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[Pliny]; Plinius Secundus (Caius); [Pliny the Elder; Holland, Phillemon (Translator]]Biblio.com

THE HISTORIE OF THE WORLD: COMMONLY CALLED THE NATURALL HISTORIE OF C. PLINUS SECUNDUS Translated into English by Philemon Holland Doctor of Physicke

1634ref. 34275London: Printed by Adam Islip and to be sold by John Grismond in Ivy-lane and to be sold at the Signe of the Gun 1635 1634 1634. The first Tome. The second Tome. The second printing with numerous corrections of the first English translation. Printed by Adam Islip in 1634 the first volume contains the title-page dated 1635 which was offered for sale by John Grismond the second volume retains the 1634 title-page. Elaborate woodcut printer's device to title engraved floriated initials and fine head and tail pieces throughout. Folio in 6s 2 vols. bound in one an excellent copy bound in full contemporary polished calf in original state the back with raised bands over cords covers with double fillet rules in blind. 56 614 42; 12 632 86. Advertisement leaf at end of vol. II pp. Collated complete. An especially desirable copy of this highly important book. In its rare original state this book is seldom encountered. The textblock is crisp and unpressed and remains in a very pleasing state of preservation some minor evidence of damp in a few places as to be expected the spine with expert restoration at the head and tail of the panel a beautiful copy. IMPORTANT EARLY ISSUE OF THE GREAT TRANSLATION OF PLINY INTO ENGLISH BY PHILEMON HOLLAND. The second printing of the first full English translation of this important book. First published in Venice in 1469 “The ‘Natural History” of Pliny the Elder is more than a natural history: it is an encyclopaedia of all the knowledge of the ancient world. .He was a compiler rather than an original thinker and the importance of this book depends more on his exhaustive reading he quotes over four hundred authorities Greek and Latin than on his original work. All the spare time allowed him by a busy administrative career was devoted to reading; he began long before daybreak his nephew the younger Pliny recorded and grudged every minute not spent in study; no book was so bad he used to say as not to contain something of value. When he died the 'Natural History' the sole extant work out of one hundred and two volumes from his pen was still incomplete. It comprises thirty-seven books dealing with mathematics and physics geography and astronomy medicine and zoology anthropology and physiology philosophy and history agriculture and mineralogy the arts and letters. He is scrupulous in his acknowledgment of his sources you must he wrote with honest humility declare those from whom you have profited and the whole of the first book is devoted to the tables of contents and authorities which bear witness to his method. The HISTORIE soon became a standard book of reference: abstracts and abridgments appeared by the third century. Bede owned a copy Alcuin sent the early books to Charlemagne and Dicuil the Irish geographer quotes him in the ninth century. It was the basis of Isidorets Etymologiae and such medieval encyclopedias as the Speculum Majus of Vincent of Beauvais and the Catholicon of Balbus. One of the earliest books to be printed at Venice the center from which so much of classical literature was first dispensed it was later translated into English by Philemon Holland in 1601 and twice reprinted a notable achievement for so vast a text. . More recently scholars as various as Humboldt and Grimm have praised and acknowledged their debt to it. Over and over again it will be found that the source of some ancient piece of knowledge is Pliny. PMM The standard of reference for scholars since the 15th century Holland’s translation made it available to the English speaking world for the first time. Although not strictly scientific itself mingling a good deal of the author's fancy with fact Pliny's NATURALL HISTORIE was important in stimulating scientific thought in succeeding generations. "It is an encyclopedia of all the knowledge of the ancient world set out in an orderly fashion. It was the source of much medieval knowldege--and legend--and the model for such works as the SPECULUM MAJUS of Vincent of Beauvais. The high regard in which it was held in the world of the Renaissance can be seen by its early appearance in print 1472" PMM. The HISTORIE divided into 37 libri or "books" was completed except for finishing touches in 77 CE. In the preface dedicated to Titus who became emperor shortly before Pliny's death Pliny justified the title and explained his purpose on utilitarian grounds as the study of "the nature of things that is life" "Preface" 13. Heretofore he continued no one had attempted to bring together the older scattered material that belonged to "encyclic culture" egkyklios paideia the origin of the word encyclopaedia. Disdaining high literary style and political mythology Pliny adopted a plain style--but one with an unusually rich vocabulary--as best suited to his purpose. A novel feature of the NATURALL HISTORIE is the care taken by Pliny in naming his sources more than 100 of which ae authors and sometimes the titles of the books many of which are now lost from which Pliny derived his material. The HISTORIE properly begins with Book II which is devoted to cosmology and astronomy. Here as elsewhere Pliny demonstrated the extent of his reading especially of Greek texts. Books VII through XI treat zoology beginning with humans VII then mammals and reptiles VIII fishes and other marine aninmals IX birds X and insects XI. In Books XII throuogh XIX on botany Pliny came closest to making great contributions to science. He drew heavily upon Theophrastus and still made important independent observations particularly those made during his travels in Germany. Pliny is one of the chief sources of modern lknowledge of Roman gardens early botanical writings and the introduction into Italy of new horticultural and agricultural discoveries. Born at Como in 23 Pliny died while observing the eruption of Vesuvius in 79 A.D. His NATURALIS HISTORIA is a scientific encyclopedia often uncritical but very elaborate and of great value. Pliny attached to each book the list of his authorities 146 Roman and 327 Greek being quoted. He explained that people may be living at the antipodes and stated that the speed of light is greater than that of sound. His work includes the oldest account of ancient art. In addition it contains a remarkable amount of early information on Asia and Africa. Its influence throughout the Middle Ages was very great. This is an especially nice copy of the second offering of the work in English. This issue corrected the many errors of the first English edition. As with the copy listed in the British Museum the first tome has a new title page dated 1635. Further this is a variant issue with “and are to be sold by John Grismond” after Adam Islip on the imprint. Dedicated to Sir Robert Cecil. Printed by Adam Islip and to be sold by John Grismond, in Ivy-lane and to be sold at the Signe of the Gun hardcover

