19.105 risultati
2012rif. 118446München, Paris, 2012. Art direction Ruth Ansel. Mit Texten von Kate Bush und Robin Muir. Pappband mit Schutzumschlag, Fadenheftung, 256 Seiten, mit 178 Farbtafeln illustriert, 36 x 28 cm. Schutzumschlag mit kleinen Gebrauchsspuren. Guter bis sehr guter Zustand. 1. Aufl.
Bound, black cloth ornamented with black knot, 240 x 305mm., 191pp., full colour illustration. SIGNED BY TIM VAN STEENBERGEN ISBN 9789055449828. Tim Van Steenbergen (?°1977) studeert met grote onderscheiding af aan de Antwerpse Modeacademie. Hij wordt de eerste assistent van Olivier Theyskens, alvorens zelf faam te verwerven met zijn collecties die draaien rond uitgesproken vrouwelijke elegantie en algemene lichamelijkheid. Ondertussen is hij aan zijn achttiende collectie toe. Maar Van Steenbergens talenten beperken zich niet tot mode in de strikte zin. Hij ontwerpt kledij voor theater, opera en dans, o.a. voor internationale producties van Guy Cassiers en Anne Teresa De Keersmaeker. Met andere performances staat hij in het Groeningemuseum in Brugge, in het Louvre in Parijs en op de Biennale van Venetie. Hij ontwerpt juwelen, schoenen, jeans, tassen, uniformen (voor het Vlaams Parlement), zonnebrillen, Barbie-outfits en zoveel meer. Hij was artistiek directeur van modehuis Donaldson, en nu van Chine. Eerder verscheen over hem het boekje 'Le Petit Livre Blanc'. 'Act(e)' toont beelden van creaties van Tim Van Steenbergen zelf, aangevuld met een essay van modejournaliste Veerle Windels.
rif. 49348Gent, Ludion, 2006 Bound, black cloth ornamented with black knot, 240 x 305mm., 191pp., full colour illustration. SIGNED BY TIM VAN STEENBERGEN ISBN 9789055449828.
Bound, black cloth ornamented with black knot, 240 x 305mm., 191pp., full colour illustration. ISBN 9789055449828. Tim Van Steenbergen (?°1977) studeert met grote onderscheiding af aan de Antwerpse Modeacademie. Hij wordt de eerste assistent van Olivier Theyskens, alvorens zelf faam te verwerven met zijn collecties die draaien rond uitgesproken vrouwelijke elegantie en algemene lichamelijkheid. Ondertussen is hij aan zijn achttiende collectie toe. Maar Van Steenbergens talenten beperken zich niet tot mode in de strikte zin. Hij ontwerpt kledij voor theater, opera en dans, o.a. voor internationale producties van Guy Cassiers en Anne Teresa De Keersmaeker. Met andere performances staat hij in het Groeningemuseum in Brugge, in het Louvre in Parijs en op de Biennale van Venetie. Hij ontwerpt juwelen, schoenen, jeans, tassen, uniformen (voor het Vlaams Parlement), zonnebrillen, Barbie-outfits en zoveel meer. Hij was artistiek directeur van modehuis Donaldson, en nu van Chine. Eerder verscheen over hem het boekje 'Le Petit Livre Blanc'. 'Act(e)' toont beelden van creaties van Tim Van Steenbergen zelf, aangevuld met een essay van modejournaliste Veerle Windels.
rif. 24418620 years of Dolce & Gabbana for men - Introduction by Tim Blanks - ed. 2010 - Pag. 432 quasi tutte illustrate. - Copertina rigida - Lingua inglese. - Condizioni molto buone. Con cofanetto. - unknown
Hardcover, 64 pagina's, Nederlands, 130 x 130 mm, in nieuwstaat, +- 80 foto's in kleur en z/w. ISBN 9782871432258. Het boek is gewijd aan de architecturale evolutie van de boetiek sinds haar opkomst in de 19de eeuw tot vandaag. Als formidabel laboratorium voor ideeën, vormen, materialen en uitvoeringen is de boetiek een onmiddellijke afspiegeling van de levenswijze, de smaken, de mentaliteit en urbaniteit van een periode. Er wordt een overzicht geschetst van de moderne boetiek die een kunstwerk op zich is, tot de typische boetiek van de art nouveau, de art deco, de uitgepuurde stijl van de fifties, en de hippie mode van de seventies? Het boek begint met een evocatie van de eerste moderne boetieks ingericht tijdens het Empire en eindigt met de meest recente creaties van belangrijke architecten en designers. Boek uitgegeven naar aanleiding van de tentoonstelling « De Tijd van de Boetiek. Van marktkraam tot eBay » van 27 januari tot en met 18 oktober 2009 in de Fondation pour l?Architecture te Brussel.
rif. 17699, New York, Harry N. Abrams, 2003, Bound, black cloth, illustrated dustjacket, 230 x 310mm., 272pp., magnificent colour pictures.
