Revue de modeLivre Rare Book
19 093 résultats
réf. 13001Gazette de la famille, Revue de la mode 1879 (8è année) de janvier à décembre. In folio reliure demi-toile, Reliure très abîmée. Bords des feuillets abîmés, 52 gravures lithographiées, 432 pages.
1886réf. 2210PARIS. A. QUANTIN, IMPRIMEUR-EDITEUR. 1886. GRAND IN-8 BROCHE (19 X 28 X 4 CENTIMETRES ENVIRON), DE (4) + XVI ET 278 PAGES, COUVERTURE BLANCHE REMPLIEE ENTIEREMENT ILLUSTREE A L'EAU-FORTE EN COULEURS ET EN RELIEF, TITRE IMPRIME EN BLEU ET EN NOIR, SOUS EMBOITAGE EN CUIR JAPONAIS MORDORE. ILLUSTRE DE NOMBREUSES VIGNETTES EN NOIR, ET D'UN FRONTISPICE, 9 PLANCHES HORS TEXTE, 20 VIGNETTES DANS LE TEXTE GRAVES A L'EAU-FORTE EN COULEURS. EDITION ORIGINALE ET PREMIER TIRAGE. (VICAIRE. VII. 924-925). "JOLI LIVRE DOCUMENTAIRE ET ARTISTIQUE, SUPERIEUREMENT GRAVE, DEBUT D'UNE ILLUSTRATION MODERNE." (CARTERET. IV. 384). TIRAGE COURANT SUR VELIN, TIRAGE DE LUXE SUR PAPIER DU JAPON TEINTE LIMITE A 100 EXEMPLAIRES NUMEROTES. UN DES RARES EXEMPLAIRES SUR HOLLANDE FILIGRANE AU MONOGRAMME DE L'EDITEUR CITES PAR VICAIRE. DEBOITE, DEFAUTS D'USURE SUR LA CHEMISE, SINON BEL EXEMPLAIRE.
1892- Lib. Renouard & Henri Laurens, Paris 1892, 20x30,5cm, relié. - Première édition française postérieure de quelques mois à l'édition originale imprimée en Belgique. Reliure en demi chagrin noir à coins, dos à cinq nerfs orné de filets dorés comportant de petites traces de frottements, un mors fendu et restauré en tête, encadrements de doubles filets dorés sur les plats de cartonnage noir, coins émoussés, gardes et contreplats de papier à la cuve, tête dorée. Ouvrage illustré de 571 figures in et hors-texte ainsi que d'un frontispice en chromolithographie. Rares rousseurs. [ENGLISH DESCRIPTION ON DEMAND]
2024réf. BN513759Göttingen / Steidl 2024. 2024. Chanel. Fittings & Backstage. Chanel. Fittings & Backstage. Mode - Benoit Peverelli Göttingen / Steidl unknown
2011réf. 140646Bernard Chauveau Editeur 2011 In-4 relié 27,3 cm sur 41. 176 pages. Couverture légèrement passée, dos muet, ATTENTION : frottement important en pied du second plat : petit manque de papier, intérieur frais. Bon état d’occasion.
réf. Gundtoft, DorotheaIn Pristine Condition. unknown
2009This is a fine hardcover copy with a near fine dust jacket. Completely clean. Text in English. This monograph was prepared to accompany the exhibition 'Madeleine Vionnet: Puriste de la mode' at the Musee de la Mode et du Textile in Paris from June 24, 2009 to January 31, 2010. Illustrated in color and black & white. Chronolgy.. Bibliography. 13" high X 10" wide, 301 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
1926réf. 10314ABParis, Albert Godde, Bedin, 1926. 4° (31,5 x 24 cm). 36 unpag. Seiten. Mit zahlreichen farbigen, teils montierten Illustrationen nach Zeichnungen, etliche im aufwendigen Pochoir-Verfahren gedruckt. Orig.-Broschur mit farbig montiertem Deckelbild (Frauen Halbporträt in rot und schwarz), Kordelbindung. Farbig gemusterte lithographierte Vorsatzblätter (Crepe de Chine, Stoffmuster der AGB-Textilfabrikation)., 10314ab|10314ab 2|10314ab 3 [3 Warenabbildungen] Broschurumschlag leicht gebräunt, Ecken etw. knittrig bzw. ein wenig bestoßen.
