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Best.-Nr. 9814350672.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1950Best.-Nr. 206231950. Archive of three black and white silver gelatin photographs of black models dating from the 1950s-70s. Photographs measure approx. 8" x 10". This archive includes a press photo from 1974 showing model Beverly Bradshaw posed in front of a museum display of elephants wearing a traditional Nigerian Ibo wrapped dress designed by Angie Ihejirika. Article on verso from the Chicago Sun Times details Mrs. Ihejirika's demonstration of the art of African wrapping at the Field Museum of Natural History. Photo has a bald patch on left side not affecting subject matter. Also included is a print of twelve Kodak film cells showing actress and model Nancy Westbrook in a series of poses sitting within a large picture frame. Seven images show Westbrook in a bikini and five wearing only a fur stole. These photographs date to the early 1950s and least one the third down on the left appeared in Jet Magazine with a short profile of Ms. Westbrook in 1953. Another photograph undated shows a black model in profile from the neck up smiling in a sun hat tilted away from camera to frame her head with a halo-like effect. Modeling in fashion and print has historically been dominated by white women reflecting a bias in beauty standards in the United States. These images show black women claiming space in the often exclusionary fashion world of the mid-late 20th century. Overall very good condition. Three images of black fashion models in the US 1950s-70s. unknown
1940Best.-Nr. 196571940. African American Black Models in Commercial Print: Philadelphia Studio Fashion Photoshoot 1930s-1940s Archive of 4 Original Vintage Photographs. Each black and white silver gelatin photograph measures 3.5" x 4.5". All photographs were captured at Condax Studio in Philadelphia. Condax Studios was associated with the Models' Guild of Philadelphia which served as a "central resource of information for commercial photographers connecting them with professional models for television fashion and convention work". All photographs capture a black woman striking various poses in two contrasting outfits. In two photographs she poses in a black dress and heels glamorous jewelry and a rose. Her eyes are slightly covered by a black birdcage veil. In the remaining two photographs she sports a posh blazer and skirt set glamorous jewelry heels and an umbrella. Until the middle of the 1940s consumer advertising completely ignored the black consumer and virulent racial segregation in the United States meant that Black people's needs were not being satisfied. Thus traditional advertisers were reluctant to associate the image of a black person with their products. At this point in time they perceived it may lead to a loss in sales by the way Black people were viewed in society. These photographs capture an early instance of a Black print model in an era where there was little representation. Two photographs are minority wrinkled not affecting image quality. This photo archive is expressive and in very good condition overall. unknown
1984Best.-Nr. 197351984. Photographic archive 1984 documenting African American participation in fashion runway culture during a period of expanding visibility for Black models within commercial and public-facing fashion events. The images center on runway presentation styling and performance with emphasis on clothing posture and audience reception. The material supports research into Black representation in fashion the aesthetics of 1980s design and the intersection of race visibility and consumer culture within the fashion industry. Archive of 20 original color photographs dated July 1984. Prints measure approximately 4 x 4.5 inches to 5 x 6 inches. The photographs depict multiple runway scenes featuring Black models in varied outfits including bright casual wear dresses athletic ensembles and business-influenced styles. Specific images include a model wearing a pink lace floral dress with ribbon detailing and white heels figures in coordinated athletic-inspired outfits with bold color accents and a model in a white dress trimmed with pink ruffles and pearl-like ornamentation. One image shows a male model in white flared overalls and sandals. Additional photographs capture audience members of mixed racial identities seated along the runway as well as backstage moments in