Fashion Group of Los AngelesBiblio.com
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1976réf. AM003Los Angeles: Fashion Group of Los Angeles 1976. Stapled Wraps. Very Good. 46p. Toned wrap edges lightly worn and spine fold scraped. Program for fashion show honoring California women fashion designers presented by the Fashion Group of Los Angeles the first California chapter of the Fashion Group International FGI. The FGI was established in 1928 as a nonprofit organization of executives in the fashion business including apparel accessories and beauty. This booklet offers brief biographies of such designers as Mary Ann DeWeese Rose Marie Reid Bonnie Cashin Irene and Helen Rose along with contemporary advertisements. B&w illustrations and photographs. 8-1/2"x14" Fashion Group of Los Angeles paperback
1960réf. 1008090028R. Rosen Press 1960. Hardcover. Very Good. Nice looking book has minor edge wear. R. Rosen Press hardcover
1996réf. 28260Göttingen, Steidl, 1996. 185 S. m. teils farb. Fotos, 4°, OPp. m. OU.
réf. 0884010813New. paperback. New. Satisfaction Guaranteed or your money back. paperback
1986réf. 1001170088Fashion Inst. of Technology 1986. Paperback. Very Good. Nice looking book has minor edge wear. Fashion Inst. of Technology paperback
This is a very good copy of this softcover exhibition catalog. Completely clean inside, and out. Spine not creased. This exhibition was shown at F.I.T. in New York and also at the Art Institute in Chicago. Several texts are reprinted here: Guillermo de Osma from his monograph, which came out a few years earlier, Phyllis and Fred Feldkamp from an article in Harper's Magazine. Also a short piece by Jean-Michel Tuchscherer, the Curator at the Musee Historique des Tissus de Lyon, and another short piece on manufacturing techniques Fortuny used by Gabriel Vidal and Odile Valansot. Bibliography. About 20 illustrations in color and black & white. There were 75 costumes and a number of textile samples in the exhibition. Exhibition checklist laid-in. 11" high X 7" wide, 36 pages. This book will be securely packed and shipped with tracking.
1935réf. 17157London: J.H. Steward Circa 1935. Very good. 5.25" x 8" folded pamphlet printed in blue on pale blue stock. Illustrated with drawings of two different frame styles. "12/24/45" penned in black ink at front. Mild toning and foxing. Short split at fold. Very good. Also includes price list 8" x 10" approx. typed in blue and description of "chromos" tinted glass 8" x 10" approx. typed in black. Pamphlet advertising "Rectiform" sports spectacles sold by J.H. Steward opticians of London. Claiming "opticians to the National Rifle Associations of the British Empire" Steward markets the spectacles designed with extended field of vision so that one's vision is not obstructed by the edges of the frame to marksmen as well as players of tennis cricket and even billiards. Additional information on "chromos" reflective lenses also aimed at improving vision for riflemen. J.H. Steward unknown books
1932réf. 25922Paris: Au Printemps 1932. 1 vols. Image 11-1/2 x 8 inches matted to 17-1/2 x 14 inches. 1 vols. Image 11-1/2 x 8 inches matted to 17-1/2 x 14 inches. Color Printed Brochure by Fashion Artist Reynaldo Luza. Reynaldo Luza 1893-1978 pre-eminent fashion artist was born in Lima Peru. He began training as an architect at the University of Louvain Belgium but returned to Peru at the outbreak of World War I where he changed his studies from architecture to art. In 1918 he came to the United States where he earned his living by contributing drawings to several fashion publications principally VOGUE HARPERS BAZAAR and VANITY FAIR. In 1921 he joined HARPERS BAZAAR as the principal fashion artist a position he was to hold for 27 years. He divided his time between New York Paris and London working closely with all of the leading fashion designers of the times--Poiret Patou Lelong Paquin Douillet Doucet Cheruit Worth Drecoll Callot Soeurs Redfern Martial et Amand Premet Reboux Chanel Vionnet Molyneaux Schiaparelli Hartnell Steibel and Balenciaga among others. In 1940 Luza made New York his principal base where over the next few years he continued his activities at Harpers as well as creating fabric and furniture designs and the costumes for the movie "The Bridge of San Luis Rey". Among other distinctions he received several honorary appointments from the government of Peru including that of Artistic Director of the Paris Exposition of 1938 and the New York World's Fair of 1939-40; he also did the interior design of the new Lima airport. In 1950 Luza returned to Peru where he began a second career as a portrait painter exhibiting his work over the next few years in Paris New York and Washington D.C. Au Printemps unknown books