1998Regional dress and culture in North Holland Province 1750-1900, in which a multi-disciplinary picture is portrayed: history and development of local dress, female and male jewelry, headwear and laces, footwear, paintings as source of information, annual fairs, whitsuntide elections, marriages, birth and midwife's customs, burials and mourning. Legatura tela editoriale con sovracoperta illustrata Formato Quarto Num Pagine 264 Illustrazioni numerose a colori e b/n Prima Edizione
réf. 69575Antwerpen, M HKA, 2016 Paperback, 140 + XXVIII pages / pagina's, ENG / NL, 265 x 200 mm, New edition, illustrations in colour, 2 artists in 1 book. with drawings by both artists on their respective opening pages. *fine condition ISBN 9789072828545.
1997Gan, Stephen; James Kaliardos; Cecilia Dean (eds.) Visionaire 21: The Diamond Issue/ Deck of Cards. New York, Visionaire Publishing 1997 english, 1997. Cassetta in pelle blu con lucchetto e chiave contenente mazzo di 54 carte da gioco fotografiche con ulteriori 7 carte di informazioni aggiunte. Edizione limitata in 3000 copie per il cinquantesimo anniversario della rivista Visionaire. In custodia. LF13
1908in 16°; pp. XX, 296 + 55 tavv. + catalogo editoriale; leg.; coll. Manuali Hoepli. Manuale teorico pratico ad uso delle scuole normali e professionali femminili e famiglie. 55 tavv., 31 figurini e diversi prospetti per ingrandimento e impicciolimento dei modelli (raro - molto buono)
1989réf. 51478ABNew York Rizzoli 1989. EA. 4° 345 (30) S., reich ill. OLw., OU. OU leicht berieb., Gel. gelock., 1 Bl. fehlt, 1 Bl. lose, 1 Biblioth.-Stemp. a. Tit.-Bl.
1846réf. DEMO014603IPhiladelphia: George R. Graham 1846. First edition. Hardcover. Good. mezzotintsengravingsmusic. Octavo contemporary half calf marbled boards scuffed some foxing Contains "Marginalia" and "The Philosophy of Composition" by Poe and a review of Herman Melville's "Typee". The Parisian fashion plates are by Le Follet. Also there is an article on California by Charles Jacob Peterson aka Harry Danforth. And with book reviews on THE WILDERNESS AND THE WARPATH by James Hall and Darwin's VOYAGE OF A NATURALIST. George R. Graham hardcover
2010réf. 028392Zurich Switzerland: Gerber & Keller 2010. A photobook in color by Play Hunter; Number 11 of # 250; the limitation is numbered & initialed in pencil by the photographer at the title page and also beneath the loose black & white photograph inserted in an attached glassine envelope at the back; not paginated. ".Hunting for style between the Swiss provinces & international catwalks I try to blur the lines of fashion art and the everyday. The idea always is to find beauty in the overlooked and unexpected." from the photographer's prefatory statement Approx. 8 1/8" x 12" size; light gray linen hardcover titled in hot pink with cloth page-marker. Light wear; in very good condition. First Edition. Hard Cover. Very Good. Illus. by Play Hunter. Gerber & Keller hardcover
1932réf. 25922Paris: Au Printemps 1932. 1 vols. Image 11-1/2 x 8 inches matted to 17-1/2 x 14 inches. 1 vols. Image 11-1/2 x 8 inches matted to 17-1/2 x 14 inches. Reynaldo Luza 1893-1978 pre-eminent fashion artist was born in Lima Peru. He began training as an architect at the University of Louvain Belgium but returned to Peru at the outbreak of World War I where he changed his studies from architecture to art. In 1918 he came to the United States where he earned his living by contributing drawings to several fashion publications principally VOGUE HARPERS BAZAAR and VANITY FAIR. In 1921 he joined HARPERS BAZAAR as the principal fashion artist a position he was to hold for 27 years. He divided his time between New York Paris and London working closely with all of the leading fashion designers of the times--Poiret Patou Lelong Paquin Douillet Doucet Cheruit Worth Drecoll Callot Soeurs Redfern Martial et Amand Premet Reboux Chanel Vionnet Molyneaux Schiaparelli Hartnell Steibel and Balenciaga among others. In 1940 Luza made New York his principal base where over the next few years he continued his activities at Harpers as well as creating fabric and furniture designs and the costumes for the movie "The Bridge of San Luis Rey". Among other distinctions he received several honorary appointments from the government of Peru including that of Artistic Director of the Paris Exposition of 1938 and the New York World's Fair of 1939-40; he also did the interior design of the new Lima airport. In 1950 Luza returned to Peru where he began a second career as a portrait painter exhibiting his work over the next few years in Paris New York and Washington D.C. Au Printemps unknown