Buddenbrooks, Inc. · Estados UnidosUS$ 10.725,00≈ € 9.581,89

[VIEWS - THE NETHERLANDS - SILK].Biblio.com

Twelve views of the Netherlands printed on silk.

1775ref. ABC_50430Amsterdam 1775. Folio. widow of Jacobus Loveringh and Johannes Allart Kept in a dark brown buckram folder lined with blue patterned paper remnants of green closing ties. With 12 full-page engravings printed on silk with the selvedge on the bottom captioned in Dutch with the word "proefdruk" proof printed in the lower right. Rare suite of twelve engraved views printed on silk as proof impressions depicting the catastrophic Dutch flood disasters of 1775 and 1776. Engraved chiefly by Noach van der Meer II active 1740-1794 after drawings by Hendrik Kobell 1751-1779 with one plate ad 4 by Simon Fokke 1712-1784 the series was published in Amsterdam between 1775 and 1776. Several plates were later incorporated into Johan Hendrik Hering's 1731-1790 Bespiegeling over Neêrlandsch waternood 1776-1778 the principal contemporary account of the disasters. Printed on silk rather than paper these impressions were almost certainly intended as presentation or luxury proofs.The series records the devastating storm surges that struck the Dutch Republic in consecutive years. The North Sea flood of 14-15 November 1775 caused by a violent north-easterly storm breached dikes across Holland Waterland Texel and the Zuiderzee region inundating towns and villages from Scheveningen to Kampen. Only a year later on 20-21 November 1776 an equally destructive south-westerly storm again overwhelmed coastal defences producing one of the most severe flood disasters of the eighteenth century. Together these engravings form an exceptional visual chronicle of the Republic's struggle against the sea.The artistic quality of the engravings owes much to Kobell one of the finest Dutch marine painters of the late 18th century. His dramatic compositions combine topographical accuracy with vivid narrative while Van der Meer who trained in Paris and worked in Amsterdam translated Kobell's drawings into finely executed engravings. The Texel view was entrusted to the celebrated Amsterdam engraver Fokke one of the leading Dutch printmakers of his generation.Besides their artistic merit these prints constitute important historical documents. They belong to the earliest wave of illustrated Dutch disaster literature produced in response to the catastrophic floods that profoundly affected the economy landscape and collective memory of the Dutch Republic. Hering's Bespiegeling over Neêrlandsch waternood for which several of these plates were used became the standard contemporary account of the disasters and laid the foundation for later historical studies of the floods.All engravings with a number written in pencil in the lower right. The folder shows minor traces of use. Some very minor browning and light staining to some parts of the silk and some fraying alone the edges. Otherwise in very good condition.l Muller De Nederlandsche geschiedenis in platen II p. 220 nos. 4314-5; cf. for the work of Hering see: STCN 160342767 and 160344492. hardcover

