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Best.-Nr. ria9781419726484_inpHardback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; The first book to document the history of the runway and to offer an unprecedented look behind the scenes of Fashion Week hardcover
2018Best.-Nr. __141972648XHarry N Abrams Inc 2018. Hardcover. New. 251 pages. 12.00x10.00x0.50 inches. Harry N Abrams Inc hardcover
2004BENSIMON KELLY KILLOREN AMERICAN STYLE. Switerland, Assolutine 2004, ill. a colori e in bianco e nero Buono (Good) Buon es.. in quarto leg. cart. con sovraccoperta edit. pp. non numerate
1925Best.-Nr. 46331New York: Irving Samuels Hat Co. ca. 1925. 9 x 7.5 in. unused hat box label minor creasing to fore-edge otherwise an excellent bright sample. Scarce hat box label produced for the Samuels Hat company who supplied Plebe hats for the United States Naval Academy and other military academies across the United States in the 1920s and 1930s. Irving Samuels Hat Co., unknown
1990TITOLO: Amish. The Art of the Quilt. AUTORE: Hughes,Robert. CURATORE: Plate commentary by Julie Silber. EDITORE: Gingko Press Verlags - Callaway Editions DATA ED.: 1990, EAN: 9783927258020
1971Best.-Nr. 23489Leipzig : Insel-Verlag 1971. [119] Bl., 30 S., überw. farbige Illustrationen, 8° , Schrift: Fraktur gebundene Ausgabe, Pergamin-Einband, mit Begleitheft, im Schuber, Schuber mit Gebrauchsspuren, sonst sehr guter Zustand
Mm 210x150 Brossura editoriale, 50 pagine, illustrazioni in nero. Schede descrittive dei repereti. Senza data di pubblicazione (anni '90). Ottimo stato. Spedizione entro 24 ore dalla conferma dell'ordine.
Best.-Nr. 14927In 4 broché,couverture souple,195x280mm.Couverture illustrée (frottée)faux-titre,titre,préface d'Edouard HERRIOT,84 pages ,12 illustrations hors texte en couleurs,de TOUCHAGUES. Edition mondiale,deuxième trimestre 1951.Quelques traces d'usures au quatrième plat.Bon état d'ensemble,coloris frais
1999Best.-Nr. 277071Bussum Toth Vlg. 1999. 159 Seiten, zahlreiche teilw. farb. Abbildungen. 4° Br. Br. *neuwertig*.
1989Best.-Nr. 044117Berlin, Verlag von Wilhelm Ernst & Sohn, 1989. kl 8°, Brosch., ohne Paginierung - sehr gutes Exemplar
1989Best.-Nr. 023750Wolfenbüttel, Gesellschaft der Freunde der Herzog-August-Bibliothek, 1989. kl 8°, Brosch., 76 S. - sehr gutes Exemplar
1989Best.-Nr. 33427Weinheim, VCH Verlagsgesellschaft, 1989. Broschiert
Best.-Nr. R260261922au bureau du journal. non daté. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 60 pages environ augmentées de nombreuses photos en couleurs hors texte.. . . . Classification Dewey : 391-Mode
1911Best.-Nr. 207961911 Grande carte d'invitation datée 1911, 23,5 X 15 cm.
Best.-Nr. 20387Carte d'invitation dépliante, 27 X 11 cm.
1966Best.-Nr. 57807Arlington VA: Institute of Naval Studies Center for Naval Analyses 1966. Reprint. Reprinted 1972. Wraps. Good. No dust jacket as issued. Highlighting/underlining. Underlining is very need. Some ink comments. Cover has some wear and soiling. ix 208 p. 27 cm. Illustrations Maps. Center for Naval Analyses. CNA research contribution no. 144. This document has been approved for public release. The Work was conducted under contract N00014-68-A-0091. Additional authors included R. N. Perle and R. P. Whitten. Document number 02 000144.00. Institute of Naval Studies, Center for Naval Analyses paperback
1978Best.-Nr. 2353210New York: Alfred A. Knopf 1978. First Edition. Hard Cover. Very Good/Good. 8x5x0. First edition. Jacket toned with a couple tiny closed tears along corners board edges faded. Binding tight and square pages clean bright and unmarked. 1978 Hard Cover. 130 pp. A lighthearted high-society romance following Nicholas Romney a Philadelphia banker whose wife of twenty-five years suddenly divorces him. Spackman's general tone and use of tongue-in-cheek dialogue has drawn comparisons to P.G. Wodehouse and Tom Wolfe. Alfred A. Knopf hardcover books
1924Best.-Nr. 2006080557xbvkMünchen, Verlag von Albert Langen, ohne Jahr (ca. 1924). 1 Seite Text 'Otto Lendecke', 1 S. Verzeichnis der Bilder; 30 einseitig bedruckte Farbtafeln. - Graublauer Original-Leineneinband mit montierter farbiger Deckelillustration und schwarzgeprägtem Deckeltitel in Frakturschrift; Folio (ca. 40 x 28 cm; ca. 1,2 kg.).
