhun. Photographs by Ara Güler.
1983ref. 2090502113716613Not Available 1983. Soft Cover. Fine. The book is in fine condition. Not Available paperback
1984ref. 2090502113717511Not Available 1984. Soft Cover. Fine. The book is in fine condition. Not Available paperback
2002ref. 1925160304002Spitfire 2002-05-01. Audio CD. Very Good. CD plays perfectly & the case looks good. Spitfire unknown
1989ref. 276838Riggisberg: Abegg Stiftung 1989. 132 S., zahlr. teilw. farb. Abb. u. Taf. Br.
2002(Codice OG/0226) In 8° (27 cm) 106 pp. French text, colour illustrations. Softcover, fine. ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA