UZANNE OCTAVE.MareMagnum
19 318 résultats
1883Cm. 26,5, pp. (8) 138 (2). Con molte illustrazioni a più toni di colore elegantemente inserite nel testo. Splendida legatura coeva in mezzo marocchino marron a fascia larga, dorso a 5 nervi con titoli in oro su tassello e fregi ai piccoli ferri ai comparti. Taglio di testa dorato. Sguardie marmorizzate. Conservate le brossure orig. in cromolitografia. Legatura firmata Dupré. Perfetta conservazione. Tutte le illustrazioni sono opera di Paul Avril. Edizione originale di una delle opere più affascinanti della vasta produzione di Uzanne.
1860Tre parti in due volumi di cm. 22,5, pp. 9, 38 d'indici + 513 tavole incise raffiguranti personaggi in costume. Ogni tavola racchiusa da elegante cornice ed accompagnata da una pagina di testo con la spiegazione del soggetto. La terza titola: FIRMIN DIDOT A. Essai typographique et bibliographique de la gravure sur bois... Pp. xvi, 315 (numerazione per colonne). Legatura primi '900 in mezza tela rossa con titoli in oro sui tasselli ai dorsi. Brossure orig. conservate. Esemplare in buono stato di conservazione, ad ampi margini. Completo dell'allegato volume sull'origine dell'incisione xilografica. Bell'edizione ottocentesca di questa classica opera che illustra e descrive i costumi e gli abiti di tutti i popoli del mondo. Cfr. Colas II, 2980.
1859Due volumi di cm. 22, pp. 9 + 513 tavole incise raffiguranti personaggi in costume + pp. 20 d'indici. Ogni tavola racchiusa da elegante cornice ed accompagnata da una pagina di testo con la spiegazione del soggetto. Solida legatura di poco posteriore in mezza pelle con ampie punte, dorsi a nervi con titoli in oro. Tagli dorati e sguardie marmorizzate. Una gora chiara e marginale alle prime pagine del secondo volume, peraltro ottima copia. Manca (come quasi sempre accade) l'allegato opuscolo sull'origine dell'incisione xilografica annunciato dal frontespizio. Bell'edizione ottocentesca di questa classica opera che illustra e descrive i costumi e gli abiti di tutti i popoli del mondo. Cfr. Colas II, 2980.
1859Due volumi di cm. 21,5, pp. 9 + 513 tavole incise raffiguranti personaggi in costume + pp. 20 d'indici. Ogni tavola racchiusa da elegante cornice ed accompagnata da una pagina di testo con la spiegazione del soggetto. Interessante legatura (editoriale?) in piena percallina rossa con decorazioni e titoli in oro ai piatti. Tagli dorati. Due piccole mancanze ad un dorso, alcune sezioni di carte un po' brunite, peraltro ben conservato. Manca (come quasi sempre accade) l'allegato opuscolo sull'origine dell'incisione xilografica annunciato dal frontespizio. Bell'edizione ottocentesca di questa classica opera che illustra e descrive i costumi e gli abiti di tutti i popoli del mondo. Cfr. Colas II, 2980.
1859Due volumi di cm. 21,5, pp. 9 + 513 tavole incise raffiguranti personaggi in costume + pp. 20 d'indici. Ogni tavola racchiusa da elegante cornice ed accompagnata da una pagina di testo con la spiegazione del soggetto. Solida legatura di fine '800 in mezza percallina verde con ampie punte, dorsi lisci, muti. Preservati all'interno i piatti anteriori della bella brossura originale illustrata color giallo. Ben conservato. Manca (come quasi sempre accade) l'allegato opuscolo sull'origine dell'incisione xilografica annunciato dal frontespizio. Bell'edizione ottocentesca di questa classica opera che illustra e descrive i costumi e gli abiti di tutti i popoli del mondo. Cfr. Colas II, 2980.