which models pose against a wall displaying portraits of other figures associated with the production or company. Several prints bear date stamps reading "7/84" on the verso. Produced during a decade marked by gradual shifts in fashion industry representation these photographs provide visual evidence of Black models occupying central roles in runway presentation while engaging with broader stylistic trends of the period. The inclusion of both runway and backstage scenes allows for study of performance preparation and audience interaction within fashion environments. Light handling wear and minor surface marks; overall very good condition. A cohesive visual record of 1980s runway culture with emphasis on African American representation. unknown
1920Best.-Nr. 199741920. Vernacular fashion illustration archive circa 1920s-1950s documents the evolution of women's dress and stylistic ideals across early and mid-twentieth-century design with emphasis on silhouette material and aspirational presentation. The drawings capture shifts from the elongated androgynous forms associated with 1920s and 1930s fashion to the structured tailoring and fitted garments of the postwar period. Elements such as exaggerated shoulders cinched waists and coordinated ensembles situate the works within broader developments in women's fashion including the influence of tailored suits and formal eveningwear. The illustrations also record accessory culture including gloves hats and jewelry positioning dress within a larger system of social signaling and presentation tied to class gender norms and modern consumer identity. United States and possibly Europe circa 1920s-1950s. Archive of six original gouache and pencil fashion illustrations on hard mat boards and one on thick watercolor paper each measuring approximately 10 x 7 to 10 x 15 inches. Several works bear artist signatures or initials including examples signed "Virginia" and "G. Wichner." Two dated compositions from April 11 1954 depict coordinated ensembles including a rose-toned set with a pencil skirt and structured blazer rendered with detailed attention to tailoring and fabric accents. Other illustrations include multi-figure studies of women in draped garments with belted waists a single-figure composition in a long gown with fur coat and elongated cigarette holder and portrait studies featuring headpieces veils and bold cosmetic styling. Use of shading color variation and line work emphasizes fabric texture garment movement and body form. Produced during a period of significant transformation in women's fashion these illustrations align with the development of modern fashion media including editorial illustration design sketching and commercial garment production. The visual emphasis on proportion tailoring and accessorization reflects the increasing codification of fashion as both industry and cultural expression in the twentieth century. As original works the drawings provide insight into the processes of design visualization and stylistic interpretation supporting research into fashion history gender presentation and visual culture. Light handling wear to mounts and sheets; overall very good condition. unknown
Best.-Nr. ria9780415644563_inpPaperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Fully revised and updated; the second edition of Sustainable Fashion and Textiles: Design Journeys continues todefine the field of design in fashion and textiles. paperback
1951Best.-Nr. 200661951. Fashion Women's fashion design sketches dated 1951 document the rapid transformation of female dress following the end of wartime rationing and the international adoption of Christian Dior's "New Look" silhouette. These drawings show designers experimenting with narrow waists structured bustlines wide skirts and dramatic outerwear styles that defined postwar femininity and reshaped global fashion culture in the late 1940s and early 1950s. Such instructional sketches provide visual evidence of how couture aesthetics circulated through design schools and professional training environments during a moment when fashion industries in Europe and the United States were rebuilding after World War II. Archive of fifteen original women's fashion design sketches executed on nine illustration boards measuring approximately 11 x 14 inches. Drawings are rendered in pencil ink watercolor and collage techniques and depict coats dresses trench coats and daywear ensembles characteristic