1950réf. 25924n.p. 1950. Sold individually. Please inquire for images of each. Approximately 11 x 10 inches. Sold individually. Please inquire for images of each. Approximately 11 x 10 inches. Original Fabric Designs by Fashion Artist Reynaldo Luza. Reynaldo Luza 1893-1978 pre-eminent fashion artist was born in Lima Peru. He began training as an architect at the University of Louvain Belgium but returned to Peru at the outbreak of World War I where he changed his studies from architecture to art. In 1918 he came to the United States where he earned his living by contributing drawings to several fashion publications principally VOGUE HARPERS BAZAAR and VANITY FAIR. In 1921 he joined HARPERS BAZAAR as the principal fashion artist a position he was to hold for 27 years. He divided his time between New York Paris and London working closely with all of the leading fashion designers of the times--Poiret Patou Lelong Paquin Douillet Doucet Cheruit Worth Drecoll Callot Soeurs Redfern Martial et Amand Premet Reboux Chanel Vionnet Molyneaux Schiaparelli Hartnell Steibel and Balenciaga among others. In 1940 Luza made New York his principal base where over the next few years he continued his activities at Harpers as well as creating fabric and furniture designs and the costumes for the movie "The Bridge of San Luis Rey". Among other distinctions he received several honorary appointments from the government of Peru including that of Artistic Director of the Paris Exposition of 1938 and the New York World's Fair of 1939-40; he also did the interior design of the new Lima airport. In 1950 Luza returned to Peru where he began a second career as a portrait painter exhibiting his work over the next few years in Paris New York and Washington D.C. unknown books
1950réf. 25923n.p. 1950. Sold individually. Please inquire for images of each. Image approximately 12 x 10 inches plus margins. Sold individually. Please inquire for images of each. Image approximately 12 x 10 inches plus margins. Original Fabric Designs by Fashion Artist Reynaldo Luza. Reynaldo Luza 1893-1978 pre-eminent fashion artist was born in Lima Peru. He began training as an architect at the University of Louvain Belgium but returned to Peru at the outbreak of World War I where he changed his studies from architecture to art. In 1918 he came to the United States where he earned his living by contributing drawings to several fashion publications principally VOGUE HARPERS BAZAAR and VANITY FAIR. In 1921 he joined HARPERS BAZAAR as the principal fashion artist a position he was to hold for 27 years. He divided his time between New York Paris and London working closely with all of the leading fashion designers of the times--Poiret Patou Lelong Paquin Douillet Doucet Cheruit Worth Drecoll Callot Soeurs Redfern Martial et Amand Premet Reboux Chanel Vionnet Molyneaux Schiaparelli Hartnell Steibel and Balenciaga among others. In 1940 Luza made New York his principal base where over the next few years he continued his activities at Harpers as well as creating fabric and furniture designs and the costumes for the movie "The Bridge of San Luis Rey". Among other distinctions he received several honorary appointments from the government of Peru including that of Artistic Director of the Paris Exposition of 1938 and the New York World's Fair of 1939-40; he also did the interior design of the new Lima airport. In 1950 Luza returned to Peru where he began a second career as a portrait painter exhibiting his work over the next few years in Paris New York and Washington D.C. unknown books
