19 062 résultats
1900réf. 60928Porland OR: Lipman Wolfe & Co. 1900. 16mo. 32 pp unpaginated. w/ photo illustrations throughout. Colour-illustrated softcovers view of the goddess Minerva holding broken sword city of Paris stretching into the background and medals which originally honored Czar Nicholas for the disarmament conference of 1898 now changed to the United States Seal w/ original mailing envelope post-marked 1¢ Franklin stamp NF/NF copy from the library of Caroline Augusta Gray Kamm 1840-1932 noted socialite and philanthropist in Portland built home for poor women & girls with the YWCA and was daughter of PNW pioneer William H. Gray 1810-1889 who traveled to the Lapwai Mission in Lewiston ID in 1836 where he was the Nez Perce secular agent and subsequently later married Jacob Kamm 1823-1912 pioneering Oregon industrialist and entrepreneur. First edition of this beautiful belle epoque 19th-Century fashion catalogue issued by the historic Lipman Wolfe & Co. department store in Portland OR featuring elaborate large-rimmed hats with extensive trimmings featuring fashions created by such women designers as Madam Michniwicz-Tuvee Esther Meyer Camille Roger perhaps best remembered later for her Art Deco Suffrage hats the Guillard sisters and others. The famed Lipman Wolfe & Co. department store was founded in 1880 by Adolphe Wolfe who teamed up with his uncle Solomon Lipman and at the time still maintained their original Dekum Building at 3rd Street and were the first to introduce customer elevators to their many floors. No copies in Worldcat. Lipman, Wolfe & Co., paperback
1915réf. 60859New York & San Francisco CA: Singer Sewing Machine Manufacturing Co. 1915. Oblong 12mo. 5.4 x 4 in. 13 3 pp. printed in sepia. With numerous illustrations. Colour-printed softcovers in green illust. of seamstress sewing on a Singer on verso of front cover and illustration of the Singer Pavilion on verso of back cover minor dustsoiling slight shelfwear still VG bright copy from the library of Prof. Marvin Nathan. First edition of this very scarce Singer Sewing Machine company exhibit catalogue for the Panama-Pacific International Exposition display which included an entire series of paintings recreated with sewing machine embroidery “Costumes of All Nations” featuring national dress on dress mannequin’s along with cases displaying sewing samples created as part of the instructional book system at Singer Sewing Centers. The illustrations depict those items which could be created by the homemaker on their own Singer. Worldcat locates 2 copies Cal State Library Sutro. Singer Sewing Machine Manufacturing Co., paperback
1951réf. 61036New York: G.P. Putnam’s Sons 1951. 8vo. 8 310 pp. Photo frontisp. numerous photo plates. Gray publisher’s cloth scuffing at front hinge w/ d.j. photo of author on back cover by Robert Avedon minor chipping edgewear old tape repairs still VG-/VG- copy signed by author on ffep. from the library of Maebelle Doolittle Traylor 1881-1961 former Pasadena socialite longtime widow of stock trader Neal Traylor and daughter of Pasadena pioneer developer Samuel Hosmer Doolittle 1850-1942 w/ clipping laid-in. First edition signed of this memoir by the famed Hollywood fashion designer who had begun his career before World War I with Lucile and would later design for the Lasky Players Silent movies. Later after setting up his own Fashion House he designed clothes for Greta Garbo Shirley Temple Theda Bara Gloria Vanderbilt Mary Pickford Ginger Rogers Irene Dunne Ingrid Bergman and Katharine Hepburn emphasizing eye-catching elements and fitted torso evening garments. G.P. Putnam’s Sons, hardcover
1927réf. 19102AB1927. Paris Draeger 1927. 275 : 22 cm. 8 leaves with the text of Colette 6 plates by Jean Dupas 1 mounted plate. Original cloth original black wrappers illustrated in silver and red bound in. Excellent copy of the album Toi founded by Maison Les Fourrures Max and illustrated by Jean Dupas for the poems of Colette. One of the most beautiful catalogues created in art-déco."Ce bel étui noir onré de fleurs rouges et argent contient de superbes planches en camaieu gris et noir. La provocation des nus féminins que Jean Dupas a drapé des fourrures de la novelle collection est atténué par leur hiératisme de statue" in 'Arts et Métiers Graphiques' No.1 1927 - Bibliothèque Exposition Forney 1988. No.18. Jean Dupas Bordeaux 1882 - 1964 Grand Prix de Rome of painting in 1910 lead this album to the summit of publicity. - Some text-pages verso with mist of stains otherwise a superb copy of this mark stone of art deco. hardcover
