8 934 résultats
1915réf. 51292Lucien Vogel éditeur | Paris 1915 | 37.60 x 24.20 cm | une feuille
1915réf. 54705Lucien Vogel éditeur | Paris Eté 1915 | 36.50 x 24 cm | une feuille
1988réf. 1215253PN. New. 1988. Reprint Edition. Soft Cover. Date is copyright date; this is a later reprint edition . PN paperback
1988réf. 783072PN. New. 1988. Soft Cover. Date is original print. This is a reprint edition. . PN paperback
2002réf. 2-8815063323Il Mulino 2002. Hardcover. New. Italian language. 8.27x5.59x1.34 inches. Il Mulino hardcover
2017réf. 2-8831726412Marsilio Editori Spa 2017. Paperback. New. bilingual edition. 176 pages. 10.75x8.25x0.75 inches. Marsilio Editori Spa paperback
réf. 71-4738Milan Italy: Skira Editore 2006. 4to. 325 pp. Hard Cover. Color and black and white plates throughout. Very Good. Minor rubs to the covers.Heavy volume could cost extra for shipping. Milan, Italy: Skira Editore, 2006. hardcover
réf. 71-4737Milan Italy: Skira Editore 2006. 4to. 325 pp. Hard Cover. Color and black and white plates throughout. Very Good. Minor rubs to the covers.Heavy volume could cost extra for shipping. Milan, Italy: Skira Editore, 2006. hardcover
2006réf. __8876247440Skira 2006. Hardcover. New. new title edition. 336 pages. 11.55x9.55x1.25 inches. Skira hardcover
2006réf. 72474Skira. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 328 pp. With 554 ills. 16 col. . 30 x 25 cm. -- with a bonus offer-- . 2006. 8876247440 . Skira hardcover
1715réf. 24066Laval 1715 un document de 8 pages, broché manuscrit à l'encre brune sur papier vergé ligné et filigrané, format : 23,5 x 19 cm, manuscrit à l'encre brune, timbre royal imprimé en noir : "Généralité de Tours - 1 SOL - 4 deniers" , fait à Laval, LE 27 JUIN 1715, Signature manuscrite à l'encre brune TROIS (old document handwritted with brown ink - lined vellum paper made),
1999réf. 18393LES EDITIONS DU CABRI 1999 399 pages 15 8x2 2x24cm. 1999. Broché. 399 pages. HISTOIRES DE CANNES
réf. 54781978. Superbe catalogue très illustré. coté
1922réf. 84836Paris: Lucien Vogel éditeur 1922. Fine. Lucien Vogel éditeur Paris 1922 19.50 x 24.50 cm une feuille Text on double page by Vaudreuil illustrated with four original color prints finely heightened with palladium printed on laid paper signatures of George Barbier on the plate. La Gazette du bon ton one of the most beautiful and influential fashion magazines of the 20th century celebrating the talent of French creators and artists at the height of the Art Deco movement. Famous fashion magazine founded in 1912 by Lucien Vogel La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920 due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is illustrated notably with 573 color plates and 148 sketches representing models by great couturiers. From their publication these luxurious publications ""were aimed at bibliophiles and worldly aesthetes"" Françoise Tétart-Vittu ""La Gazette du bon ton"" in Dictionnaire de la mode 2016. Printed on fine laid paper they use a typeface specially created for the magazine by Georges Peignot the Cochin character adopted in 1946 by Christian Dior. The prints are created using the metal stencil technique heightened in colors and some outlined in gold or palladium. The adventure begins in 1912 when Lucien Vogel a man of the world and fashion - he had already participated in the magazine Femina - decides to found with his wife Cosette de Brunhoff sister of Jean the father of Babar the Gazette du bon ton whose subtitle was then ""Art modes et frivolités"". Georges Charensol reports the words of the editor-in-chief: ""In 1910 he observes there existed no fashion journal that was truly artistic and representative of the spirit of its time. I therefore thought of creating a luxury magazine with truly modern artists . I was certain of success because for fashion no country can rival France."" ""Un grand éditeur d'art. Lucien Vogel"" in Les Nouvelles littéraires n°133 May 1925. The success of the magazine is immediate not only in France but also in the United States and South America. Originally Vogel thus brings together a group of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt; and finally his friends from the École des beaux-arts who are George Barbier Bernard Boutet de Monvel or Charles Martin. Other talents quickly come to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Charles Martin Maggie Salcedo. These artists mostly unknown when Lucien Vogel calls upon them will subsequently become emblematic and sought-after artistic figures. These same illustrators create the drawings for the Gazette's advertisements. The plates highlight and sublimate the dresses of seven creators of the period: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The couturiers provide exclusive models for each issue. Nevertheless some of the illustrations feature no real model but only the illustrator's idea of contemporary fashion. La Gazette du bon ton is a decisive step in the history of fashion. Combining aesthetic demand and plastic unity it brings together for the first time the great talents of the world of arts letters and fashion and imposes through this alchemy a completely new image of woman slender independent and audacious also carried by the new generation of couturiers Coco Chanel Jean Patou Marcel Rochas. Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton would largely inspire the new composition and aesthetic choices of the ""dying little journal"" that Nast had bought a few years earlier: Vogue magazine. Lucien Vogel éditeur unknown
2010réf. BN352648Svojtka & Co. 2010. 2010. Velká kola kreslení : Naucte se kreslit v pouhých 12 lekcích Velká kola kreslení : Naucte se kreslit v pouhých 12 lekcích Barrington Barber Svojtka & Co. unknown
2011réf. BN670333Svojtka & Co. 2011. 2011. Hardcover. Velká kniha anatomie pro výtvarníky Velká kniha anatomie pro výtvarníky Barrington Barber Svojtka & Co. hardcover
1922réf. 84836Lucien Vogel éditeur | Paris 1922 | 19.50 x 24.50 cm | une feuille
1976réf. 185360San Francisco: Society for Individual Rights 1976. Magazine. 52p. 8.5x11 inches ads illustrated with nude photos and a drawings very good magazine in stapled pictorial wraps. Cover story Love and/or Marriage. Ahhh the Seventies Stache! S.I.R. was an extremely important homophile organization in the 1960s-70s and "Vector" was the main gay magazine for the Bay Area during those years. The magazine began life as a newsletter in 1964 merely several folded and or stapled sheets with news and calendars. The late Sixties found the magazine concentrating more on local and national news of interest to gay men.The final years saw the magazine turn more to a standard gay men's magazine with photos of young men from around the Bay Area. Society for Individual Rights unknown books
1981réf. 1781150130043Telarc 1981-01-01. Audio CD. Like New. CDs plays perfectly & the case looks good. Telarc unknown
réf. 114933London C. W. Beaumont 1913. . Chromolithograph mounted minor spotting to margin; image size: 24.9 x 19 cm mounted size: 40.9 x 37.9 cm. 'The designs although somewhat fantastic in treatment do convey the impression produced by Nijinsky in his famous characters' Beaumont. 'In his brief time Nijinsky was the most famous male dancer in the world a pre-eminence due in part to his extraordinary virtuosity. But it was not his virtuosity alone that made him such a powerful stage presence. As contemporary reports make clear Nijinsky was a great and unusual actor. The ideal Fokine interpreter he was able to expand a simple choreographic design into a rich dramatic portrait using in keeping with Fokine's dicta the whole body as an expressive instrument. Nijinsky's influence as a dancer was immediate and huge. That ballet nearly extinguished artistically in western Europe was revived in this century is due to him and other great dancers of his generation such as Anna Pavlova and Karsavina as well as to Diaghilev. That male ballet utterly extinguished was also revived is due to him preeminently. Nijinsky was the first real ballet star of the male sex that Europe had seen since the retirement of Auguste Vestris nearly a century earlier. He initiated a renaissance.' Cohen: The International Encyclopedia of Dance Vol. 4 pp. 646-648. London, C. W. Beaumont, 1913. unknown
1899réf. 1920269534Couverture légèrement d'usage, trace d'étiquette mais intérieur en bon état ; DX2-C125, Librairie Ch, Poussielgue, Paris 1899
1899réf. 1920269537Couverture légèrement d'usage, trace d'étiquette mais intérieur en bon état ; DX2-C125, Librairie Ch, Poussielgue, Paris 1899
1958réf. 418072New York: G. Schirmer Inc 1958. Softcover. Very Good. Revised edition. Tall octavo. Printed buff wrappers. Sticker shadow on front wrap modest edgewear and age-toning very good. G. Schirmer, Inc unknown books
réf. ANAIS-0300164815Yale University Press. paperback. Good. 6.2x0.7x9.1. Buy with confidence. Excellent Customer Service & Return policy. Yale University Press paperback
1988réf. 24579Yale University Press New Haven CT 1988. 4th Printing. Hardcover Original Cloth. Fine Condition/Very Good. Dust Jacket with minor edgewear. Dust jacket in mylar guard. Quantity Available: 1. Category: Myths Legends & Folklore; ISBN: 0300041268. ISBN/EAN: 9780300041262. Pictures of this item not already displayed here available upon request. Inventory No: 24579. . 9780300041262 Yale University Press hardcover