1923réf. 25810New York 1923. Pencil ink and gouache on paper signed lower left. 1 vols. Image 13 x 9-1/2 inches matted and framed to 20 x 16 inches overall. Matted and framed. Fine. Pencil ink and gouache on paper signed lower left. 1 vols. Image 13 x 9-1/2 inches matted and framed to 20 x 16 inches overall. Original Fashion Art by Reynaldo Luza. Reynaldo Luza 1893-1978 pre-eminent fashion artist was born in Lima Peru. He began training as an architect at the University of Louvain Belgium but returned to Peru at the outbreak of World War I where he changed his studies from architecture to art. In 1918 he came to the United States where he earned his living by contributing drawings to several fashion publications principally VOGUE HARPERS BAZAAR and VANITY FAIR. In 1921 he joined HARPERS BAZAAR as the principal fashion artist a position he was to hold for 27 years. He divided his time between New York Paris and London working closely with all of the leading fashion designers of the times - Poiret Patou Lelong Paquin Douillet Doucet Cheruit Worth Drecoll Callot Soeurs Redfern Martial et Amand Premet Reboux Chanel Vionnet Molyneaux Schiaparelli Hartnell Steibel and Balenciaga among others. In 1940 Luza made New York his principal base where over the next few years he continued his activities at Harpers as well as creating fabric and furniture designs and the costumes for the movie "The Bridge of San Luis Rey." Among other distinctions he received several honorary appointments from the government of Peru including that of Artistic Director of the Paris Exposition of 1938 and the New York World's Fair of 1939-40; he also did the interior design of the new Lima airport. In 1950 Luza returned to Peru where he began a second career as a portrait painter exhibiting his work over the next few years in Paris New York and Washington D.C. Literature: Harpers Bazaar October 1923 unknown books
1950réf. 245213n.p. 1950. 1 vols. Image approximately 6 x 4-1/2 inches matted to 12 x 10-1/2 inches. Creased across upper left corner light spotting. 1 vols. Image approximately 6 x 4-1/2 inches matted to 12 x 10-1/2 inches. Reynaldo Luza 1893-1978 pre-eminent fashion artist was born in Lima Peru. He began training as an architect at the University of Louvain Belgium but returned to Peru at the outbreak of World War I where he changed his studies from architecture to art. In 1918 he came to the United States where he earned his living by contributing drawings to several fashion publications principally VOGUE HARPERS BAZAAR and VANITY FAIR. In 1921 he joined HARPERS BAZAAR as the principal fashion artist a position he was to hold for 27 years. He divided his time between New York Paris and London working closely with all of the leading fashion designers of the times--Poiret Patou Lelong Paquin Douillet Doucet Cheruit Worth Drecoll Callot Soeurs Redfern Martial et Amand Premet Reboux Chanel Vionnet Molyneaux Schiaparelli Hartnell Steibel and Balenciaga among others. In 1940 Luza made New York his principal base where over the next few years he continued his activities at Harpers as well as creating fabric and furniture designs and the costumes for the movie "The Bridge of San Luis Rey". Among other distinctions he received several honorary appointments from the government of Peru including that of Artistic Director of the Paris Exposition of 1938 and the New York World's Fair of 1939-40; he also did the interior design of the new Lima airport. In 1950 Luza returned to Peru where he began a second career as a portrait painter exhibiting his work over the next few years in Paris New York and Washington D.C. unknown books
1970réf. D6222Istanbul c. 1970s. Very Good. Red card wrappers with "Gunal Erkose" stamped in gilt on front cover; two volumes 4to; unpaginated with b/w photographs 27 in one 23 in the other tipped-onto black leaves with printed frames and handwritten prices below e.g. Fob Istanbul US $34. Covers a bit scuffed; slight wave to text block. A fun time capsule of early 1970s Turkish leather fashions for men and primarily women modelling outer wear and jackets dresses and pant suits. hardcover books
réf. 38855London. Printed by Horace Cox. no printed title page. Hardcover. folio 43.5x 28cm 17" x 11"0 pp207-712107 = 617 pages plus the plates. WITH. 11 COLOUR FASHION PLATES & 11 COLOUR TEXTILE PLATES the textile plates are chromo litho's. double page engraved frontis numerous engraved illustrations through out many full page spine cap wanting both worn boards are loose text block is clean and soundno foxing rare ds1. Great colour plates. [London. Printed by Horace Cox]. (no printed title page) hardcover
1929réf. 108242Folio. Barcelona: Central de Corte Marti April 1929-December 1929. Folio 24 pp. Original wrappers printed in brown with illustrations to every page and terminal fold-out sewing patterns. Stapled paper wrappers with title and date printed to the upper wrapper. Some minor foxing to outer margins; very good. § First edition. Ten issues of Ediciones Marti created for disciples of the “Method of Cut” system with all the best creations of haute couture. Each edition contains a selection of models drawn to exhibit new designs accompanied by sewing patterns. Central de Corte Marti unknown books