1519réf. 60351Greenwich CT & New York: Conde Nast Publications Inc. Sept. 15 1932. Folio. 96 pp. With 100’s of text illustrations photo illustrations mostly in black & white some colour illustrations photos & plates. Colour-illustrated softcovers cover art by Benito 1891-1981 on metallic silver background Art Deco lettering design Camel cigarette ad on back cover chipping head & foot of spine minor creasing edgewear still VG copy. First edition thus of this installment in the noted fashion magazine’s results of the Paris Autumn fashion lines featuring designs by Schiaparelli Patou Lelong Forstmann’s Elga and others. Benito who was a native of Valladolid Spain later became one of the most iconic Art Deco artists of the Jazz Age creating covers for Vogue and Vanity Fair and heavily influenced by Picasso Modigliani and others. Conde Nast Publications, Inc., paperback
réf. A9789464366297Hardback. New. In MIRROR MIRROR – Fashion & the Psyche MoMu – Fashion Museum Antwerp and Dr. Guislain Museum examine how fashion psychology self-image and identity are connected. The personal experience of the body is the main theme of this unexpected dialogue between visual art and avant-garde fashion. hardcover
1935réf. 59961Chicago: Sears Roebuck & Co. 1935. 4to. 20 pp unpaginated. including 4 pp. order blank with measuring instructions. With printed illustrations throughout in orange & black 50 mounted fabric swatch samples of worsted wool and worsted wool blends. Self-printed colour-illustrated softcovers in orange & black Art Deco cover art & lettering w/ “Easter” promotional label mounted at upper left front cover dated March 23 1935 minor creasing shelfwear still a VG copy. Early edition of this scarce and unusually complete sample catalogue for men and young men’s suits featuring the Syracuse Parkway Collegian Kenwood Wall Street & Walton styles from Sears Roebuck & Co. These special sample catalogues were issued as supplements to their famous catalogue which were issued in millions of copies even during the Great Depression. These catalogues were more expensive to produce and were intended to provide a reasonable alternative to the larger Men’s suit purveyors such as J.L. Taylor M. Born and others. This catalogue provides invaluable illustrated historical reference for the colours styles and fabrics during the era of fashion influenced by the elegance and glamor of Hollywood films at the time. There is definite evidence of influence from the popular Film Noir films of the period. The men’s suits showed a trend towards padded shoulders suit lapels that were not as long and an increased weight and drape to the clothes as well as wider legs for the younger “fast” crowd. Worldcat locates only 1 copy Ohio University. Sears, Roebuck & Co., paperback
1956réf. 60111Cincinnati OH: The Display Publishing Co. 1956. Oblong 4to. 12.5 x 9 in. 4 106 leaves. With 100’s of photo illustrations throughout. Pictorial black ribbed publisher’s cloth white illust. of Men’s torso mannequin front cover w/ sport coat & ties white lettering comb-binding as issued minor shelfwear rubbing at corners still VG copy. First edition of this scarce and lavishly illustrated Mid-20th-Century design instruction work for preparing men’s fashions and styles for window displays counter displays and point-of-sale islands within department stores and men’s stores. Specific instructions include ironing dress shirts pinning pieces properly in place properly tying ties such as the Full Windsor preparing shoes & hat displays and so much more. Buzan 1901-1974 was a longtime salesmen for men’s wear oversaw a Lubbock Texas Department Store after World War II and taught showcard writing and window displays at Texas Tech. The Display Publishing Co., hardcover
1952réf. 41618Chippewa Falls WI: Mason Shoe Manufacturing Co 1952. First Edition. Very good . An illustrated wholesale catalog of leather mens and ladies footwear and outerwear from the Mason Shoe Manufacturing Company of Chippewa Falls WI. Generously illustrated in color throughout with detailed product descriptions and model numbers that correspond to the original price list in front. Of note is a four page spread of men's leather coats including "The Racer" a classic motorcycle-culture jacket with multiple zippers straps and buttons. Wraps. Oblong 4to. Color illustrated wraps. Mild handling wear. Faint creasing to wraps. Overall sound clean. 112pp. Mason Shoe Manufacturing Co unknown
