Kalter, JohannesAntiquariat.de
19 077 résultats
1983réf. 183415Bilder turkestanischer Kulturen. In Zusammenarbeit mit dem Linden-Museum Stuttgart. Stuttgart, Edition Hansjörg Mayer, 1983. Kl.-4to. Mit zahlreichen, teils farbigen Abbildungen. 167 S. Farbiger Or.-Kart. [5 Warenabbildungen]
1833réf. 62953Leipzig Industrie-Comptoir / Baumgärtner etc. 1833-1856. Small queer-folio 22 x 285 cm. Nice later light brown half calf from ca. 1900 with five raised bands and gilt lines to spine Carl Petersens Enke. Slight wear to extremities. 100 engraved plates in contemporary colouring. A bit of even browning and occasional offsetting. A few plates with more browning. Some plates with tiny holes in blank margin from original stiching having been vertically bound with text-leaves. Occasional light creasing. One plate with a tear no loss. A few plates signed A. Brückner most plates numbered and dated and some plates having "Extra-Kupfer" or "Les Modes Parisiennes Réunis" the last five underneath. A lovely collection of 100 beautiful contemporarily coloured engraved fashion-plates from between 1833 and 1856 importing the highest Parisian fashion of the time to Germany. This beautiful collection magnificently documents the clothing fashion and development of two decades primarily for women but also for children and men. Also in the mid-19th-century Paris was seen as the quintessence of elegance and style. The Allgemeine Moden-Zeitung kept the German-speaking public up to date with the latest fashions from Paris. The magazine “Les modes parisiennes reunites” did the same; that too was produced for the German public despite its French title. As well as outfits for appearing in high society eg. at the theatre the fashion plates collected here show clothes and notably also accessories for almost all other parts of life - paying and receiving social calls going for walks attending different events musical siorées going out with the children etc. “As part of her evening wardrobe every fashionable lady simply had to have elegant dresses in brightly coloured silks and satins with frills and lace bows and flounces tight bodices natural waistlines and exposed shoulders which gave the female figure an hour-glass silhouette. The first thing that strikes one about these ladies’ fashions are the stiff voluminous underskirts. Horsehair crinolines invented in 1850 supported wide sweeping skirts which could measure up to two or two-and-a-half metres in diameter and made the upper body look even slimmer.” Deutsches Historisches Museum. "From the 1820s onwards and particularly under the ostentatious Second Empire 1852–1870 the classicising taste of the Napoleonic era changed completely. Instead fashion now drew inspiration from the elegance of the Rococo period so much so that the period became known as the “second Rococo”. The waistline returned to its natural level but was awkwardly styled – at least from a health point of view: agonisingly tight corsets emphasised the so-called “wasp waist”. Ostensibly guided by aesthetics on closer inspection this fashion trend also had social consequences: with styles that afforded women so little freedom of movement fashion focused on the ostentatious requirements of ladies from the upper echelons of society who didn’t have to work. Practicality was not its concern. This ostentatious and – certainly from the perspective of the 21st century – inconvenient fashion style appealed not only to the fine ladies of high society but also to women from the middle classes and the petty bourgeoisie. The expansion of the textile industry and the rise of the chemical industry made the production of dyes fabrics lace and embroidery and the processing of raw materials and textiles imported from the colonies both quicker and cheaper.” DHM hardcover
réf. 59896, Doorbraak, 2020 Softcover, 133 pagina's, NL, 200 x 125 mm, als nieuw, met enkele afbeeldingen in z/w. *** met opdracht en gesigneerd door de auteur*** ISBN 9789492639356.
1989réf. PHOT0322Wien, Hochschule f. angewandte Kunst 1989. 4°. 95 S. mit zahlreichen s/w. Abb., OKart., Umschlag mit leichten Lagerspuren, sonst einwandfrei. Katalog zur Ausstellung im Institut für Kostümkunde, Wien von Mai - Juni 1989.
1989réf. 98136Wien, Hochschule für Angewandte Kunst Wien, 1989. Broschur, Fadenheftung, 95 Seiten, 29,7 x 21 cm. Guter bis sehr guter Zustand. 1. Aufl.
