Marangoni FedericoMareMagnum
19.006 resultados
2016brossura Nel XV secolo in Italia, in parallelo con il rinnovamento delle lettere e delle arti, anche la moda abbandonò le forme gotiche del secolo precedente a favore di abiti più semplici e lineari: nasceva così il vestire all'italiana. Attingendo ad un insieme di conoscenze derivato dallo studio di centinaia di fonti dell'epoca e da una lunga esperienza nel campo della rievocazione e ricostruzione storica, l'autore analizza tutti gli elementi di cui era costituito l'abbigliamento del Quattrocento italiano (non ultimi alcuni accessori principali) fornendo al lettore, attraverso oltre centotrenta immagini a colori, un ricco campionario dell'apparato iconografico dell'epoca, distribuito sull'intero arco del secolo e con riferimenti a tutta la penisola italiana. Miniature, affreschi, sculture e reperti archeologici sono il punto di partenza dell'analisi, accompagnati da descrizioni dei singoli capi d'abbigliamento che permettono di studiare le differenze nell'uso e nella fattura di ogni elemento descritto. Questo testo, indirizzato non solo a chi si interessa e occupa di rievocazioni storiche, permette così anche all'appassionato di approfondire la conoscenza di quegli aspetti dell'apparire quattrocentesco che ancora oggi esercitano tanto fascino.
200424x29 cm, brossura illustrata; pp. (160), numerose foto a colori
1893ref. 5731893 Paris, Librairie de Firmin-Didot et Cie, 1893.
ref. 23997P., Firmin-Didot, 1893, fort in 4° relié demi-chagrin rouge, dos à faux nerfs très orné, tranches dorées, fer doré de la ville de Paris frappé au centre du plat supérieur, XII-774pp. ; qq. rousseurs et infimes défauts ; des cahiers déboités ; frottis à la reliure, coins émoussés ; exemplaire légèrement déboité.
1998ref. 1132München : Schneekluth, 1998. 347 S. ; 22 cm 4°. OPpbd. mit SU.
1931ref. 11418(Berlin), 31.Januar 1931. 8°. Mit zahlreichen Illustrationen. 80 S., 4 Bl. Original-Broschur. Rücken etwas ausgeblichen und geknickt, sonst gut erhalten.
1947ref. 140442Französisch-deutsch. Konstanz, Lingua-Vlg. Ilse Bartels, 1947. Kl.-8vo. 32 S. Or.-Brosch. mit Deckelzeichnung von Hans Sauerbruch; gebräunt u. etw. stockfleckig.
1913ref. 824718Berlin, Günther & Sohn, 1913. 139 S. OLwd. Rsign. Notiz u. St. a. Einbd., Vorsatz u. Tit.
1912ref. 233091Berlin, 1912. 2 Bl., 134, VI S. OLwd. St. u. Sign. a. Tit.
1959ref. 127018Wiesbaden, Brandstetter, (1959-64). 386, 368, 147 S. OLwd. m. Rsign. St. a. Vorsatz u. Tit.
1935ref. 91895Broschüre des "Reichsinnungsverbandes der Wäschereien und Plättereien". Berlin ca. 1935. Mit zahlreichen fotografischen Abbildungen. 16 Bl. (inkl. Umschlag). Or.-Umschlag; tlw. Eselsohren.
1994ref. 277074Frankfurt M. Deutscher Fachverlag 1994. 219 Seiten, zahlreiche, meist farb. Abbildungen. 4° Ln.mS: *neuwertig*.
1998ref. 11645721998. 347 S.; zahlr. Illustrationen; 30,5 cm; kart.
1990Mm 230x280 Brossura editoriale di 167 pp. con copertina figurata a colori, 243 illustrazioni di cui 179 policrome. Ottimo stato. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
1958ref. 107159Berlin, Akad.-Vlg. 1958. M. zahlr. Abb. VI, 334 S. OBr. (Veröff. d. Inst. f. dt. Sprache u. Lit. 9).
