9 034 résultats
réf. 51-6382Paris: Lucien Vogel - Condé Nast 1922. Sheets loose as issued in original chemise cover. With 16 hors texte pochoir plates as well as pochoirs in the text. 25.7 x 20.4 cm.This copy has 16 pochoirs planches & croquis hors texte. Cover soiled. Paris: Lucien Vogel - Condé Nast, 1922 unknown
réf. 51-6386Paris: Lucien Vogel - Condé Nast 1922. Sheets loose as issued in original chemise cover. With 15 hors texte pochoir plates as well as pochoirs in the text. 25.7 x 20.4 cm.This copy has 15 pochoirs planches & croquis hors texte. Cover soiled. Paris: Lucien Vogel - Condé Nast, 1922 unknown
réf. 51-6381Paris: Lucien Vogel - Condé Nast 1922. Sheets loose as issued in original chemise cover. With 16 hors texte pochoir plates as well as pochoirs in the text. 25.7 x 20.4 cm.This copy has 16 pochoirs planches & croquis hors texte. 2 text leaves mangled at top. Cover soiled. Paris: Lucien Vogel - Condé Nast, 1922 unknown
réf. 51-6380Paris: Lucien Vogel - Condé Nast 1922. Sheets loose as issued in original chemise cover. With 16 hors texte pochoir plates as well as pochoirs n the text. 25.7 x 20.4 cm.This copy has 16 pochoirs planches & croquis hors texte. Cover soiled. Paris: Lucien Vogel - Condé Nast, 1922 unknown
réf. 114931London C. W. Beaumont 1913. . Chromolitohraph mounted very minor spotting to margin; image size 23.4 x 17.3 cm mounted size 40.9 x 37.9 cm. 'The designs although somewhat fantastic in treatment do convey the impression produced by Nijinsky in his famous characters' Beaumont. 'In his brief time Nijinsky was the most famous male dancer in the world a pre-eminence due in part to his extraordinary virtuosity. But it was not his virtuosity alone that made him such a powerful stage presence. As contemporary reports make clear Nijinsky was a great and unusual actor. The ideal Fokine interpreter he was able to expand a simple choreographic design into a rich dramatic portrait using in keeping with Fokine's dicta the whole body as an expressive instrument. Nijinsky's influence as a dancer was immediate and huge. That ballet nearly extinguished artistically in western Europe was revived in this century is due to him and other great dancers of his generation such as Anna Pavlova and Karsavina as well as to Diaghilev. That male ballet utterly extinguished was also revived is due to him preeminently. Nijinsky was the first real ballet star of the male sex that Europe had seen since the retirement of Auguste Vestris nearly a century earlier. He initiated a renaissance.' Cohen: The International Encyclopedia of Dance Vol. 4 pp. 646-648. London, C. W. Beaumont, 1913. unknown
réf. 114723London C. W. Beaumont 1913. . Chromolithograph mounted very minor spotting to margin; image size 25 x 23 cm mounted size 40.9 x 37.9. 'The designs although somewhat fantastic in treatment do convey the impression produced by Nijinsky in his famous characters' Beaumont. 'In his brief time Nijinsky was the most famous male dancer in the world a pre-eminence due in part to his extraordinary virtuosity. But it was not his virtuosity alone that made him such a powerful stage presence. As contemporary reports make clear Nijinsky was a great and unusual actor. The ideal Fokine interpreter he was able to expand a simple choreographic design into a rich dramatic portrait using in keeping with Fokine's dicta the whole body as an expressive instrument. Nijinsky's influence as a dancer was immediate and huge. That ballet nearly extinguished