Asher Rare Books · Países Baixos€ 9.500,00

The Railway TimesBiblio.com

The Railway Times

1839ref. 965Z28DLondon: The Railway Times Office 1839-63. First edition. Leather. Very Good Indeed. 11" by 9". None stated. An impressive run of early issues of the 'Railway Times' periodical an important railway periodical which documented developments and current news in the railway industry during the 1800s. A beautifully bound set of a very scarce periodical. An extensive twenty-nine volume set featuring a collection of the 'Railway Times' periodical from 1839-1863. All being the first edition. The periodical provides an impressive historical account of the current news and developments in the railway industry during the early to mid nineteenth century. The articles range from finances stock information new patents and inventions accidents and updates on railways from across the globe. Notable articles include; an article on Mr Robert Stephenson's new 1842 locomotive which proposed to use less fuel and a Testimonial to Isambard Kingdom Brunel the legendary engineer. This set includes; '1839' Vol II No. 71-72 85-94 and '1840' Vol III No. 27-41 and Vol II No. 52 of the 'Railways Magazine & Commercial Journal' bound into one volume. The rest of the years are bound over two volumes and feature complete runs of the magazine for that year with these being; '1841' Vol I- No.157 Vol III No. 1 - No.182 Vol Iv-No. 26. Vol II- No.183 Vol IV No.27 - No. 208 Vol IV No.52. '1842' Vol I- No. 209 Vol IV No.1 - No.234 Vol V-No.26. Vol II- No.235 Vol V No.27 - No.261 Vol V No.53. '1846' Vol I- No.418 Vol IX No.1 - No.443 Vol IX No.26. Vol II- nO.44 Vol IX No.27 - No.469 Vol IX No. 52. '1847' Vol I- No.470 Vol X No.1 - No.495 Vol X No.26. Vol II- No.496. Vol X No.27 - No.521 Vol X No.52. '1854' Vol I - No.836 Vol XVII No.1 - No.860 Vol XVII No.25.Vol II - No.861 Vol XXII No.26 - No.887 Vol XVII No. 52. '1855' Vol I - No.888 Vol xviii No.1 - No.913 Vol xviii No.26. Vol II - No. 914 Vol XVII No.27-No.939 Vol XVIII No. 52. '1856' Vol I - No. 940 Vol XIX No.1 - No.965 Vol XIX No.26.Vol II - No. 966 Vol XIX No.27 - No.991 Vol XIX No.52. '1857' Vol I- No.992 Vol XX No.1 - No.1017 Vol XX No.26. Vol II - No.1018 Vol XX No.27 - No.1043 Vol XX No.52. No. 18-22 have been misnumbered with No.18 numbered twice and missing No.21 however the work is complete with the pagination continuous as is expected. '1858' Vol I-No.1044 Vol XXI No.1 - No.1069 Vol XXI No.26. Two of the issues are numbered '23' but nothing is lacking. Vol II- No.1070 Vol XXI No.27-No.1094 Vol XXI No.52. '1859' Vol I- No.1095 Vol XXII No.1 - No.1120 Vol XXII No.26. Vol II - No.1121 Vol XXII No.27 - No.1147 Vol XXII No.53. '1860' Vol I- No.1148 Vol XXIII No.1 - No.1173 XXIII No.26. Vol II- No.1174 XXIII No.27 - No.1199 Vol XXIII No.52. '1861' Vol I- No.1200 Vol XXIV No.1 - No.1225 Vol XXIV No.26.Vol II - No.1251 Vol XXIV No.27 - No.1251 XXIV No.52.'1862' Vol I - No.1252 Vol XXV No.1 - No.1277 Vol XXV No.26. Vol II - No.1278 Vol XXV No.27 - No.1303 Vol XXV No.52. '1863' Vol I - No.1305 Vol XXVI No.1 - No.1329 Vol XXVI No.26.Vol II - No.1330 Vol XXVI No.27 - No.1355 Vol XXVI No.52. Illustrated heavily with numerous monochrome vignettes and the occasional full page illustration. Volume '1854' contains a folding map to pp. 356. A very scarce and important periodical with this being some of the earliest examples of the magazine currently on the market. A beautifully bound and uniform set. Bound in modern crushed quarter morocco with cloth to the boards. Endpapers renewed.All pages and issues present after the 1839-40 volumes. The occasional article clipped. Bound in modern crushed quarter morocco with cloth to the boards. Endpapers renewed. Externally lovely with only very minimal edge wear and slight leans to the odd volume. Internally generally firmly bound with the title page to pp.22 to '1854' tender and minimal strain in places otherwise firmly bound. Pages generally bright with only light age toning to the odd volume. Pages generally clean with only the odd spot slightly heavier to '1855' the occasional ink mark to '1841' and a more significant tidemark to '1856' pp. 569. Very minimal handling marks and occasional 'Railway Times' stamps to all the volumes. The odd page closely cropped to '1839-40' and the odd small closed tear and chip to the extremities. Several articles have been clipped from the pages heavier to the earlier volumes. Minor ink notations to '1847'. Hand written notes written on separate papers inserted into the odd volume. All in all a beautifully bound set with generally clean and bright pages with only the odd clipped article and mark. Very Good Indeed The Railway Times Office hardcover

Rooke Books · Reino Unido£ 7.900,00≈ € 9.435,32

Vega Garcilasso de la, the IncaBiblio.com

THE ROYAL COMMENTARIES OF PERU IN TWO PARTS. The First Part: Treating of the Original of their Incas or Kings; the Second Part: Describing the manner by which that new World was conquered by the Spaniards. Translated by Sir Paul Rycaut.

