19 010 résultats
1951réf. 200661951. Fashion Women's fashion design sketches dated 1951 document the rapid transformation of female dress following the end of wartime rationing and the international adoption of Christian Dior's "New Look" silhouette. These drawings show designers experimenting with narrow waists structured bustlines wide skirts and dramatic outerwear styles that defined postwar femininity and reshaped global fashion culture in the late 1940s and early 1950s. Such instructional sketches provide visual evidence of how couture aesthetics circulated through design schools and professional training environments during a moment when fashion industries in Europe and the United States were rebuilding after World War II. Archive of fifteen original women's fashion design sketches executed on nine illustration boards measuring approximately 11 x 14 inches. Drawings are rendered in pencil ink watercolor and collage techniques and depict coats dresses trench coats and daywear ensembles characteristic of early 1950s style. Several boards include multiple designs including sheath dresses with high necklines and plunging backs bell sleeved coats trimmed with fur and children's pinafore dresses worn over blouses. One design shows a woman wearing a flight jacket cravat and pleated trousers recalling mid century women adopting traditionally masculine tailoring. One board bears the signature "Reindel" on the verso. Designs prominently feature hourglass silhouettes associated with Dior's New Look including cinched waists sloped shoulders and flared skirts. Other garments incorporate menswear inspired coats and tailored outerwear reflecting the hybridization of wartime practicality and postwar luxury. Boards show light foxing and minor handling marks. Very good condition. A visual teaching archive illustrating postwar fashion design practice during the early Cold War era. unknown
réf. 61343Berlin Walter de Gruyter & Co. 1961 Auflage: 3. verbesserte und erweiterte. Kunstleder gebunden; dunkelgrüner weiss geprägter Einband / Anz. Seiten: 288 / 18 x 245 cm / mit 273 Schwarzweissabbildungen und 30 Tabellen im Text 1 ausfaltbare Reibungstafel und 1 Mollier I-x-Tafel im Anhang und einige Anzeigen / Zustand: gut geringe bis leichte Gebrauchsspuren; Buchblock leicht angeplatzt Einband geringfügig berieben Papier etwas gebräunt Besitzereintrag auf Vorsatz Bibliotheksnummer auf Rücken. Mit 1 beigelegten Berechnungsblatt Berlin, Walter de Gruyter & Co., 1961, Auflage: 3., verbesserte und erweiterte unknown
1920réf. 3395A small portfolio of women's fashion designs broken into four folders of loose plates 20 plates per folder for a total of 80 plates. This copy missing one plate from the second series 1905-1910. Beautifully hand colored pochoir plates illustrating the fashions of the time each card measuring 7 1/2 inches by 5 1/2 inches. The year shown at the bottom of each card. Each wrapper also illustrated with a color plate. Charming original folding case with patterned papers and silk ties. Hinge paper broken as usual but covers still holding case is slightly worn but all four paste on labels are present. Brown silk ties still there. All wrappers clean and unworn. (Editions Nilsson)
1920réf. 3396A small portfolio of women's fashion designs broken into four folders of loose plates 20 plates per folder for a total of 80 plates. This copy missing plate 20 from the third series 1720-1775. Beautifully hand colored pochoir plates illustrating the fashions of the time each card measuring 7 1/2 inches by 5 1/2 inches the year shown at the bottom of each card. Each wrapper also illustrated with a color illustration. Charming original folding case with patterned papers and silk ties. Case is worn but intact with short silk ties remaining. Former owners name in ink on several plates in the first series some of the signatures across the bottom of the images. (Editions Nilsson)
1925réf. 3398A small portfolio of women's fashion designs broken into four folders of loose plates 20 plates per folder for a total of 80 plates. This copy missing two plates from the second series 1820-1845. Beautifully hand colored pochoir plates illustrating the fashions of the time each card measuring 7 1/2 inches by 5 1/2 inches. The year shown at the bottom of each card. Each wrapper also illustrated with a color illustration. Charming original folding case with patterned papers and silk ties. Case is worn on the spine but complete with four paste on labels intact and patterned covers bright. Ties present. No Publisher