artistically in western Europe was revived in this century is due to him and other great dancers of his generation such as Anna Pavlova and Karsavina as well as to Diaghilev. That male ballet utterly extinguished was also revived is due to him preeminently. Nijinsky was the first real ballet star of the male sex that Europe had seen since the retirement of Auguste Vestris nearly a century earlier. He initiated a renaissance.' Cohen: The International Encyclopedia of Dance Vol. 4 pp. 646-648. London, C. W. Beaumont, 1913. unknown
réf. 114933London C. W. Beaumont 1913. . Chromolithograph mounted minor spotting to margin; image size: 24.9 x 19 cm mounted size: 40.9 x 37.9 cm. 'The designs although somewhat fantastic in treatment do convey the impression produced by Nijinsky in his famous characters' Beaumont. 'In his brief time Nijinsky was the most famous male dancer in the world a pre-eminence due in part to his extraordinary virtuosity. But it was not his virtuosity alone that made him such a powerful stage presence. As contemporary reports make clear Nijinsky was a great and unusual actor. The ideal Fokine interpreter he was able to expand a simple choreographic design into a rich dramatic portrait using in keeping with Fokine's dicta the whole body as an expressive instrument. Nijinsky's influence as a dancer was immediate and huge. That ballet nearly extinguished artistically in western Europe was revived in this century is due to him and other great dancers of his generation such as Anna Pavlova and Karsavina as well as to Diaghilev. That male ballet utterly extinguished was also revived is due to him preeminently. Nijinsky was the first real ballet star of the male sex that Europe had seen since the retirement of Auguste Vestris nearly a century earlier. He initiated a renaissance.' Cohen: The International Encyclopedia of Dance Vol. 4 pp. 646-648. London, C. W. Beaumont, 1913. unknown
2007réf. 1769150102074Imports 2007-10-23. Audio CD. Like New. CD plays perfectly & the case looks good. Imports unknown
réf. 37827Paris, Henri Babou (coll. "Les artistes du livre"), 1929. In-4°, 48p. En feuilles sous couverture illustrée rempliée.
1790réf. 16757Paris, Defer de Maisonneuve, 1790. 2 volumes in-12 de [4]-296; [4]-300 pages, plein maroquin cerise, dos lisses ornés de fleurons et roulettes dorées, pièces de titre et de tomaison en maroquin vert, roulette dorée en encadrement des plats et intérieur, filet doré aux coupes, tranches dorées.
1914réf. 144951914 P., Librairie Centrale des Beaux-arts, 1914, 1 vol. in-8° (245 x 198) en feuilles, sous couverture crème imprimée en noir, plat inférieur illustré d'une publicité avec dessin de Marty en noir et mauve, de VIII pp. (sommaire + 7 pp.. de publicités, dont 5 illustrées) - (1) f. (Planche publicitaire pour les automobiles Renault illustrée par Pierre Brissaud et coloriée aux pochoirs - 44 pp. (paginées de 225 à 268) - 11 planches hors-texte. Dos légèrement poussiéreux, rares rousseurs en couverture, très bel exemplaire.
1914réf. 211861914 Encre de Chine, aquarelle et gouache sur papier Japon, monogrammée en bas à droite, (1914), 16 x 5 cm.
1924réf. 15385Reidel 1924 1 Pochoir, signé et daté en bas à droite dans la planche, Paris, Jules Meynial, Imprimerie Reidel, 1920, 20 x 31 cm.
1920réf. 17176Reidel 1920 1 Pochoir, signé et daté en bas à droite dans la planche, Paris, Jules Meynial, imprimerie Reidel, 1920, 20.5 x 31.5 cm. (format à vue), 40.5 x 31 cm. (format de la feuille).