réf. 2413Paris Editions Nilsson c.1920. Four little volumes containing 80 pochoir color cards 20 in each volume of women's fashions from 1900-1920. Small 16mo. 9.4 x 7.25cm. Each volume In original hand colored printed wrappers with women in costume on the front of each volume. Housed in the original patterned paper covered card slipcase with rose design on inside covers with printed paper spine label. Box is shaken. Interior volumes are fine. Ties are perfect. unknown books
1913réf. 218820London: Sampson Low Marston & Company Ldt 1913. First edition. 155 colored plates several in black and white which are printed on both sides. 1 vols. 4to. Green morocco-backed boards. Very good. First edition. 155 colored plates several in black and white which are printed on both sides. 1 vols. 4to. An excellent survey of French and English mode of dress between 1786 and 1912. Colas 2426; Hiler & Hiller p. 722 placing date as 1912 Sampson Low, Marston & Company Ldt unknown books
2000réf. 253113Weapon Industry Press. Beijing Kehai Electronic Pu 2000-01-01. paperback. Used - Good. Ship out in 2 business day And Fast shipping Free Tracking number will be provided after the shipment.Paperback. Pages Number: 192 Language: Chinese. Publisher: Ordnance Industry Press. Beijing Kehai Electronic Press; 1 April 1. 2009. Digital photography full self-study manual full color CD introduced by way of progressive selection and use of digital cameras. digital photography principles and techniques. post-processing of digital photos and other content. linked together. the establishment of a quick and comprehensive learning blueprint. book first with the most easy to understand la. Satisfaction guaranteedor money back. Weapon Industry Press. Beijing Kehai Electronic Pu paperback
réf. 89363o.J. 4to. Mit zahlreichen teils farbigen Abbildungen. 232 S., 10 Bl. Or.-Lwd. mit Schutzumschlag. [4 Warenabbildungen]
1930réf. 17155Chicago: Style Silk Company Circa 1930s. First Edition. Near fine. Seven sets each including: Lucky name game folded card with perforations printed in red and blue 3" x 5.5" approx.; order blank printed recto only on blue stock 8.5" x 5.5" approx.; color sample sheet 3.5" x 5.75" approx.; Trifold brochure 6.25" x 9.25" approx.; self-addresssed envelope 6" x 3.5" approx. Housed in hosiery box from another company "Alanda Hosiery." Minor toning near fine overall. Collection of promotional material for the Style Silk Company of Chicago maker of women's stockings and men's socks. Most interesting is a promotional game whereby an individual places an order for five pairs of stockings and sells punches for the opportunity to win pairs of stockings. An interesting spin on direct marketing. Style Silk Company unknown books
réf. CS-14787International. Brand New. Brand New unknown
réf. CBS 9788417412791US Edition. New. Brand New! Fast Delivery US Edition and ship within 24-48 hours. Deliver by FedEx and Dhl & Aramex UPS & USPS and we do accept APO and PO BOX Addresses. Order can be delivered worldwide within 6-10 days and we do have flat rate for up to 2LB. Extra shipping charges will be requested if the Book weight is more than 5 LB. This Item May be shipped from India United states & United Kingdom. Depending on your location and availability. unknown
1955réf. 14112np New York ca. 1955. Very good. 18 large completed plus 6 smaller loose portraits executed in pen & ink with watercolor or guache on paper. Large works all approx. 19" x 12"; smaller 12.5" x 9". With a large 17" x 12" spiral-bound artist's notebook containing eight additional color studies plus one sketch. Also includes 18 other loose preliminary works various sizes and media - including one brief series of Shakespearean costume design. Most SIGNED by the artist. Generally very good or better overall. Lovely selection of original fashion art depicting various women's runway dresses all ca. 1955. We have been unable to discover much about the artist Mr. Leigh. But he was clearly an accomplished designer colorist and draftsman. We do know he was based in New York City and assume given the professional skill with which these works were executed that he likely worked in the industry either for a designer or a fashion magazine. The portraits themselves are quintessentially post-war in their style and taste clearly indebted to VOGUE and their artists. A beautiful primary collection of 1950s high fashion. unknown books