1909réf. 23651ABBerlin, Hohenzollern Kunstgewerbehaus Friedmann & Weber, 1909. 91 S., 26 Bll. Mit ganzseitigen Illustrationen von Caspari, Bayros, Beardsley, Klinger, Leonard, Vogeler u.a. Orig.-Kartoniert mit Kordelheftung.
1985Testi in inglese, 285 p., f.to cm 33,5x24,5, copertina flessibile, illustrazioni a colori. Buone condizioni.
1985réf. 84609McMahons Point, Kevin Weldon 1985. 1985. 4°, 285 S., 1 Bl. mit sehr vielen farrbigen Fotos. Orig.-Karton.
1955réf. WIRT1142Wien, Federal Chamber of Commerce 1955. 81 S. mit zahlreichen überwiegend farb. Abb., OKart., Ecken bestoßen.
2014réf. 9360Wien : Brandstätter, 2014. 272 S. : zahlr. Ill. 4° (30,5x24,5cm), Hardcover/Pappeinband
2001In-8°, legatura in brossura editoriale, pp. 217(2), con illustrazioni in nero e a colori.
2019Jim Moore; Jim Nelson, Kanye West AUTOGRAFATO !! Hunks and Heroes: Four Decades of Fashion at GQ. New York, Rizzoli Intl Pubns 2019 italian, 352 AUTOGRAFATO diA Jim Moore. Opera con copertina morbida in brossura e sovraccoperta alettata. Numerose illustrazioni a colori e b/n nt e ft. SLB.8
2007Krieger, Bob Autografato! Chic! e click. Milano, Leonardo International 2007 italian, 280 Opera con copertina rigida e sovraccoperta. 280 p. : ill. in b/n e a colori ft e nt ; 34 cm. Dedica e autografo dell'autore. LF44.
réf. 104891Paris, 1989, 312x255mm, 16p., en feuilles, couverture blanche gaufrée, relié d’un cordon. Conception et réalisation Hélène Renault Kohn.9 photographies en couleurs pleine page de Patrice Degrandry, modèles Gerry An et Louise, maquillage Brigitte Hymans, coiffure Mariette Wenden.
1995Jacques Longuet Autour d'une cathédrale. , Médiaspaul 1995, Molto buono (Very Good) . 189 9782712205249
1995réf. 107007Paris Galerie Enrico Navarra 1995 1 vol. broché in-4, broché, non paginé, nombreuses reproductions en noir et en couleurs. Très bon état.
1995réf. 107007Paris Galerie Enrico Navarra 1995 1 vol. broché in-4, broché, non paginé, nombreuses reproductions en noir et en couleurs. Très bon état.
réf. 201411163, Fait main collection bonniers, 1988 ; in-4, 96 pp., cartonnage de l'éditeur. Avec jaquette.
1984réf. ABE-1610674357385232 PAGES-17 CM X 25 CM-COUVERTURE PAR GRUAU-SCENE DE L'EPHEMERE OU ETERNEL RETOUR?-QUE LE SPECTACLE COMMENCE-DU COTE DES METTEURS EN SCENE-OUTRE MANCHE OUTRE ATLANTIQUE-ETAT PROCHE DU NEUF-(11D)
1992réf. 1049051992 Milan, 1992, 286x140mm, 12p. en léporello, douzephotographies en couleurs pleine page par IlvioGallo.Enveloppe translucide originale. (104905)
[Milano], Nava Web SPA, [1998], 2 fascicoli (uomo e donna) in-4, br. editoriale, pp. [28] - [44], tutte illustrate da fotografie a colori. Ambedue i fascicoli contengono un fascicoletto allegato, di minor formato, recante il vero e proprio catalogo delle collezioni. Il tutto è riunito in un cofanetto editoriale in cartone. Buone condizioni.
1906réf. 68131Couverture souple. Broché. 10 pages. 12 x 20, 5 cm. Petits manques à la marge supérieure et à la couverture.
réf. 19979P., A. Tolmer, 1908, In-12, 24 X 16 cm, 4 pp. et 6 planches.
1903réf. 215531903 Paris, J. Charles éditeur, 1903, demi-toile éditeur, couverture chromolithographiée en couleurs, 4 buvards reliés par un cordon.