2003Bound, black cloth, illustrated dustjacket, 230 x 310mm., 272pp., magnificent colour pictures. Two enormously popular subjects??”dazzling jewelry by Tiffany's designers and fabulous fashion photography??”combine in the newest book by Tiffany design director John Loring, author of many resplendent volumes about American style seen from the vantage point of the preeminent purveyor of fine jewelry and other luxury goods. Fashion experts credit Coco Chanel and her ???little black dress??? of 1924 with bringing fashion into modern times. But it took great fashion photography by notables from Steichen to Hiro, and jewelry as the ultimate fashion accessory, to propel fashion on its way to becoming the star-studded industry it is today. Tiffany in Fashion is a veritable visual feast??”with 250 glamorous images tracing the simultaneous growth of fashion photography and fine jewelry, from Richard Avedon's society fashion portrait for Harper's Bazaar of Elizabeth Taylor's bare back bedecked in exquisite Tiffany cultured pearls, to Scavullo's photograph of Paloma Picasso wearing her amply scaled gold earrings and bracelet, polygonal amethyst ring, and chrysophase bracelet. Eleanor Lambert, the ???godmother of American fashion,??? and dean of American fashion designers James Galanos add their personal reminiscences to John Loring's engaging and informative text. New book.
1997Testo in inglese, 79 p., f.to cm 22,5x16,5, copertina rigida con sovraccoperta, illustrazioni a colori e b/n. Come nuovo.
1997frison In-8 de 79 pp.; cartonné sous jaquette de l'éditeur. Collection Mémoire des marques. Illustrations en couleurs.
1967rif. 12204ABBerlin, Staatliche Museen, Kunstbibliothek, 1967. 24 cm. 74 S., (3) Bl. Mit 48 Abb. Originalkarton (Softcover). Einband leicht bestoßen und braunfleckig. Name im Vorsatz. Sammlungskataloge der Kunstbibliothek Berlin ; 4.
1925rif. 13ABMünchen, Hermann A. Wiechmann, [um 1925]. 29,5 cm. XXVI, 29 Textseiten mit 28 Abb. und 12 ganzseitigen getönten Gravüren auf Simplex-Karton.. Original Pappband (Hardcover). Deckel mit goldgepr. Vignette, Fadenheftung. 11. Aufl. Gutes Exemplar. Einband etwas angefleckt, Rücken gedunkelt und am Fuß bestoßen. Buchblock geplatzt. Zwei Namen im Vorsatz.
1956Fotografie e testo di Pietro Francesco Mele. Introduzione di Giotto Dainelli. Testi in inglese.
rif. R260261950au bureau du journal. non daté. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 90 pages environ augmentées de nombreuses photos en couleurs dans et hors texte.. . . . Classification Dewey : 391-Mode
1963This is a very good softcover copy of one of the early Museum of Primitive Art's exhibition publications. Essay by Alan R. Sawyer. Prepared to accompany the exhibition of Peruvian textiles in 1963. Illustrated in black & white. 11" high X 8" wide, about 15 pages. This book will be securely packed and shipped with tracking.
1880rif. 57110Berlin, Lipperheide, um 1880. Darstellung ca. 17 x 11 cm, Blatt ca. 27 x 19,5 cm. 1 Blatt, verso weiß.
1921rif. 201431921 P., Sirven, 1921, In-8, cordelette d'attache, 20 pp.
1847rif. 29692ABParis, chez l'auteur, (1847). 2 Bll., XXXII, 171 S. Mit 24 teils mehrfach gefalt. lithogr. Tafeln. Späterer dunkelroter Halblederband mit eingebundenem Orig.-Umschlag.
1989No marks or inscriptions. Two tiny creases to front cover, none to rear or to spine. A very clean very tight copy with bright unmarked boards and no bumping to corners. 240pp. The history of fashion, mainly women's, from Victorian 1860s to late in the 20th century. Very well illustrated.
rif. 41426ABLondon, Rowe, n.d. 4to. 32pp. With colour illustrations. Orig. pict. wrappers with illustrated endpapers.
