19 041 résultats
Album blu in plastica rigida, con alette e fermaglio, a fogli mobili, di cm. 32,5 x 27 h. 8 con 62 fogli (4 tasche sui due lati di ciascun foglio) circa 240 foto a colori formato cartolina.
1989In 8° (20x19 cm); 30 pp. Brossura editoriale illustrata. Opera in tiratura limitata di 1000 esemplari di questa monografia dedicata all'opera artistica del celebre architetto, designer e scultore triestino, Luciano Celli nel quale l'autore si immagina un colloquio con Antonio Canova. Ottimo stato di conservazione.
réf. 1528412168.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1976réf. 4573z1976. Soft Cover. Good. PB/pub.1976/Gd. condition/160 pages - How yarn colors interact on the loom: a complete course. TA94573z paperback
2011This is a very good softcover copy with almost no wear. Completely clean. Stated first edition. This monograph was prepared to accompany the exhibition of Sonia Delaunay's clothing and accessories at the Cooper Hewitt Museum in New York from March 18 to June 5, 2011. Edited by Matilda McQuaid and Susan Brown. With contributions by Matteo de Leeuw-de Monti and Petra Timmer. Illustrated mostly in color, some vintage black & white photographs. Checklist of the exhibition. 11" high X 8" wide, 204 pages. Heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
1984réf. 197351984. Photographic archive 1984 documenting African American participation in fashion runway culture during a period of expanding visibility for Black models within commercial and public-facing fashion events. The images center on runway presentation styling and performance with emphasis on clothing posture and audience reception. The material supports research into Black representation in fashion the aesthetics of 1980s design and the intersection of race visibility and consumer culture within the fashion industry. Archive of 20 original color photographs dated July 1984. Prints measure approximately 4 x 4.5 inches to 5 x 6 inches. The photographs depict multiple runway scenes featuring Black models in varied outfits including bright casual wear dresses athletic ensembles and business-influenced styles. Specific images include a model wearing a pink lace floral dress with ribbon detailing and white heels figures in coordinated athletic-inspired outfits with bold color accents and a model in a white dress trimmed with pink ruffles and pearl-like ornamentation. One image shows a male model in white flared overalls and sandals. Additional photographs capture audience members of mixed racial identities seated along the runway as well as backstage moments in which models pose against a wall displaying portraits of other figures associated with the production or company. Several prints bear date stamps reading "7/84" on the verso. Produced during a decade marked by gradual shifts in fashion industry representation these photographs provide visual evidence of Black models occupying central roles in runway presentation while engaging with broader stylistic trends of the period. The inclusion of both runway and backstage scenes allows for study of performance preparation and audience interaction within fashion environments. Light handling wear and minor surface marks; overall very good condition. A cohesive visual record of 1980s runway culture with emphasis on African American representation. unknown
1984réf. 197351984. Photographic archive 1984 documenting African American participation in fashion runway culture during a period of expanding visibility for Black models within commercial and public-facing fashion events. The images center on runway presentation styling and performance with emphasis on clothing posture and audience reception. The material supports research into Black representation in fashion the aesthetics of 1980s design and the intersection of race visibility and consumer culture within the fashion industry. Archive of 20 original color photographs dated July 1984. Prints measure approximately 4 x 4.5 inches to 5 x 6 inches. The photographs depict multiple runway scenes featuring Black models in varied outfits including bright casual wear dresses athletic ensembles and business-influenced styles. Specific images include a model wearing a pink lace floral dress with ribbon detailing and white heels figures in coordinated athletic-inspired outfits with bold color accents and a model in a white dress trimmed with pink ruffles and pearl-like ornamentation. One image shows a male model in white flared overalls and sandals. Additional photographs capture audience members of mixed racial identities seated along the runway as well as backstage moments in which models pose against a wall displaying portraits of other figures associated with the production or company. Several prints bear date stamps reading "7/84" on the verso. Produced during a decade marked by gradual shifts in fashion industry representation these photographs provide visual evidence of Black models occupying central roles in runway presentation while engaging with broader stylistic trends of the period. The inclusion of both runway and backstage scenes allows for study of performance preparation and audience interaction within fashion environments. Light handling wear and minor surface marks; overall very good condition. A cohesive visual record of 1980s runway culture with emphasis on African American representation. unknown books