of early 1950s style. Several boards include multiple designs including sheath dresses with high necklines and plunging backs bell sleeved coats trimmed with fur and children's pinafore dresses worn over blouses. One design shows a woman wearing a flight jacket cravat and pleated trousers recalling mid century women adopting traditionally masculine tailoring. One board bears the signature "Reindel" on the verso. Designs prominently feature hourglass silhouettes associated with Dior's New Look including cinched waists sloped shoulders and flared skirts. Other garments incorporate menswear inspired coats and tailored outerwear reflecting the hybridization of wartime practicality and postwar luxury. Boards show light foxing and minor handling marks. Very good condition. A visual teaching archive illustrating postwar fashion design practice during the early Cold War era. unknown
Best.-Nr. 61343Berlin Walter de Gruyter & Co. 1961 Auflage: 3. verbesserte und erweiterte. Kunstleder gebunden; dunkelgrüner weiss geprägter Einband / Anz. Seiten: 288 / 18 x 245 cm / mit 273 Schwarzweissabbildungen und 30 Tabellen im Text 1 ausfaltbare Reibungstafel und 1 Mollier I-x-Tafel im Anhang und einige Anzeigen / Zustand: gut geringe bis leichte Gebrauchsspuren; Buchblock leicht angeplatzt Einband geringfügig berieben Papier etwas gebräunt Besitzereintrag auf Vorsatz Bibliotheksnummer auf Rücken. Mit 1 beigelegten Berechnungsblatt Berlin, Walter de Gruyter & Co., 1961, Auflage: 3., verbesserte und erweiterte unknown
1920Best.-Nr. 3395A small portfolio of women's fashion designs broken into four folders of loose plates 20 plates per folder for a total of 80 plates. This copy missing one plate from the second series 1905-1910. Beautifully hand colored pochoir plates illustrating the fashions of the time each card measuring 7 1/2 inches by 5 1/2 inches. The year shown at the bottom of each card. Each wrapper also illustrated with a color plate. Charming original folding case with patterned papers and silk ties. Hinge paper broken as usual but covers still holding case is slightly worn but all four paste on labels are present. Brown silk ties still there. All wrappers clean and unworn. (Editions Nilsson)
1920Best.-Nr. 3396A small portfolio of women's fashion designs broken into four folders of loose plates 20 plates per folder for a total of 80 plates. This copy missing plate 20 from the third series 1720-1775. Beautifully hand colored pochoir plates illustrating the fashions of the time each card measuring 7 1/2 inches by 5 1/2 inches the year shown at the bottom of each card. Each wrapper also illustrated with a color illustration. Charming original folding case with patterned papers and silk ties. Case is worn but intact with short silk ties remaining. Former owners name in ink on several plates in the first series some of the signatures across the bottom of the images. (Editions Nilsson)
1925Best.-Nr. 3398A small portfolio of women's fashion designs broken into four folders of loose plates 20 plates per folder for a total of 80 plates. This copy missing two plates from the second series 1820-1845. Beautifully hand colored pochoir plates illustrating the fashions of the time each card measuring 7 1/2 inches by 5 1/2 inches. The year shown at the bottom of each card. Each wrapper also illustrated with a color illustration. Charming original folding case with patterned papers and silk ties. Case is worn on the spine but complete with four paste on labels intact and patterned covers bright. Ties present. No Publisher
1921Best.-Nr. 454836Menasha Wisconsin: George Banta Publishing Company 1921. Hardcover. Very Good. First edition. Quarto. 735pp. Owner name stamp on front fly exterior with moderate wear and soil spine base bumped in the margin for the first half of the book a very good copy. Text is clean. George Banta Publishing Company hardcover
2003Best.-Nr. DADAX1891280171Brand: CMJ Marian Publishers 2003-06-01. First Edition. hardcover. New. 9.30x6.40x0.78. Buy with confidence. Excellent Customer Service & Return policy. Brand: CMJ Marian Publishers hardcover
Best.-Nr. SONG0714816426distributed by Praeger 0000-00-00. First Edition. hardcover. Used: Good. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. distributed by Praeger hardcover
Best.-Nr. DADAX0244972974Lulu 2018-03-21. paperback. New. 8.50x0.17x8.50. Buy with confidence. Excellent Customer Service & Return policy. Lulu paperback