1932réf. 25922Paris: Au Printemps 1932. 1 vols. Image 11-1/2 x 8 inches matted to 17-1/2 x 14 inches. 1 vols. Image 11-1/2 x 8 inches matted to 17-1/2 x 14 inches. Reynaldo Luza 1893-1978 pre-eminent fashion artist was born in Lima Peru. He began training as an architect at the University of Louvain Belgium but returned to Peru at the outbreak of World War I where he changed his studies from architecture to art. In 1918 he came to the United States where he earned his living by contributing drawings to several fashion publications principally VOGUE HARPERS BAZAAR and VANITY FAIR. In 1921 he joined HARPERS BAZAAR as the principal fashion artist a position he was to hold for 27 years. He divided his time between New York Paris and London working closely with all of the leading fashion designers of the times--Poiret Patou Lelong Paquin Douillet Doucet Cheruit Worth Drecoll Callot Soeurs Redfern Martial et Amand Premet Reboux Chanel Vionnet Molyneaux Schiaparelli Hartnell Steibel and Balenciaga among others. In 1940 Luza made New York his principal base where over the next few years he continued his activities at Harpers as well as creating fabric and furniture designs and the costumes for the movie "The Bridge of San Luis Rey". Among other distinctions he received several honorary appointments from the government of Peru including that of Artistic Director of the Paris Exposition of 1938 and the New York World's Fair of 1939-40; he also did the interior design of the new Lima airport. In 1950 Luza returned to Peru where he began a second career as a portrait painter exhibiting his work over the next few years in Paris New York and Washington D.C. Au Printemps unknown books
1911réf. 52192Paterson NJ Allentown PA Williamsport PA Dundee Lake NJ: National Silk Dyeing Company 1911. 8vo. 4 leaves of thick card stock bound in accordion-style format which fold out into 9 x 25.5 in panorama with 178 tipped-in colour skein silk samples in rainbow of colours a few discontinued colours removed along with their inventory numbers. Black cloth gilt lettering on front cover metal snap closure minor shelfwear some rubbing still G reference copy. First edition thus of this excellent sample catalogue filled with dyed silk thread samples including such Edwardian colour names as Desdoux Aloes Salambo Eclipse Champignon Glycine Pistache Oseille Cuite Myrthe and Matelot. The National Silk Dyeing Company began life as the Auger & Simon Silk Dyeing Works which was moved to Paterson in 1884 and grew quickly during the Victorian era but in 1908 Charles Auger chose to merge operations with five other Paterson NJ dye works forming the National Silk Dyeing Company. They would enter bankruptcy during the Great Depression. Worldcat locates 1 copy of 1913 Dyeing catalogue Brooklyn Museum. National Silk Dyeing Company, hardcover
1955réf. 56299Vienna: Wiener Modellgesellschaft M.B.H. Editions de Mode Fashion Publications 1955. Folio. 9 x 13 in. 23 colour plates in pochoir-inspired hand-coloured style. Printed beige softcovers minor creasing head of spine minor dustsoiling still VG bright copy. First edition thus of this beautifully rendered collection of haute couture summer dress designs issued by the Viennese fashion cooperative in the 1950s. These designs show the decided shift towards elegance and perfectly matched accessories for women during the 1950s with nipped-in waists full-skirted dresses as well as tailored fitted clothes with a hint of playfulness and exuberance inspired by the designs of Cristobal Balenciaga and Hubert de Givenchy as well as the feminine silhouette of Christian Dior. No copies in Worldcat of this issue. Wiener Modellgesellschaft, M.B.H., Editions de Mode, Fashion Publications], paperback