1975Best.-Nr. 21186ABReinbek (bei Hamburg), Rowohlt, 1975. 19 cm. (20) Bl., davon 18 getönte Postkarten. Taschenbuch (Softcover), festerer Karton. [1.Aufl.] Tadelloses frisches Exemplar. rororo ; 1833.
1947This is a very good softcover copy with some wear to the back cover and back page upper corner creased. Clean inside and out. Short introduction by curators Charles Fabens Kelley and Margaret O. Gentles. 114 carpets in the exhibition, many illustrated in black & white. Bibliography. 4to, 10" high X 7" wide. This book will be securely packed and shipped with tracking.
4°. (32,7 x 23 cm). 176 p. (English Language). Original cloth with gilt stamped title to spine and to front cover. Original dust jacket with title to spine and illustrated title to front cover. Jacket with low signs of use, otherwise well preserved. Generally in good to very good condition. The publication contains a lot of fotografic images (coloured).
4°. (32,7 x 23 cm). 304 p. (English Language). Original cloth with gilt stamped title to spine. Original dust jacket with title to spine and illustrated title to front cover. Jacket with low signs of use, otherwise well preserved. Generally in good to very good condition. The publication contains a lot of fotografic images (coloured).
1955Best.-Nr. 62463New York NY Kansas City MO & Carmel Santa Barbara & San Francisco CA: Marian Ross Mizelle Madrigal 1955-1974. Four Vols. and original Store Sign for Carmel CA boutique. Folio. 2 - 12 x 15.25 in. & 2 - 13 x 19 in. 48; 48; 48; 48 pp unpaginated. all w/ mylar sleeves archival black paper insert backings with 151 original designs in gouache watercolour chalk and pen & ink 38 in pen & ink or pencil sized from 7 x 11 in. up to 10 x 15 in. and nearly all signed by Marian Ross three feature original fabric sample swatches affixed to them including one w/ pencil MS “Winner” and mimeographed description affixed to verso several of them are translucent pochoir stapled to backing paper many are on thick stiff studio board while others on assorted textured paper stock. In addition there are three newspaper and magazine clippings 1966 & 2013 a photostat copy of early Ross Mizelle “Mod” fashion designs and original black & white silver gelatin photo of young Marian Ross modeling a wedding dress. All are preserved in flexible vinyl portfolios printed labels on spines some minor scuffing & shelfwear to portfolios occasional very minor closed tears or edgewear to the designs a few w/ minor holes from removed staples still an exemplary archive of designs together with the original Madrigal signboard sized 16 x 27 in. from their Carmel CA store. This sensational archive of original fashion designs for Kansas City MO based department store suppliers by Marian Ross Mizelle before her move to California in the 1970’s to establish the Madrigal boutique with her husband Elliot A. Mizelle 1916-2007. These vividly reveal the Mid-20th-Century fashion trends following World War II. Many of the designs in this collection reflect the transition from the late 1950’s elegance and emphasis on Dior’s “New Look” highlighting femininity and opulent use of fabrics towards the more youthful designs emerging out of Swinging London which were a slimming down beginning to raise hemlines with short skirts bolero tops and increasing influence of Pierre Cardin Andre Courreges and Givenchy. The Mid-20th-Century saw a tremendous upsurge in marketing slimmer lines tighter fitting bodices and fashions emerging from such cultural events as Audry Hepburn in her iconic 1961 “Breakfast at Tiffany’s” film which heavily influenced a generation of young women.Young Marian Ross b. 1936 after completing her Fashion Academy certificate in 1955 free-lanced and worked in the New York fashion industry before landing with the influential and hot-selling Gay Gibson label with Gernes Garment Co. in 1961. The Gernes Garment Co. had been originally founded in 1928 by Sara Desaix Gernes 1896-1978 and her husband Alexander Gernes 