1930réf. 59525Hannover: Schneidermister ca. 1930-1933. Oblong elephant folio. 23.5 x 14.5 in. 25 leaves unnumbered. Original women’s fashion patterns in pencil throughout many with tipped-in pattern cutouts mounted on the sheets as well as colour images of the finished design tipped-in and mounted manuscript pencil notes & directions in some colour pencil additions to a a few patterns. Stiff limp beige covers black cloth spine title mounted on front cover scutting edgewear repair to corners of front cover corner still a remarkable manuscript w/ tipped-in instructions for taking measurements and fashion by the Nazi Party on first leaf including one entitled “Ein Modewart macht Propaganda.” This German fashion pattern tailoring and pattern manuscript provides an exceptional original artifact of the period when the Nazi Party began to force educational and cultural changes upon German Society against the tailoring and fashion industry in Germany during the early 1930’s. By 1930 Berlin had emerged as an international fashion capital drawing Parisian fashion designers and most of the tailoring schools and fashion houses were operated by generations of Jewish family owners. Tailors and fashion designers were constantly reminded that they must create a wholly Aryan fashion and that they were to avoid French or other outside influences. Despite the pressure most women tailors and fashion designers in the tailoring or cutting schools continued to still draw their influences from Parisian and American couturiers by creating their own patterns and pattern books from which these internationally themed clothing designs could be made. This fashion pattern book by Bode focuses on women’s suits skirts capes coats and knickerbockers. However the Party never succeeded in creating a unique Fashion industry especially because of the drive to dress women in peasant costumes or uniforms even as the Nazi Party would confiscate the assets of over 2700 Jewish fashion houses retailers and manufacturers with 1000’s of tailors and seamstresses forced into labor and concentration camps to produce clothes for military and high society. See: Uwe Westphal Fashion Metropolis Berlin 1836-1939: The Story of the Rise and Destruction of the Jewish Fashion Industry 2019. Schneidermister, hardcover
1873réf. 18844AB1873. Paris Berlin Wien London 1873 - 1881 31 : 25 cm. 5 kolorieret Stahlstiche Unter Passepartout. Vorhanden sind Blätter aus 'Album de la mode illustrée' 'Victoria' 'Berliner Modeblatt' 'Wiener Modeblatt' 'Illustrierte Frauen-Zeitung'. unknown
1971réf. 58823New York: Simplicity Pattern Co. 200 Madison Ave. 1971. 4to. 96 pp. With 100’s of colour illustrations photos text illustrations diagrams & sewing measurement instructions. Colour-illustrated softcovers cover art photo of models in stylish hot pants and sporty jackets and vests minor shelfwear slight bumping still VG copy. First edition of this Simplicity catalogue reflecting the explosion of fashions influenced by hippie fashions of the 1960s featuring bold colours embroidery and even nascent prairie dresses to mini skirts shorts all promoted in the new synthetic fabrics of the “Polyester Decade.” Simplicity Vogue and other sewing pattern makers were all drawing from such designers as Yves Saint-Laurent Gunne Sax and Bill Gibb reviving Victorian styles as well as the 1930s and 1940s with Halston’s dress designs reminiscent of the 1950’s shirt dresses. This Simplicity fashion serial began in 1966 and ran till Spring 1979 and issues tend to be scarce. No copies of this particular issue located in Worldcat 6 libraries hold assorted issues. Simplicity Pattern Co., 200 Madison Ave., paperback