1937réf. 17397New York: Amos Parrish and Company 1937. First Edition. Wraps. Very good. 9" x 12" approx. brad-bound in wraps. 154 leaves printed in black and green primarily recto only. Many with additional fold-outs. 108 fabric samples glue-mounted throughout. Some creasing chipping and mild soil to wraps. Interior generally fresh and bright. Some adhesive residue or other wear to samples with two perished. Very good overall. A handbook for the Amos Parrish Fashion Selling Clinic a seminar for department store executives and other retailers. Amos Parrish retail sales and advertising manager founded his consulting firm providing statistical retail merchandising analysis and holding clinics like the one represented here from the 1920s to 1955. Amos Parrish and Company Inc. also published pamphlets charts books and other fashion forecasting materials. An extremely well-crafted handbook it includes the two-day seminar schedule and profusely illustrated sections outlining the seasonal trends in apparel accessories and undergarments with sections on selling suits coats millinery sportswear etc. These are accompanied by statistical information on the various styles defined. A note paper-clipped to the first page by the book's creator S. T. Neidlinger indicates that this was used as a sample of his work. A handsome and minutely detailed item with fascinating insights into fashion trends and retail operations of the era. OCLC locates only one similar item for the final 1955 event. Amos Parrish and Company paperback books
1957réf. 42918Paris: Societe Paritys / Lebotys 1957. Post binder with 3 brass posts decorative screw tops. Publisher's color pictorial glazed boards blue spine and joints. Board edges rubbed and worn; short split to rear outer joint; inner joints tender paper splitting though cloth reinforcement beneath is intact. Page block foxed occasional foxing/spotting throughout; light offsetting from fabric samples to some pages. Fabric sample generally clean and bright with occasional creasing/fraying. Overall Gd. 97 pp. 16 color fashion drawings; ~ 740 pasted or tipped-in fabric samples. 16-1/8" x 12-1/8" A mid-century salesman's sample catalogue from the winter collection of Parisian firm Société Paritys a haberdashery and fabric supplier established in 1946 and still in operation today. The fabric samples have been supplied by Lebotys a couture design firm in its own right and highly regarded for the quality of its textiles. As we find record of Lebotys having issued catalogues of its own collections in both the 1930s and 1960s we speculate that the two firms collaborated for a limited time possibly due to continuing post-war shortages and the need to adapt to the rapidly changing clothing market of the 1950s. The late 1950s saw a revolution in French fashion — and by extension Western fashion in general — due in no small part to the influence of material factors underlying the purely aesthetic side of the industry: availability of fabric continuing technological advances in synthetics and the surging post-war economies of America and Europe. The reluctant expansion of haute couture into the ready-to-wear market during the latter half of the century and the increasing reliance on synthetic fabrics to meet the demand would ultimately spell a major shift in the industry one that would impact fashion trends for decades to come. Some fashion houses like Dior whose “New Look” revitalized fashion at the beginning of the decade successfully managed to adapt by issuing couture ready-to-wear lines. Some however even long-established houses survived the war only to be undone by the prosperity that followed. The collaboration here of Société Paritys and Lebotys as well as the fabrics offered and styles displayed leads us to infer that the two firms were likely targeting the growing ready-to-wear market. The fabrics include a variety of silks cottons wools mohair etc. as well as nylon fibranne rayon Rhodia tergal crylor acetate and other “Matieres Synthètiques” often in blends and advertising their washable and/or antiwrinkling qualities. The styles in the illustrations still heavily influenced by the “New Look” emphasize wasp-waisted dresses hourglass silhouettes etc. No copies located on OCLC nor the major French institutions as searched on KVK. Societe Paritys / Lebotys hardcover books