1922réf. 62342New York: Edward J. Clode 1922. 12 vols. 12mo. 1184 pp all vols. separately paginated. With 100’s of text illustrations diagrams patterns. Brown cloth-backed cream-coloured softcovers illustrated in brown & brown lettering very slight shelfwear slight soiling to fore-edges still a NF set preserved in the original open case. First edition 2nd printing of this informative and well-illustrated set issued by Woman’s Home Companion intended as a Jazz Age “how-to” instructional sewing and tailoring course to properly instruct young aspiring fashion designers seamstresses and at home housewives how to craft the current Flapper-era fashions. These well-organized volumes include sections on selecting the proper clothes and colours simple stitches making their garments attractive trimmings to add a little extra to underwear; different types of blouses lingerie blouses kimono blouses “Smart” clothes drop waist dresses and the key of pattern making. This course helped to propel the idea of “Flapper Design Fashion” and reflected many of her own innovative artistic and graciously elegant designs. Conover Stadtmiller 1891-1968 was a Los Angeles fashion designer associate fashion editor of Woman’s Home Companion and after marrying noted Kennicott Copper Co. mining engineer Karl Stadtmiller 1893-1934 retired from her career until after her husband’s sudden death. Worldcat locates 4 sets FIT-NY Indiana U MFA Boston Toronto Public. Edward J. Clode, paperback
1950réf. 61482Tokyo Japan: Mikimoto ca. 1950. Oblong folio. 14.5 x 11.5 x 1.4 in. Original wooden shadow box sample display case holding 10 opened & cleaned pearl oyster shells on white padded fibers and 5 varying grades of cultured pearls showing progression of growth minor scuffing to corners of polished wood frame backed w/ birch plywood box a VG exemplar. Commercial cultured pearls were first developed by Kokichi Mikimoto who succeeded in creating semi-spherical cultured pearls in 1893 by developing the exacting method of inserting grains into pearl oysters and harvesting two years. later. The company exhibited at many International World’s Fairs in the succeeding years and following World War I gained a foothold in Europe during the Art Deco jewelry phase. Virulently opposed by European jewelers who attacked cultured pearls as imitations rather than real pearls Mikimoto would win the lawsuit at the “Paris Trial” and quickly established the custom of distributing trade literature explaining the pearl process as well as visual sample cases. Although the 1930’s saw the emergence of very good glass imitation pearls cultured pearls continued to be valued and in post-World War II America reached their heyday with elegance and femininity favored with designs inspired by Grace Kelly and later Jackie Kennedy of single strands of pearls and pearl studs. These sample boxes continued to remind customers that the pearls were actually cultivated and harvested from oysters. See: Mikimoto Brand Story Our Founder Kokichi Mikimoto 2024; Amber Michelle A History of Cultured Pearls IAJA 2022. Mikimoto?, unknown
1934réf. 56170Omaha NE: Northwestern Fur Company ca. 1934. Two vols. 4to. 15 1; 16 pp unpaginated. with numerous photo and text illustrations diagrams. Self-printed illustrated softcovers both with cover art of stylish young women wearing furs including one in front of an Art Deco screen both with centerfold creases as issued minor shelfwear rubbing still VG set retaining original mailing envelope addressed to A.lbert H.enry McConnell 1861-1939 Payette Valley Silver Fox Farm Fruitland ID formerly of Gunnison CO set up his fruit orchards ranching business and other opportunities in Idaho. First editions of these very rare fur fashion and furrier supply catalogues issued by the Northwestern Fur Co. of Omaha NE including in the first catalogue furs for sale such as chokers scarfs muskrat Northern Seal Hudson Seal Caracul Siberian Squirrel and others. Also included are listings for furriers’ tools and equipment taxidermy work fasteners and more while the second catalogue promotes the complete furrier course offered by the company. Elwood 1875-1947 with two partners Paul F. Greve and R.H. Smith incorporated the Northwestern Fur Company school of taxidermy and the Northwestern Fur Company furs mail order in 1903 and quickly expanded for the succeeding decades. Elwood had previously taught and been director at a trade school in Iowa before moving to Omaha NE and continued as the public face of the mail order company for decades eventually closing down in the 1980s. No copies located in Worldcat; See: Northwestern School of Taxidermy Northwestern Fur Company Nebraska State Historical Society Manuscript Finding Aid RG5451.AM. Northwestern Fur Company, paperback