1976(Codice AB/0422) Cartella in plastica in 4*, cm 22 x 30,5, apertura a 3 falde con all'interno: Monografia, 26 pp.; Isolatore di colore (serie di 6 cartoncini fustellati); Simulatore A, B, C (3 fogli in materiale plastico opaco/trasparente); Cartella colori (pieghevole a 3 falde con campioni colore); Schede prelievo (40 campioni colore). Nel 1973 la societa' Montefibre, anche per reagire alla crisi petrolifera e dei suoi derivati, fonda a Milano il Centro Design Montefibre (CDM) che rimarra' in funzione fino al 1977, destinato alla concezione e allo sviluppo di prodotti e servizi innovativi da applicare nel campo del tessile. La direzione del settore moda e' affidata a Elio Fiorucci mentre quella del settore design a Massimo Morozzi, Andrea Branzi e Clino Trini Castelli. Le ricerche del CDM si orientano verso l'individuazione dei fattori immateriali legati ai diversi livelli percettivi che caratterizzano lo spazio e verso il controllo di tutti gli strumenti e i parametri che si pongono all'origine della progettazione tradizionale.ÂIl CDM elabora quindi varie forme scritte con l'obiettivo di diffondere nuovi e piu' efficaci parametri qualitativi e rendere comprensibili alla cultura del progetto e all'interno del processo produttivo, in special modo nell'industria pesante, le ragioni delle scelte riguardanti i colori. con l'intento di divulgare nel mondo industriale la cultura del colore, il CDM tra il 1975 e il 1977 elabora il programma di ricerca "Colordinamo" che ripensa le metodologie progettuali arricchendole di strumenti meta-progettuali, intesi come attivita' d'indirizzo, servizio e supporto nella scelta dei valori cromatici. Le tre edizioni dei manuali "Colordinamo" (Branzi, Trini Castelli & Morozzi, 1975; 1976; 1977) presentano una gamma cromatica di quaranta colori organizzati in famiglie e un apparato operativo, progettato appositamente, costituito da un isolatore e da un simulatore di colore da utilizzare per la comparazione dei colori presenti nella cartella e per la riproduzione industriale delle tinte. Questi manuali ebbero grande risonanza meritandosi molti articoli su riviste mentre il Colordinamo 1977 fu addirittura insignito del Compasso d'oro. Cfr. Oppedisano, "I colori? Scappano sempre." in: "Ais/Design. Ettore Sottsass Archives". Testi in italiano e inglese. Allegato biglietto Montefibre. OTTIMO STATO. ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA
2018ill., br. Un saggio storico e attuale, ricco e coinvolgente che ripercorre le oscillazioni del rapporto tra colore e abbigliamento attraverso i secoli, dall'epoca romana fino ai giorni nostri. Lia Luzzatto e Renata Pompas ci introducono in modo puntuale, documentato e affascinante nei corsi e ricorsi dei trend cromatici che hanno accompagnato il costume, la moda e la società nel suo insieme. I colori degli abiti infatti non sono solo questione di un gusto o di un'estetica particolari, separati dal contesto in cui si esprimono, sono anzi essi stessi testimoni degli avvenimenti politici, culturali, filosofici ed economici dell'epoca in cui nascono. Il testo è affiancato da una ricca scelta di documenti e da un apparato iconografico, testimone visivo delle oscillazioni del gusto.
1905réf. 13803München, Braun & Schneider, ca. 1905. Fol. (34 : 24 cm). 125 doppelblattgroße (34 : 43 cm) kolorierte Holzstichtafeln mit Kostümdarstellungen nach W. Diez, C. Fröhlich u.a. Illustrierter Or.-Lwd.; etw. fleckig u. bestoßen. [7 Warenabbildungen]
réf. 19536Paris, Bizé, s.d. (Vers 1880), 1 1 feuillet imprimé à en-tête illustrée (habitants des Indes en costume traditionnel), joint une note imprimée.
2000réf. 1124532000 Editions La Découverte, Collection "Littérature et Voyages" - 2000 - Petit in-8, broché, couverture illustrée - 326 p.
réf. 21382P., Imprimerie Art Lucien Faure, vers 1905, 16 X 10 cm,
1961réf. R100066882Gallimard. 1961. In-8. Broché. Etat d'usage, Tâchée, Dos satisfaisant, Papier jauni. 268 pages - couverture contrepliée.. . . . Classification Dewey : 391-Mode
1970réf. 10922Laffont 1970 In-8 broché. Très bon état d’occasion.
réf. 500321177PARIGRAMME Sans date. Ce livre est un guide humoristique et pratique qui détaille les codes les attitudes et les adresses essentielles pour adopter le style et le mode de vie d'une Parisienne authentique en insistant sur l'importance d'un look et d'un carnet d'adresses personnalisés
réf. DZN-17324 clichés argentiques de 14 à 16 cm X 21,5 à 22 cm montés sur cartons (19X28 cm). Tampons secs et signatures manuscrites au crayon dans les marges;des rousseurs dans les marges.
1946réf. vm2334"Société parisienne d'édition, Editions de la "" mode du jour """ Broché 1946 In-12 (12 x 18,5 cm), broché, couverture illustrée en couleur, 109 pages, illustrations en noir et blanc in-texte, papier non ébarbé, couverture brunie, deuxième plat piqué, coiffes frottées, intérieur frais avec de rares rousseurs, état correct dans l'ensemble. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
réf. 4485P., Rouveyre, in-4, ca Us. à la rel., coins émoussés, inscription au stylo. rt. bleu éd. ill. d'ornements décoratifs verts et dorés, montés sur onglets, 152 pp. et 104 pl. in-fineEtude, abondamment illustrée, sur le costume qui analyse ses formes, les rapports et les différences de la toilette des hommes et des femmes.
réf. 108937aafBologna, Bora, 1991, in-4to, 197 p., richement ill. de photographies et dessins n./b. et couleurs, brochure originale. Jaquette.
2019réf. 500092767Tana 2019 143 pages 18 8x22 61x2 03cm. 2019. Broché. 143 pages.
2019réf. 500100451Tana 2019 143 pages 18 8x22 61x2 03cm. 2019. Broché. 143 pages.
2019réf. 500113285Tana 2019 143 pages 18 8x22 61x2 03cm. 2019. Broché. 143 pages.
1923réf. R320175466Coming fashions. 1923. In-4. Broché. Etat d'usage, Couv. légèrement passée, Agrafes rouillées, Intérieur acceptable. 22 pages agrafées - revue en anglais et en français - nombreuses illustrations en noir et blanc dans le texte - légères rousseurs sur les plats.. . . . Classification Dewey : 391-Mode
réf. R320175467Coming fashions. non daté. In-4. Broché. Etat d'usage, Couv. légèrement passée, Agrafes rouillées, Intérieur acceptable. 22 pages agrafées - revue en anglais et en français - nombreuses illustrations en noir et blanc dans le texte - légères rousseurs sur les plats.. . . . Classification Dewey : 391-Mode
