9 034 résultats
réf. 22191659-nnew. unknown
réf. 22191659like new. unknown
réf. 22193572like new. unknown
1999réf. SBBI-mon0000114814Thomas Lyster Ltd 1999. paperback. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Thomas Lyster Ltd paperback
réf. 9630059290.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1984réf. 594441Amsterdam: Etcetera Records 1984. Softcover. Fine. Original stereo 12" 33 1/3 rpm vinyl record. Bennett Lerner on piano. Single sheet insert with liner notes in German and French liner notes on the back cover in English. Fine in a near fine cardboard sleeve slightly curved and with a little bit of splitting along the bottom edge opened but in the original shrink wrap with a Quality Imports Ltd. 20th anniversary sticker on the back. The front cover states that these are "first recordings" that they are "digital" and that the recordings have underwent "direct metal mastering." ETC 1019. Etcetera Records unknown books
1927réf. 013578Paris: Camille Bloch & Jules Meynia 1927. First Edition Limited. Soft cover. Near Fine. Limited edition this #129 of 300 numbered copies printed on blue laid paper. Printed covers with illustrated front cover title in green and tissue guards. Includes a mounted etched frontispiece portrait of Barbier by Charles Martin and 25 mounted colored plates depicting theater costumes with gold and silver highlights. The text and illustrations were printed by Frazier-Soye. In original glassine wrapper which is tanned and chipped but lacking slipcase. Internals near fine. George Barbier 1882-1932 was a French illustrator in the early 20th century. He designed theater and ballet costumes illustrated books and produced haute couture fashion illustrations. Barbier led a group from the Ecole des Beaux Arts who were known as "The Knights of the Bracelet. Camille Bloch & Jules Meynia unknown books
1927réf. 75202Sous étui cartonné. Couverture illustrée rempliée avec petites taches brunes.Illustré d'un portrait de George BARBIER gravé par Charles MARTIN, d'un bandeau gravé sur la couverture et de 25 planches de costumes de théâtre coloriées au pochoir avec rehauts d'or et d'argent par George BARBIER, sous serpentes légendées et montées.
1927réf. 013578Paris: Camille Bloch & Jules Meynia 1927. First Edition Limited. Soft cover. Near Fine. Limited edition this #129 of 300 numbered copies printed on blue laid paper. Printed covers with illustrated front cover title in green and tissue guards. Includes a mounted etched frontispiece portrait of Barbier by Charles Martin and 25 mounted colored plates depicting theater costumes with gold and silver highlights. The text and illustrations were printed by Frazier-Soye. In original glassine wrapper which is tanned and chipped but lacking slipcase. Internals near fine. George Barbier 1882-1932 was a French illustrator in the early 20th century. He designed theater and ballet costumes illustrated books and produced haute couture fashion illustrations. Barbier led a group from the Ecole des Beaux Arts who were known as "The Knights of the Bracelet. Camille Bloch & Jules Meynia unknown
2000réf. BN462314Folio-Editionen 2000. 2000. Vindemiatrix: Ein Bericht Vindemiatrix: Ein Bericht Barber Wilfried Georg Folio-Editionen unknown
réf. 0259565989.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0332129098.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1831réf. 008715New Haven CT: J. W. Barber. 1831. Hardcover. Eleven color plates including a map illustrate views of New Haven Connecticut in the "49th year of the Independence of the United States of America." 1831 printing. Some foxing throughout splitting along hinges. Quarter leather over marbled paper boards corners and edges quite rubbed. Howes B-125 lists a1831 printing. ; 16mo 6" - 7" tall . J. W. Barber hardcover
1866réf. R320139579Perisse Frères/Marchessou. 1854-1866. In-12. Relié demi-cuir. Etat d'usage, Coins frottés, Dos satisfaisant, Quelques rousseurs. 348 + 175 + 104 pages - plats et contre plats jaspés - coins, tranches et plats frottés - titre et filets dorés sur le dos.. . . . Classification Dewey : 370-Education
2016réf. 2-2376644151Editions Saint-Sébastien 2016. Paperback. New. 732 pages. French language. 9.00x6.00x1.83 inches. Editions Saint-Sébastien paperback
réf. 21709Orléans : Imprimerie moderne, 1912. Un volume in-8°, broché.