1922réf. 58300New York: James H. Dunham & Co. 336-338-340-342-344 Broadway 1922. Folio. 10.25 x 13.5 in. 22 108 2 201-280 pp. w/ 32 pp. of product insert promotions and plates 3 large folding. With 100’s of illustrations photos 24 tipped-in fabric swatches & samples in assorted colours and textiles. Quarter-black cloth over printed illustrated softcovers rounded corners illustration front cover printed borders dustsoiling to fore-edges darkening to textblock couple minor closed tears toning to order forms still VG- copy. First edition thus of this expansive and well-illustrated dry goods catalogue filled with listings and samples of Percale Suitings Chiffons Ginghams Chambrays and Fine Zephyrs embossed colour samples Cannon and Boott Mills towels ads for Bear Brand Hosiery and more. Also present are ads and pricing for Dunham’s fancy ribbons Burson fashion hosiery petticoats flannel wear sateen bloomers buttons and Fleisher yarns. Founded originally in Hartford CT by Amos Eno the company would go through several incarnations and reformulations as a dry goods business in New York until new large warehouse and retail site was built on Broadway after the death of James Dunham d. 1901. Worldcat locates 1 copy Hagley similar pagination. James H. Dunham & Co., 336-338-340-342-344 Broadway, paperback
1956réf. 18448AB1956. Vienna 1956-1958. 47 : 32 cm. 64 dibujos en lapiz en papel especial. Vestido de mujeres de los años 1950 tambien diseños para sombreros zapatos etc. Hechos por una alumna de la prestigiosa escuela de moda 'Hetzendorf' en las afueras de Viena la cual fue fundada en 1846 en un castillo que fue construida en 1694 y que ahora esta famoso en todo el mundo. Transmite una buena ojeada sobre la moda de los años 1950. unknown
1950réf. 18447AB1950. Vienna ca. 1950. 31 : 23 cm. Muchos diseños en 97 paginas con muestras de textil montados. Diseños para vestidos de mujeres abridos pantalones etc. 1 página con diseños para ropa de niños 8 páginas con muestras de textil in color montados. Algunos señalados con 'Dior falte' algunos con 'Dior Rock' Dior falda algunos señalados modela verano modelo Margit etc. Una página con aplicaciónes en diferentes colores. unknown
1920réf. 18450AB1920. Vienna ca.1920 36 : 30 cm - 15 : 12 cm 21 acuarelas en parte elevados en blanco sobre cartón gris. Preciosos y muy detalladas diseños de trajes para el teatro y la opera en differentes colores blanco negro rojo verde amarillo lila. Los diseños muestran sobre todo mujeres tal vez para la opera de Bizet 'Carmen'. Dos láminas muestran actor y actriz bailando con mascaras. paperback
1994réf. 58623Milan et al: Valentino Atelier by Carnet Elegance Exclusive Distributor for North America 1994. Thick 4to. 12.75 x 12.25 in. 106 pp assorted pagination. With 51 colour fashion designs 136 tipped-in cotton silk wool acrylic and blend fabric sample swatches several printed fabric samples. Black silk cloth gilt lettering stamped on front cover numbered on colophon at rear very minor rubbing edgewear still VG bright copy. First edition No. 970 of this sumptuously illustrated sample fashion catalogue from one of the greatest Italian Couturiers Valentino Clemente Ludovico Garavani the incomparable fashion designer. This collection was representative of many of Valentino’s collections of the 1990’s integrating themes of revival and self-reference-flounces embroidery and dots partly as a way of highlighting his 30 years of fashion designs. In addition these designs and their fabrics reflect a foreshadowing of the later mid-1990’s shift towards a more bohemian style drawing upon 1970’s fashions mixing fabrics embroidery and Eastern influences in their designs. No copies located in Worldcat; See: Pelle & Mauries Valentino. Thirty years of magic 1990; Pelle Valentino’s Magic 1998. Valentino Atelier by Carnet, Elegance, Exclusive Distributor for North America, hardcover
1927réf. 58104New York: B. Altman & Co. Fifth Avenue July-August 1927. Tall 8vo. 7 x 11 in. 46 pp. Illustrated throughout. Colour-illustrated sofcovers stylish Art Deco cover art of flapper woman in stylish hat with cocktail on ocean liner beach fashions on back cover minor dustsoiling shelfwear minor bumping at couple corners still VG copy. First edition of this nicely printed and quintessential Flapper Era in-house fashion magazine and catalogue for B. Altman. Filled with novelties accessories and designs targeting the young flapper along with encouraging the Negligee for every mood marketing summer vacation items such as cameras photo albums even a portable sun dial. Worldcat locates 3 incomplete and broken run holdings of the Altman Magazine Mint Museum U of RI UVA. B. Altman & Co., Fifth Avenue, unknown