1921réf. 454836Menasha Wisconsin: George Banta Publishing Company 1921. Hardcover. Very Good. First edition. Quarto. 735pp. Owner name stamp on front fly exterior with moderate wear and soil spine base bumped in the margin for the first half of the book a very good copy. Text is clean. George Banta Publishing Company hardcover
2003réf. DADAX1891280171Brand: CMJ Marian Publishers 2003-06-01. First Edition. hardcover. New. 9.30x6.40x0.78. Buy with confidence. Excellent Customer Service & Return policy. Brand: CMJ Marian Publishers hardcover
réf. SONG0714816426distributed by Praeger 0000-00-00. First Edition. hardcover. Used: Good. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. distributed by Praeger hardcover
réf. DADAX0244972974Lulu 2018-03-21. paperback. New. 8.50x0.17x8.50. Buy with confidence. Excellent Customer Service & Return policy. Lulu paperback
réf. DADAX0244057389Lulu 2017-12-24. paperback. New. 8.50x0.11x8.50. Buy with confidence. Excellent Customer Service & Return policy. Lulu paperback
1813réf. 986N24London: Thomas Tegg 1813. Hardback. Good. 7" by 4". None. The fifth and enlarged edition of Robert Coates's nonsensical poem showcasing his idiosyncratic humour and style. The fifth and enlarged edition of Jokeby A Burlesque on Rokeby A Poem in Six Cantos by eccentric actor Robert Coates 'An Amatur of Fashion'. Printed for Thomas Tegg in 1813.In the publisher's original paper boards.A nonsensical poem Robert Coates was known for his humour and idiosyncrasies as an actor. First appearing in his own productions in Bath he later attracted fame for his improvised dialogue scenes and peculiar costumes. This book was written at the height of his fame. The enlarged edition contains comical notes which comment on the poem. In the publisher's original paper boards. Externally marks to the boards and fading to the extremities and spine. Bottom half of spine has rubbed away and there are small chips to the board extremities. Slight bumping to the tail of the spine and to the extremities. End papers are generally bright and clean with very minor marking. Internally firmly bound. Pages are generally bright and clean with the odd spot to the extremities. Good Thomas Tegg hardcover
1983réf. 904Z38New York: Alfred A. Knopf 1983. First edition. Cloth. Near Fine/Near Fine. 8.5" by 6"; 8.5" by 5.5". None. The first edition of W. M. Spackman's novel portraying women in love with the scarce uncorrected proof. The first edition paired with the scarce uncorrected proof copy of the novel. In the publisher's original cloth with the original unclipped dust wrapper and the original paper cover to uncorrected proof. This work was written by William Mode Spackman an American writer and provides a tender portrayal of women in love. The novel follows Sather who meets two women in Paris who fall for him but display their feelings in very different ways. In the publisher's original cloth with the original unclipped dust wrapper and in the original paper covers to the 'Uncorrected Proof'. Externally lovely with only slight shelf wear and very smart to the proof copy with sunning to the spine and extremities marks and a very minimal closed tear to the head of the front. The wrap is excellent with slight edge wear only. Internally firmly bound with clean and bright pages to both. Near Fine Alfred A. Knopf hardcover
réf. ria9781350299436_inpPaperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A paperback
1987réf. DADAX348431074XDe Gruyter 1987-01-01. Reprint 2010 ed. perfect. New. 6.14x0.38x9.21. Buy with confidence. Excellent Customer Service & Return policy. De Gruyter unknown
réf. 3111261964.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2013réf. 119416London: Chris Beetles Ltd. 2013. 28 pages illustrations some colour; 21 cm. Firm binding clean inside copy. 1st. Paperback. Fine. 8vo. Chris Beetles Ltd. Paperback
1878réf. 31932Madrid: Oficinas de La Moda Elegante Ilustrada MDCCCLXXVIII 1878.- 372 p. 2 h.: Profusión de ilustraciones intercaladas en el texto; 8º 19 cm; Media Piel nueva de fina ejecución conserva cubiertas. Las cubiertas originales que conserva están algo fatigadas y con alguna falta. Por lo demás excelente estado. MODAS ALTA COSTURA BELLEZA Y COSMÉTICA Libro en español Oficinas de La Moda Elegante Ilustrada hardcover