1882-1947 to market her groundbreaking fashion designs targeting everyday fashion for young women juniors and teens. Her designs proved very popular as she initiated and fashioned sizing and dresses and clothing for teenagers through young college-age women and her designs proved very successful and were marketed through Chicago’s Marshall Field’s department store. By 1961 the Gernes Garment Co. moved their design and pattern making department to New York to capture young fashion designers such as Marian Ross as well as be closer to the influential couturier houses in New York & Paris. The Gay Gibson label was marketed in Mademoiselle Seventeen Glamour and Vogue magazines with Twiggy often modeling Gay Gibson dresses in the 1960’s. Marian’s designs were inventive playful and emphasizing movement as well as comfort. Many of the fashion patterns depict her models in flats ballet flats or even shoeless while dressed in elegant evening or formal dress. Also depicted are designs such as billowing harem pants modified and sleek upscale poodle skirts and Tartan patterned capes pockets dresses and accessories. Others encompass swimwear ski wear as well as the emphasized and often enforced domesticity of the late 1950’s to 1960’s with stylish plaid house-dresses in the kitchen and bar as well as frequent use of lace. The Gay Gibson label maintained a showroom at 1407 Broadway on the 39th Floor in New York ad held over 24 showings from 1961-1969 including Junior Dresses Summer Collections Spring Junior Collections as well as Holiday and Resort collections. By the early 1970’s the label was having financial difficulties and the popularity began to drop with the company run by Desaix Gernes her mother and husband Paul before folding a few years after Sara Desaix Gernes’ death. Marian and Elliot Mizelle established Madrigal Inc. name chosen because of the seductive chic of Manhattan’s Le Madrigal restaurant and grew into a legendary luxury boutique at one point operating store fronts in Santa Barbara downtown San Francisco and Carmel CA. In her 2015 interview for “Women in Business” with the Carmel Pine Cone Marian stated she “wanted to be an actress but it didn’t work out that way. I used to sketch a lot so I studied design instead. Everything I touched while was designing worked. I got a lot of jobs and was featured on a lot of Seventeen magazine covers.” This cataloguer could find not similar extant archive of original designs for the 1960’s period of the Gay Gibson label or for Marian Ross Mizelle; See: Interview with Desaix Gernes Garment Industry Oral History Collection The Kansas City Public Library Jan. 14 2005 SC229 Series 2 2024; Gay Gibson Vintage Fashion Guild 2025; Donnelly Garment Company vs. International Ladies Garment Workers Union et al Photographs Clothing Demonstration The Pendergast Years Kansas City in the Jazz Age & Great Depression 2025. Marian Ross Mizelle, Madrigal, hardcover
Best.-Nr. 28934New York: 214 Broadway 1848 2141. First edition. Wrappers a little worn and soiled and chipped at the spine but sound and complete; very good copy. Small 8vo original pictorial wrappers 54 pages. Four full-page illustrations and about depending on how you count them 35 vignettes in the text; illustration of the Genin Hatter store in Manhattan on the lower wrapper. An attractive promotional pamphlet for the Genin Hatter business on the subject of the hat and its history by the proprietor of the firm John Nicholas Genin 1819-1878 one of the most famous hatters of his generation. "Like P. T. Barnum his neighbor on Broadway Genin had a remarkable knack for using publicity to boost his business" - Wikipedia. The imprint of 214 Broadway was the address of the Genin Hatter store. New York: 214 Broadway, 1848 unknown
1991Best.-Nr. 94581Philadelphia, New York The Fabric Workshop, W.W. Norton & Company 1991 1 vol. relié in-4 étroit, cartonnage illustré sous rhodoïd imprimé, 223 pp., nombreuses photos en couleurs. Texte en anglais. Très bon état.