1935réf. 59961Chicago: Sears Roebuck & Co. 1935. 4to. 20 pp unpaginated. including 4 pp. order blank with measuring instructions. With printed illustrations throughout in orange & black 50 mounted fabric swatch samples of worsted wool and worsted wool blends. Self-printed colour-illustrated softcovers in orange & black Art Deco cover art & lettering w/ “Easter” promotional label mounted at upper left front cover dated March 23 1935 minor creasing shelfwear still a VG copy. Early edition of this scarce and unusually complete sample catalogue for men and young men’s suits featuring the Syracuse Parkway Collegian Kenwood Wall Street & Walton styles from Sears Roebuck & Co. These special sample catalogues were issued as supplements to their famous catalogue which were issued in millions of copies even during the Great Depression. These catalogues were more expensive to produce and were intended to provide a reasonable alternative to the larger Men’s suit purveyors such as J.L. Taylor M. Born and others. This catalogue provides invaluable illustrated historical reference for the colours styles and fabrics during the era of fashion influenced by the elegance and glamor of Hollywood films at the time. There is definite evidence of influence from the popular Film Noir films of the period. The men’s suits showed a trend towards padded shoulders suit lapels that were not as long and an increased weight and drape to the clothes as well as wider legs for the younger “fast” crowd. Worldcat locates only 1 copy Ohio University. Sears, Roebuck & Co., paperback
1877réf. 2152New York 1877. Good. 311pp. Folio. Original orange pictorial wrappers. Light wear and soiling some minor loss to wrappers. Text toned slight biopredation to final leaf. A lovely catalogue of patterns for clothing of all types issued by E. Butterick & Co. The catalogue opens with styles for ladies' coats and dresses moving on to wraps and jackets then skirts and tops followed by essentials such as bloomers and corsets and aprons and chemises. There is a section of clothing for "Misses and Girls" as well as doll patterns children's clothing and "Boys and Gentlemen." Menswear includes everything from smoking jackets and caps to overalls and kneebreeches. The rear cover advertises Singer Sewing Machines which received numerous awards at the Centennial Exhibition in Philadelphia the previous year. The front cover notes agents for Singer machines in Galveston Texas pinpointing the distribution area for the present catalogue. An excellent source for fashions of the period. unknown
1877réf. 2152New York 1877. Good. 311pp. Folio. Original orange pictorial wrappers. Light wear and soiling some minor loss to wrappers. Text toned slight biopredation to final leaf. A lovely catalogue of patterns for clothing of all types issued by E. Butterick & Co. The catalogue opens with styles for ladies' coats and dresses moving on to wraps and jackets then skirts and tops followed by essentials such as bloomers and corsets and aprons and chemises. There is a section of clothing for "Misses and Girls" as well as doll patterns children's clothing and "Boys and Gentlemen." Menswear includes everything from smoking jackets and caps to overalls and kneebreeches. The rear cover advertises Singer Sewing Machines which received numerous awards at the Centennial Exhibition in Philadelphia the previous year. The front cover notes agents for Singer machines in Galveston Texas pinpointing the distribution area for the present catalogue. An excellent source for fashions of the period. unknown books