Best.-Nr. DADAX0244057389Lulu 2017-12-24. paperback. New. 8.50x0.11x8.50. Buy with confidence. Excellent Customer Service & Return policy. Lulu paperback
1813Best.-Nr. 986N24London: Thomas Tegg 1813. Hardback. Good. 7" by 4". None. The fifth and enlarged edition of Robert Coates's nonsensical poem showcasing his idiosyncratic humour and style. The fifth and enlarged edition of Jokeby A Burlesque on Rokeby A Poem in Six Cantos by eccentric actor Robert Coates 'An Amatur of Fashion'. Printed for Thomas Tegg in 1813.In the publisher's original paper boards.A nonsensical poem Robert Coates was known for his humour and idiosyncrasies as an actor. First appearing in his own productions in Bath he later attracted fame for his improvised dialogue scenes and peculiar costumes. This book was written at the height of his fame. The enlarged edition contains comical notes which comment on the poem. In the publisher's original paper boards. Externally marks to the boards and fading to the extremities and spine. Bottom half of spine has rubbed away and there are small chips to the board extremities. Slight bumping to the tail of the spine and to the extremities. End papers are generally bright and clean with very minor marking. Internally firmly bound. Pages are generally bright and clean with the odd spot to the extremities. Good Thomas Tegg hardcover
1983Best.-Nr. 904Z38New York: Alfred A. Knopf 1983. First edition. Cloth. Near Fine/Near Fine. 8.5" by 6"; 8.5" by 5.5". None. The first edition of W. M. Spackman's novel portraying women in love with the scarce uncorrected proof. The first edition paired with the scarce uncorrected proof copy of the novel. In the publisher's original cloth with the original unclipped dust wrapper and the original paper cover to uncorrected proof. This work was written by William Mode Spackman an American writer and provides a tender portrayal of women in love. The novel follows Sather who meets two women in Paris who fall for him but display their feelings in very different ways. In the publisher's original cloth with the original unclipped dust wrapper and in the original paper covers to the 'Uncorrected Proof'. Externally lovely with only slight shelf wear and very smart to the proof copy with sunning to the spine and extremities marks and a very minimal closed tear to the head of the front. The wrap is excellent with slight edge wear only. Internally firmly bound with clean and bright pages to both. Near Fine Alfred A. Knopf hardcover
Best.-Nr. ria9781350299436_inpPaperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A paperback
1987Best.-Nr. DADAX348431074XDe Gruyter 1987-01-01. Reprint 2010 ed. perfect. New. 6.14x0.38x9.21. Buy with confidence. Excellent Customer Service & Return policy. De Gruyter unknown
Best.-Nr. 3111261964.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2013Best.-Nr. 119416London: Chris Beetles Ltd. 2013. 28 pages illustrations some colour; 21 cm. Firm binding clean inside copy. 1st. Paperback. Fine. 8vo. Chris Beetles Ltd. Paperback
1878Best.-Nr. 31932Madrid: Oficinas de La Moda Elegante Ilustrada MDCCCLXXVIII 1878.- 372 p. 2 h.: Profusión de ilustraciones intercaladas en el texto; 8º 19 cm; Media Piel nueva de fina ejecución conserva cubiertas. Las cubiertas originales que conserva están algo fatigadas y con alguna falta. Por lo demás excelente estado. MODAS ALTA COSTURA BELLEZA Y COSMÉTICA Libro en español Oficinas de La Moda Elegante Ilustrada hardcover
1874Best.-Nr. 023291Edinburgh: Neill and Company 1874. Illustrated with five plates two headpieces and a tailpiece pp 16 some foxing throughout otherwise reasonably clean internally marbled endpapers original half morocco and marbled boards slightly rubbed. The title page and facing page are a little marked due to the insertion of a small original photograph till present. RARE. A paper read before the Antiquarian Society of Scotland in March 1873; privately printed a large paper copy with additional illustrations number 6 of only fifty copies. First British paperback edition. Half-Leather. Very Good. Neill and Company Hardcover
Best.-Nr. 120235Paris boulevard des Capucines. 1909- 1914. 3 catalogues dépliants. 21x11 Cm. Broché. Chaque catalogue de cette maison de couture se développe en accordéon et présente la collection de mode d'une saison portée sur 20 mannequins de femmes été 1909; hiver 1911-12 et été 1914. Catalogues très bien conservés. Paris, boulevard des Capucines. 1909- 1914. unknown