1946réf. 57486New York: Lord & Taylor 1946. Tall 8vo. 3 101 4 pp. Double-page frontispiece white crepe-paper Christmas Tree pop-up by The Beistle Co. Illustrated throughout most in black & white 10 colour plates some photographic others a mixed-media effect. Colour-illustrated softcovers wraparound cover art minor shelfwear edgewear at corners light rippling to gutter margin of first couple leaves still a VG copy. First edition of this fashionable post-World War II catalogue celebrating 101 stylish gifts for men women & children following the easing of Wartime restrictions. The impressionistic illustrations were created by the in-house Lord & Taylor artists who were some of the most influential designers during the 1940’s and 1950’s including Dorothy Hood Helen Hall Arnold Hall Jean Karnoff Susan Abbott Betty Offt and Carl Wilson. Many of the 101 items drip with a glamour desired and reflected in post-War film and popular culture and a distinct emphasis on femininity with such items as the “Ermine hug-me-tight” stole Hand-made silk lingerie with French Alencon lace Koret dinner bag the Harem lounging costume by Joseph Whitehead Gloves that go up and up and more. Worldcat locates 1 copy Penn State; See: Keren Ben-Horin July Treasure of the Month: Frances Neady Collection On Pins and Needles July 25 2012. Lord & Taylor, paperback
1905réf. 11083AB1905. 2 parts in 1 volume. Paris and Berlin Brunet resp. Liebig 1905 - 1911. 365 : 27 cm. with together 56 4 double-page partly coloured plates with many illustrations. Cloth. Interesting compilation of French and German hair style at the beginning of the 20th century. With many extravagant samples. - Edges a bit stained and wrinkled; binding a bit rubbed. hardcover
1902réf. 10884AB1902. Paris Societé Francaise d'Éditions d'Art 1902. 305 : 235 cm. 14 pages with 100 plates in coloured etching and 1 coloured etched title-vignette. Contemporary red half calf spine richly gilt top edge gilt. One of only 600 numbered copies of the only edition. Wonderful coloured etchings which show perfectly the style of that time. - "Henri Boutet 1851-1919 a traduit a la point-seche avec un elegance zn peu mievre les graces de la Parisienne. Dans l'eau-fort en couleurs il a fait preuve d'un art beaucoup plus sur. Certains de ses dernieres estampes notamment ses paysannes normandes ont un veritable caractere" Benezit. - Reliure demi-cuir à coins jolis motifs au dos. Couvertures du broché conservées mais pas le dos. Chaque illustration est protégée par une serpente épaisse le papier lui-même est très épais si bien qu'en dehors d'une courte préface de Clarétie le livre ne contient en fait que les 100 illustrations une par feuille le recto est vide. Collationné complet. Henri BOUTET Les Modes féminines au XIXe siècle interprétées en cent pointes sèches aquarellées au pinceau 1801-1900. Préface de Jules Clarétie. Paris Société Française d'Éditions d'Art 1902. l'un des 600 après 60 sur Japon les 2 seuls tirages. 100 illustrations aquarellées une par année. Binding a bit rubbed otherwise a mint copy. unknown
1919réf. 15780AB1919. Year 1919/1920. Issues 1 - 12. Vienna 1919-1920. 32 : 235 cm With many illustrations. Coloured illustrated original wrappers. Shows very clearly the spirit of the time. unknown
1920réf. 14632AB1920. Vienna n.d. ca.1920 36 : 30 cm - 15 : 12 cm 21 water-colours partly heightened in white on grey cardboard. Beautiful very detailled elaborated custome designs in different colours white black blue red green yellow pink. The designs show mainly woman maybe designs for Bizet's 'Carmen' Two plates show actors and actress dancing with masks. unknown
1950réf. 14631AB1950. Vienna ca. 1950. 42 : 30 cm. 27 plates with many designs partly in colour. Shows also designs for smaller tallor and dicker woman. 2 plates with many designs for evening dresses. unknown
1934réf. 11072AB1934. London Paris Vienna 1934. 335 : 225 cm. 4 pages with description With 20 mounted coloured plates. Typographic printed original wrappers. Overview of the winter fashion collection for 1934. Each design in vivid colours shows the model in the center and on the side there are some detailled views of the dress. With a description of each model in French English and German. - Here present are 20 out of 39 plates; upper parts of the plates with water-stains but not effecting the image; wrappers with some defects. unknown