1909179 pages. "The original intention in the mind of God in the matter of clothing was, certainly, not adornment... Covering and protection was the purpose, and is still the true purpose of dress, and God has given a number of ways for us to find what His mind is." - from Preface. Chapters include: Introduction, The Curse of Worldy Dress, Dress - An Index of the Mind and Heart, Degree of Plainness; The Mode of Dress; Children's Dress; Witnesses. Prior owner's name atop front free endpaper else unmarked. Binding sound. Moderate wear. Quality copy. Book
Hardcover, bound with dustjacket, 383pp., 20.5x26.5cm., lavishly illustr.in col. and b/w., very good copy. ISBN 9780500512166. Gabrielle 'Coco' Chanel is an icon of fashion, and can lay claim to having invented the look of the 20th century. At the height of the Belle Epoque, she stripped women of their corsets and feathers, bobbed their hair, put them in bathing suits and sent them out to get tanned in the sun. She introduced the little black dress; trousers for women; costume jewelry; the exquisitely comfortable suit that became her trademark. Early in the Roaring Twenties, Chanel made the first ever couture perfume - No. 5 - presenting it in the famous little square-cut flagon that, inspired by Picasso and Cubism, became the arch symbol of the Art Deco style. No. 5 remains the most popular scent ever created. Chanel knew instinctively that the road to success lay in being absolutely at one with her own time. And what a time! The era of Picasso, Diaghilev, Stravinsky, Cocteau, Jean Renoir, Visconti - all of whom 'Coco' knew and collaborated with, even as she matched their modernist innovations by liberating women from the prison of 19th-century fashion and creating a whole new concept of elegance. Chanel went everywhere and knew everyone and, as this sumptuously illustrated volume clearly shows, her life and accomplishment - even her chronic failure in love - constitute one of the great stories of the modern age. Her life is eminently suited to the lavish visual treatment of this handsome volume, which features more than 600 illustrations from an extraordinary collection amassed over the years by Edmonde Charles-Roux, Chanel's official biographer and close friend. An authoritative and practised writer, Charles-Roux has used careful research and vivid eyewitness accounts to set the pictures in their context of time and place. She makes Chanel live again!
4°. (25,7 x 21,2 cm). 162 p. (Japanese Language). Original boards (softcover) with title to spine and illustrated title to front cover. Boards with low signs of use, spine a bit faded. Paper inside with some browning at the edges, otherwise well preserved. Generally in good condition. The publication contains 261 images at all (coloured and black/white).
Anno: 2009 Formato: 20x25 cm - Copertina Morbida Pagine: 221 con illustrazioni Lingua: Italiano Condizioni: Buone, come da foto, con segni del tempo e di utilizzo.
1996ref. 113239Ostfildern-Ruit: Cantz Verlag, 1996. 28 x 24 cm ; kart.
1931ref. 11073ABVienna, 1931. 24,5 : 20 cm. 43 pages With 34 mounted coloured designs for dresses.
2005AA.VV. Woolrich 175th Anniversary 1830 - 2005. Bologna, Renografica (2005), In 8° quadrato, cart. edit., pp. 144, moltissime ill. a colori nel testo. In lingua inglese Buono (Good) .
1974ref. 1003720Paris and New York: International Wool Fashion Office; The Wool Bureau 1974. Ephemeral 1974 trend report on Parisian knitwear for American designers and showrooms issued by the International Wool Fashion Office in Paris and The Wool Bureau in New York. Editor Skippy Stone declares: "Fall 1974. . . Total from top to toe. Paris is everything that is at once avant romantic feminine and grand . . . blending the classic and peasant into a new season of big new clothes." Top runway models of the day among them Jerry Hall pose in voluminous layered knits designed by the likes of Kenzo Issey Miyake Sonia Rykiel and Karl Lagerfeld for Chloë. The International Wool Secretariat IWS the entity behind the IWFO and The Wool Bureau was the natural fiber mills' response to DuPont's introduction of nylon in the 1930s a major disruptor in the fashion industry. The IWS shaped global fashion trends for decades through forecasting reports like this one and the International Woolmark Prize which launched the careers of young designers Yves Saint Laurent and Karl Lagerfeld. In 1997 the IWS would rebrand as The Woolmark Company keeping their iconic logo the stylized skein of yarn sprinkled throughout this report. Text in English and French. An uncommon survival. Side-stapled volume measuring 12 x 9 inches: 80. Original photographic wrappers black-and-white photographs throughout text. Light foxing and edgewear; evidence of label removal to upper wrapper. International Wool Fashion Office; The Wool Bureau unknown
1941This is a near fine hardcover copy of the first edition, not the later reprint, with almost no wear. Completely clean inside and out, no previous owner markings. Bound in plain green polished cloth boards with the title in gilt on the spine. This title was issued as Publication 15, Volume VII Archaeology 2, of the Reports from the Scientific Expedition to the North-Western Provinces of China under the Leadership of Dr. Sven Hedin. Introduction by Folke Bergman. Appendix on 'Spinning tools' by G. Montell. Text in English. Glossary. Concordance (list of objects). 15 plates accompany the text, including 1 color plate with 20 pieces on it. Also 3 plates with the appendix. 2 maps. 34 drawings in the text. Bibliography. 12" high X 9" wide, 127 pages. This is a beautiful copy of the superior first edition. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
1986ref. 176806Tokyo: Fashion Foundation 1986. Softcover. VG light shelfwear to wraps corners bumped pages are very clean and tight. White wraps with black lettering color illustration on front cover 104 pp profusely illustrated in color and bw followed by several unpaginated pages of ads. Text in Japanese and English. International textile design contest Dec. 3-5 1986 organized by the Fashion Foundation Tokyo Japan. Fashion Foundation paperback books