1968rif. 61495Portland OR: Jantzen Knitting Mills 1968. One giant colour lithograph advertising poster sized 40.5 x 46.5 in. on thick paper stock minor creasing edgewear agewear and couple closed tears w/ repairs still a bright copy now mounted on archival foam core and shrunk-wrapped from the library of Keith Albert Zilk 1927-2020 Korean War Vet Company D 40th Infantry and photographer with Condit Photo Studio and later with Jantzen Swimwear. First edition of this exceedingly scarce promotional swimwear poster for Jantzen produced under the direction of Roger Yost former Jantzen Art Director & Advertising & Marketing Manager designer Byron Ferris and copywriter Homer Groening 1919-1996 for the 1968 season the year after Jantzen had become the NFL’s first apparel licensee. Replacing the iconic “Just wear a smile and a Jantzen” with “Jantzen Speaks Your Language” this poster also sports the revised Jantzen Logo created by Thomas Lincoln who created a sort of condensed Bodoni which did not previously exist and worked with John Pistilli a New York type designer to create the entire alphabet. The swimwear advertising campaign featured such athletes as Frank Gifford Jerry West and Paul Hornung wearing wearing the striped trunks and were also used in 30-minute television biopics created by Portland filmmaker Homer Groening for 120 TV stations. We could find no similar surviving example; See: Trudy Chin Jantzen Collaboration Between Design & Advertising in the Jantzen Bullpen Portland Design History 2020; Ash Horn Homer Groening The Vanguard Cartoonist Filmmaker and Ad Man Who Did it All Portland Design History 2020. Jantzen Knitting Mills, unknown
1976rif. AM003Los Angeles: Fashion Group of Los Angeles 1976. Stapled Wraps. Very Good. 46p. Toned wrap edges lightly worn and spine fold scraped. Program for fashion show honoring California women fashion designers presented by the Fashion Group of Los Angeles the first California chapter of the Fashion Group International FGI. The FGI was established in 1928 as a nonprofit organization of executives in the fashion business including apparel accessories and beauty. This booklet offers brief biographies of such designers as Mary Ann DeWeese Rose Marie Reid Bonnie Cashin Irene and Helen Rose along with contemporary advertisements. B&w illustrations and photographs. 8-1/2"x14" Fashion Group of Los Angeles paperback
2012"ThisIsBijou!" è un progetto di valorizzazione culturale dell'ornamento per il corpo che si pone l'obiettivo di rispondere alle mutate esigenze del mercato contemporaneo. Il bijou ha una storia ben delineata e rinunciare a conoscerla, non trasmetterla, non usarla come argomento di definizione della propria identità, è certo una lacuna deprecabile. Una storia che merita attenzione perché percorsa da intelligenze curiose e sperimentatrici, da persone che hanno prodotto stile e innovazione ma anche l'esaltazione della conservazione di radici formali classiche. Nell'accogliere la sfida della difficile strada della rappresentazione di un fenomeno, "ThisIsBijou!" affronta un territorio di studio con il fine di comprendere i sempre nuovi territori identitari i cui confini vengono continuamente mediati e modificati dal premere di inedite e poco conosciute realtà. Autori: Claudio Franchi.
2012ill., br. "ThisIsBijou!" è un progetto di valorizzazione culturale dell'ornamento per il corpo che si pone l'obiettivo di rispondere alle mutate esigenze del mercato contemporaneo. Il bijou ha una storia ben delineata e rinunciare a conoscerla, non trasmetterla, non usarla come argomento di definizione della propria identità, è certo una lacuna deprecabile. Una storia che merita attenzione perché percorsa da intelligenze curiose e sperimentatrici, da persone che hanno prodotto stile e innovazione ma anche l'esaltazione della conservazione di radici formali classiche. Nell'accogliere la sfida della difficile strada della rappresentazione di un fenomeno, "ThisIsBijou!" affronta un territorio di studio con il fine di comprendere i sempre nuovi territori identitari i cui confini vengono continuamente mediati e modificati dal premere di inedite e poco conosciute realtà.
1990rif. 114476Milano, Electa, 1990. 2 illustrierte Pappbände und 1 Videokassette in Original-Box, Fadenheftung, 207 und 154 Seiten, überwiegend mit farbigen und schwarzweißen Abbildungen illustriert, 14 x 22,5 cm, Querformat. Schuber etwas berieben, Einbände leicht lichtgebräunt, Band 1 mit minimaler oberflächlicher Läsur am unteren Einbandrücken. Alle in gutem bis sehr gutem Zustand. 1. Aufl. [2 Warenabbildungen]