1930réf. 58140Paris Vienna New York et al: Societe Graphique S.A. Editions de Mode Classique Modes Co. Importers of Fashions 303 Fifth Ave. ca. 1930. Folio. 9 x 13 in. IV pp. leaves as V-XX hand-coloured pochoir plates 2 pp. pattern cutting plates. Quarter-embossed gold foil over pink printed softcovers gilt & black decorative lettering minor shelfwear slight bumping to corners rubbing still a VG copy. First edition of this beautifully coloured collection of haute couture Parisian fashion dress designs by Lucien LeLong 1889-1958. Lelong was a contemporary designer alongside Chanel Vionnet Molyneux Lanvin & Patou focusing on designing for cafe society during the 1920’s and 1930’s. These designs emphasize Lelong Schiaparelli and Vionnet’s move towards a more sophisticated and elegant feminine silhouette during the 1930’s with hemlines dropped to mid-calf or close to the ankle soft slim-fitting dresses and backless evening gowns. Classique Modes also distributed other similar pochoir-illustrated fashion design periodicals such as Paris Chic Elite Robes elegantes Iris and others. The final 2 plates No copies in Worldcat. Societe Graphique S.A., Editions de Mode, Classique Modes Co., Importers of Fashions, 303 Fifth Ave., paperback
1946réf. 57486New York: Lord & Taylor 1946. Tall 8vo. 3 101 4 pp. Double-page frontispiece white crepe-paper Christmas Tree pop-up by The Beistle Co. Illustrated throughout most in black & white 10 colour plates some photographic others a mixed-media effect. Colour-illustrated softcovers wraparound cover art minor shelfwear edgewear at corners light rippling to gutter margin of first couple leaves still a VG copy. First edition of this fashionable post-World War II catalogue celebrating 101 stylish gifts for men women & children following the easing of Wartime restrictions. The impressionistic illustrations were created by the in-house Lord & Taylor artists who were some of the most influential designers during the 1940’s and 1950’s including Dorothy Hood Helen Hall Arnold Hall Jean Karnoff Susan Abbott Betty Offt and Carl Wilson. Many of the 101 items drip with a glamour desired and reflected in post-War film and popular culture and a distinct emphasis on femininity with such items as the “Ermine hug-me-tight” stole Hand-made silk lingerie with French Alencon lace Koret dinner bag the Harem lounging costume by Joseph Whitehead Gloves that go up and up and more. Worldcat locates 1 copy Penn State; See: Keren Ben-Horin July Treasure of the Month: Frances Neady Collection On Pins and Needles July 25 2012. Lord & Taylor, paperback
1900réf. 60928Porland OR: Lipman Wolfe & Co. 1900. 16mo. 32 pp unpaginated. w/ photo illustrations throughout. Colour-illustrated softcovers view of the goddess Minerva holding broken sword city of Paris stretching into the background and medals which originally honored Czar Nicholas for the disarmament conference of 1898 now changed to the United States Seal w/ original mailing envelope post-marked 1¢ Franklin stamp NF/NF copy from the library of Caroline Augusta Gray Kamm 1840-1932 noted socialite and philanthropist in Portland built home for poor women & girls with the YWCA and was daughter of PNW pioneer William H. Gray 1810-1889 who traveled to the Lapwai Mission in Lewiston ID in 1836 where he was the Nez Perce secular agent and subsequently later married Jacob Kamm 1823-1912 pioneering Oregon industrialist and entrepreneur. First edition of this beautiful belle epoque 19th-Century fashion catalogue issued by the historic Lipman Wolfe & Co. department store in Portland OR featuring elaborate large-rimmed hats with extensive trimmings featuring fashions created by such women designers as Madam Michniwicz-Tuvee Esther Meyer Camille Roger perhaps best remembered later for her Art Deco Suffrage hats the Guillard sisters and others. The famed Lipman Wolfe & Co. department store was founded in 1880 by Adolphe Wolfe who teamed up with his uncle Solomon Lipman and at the time still maintained their original Dekum Building at 3rd Street and were the first to introduce customer elevators to their many floors. No copies in Worldcat. Lipman, Wolfe & Co., paperback
1916réf. 62798New York: The Leading Pattern Co. 1916. Two parts in one vol. Small folio. 9.75 x 12.5 in. 2 28; 251-341 1 pp. Engraved & illustrated title vignettes text illustrations diagrams photos throughout including engraved signed certificate of completion. Original pebbled green cloth “Spring Binder” w/ gilt stamping & ruling on spine labels on endpapers minor tear to spine scuffing still VG copy from the library of Rose M. Cervini Savarese 1891-1965 w/ certificate signed by Rosenfeld. First edition of this exceedingly scarce and well-illustrated installment in Rosenfeld’s self-instruction dressmaking course available in 14 parts in 3 vols. where students could choose their particular course installment. This well-organized volume details the grading special garment cutting sketching tailoring dressmaking and fitting for dressmakers at the end of the Progressive Era. Rosenfeld b. 1883 was an Austro-Hungarian-American Jewish tailor and dress designer who before World War I had established not only his education courses but also oversaw his own design house and dressmaking operation in Brooklyn New York. The Leading Pattern Co. allowed him to not only train his current employees but recruit further. Worldcat locates 6 copies -- most incomplete or just mircofiche as well as incorrect dates for Rosenfeld FIT NY 10 vols St. Louis Pub. incomplete U of Chicago 13 vols. Northern Illinois LACMA DLC Thomas Jefferson Univ. The Leading Pattern Co., hardcover
1902réf. 91486Goupil & Cie, Manzi, Joyant & Cie, impr. Manzi, Joyant & Cie, Asnières 1902 In-folio. Reliure tissu damassé beige, premiers plats de couverture en couleurs conservés, en pagination continue 300 pp., planches hors, texte en couleurs, illustrations en noir & blanc. Bon exemplaire.