1924réf. 615601 vol. in-8 en feuillets sous chemise, Gazette du Bon Ton, Paris, 1924, pp. XXI-XXIII (Sommaire et publicités), pp. 221-256 avec 8 planches hors texte en couleurs
1924réf. 615611 vol. in-8 en feuillets sous chemise, Gazette du Bon Ton, Paris, 1924, pp. XXV-XXVIII (Sommaire et publicités), pp. 257-292 avec 8 planches hors texte en couleurs
1921réf. 615511 vol. in-8 en feuillets sous chemise, Aux Editions Lucien Vogel, Paris, Condé Nast Publ. New-York, Naville & Cie, Genève, The Field Press Ltd, London, 1921, IV pp. (sommaire et publicités), 32 pp. avec 8 planches hors texte en couleurs et avec les croquis d'Intérieurs Modernes de Mam (4 planches de croquis sous chemise portant la table des planches)
1921réf. 615521 vol. in-8 en feuillets sous chemise, Aux Editions Lucien Vogel, Paris, Condé Nast Publ. New-York, Naville & Cie, Genève, The Field Press Ltd, London, 1921, pp. V-VIII (sommaire et publicités), pp. 35-64 avec 8 planches hors texte en couleurs et avec les croquis d'Installation moderne d'un Jeune Ménage composition par Lucie Renaudot exécution de P. A. Dumas (4 lithographies sous chemise portant la table des planches)
1921réf. 615531 vol. in-8 en feuillets sous chemise, Aux Editions Lucien Vogel, Paris, Condé Nast Publ. New-York, Naville & Cie, Genève, 1921, pp. IX-XII (sommaire et publicités), pp. 65-96 avec 8 planches hors texte en couleurs et avec les croquis des "Modes en l'An de Grâce mil neuf cent vingt un par Woodruff (4 lithographies sous chemise portant la table des planches)
1922réf. 615541 vol. in-8 en feuillets sous chemise, Publications Lucien Vogel, Condé Nast Editeur, Paris, Naville et Cie, Genève, Rodriguez Giles et Cie, Buenos-Ayres, 1922, 2 ff. (titre général du premier semestre 1922), VI pp. et 1 f. (tables), IV pp. (sommaire et publicités), 31 pp. avec 8 planches hors texte en couleurs et avec les 8 croquis de "Album des Dames, leurs Modes et Frivolités" où est enseigné l'art d'accorder parfaitement, dans une toilette, le gant, le chapeau, l'ombrelle et l'éventail (8 planches sous chemise portant la table des planches)
1922réf. 615561 vol. in-8 en feuillets sous chemise, Publications Lucien Vogel, Condé Nast Editeur, Paris, Naville et Cie, Genève, Rodriguez Giles et Cie, Buenos-Ayres, 1922, pp. XIII-XVI (sommaire et publicités), pp. 69-100 avec 8 planches hors texte en couleurs et avec les 8 croquis "Le Ruban employé dans la Mode et la Couture" (8 planches sous chemise portant la table des planches)
1922réf. 615571 vol. in-8 en feuillets sous chemise, Publications Lucien Vogel, Condé Nast Editeur, Paris, Naville et Cie, Genève, Rodriguez Giles et Cie, Buenos-Ayres, 1922, pp. XIII-XVI (sommaire et publicités), pp. 101-132 avec 8 planches hors texte en couleurs et avec les 8 croquis "Huit Croquis de Tailleurs imaginés en des tissus de fantaisie nouveaux" (8 planches sous chemise portant la table des planches)
1922réf. 615581 vol. in-8 en feuillets sous chemise, Publications Lucien Vogel, Condé Nast Editeur, Paris, Naville et Cie, Genève, Rodriguez Giles et Cie, Buenos-Ayres, 1922, pp. XVII-XX (sommaire et publicités), pp. 133-164 avec 8 planches hors texte en couleurs et avec les 8 croquis de "Robes à Danser inspirées des Costumes de Femmes de couleur de l'Afrique Centrale" (8 planches sous chemise portant la table des planches)
1913réf. 615371 vol. in-8 en feuillets sous chemise, Librairie Centrale des Beaux-Arts, Paris, s.d. [ 1913 ], IV pp. (publicités), pp. 289-318, avec 10 planches hors texte en couleurs
1913réf. 615361 vol. in-8 en feuillets sous chemise, Librairie Centrale des Beaux-Arts, Paris, s.d. [ 1913 ], IV pp. (publicités), pp. 257-287, avec 10 planches hors texte en couleurs