réf. 0656559004.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 036443399X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. A9781167694486New. unknown
réf. 0666979545.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2010réf. DADAX1168169550Kessinger Publishing 2010-09-10. hardcover. New. 6.00x0.44x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing hardcover
réf. 0486429903.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1915réf. 54705Paris: Lucien Vogel éditeur 1915. Fine. Lucien Vogel éditeur Paris Eté 1915 36.50 x 24 cm une feuille Double original color print heightened with gold printed on vergé paper signed in the plate. An original print used to illustrate the Gazette du bon ton one of the most attractive and influential 20th century fashion magazines featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with a hiatus from 1915 to 1920 due to the war the editor-in-chief having been called up for service. It consisted of 69 issues printed in only 2000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start this sumptuous publication was aimed at bibliophiles and fashionable society Françoise Tétart-Vittu La Gazette du bon ton in Dictionnaire de la mode 2016 and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot known as Cochin later used in 1946 by Christian Dior. The prints were made using stencils heightened in colors some highlighted in gold or palladium. The story began in 1912 when Lucien Vogel a man of the world involved in fashion he had already been part of the fashion magazine Femina decided with his wife Cosette de Brunhoff the sister of Jean creator of Babar to set up the Gazette du bon ton subtitled at the time: Art fashion frivolities. Georges Charensol noted the reasoning of the editor-in-chief: In 1910 he observed there was no really artistic fashion magazine nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists I was assured of success because when it comes to fashion no country on earth can compete with France. Un grand éditeur dart. Lucien Vogel in Les Nouvelles littéraires no. 133 May 1925. The magazine was immediately successful not only in France but also in the United States and Latin America. At first Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt as well as eventually his friends from school and the School of Fine Arts like George Barbier Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Chalres Martin Maggie Salcedo. These artist mostly unknown when Lucien Vogel sought them out later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on and celebrate dresses by seven designers of the age: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless some of the illustrations are not based on real models but simply on the illustrators conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole it brought together for the first time the great talents of the artistic literary and fashion worlds; and imposed through this alchemy a completely new image of women: slender independent and daring which was shared by the new generation of designers including Coco Chanel Jean Patou Marcel Rochas and so on Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton was an important influence on the new layout and aesthetics of that little dying paper that Nast had bought a few years earlier: Vogue. Lucien Vogel éditeur unknown
1915réf. 51292Paris: Lucien Vogel éditeur 1915. Fine. Lucien Vogel éditeur Paris 1915 37.60 x 24.20 cm une feuille Original color print printed on vergé paper signed in the plate. An original print used to illustrate the Gazette du bon ton one of the most attractive and influential 20th century fashion magazines featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with a hiatus from 1915 to 1920 due to the war the editor-in-chief having been called up for service. It consisted of 69 issues printed in only 2000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start this sumptuous publication was aimed at bibliophiles and fashionable society Françoise Tétart-Vittu La Gazette du bon ton in Dictionnaire de la mode 2016 and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot known as Cochin later used in 1946 by Christian Dior. The prints were made using stencils heightened in colors some highlighted in gold or palladium. The story began in 1912 when Lucien Vogel a man of the world involved in fashion he had already been part of the fashion magazine Femina decided with his wife Cosette de Brunhoff the sister of Jean creator of Babar to set up the Gazette du bon ton subtitled at the time: Art fashion frivolities. Georges Charensol noted the reasoning of the editor-in-chief: In 1910 he observed there was no really artistic fashion magazine nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists I was assured of success because when it comes to fashion no country on earth can compete with France. Un grand éditeur dart. Lucien Vogel in Les Nouvelles littéraires no. 133 May 1925. The magazine was immediately successful not only in France but also in the United States and Latin America. At first Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt as well as eventually his friends from school and the School of Fine Arts like George Barbier Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Chalres Martin Maggie Salcedo. These artist mostly unknown when Lucien Vogel sought them out later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on and celebrate dresses by seven designers of the age: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless some of the illustrations are not based on real models but simply on the illustrators conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole it brought together for the first time the great talents of the artistic literary and fashion worlds; and imposed through this alchemy a completely new image of women: slender independent and daring which was shared by the new generation of designers including Coco Chanel Jean Patou Marcel Rochas and so on Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton was an important influence on the new layout and aesthetics of that little dying paper that Nast had bought a few years earlier: Vogue. Lucien Vogel éditeur unknown
1915réf. 51292Lucien Vogel éditeur | Paris 1915 | 37.60 x 24.20 cm | une feuille