réf. DADAX1595327894New unknown
réf. 113102aafBruylant-Christophe et Cie, éditeurs, 1856-1857, in-4to, 380 p. à double col. (sans les p. 19 à 20) , ill. de 10 planches gravées, et coloriées (aquarellées) à la main + 2 planches doubl. en n/bl. reliure en demi-cuir.
1998réf. 27517(Göttingen), Steidl, (1998). Preface De Michel Tournier. Conception Azzedine Alaia. Mit sehr zahlreichen, meist ganzseitigen, z.T. farbigen Fotoabbildungen Nach Aufnahmen von Martine Barrat, Gilles Bensimon, Patrick Demarchelier, Arthur Elgort, Jean-Paul Goude, Horst P. Horst, Paul Kasmin, William Klein, Annie Leibovitz, Peter Lindberg, Steven Meisel, Jean Baptiste Mondino, Helmut Newton, Michael Roberts, Paolo Roversi, Julian Schnabel, Ellen von Unwerth, Max Vadukul, Bruce Weber, Christoph von Weyhe und Leigh Wiener. 37/28 cm. 255,13 S. OLeinen mit transparentem, bedrucktem Schutzumschlag. In bedrucktem OSchuber. Recht schön.
STATO: USATO, MOLTO BUONO. TITOLO: Recueil de planches sur les sciences et les arts. Tailleur d'habits et tailleur de corps. Contenant vingt- quatre planches. Edizione originale completa di 24 tavole relative al mestiere del sarto, tratte dall'enciclopedia di Diderot e D'Alembert, stampate presumibilmente ad inizio '800 o fine 700, . Le tavole sono tutte in buono stato. La legatura in m
réf. 4857Guide complet de tous les Travaux des Dames. Littérature choisie. Gravures de modes noires et coloriées d'après les dessins de David et Préval. Paris 1874-1875. In-folio en demi-toile d'époque. TBE.
réf. 2M3220Neue Verlags-Gesellschaft mbH Baden-Baden 1953. Je Heft 32 S. mit vielen Abbildungen broschierte Einbände folio teils mit leichten Gebrauchsspuren/Name auf Einband. - komplett - unknown
réf. 928809F. Detaille Marseille 1922 Grand in-4 carré ( 325 X 255 mm ) de 150 pages, demi-chagrin vert-sapin, dos à nerfs orné de fleurons dorés, non rogné, couverture illustrée et dos conservés. Illustrations par F. DETAILLE, reproduction de nombreux documents anciens, 6 planches hors texte en couleurs. EDITION ORIGINALE. Dos éclairci sinon très bel exemplaire de ce joli livre.
1925réf. 227121925 1 Montrouge, Draeger, (1925), in-8, en feuilles, sous couverture cartonnée bleue à décor Art-Déco argenté.
réf. 61136sd Paris, E. Bernard & Cie, Imprimeurs-Editeurs, sans date (1902-1904), 1 volume contenant 8 fascicules de 16 pages environ chacun (20 pages pour le premier) et 5 fascicules de 80 pages au total (pagination continue), dans une demi reliure en basane vert foncé et cartonnage marbré. Les couvertures sont conservées, nombreuses illustrations en noir et en couleurs.
réf. DADAX1563671727New unknown
1895réf. 15969H. Laurens 1895 In-4. Percaline de l’éditeur verte , décor polychrome sur le premier plat, 160 pp., 16 aquarelles hors-texte et 112 dessins en noir dans le texte et à pleine page. Reliure légèrement frottée. Bon exemplaire.
1883réf. 110064Paris, A. Quantin 1883 In-4 28 x 15 cm. Reliure demi-cuir de Russie fauve à coins, dos à nerfs, pièce de titre maroquin noir, couvertures illustrées sur japon dans le goût du XVIIIe s. conservées, page de titre en rouge et noir orné d’une vignette, 138 pp., gravures en taille-douce et dans le texte en camaïeu de différentes couleurs de Paul Avril. Reliure légèrement frottée, quelques épidermures et rousseurs.