1977réf. 1004235New York: The Wool Bureau 1977. Original trend report on American knitwear for fall 1977 featuring fashion sketches on every page each captioned with the name of the manufacturer the wool content and the retail price. Featured designers of these ready-to-wear styles include Donna Karan for Anne Klein Gloria Vanderbilt and Kay Unger. Also represented are the mass-market "sport" lines of Givenchy and Pierre Cardin. The Good Wools was issued by The Wool Bureau the American branch of the International Wool Secretariat. The IWS shaped global fashion trends for decades through forecasting reports like this one and through the International Woolmark Prize which launched the careers of designers Yves Saint Laurent and Karl Lagerfeld. In 1997 the IWS would rebrand as The Woolmark Company keeping their iconic logo the stylized skein of yarn used throughout The Good Wools to signify 100% wool content. Provenance: Ellen Robinson uncredited designer of the tweed separates created for a New Division of Alex Colman page 81. A near-fine copy. Spiral-bound volume measuring 10 x 5.25 inches: 8 170. Original color photographic wrappers. Text printed on tan paper with brown card chapter dividers line drawings on every page. The Wool Bureau unknown
1977réf. 1004235New York: The Wool Bureau 1977. Original trend report on American knitwear for fall 1977 featuring fashion sketches on every page each captioned with the name of the manufacturer the wool content and the retail price. Featured designers of these ready-to-wear styles include Donna Karan for Anne Klein Gloria Vanderbilt and Kay Unger. Also represented are the mass-market "sport" lines of Givenchy and Pierre Cardin. The Good Wools was issued by The Wool Bureau the American branch of the International Wool Secretariat. The IWS shaped global fashion trends for decades through forecasting reports like this one and through the International Woolmark Prize which launched the careers of designers Yves Saint Laurent and Karl Lagerfeld. In 1997 the IWS would rebrand as The Woolmark Company keeping their iconic logo the stylized skein of yarn used throughout The Good Wools to signify 100% wool content. Provenance: Ellen Robinson uncredited designer of the tweed separates created for a New Division of Alex Colman page 81. A near-fine copy. Spiral-bound volume measuring 10 x 5.25 inches: 8 170. Original color photographic wrappers. Text printed on tan paper with brown card chapter dividers line drawings on every page. The Wool Bureau unknown books
1978réf. 1003704Westport Connecticut: Here & There 1978. September 1978 issue of Here & There Francine Horn's groundbreaking fashion trend report focusing on haute couture Japanese fashion and resort wear: "The posh stuff is back in line for Fall '78." Forecasting a year in advance the pages reveal trendsetting European designs for Fall 1979 alongside their American counterparts with lively editorial commentary. The opening chapters celebrate the return of haute couture and its translation to ready-to-wear led by St. Laurent and Givenchy and inspired by Hollywood glamour Chesterfield overcoats and vintage cocktail looks. The coverage of American resort wear highlights the role of the fashion illustrator in forecasting. Because those collections were presented in private showrooms that prohibited photography Here & There charged their "much overworked illustrator Mr. Frank Spina with the prodigious task of capturing with his 'rapacious rapidograph' the highlights of these resort collections" which included designs by Bill Blass Norma Kamali Perry Ellis and Willie Smith. Both a major trade publication and a savvy ad for Francine Horn's fashion trend consultancy Here & There was an industry must-read a success due in part to her husband David Charles Horn's candid photography and provocative editorials. Like most fashion forecasting reports from the 1970s this number of Here & There is scarce in commerce and in institutional holdings. A very good example featuring original patterns and twenty original mounted textile swatches. Single volume measuring 14 x 8 inches: 123 1. Original coil-bound stiff black wrappers lettered in white. First leaf printed on magenta paper; black-and-white photographs and line drawings throughout text; twenty tipped-in fabric swatches. Light shelfwear corners bumped lower wrapper creased. Here & There unknown