1874réf. 023291Edinburgh: Neill and Company 1874. Illustrated with five plates two headpieces and a tailpiece pp 16 some foxing throughout otherwise reasonably clean internally marbled endpapers original half morocco and marbled boards slightly rubbed. The title page and facing page are a little marked due to the insertion of a small original photograph till present. RARE. A paper read before the Antiquarian Society of Scotland in March 1873; privately printed a large paper copy with additional illustrations number 6 of only fifty copies. First British paperback edition. Half-Leather. Very Good. Neill and Company Hardcover
réf. 120235Paris boulevard des Capucines. 1909- 1914. 3 catalogues dépliants. 21x11 Cm. Broché. Chaque catalogue de cette maison de couture se développe en accordéon et présente la collection de mode d'une saison portée sur 20 mannequins de femmes été 1909; hiver 1911-12 et été 1914. Catalogues très bien conservés. Paris, boulevard des Capucines. 1909- 1914. unknown
réf. 48676Paris: Publication de Luxe de l'Union des Journaux de Modes. 1928. Folio.37.5 x 28 cm. Title pp.162. Original grey thick paper wrappers with colour pictorial insert onto upper cover. The 16 pp. comprise full page colour illustrations of men's fashion 15 single figures back to back and the last with various waistcoats. The last text leaf describes the images. Quite rare. We can locate no other copies in commerce or past auction and just one record on Worldcat at the Bibliotheque Nationale. Paris: Publication de Luxe de l'Union des Journaux de Modes. 1928 unknown
réf. 48678Paris: Publication de Luxe de l'Union des Journaux de Modes. 1923. Folio.37.5 x 28 cm. Title pp.162. Original pink thick paper wrappers with colour pictorial panel onto upper cover. The 16 pp. comprise full page colour illustrations of men's fashion 15 single figures back to back and the last with various waistcoats. The last text leaf describes the images. Quite rare. We can locate no other copies in commerce or past auction and just one record on Worldcat at the Bibliotheque Nationale. Paris: Publication de Luxe de l'Union des Journaux de Modes. 1923 unknown
1788réf. 42077London: Fores 1788. Framed and glazed. Fores unknown
1848réf. 229448Paris 1848. First editions. Engraved fashion plates 677 of which are hand-colored. Many entitled "Modes de Paris". 16 vols. 4to. Bound in marbled boards with paper spine labels. First editions. Engraved fashion plates 677 of which are hand-colored. Many entitled "Modes de Paris". 16 vols. 4to. Periodical issued bi-weekly then weekly. Volumes for 1832-1836 have 24 issues 1837 has 26 and 1838-1848 have 52 issues each. unknown
1932réf. 25922Paris: Au Printemps 1932. 1 vols. Image 11-1/2 x 8 inches matted to 17-1/2 x 14 inches. 1 vols. Image 11-1/2 x 8 inches matted to 17-1/2 x 14 inches. Reynaldo Luza 1893-1978 pre-eminent fashion artist was born in Lima Peru. He began training as an architect at the University of Louvain Belgium but returned to Peru at the outbreak of World War I where he changed his studies from architecture to art. In 1918 he came to the United States where he earned his living by contributing drawings to several fashion publications principally VOGUE HARPERS BAZAAR and VANITY FAIR. In 1921 he joined HARPERS BAZAAR as the principal fashion artist a position he was to hold for 27 years. He divided his time between New York Paris and London working closely with all of the leading fashion designers of the times--Poiret Patou Lelong Paquin Douillet Doucet Cheruit Worth Drecoll Callot Soeurs Redfern Martial et Amand Premet Reboux Chanel Vionnet Molyneaux Schiaparelli Hartnell Steibel and Balenciaga among others. In 1940 Luza made New York his principal base where over the next few years he continued his activities at Harpers as well as creating fabric and furniture designs and the costumes for the movie "The Bridge of San Luis Rey". Among other distinctions he received several honorary appointments from the government of Peru including that of Artistic Director of the Paris Exposition of 1938 and the New York World's Fair of 1939-40; he also did the interior design of the new Lima airport. In 1950 Luza returned to Peru where he began a second career as a portrait painter exhibiting his work over the next few years in Paris New York and Washington D.C. Au Printemps unknown
1913réf. 218820London: Sampson Low Marston & Company Ldt 1913. First edition. 155 colored plates several in black and white which are printed on both sides. 1 vols. 4to. Green morocco-backed boards. Very good. First edition. 155 colored plates several in black and white which are printed on both sides. 1 vols. 4to. An excellent survey of French and English mode of dress between 1786 and 1912. Colas 2426; Hiler & Hiller p. 722 placing date as 1912 Sampson Low, Marston & Company Ldt unknown