1688ref. 31913London: by Miles Flesher for Richard Tonson 1688. First Edition in English. This copy has two title pages one with the Tonson imprint rubricated black and red the other with the Heyrick imprint in black only. Sabin states: “As some copies have only the black titles and some only the rubricated ones while others have both it seems possible that all the issues were originally published with two titles.” Engraved portrait frontispiece of translator Paul Rycaut the rubricated title page in red and black and 10 copperplate engravings. Folio an especially handsome copy bound in its original contemporary speckled English calf the spine with raised bands the compartments with floriated panels decorated in gilt red morocco lettering piece gilt the covers with a border decorations rolled in blind and double-filleted rules at the borders. 1019. A superb copy of this rare and early work. The book remains in its original binding. The text-block is crisp clean and unpressed The engraved illustrations are all in excellent condition. A truly wonderful copy and especially fine survival of a book rarely if ever found in such condition. RARE FIRST EDITION OF THIS HIGHLY IMPORTANT EARLY HISTORY OF THE INCAN CIVILIZATION AND OF THE CONQUEST OF PERU BY THE SPANISH. De la Vega was a prince of Incan royalty by virtue of his mother who was descended from the last Incan King of Peru. He took great pride in his Incan ancestry styling himself “Garcilasso Inca” and becoming a dedicated student of the Peruvian language and traditions. However the translator also tells us that “the Spanish humour was most prevalent in him so that he delighted much to tell us as in diverse places that he was also the son of Garcilasso de la Vega one of the first Conquerours of the new World.” Such an illustrious ancestry provides for a rendering of the history of the Incan civilization from a unique point of view. The first section of the text details the early history of the Incas before the Spanish conquest including their laws and government and other “particulars relating to their Empire and Policies.” The second part details the Spanish conquest and the various civil wars and rebellions that came along with them and after them. The first part was published in Lisbon in 1609 and the second part in 1617. This edition is the first English translation by Sir Paul Rycaut. This is a classic work comprehensive and painstakingly researched and remains today one of the chief authorities on the subject of ancient Peru. by Miles Flesher for Richard Tonson hardcover

Buddenbrooks, Inc. · Estados UnidosUS$ 10.450,00≈ € 9.336,20

A VERY FINE MEDIEVAL ILLUMINATED VELLUM MANUSCRIPT LEAF IN LATIN, FROM THE LLANGATTOCK BREVIARY, WITH AN HISTORIATED INITIAL DEPBiblio.com

TEXT FROM THE FEAST OF STS. PETER AND PAUL

1441ref. ST19880Italy Ferrara 1441-48. Visible leaf: 245 x 187 mm. 9 5/8 x 7 3/8"; Frame: 380 x 315 mm. 15 x 12 1/4". Double column 30 lines in a very fine rounded gothic hand a few lines of text in the same hand but smaller. Mounted and in a simple but pleasing gold frame. Visible side with rubrics in red one-line initials in burnished gold or painted blue one two-line initial in burnished gold on a pale pink ground with white tracery a lovely illuminated bar between the columns with a central plant knot AND SPROUTING IN UPPER AND LOWER MARGINS CLUSTERS OF FLOWERS AND LEAVES IN VARIOUS COLORS AS WELL AS GOLD BEZANTS outer margin with swirling penwork studded with gilt bezants running the length of the column each penwork swirl enclosing a painted and gilt flower with ONE FIVE-LINE HISTORIATED INITIAL DEPICTING ST. PAUL HOLDING A SWORD AND BOOK the initial painted pink with green leaves and a blue and green acanthus extension on a gilt ground. ◆Not examined outside of frame but in very fine condition: vellum slightly wavy text in the bottom margin just a bit faded but by all appearances A VERY CLEAN BRIGHT LEAF SPARKLING WITH GILT. Executed with great skill and delicacy and in sensitive Italianate colors highlighted especially by spring green and pink the present leaf is from a manuscript intended for a powerful aristocrat. It comes from the celebrated Breviary illuminated for the chapel of the Marquises of Este rulers of Ferrara and Mantua a manuscript commissioned by Leonello d'Este duke of Ferrara from 1441-50. Because the d'Este family kept excellent records we have confidence that this manuscript was done for Leonello by Giorgio d'Alemagna Bartolomeo de Benincà Guglielmo Giraldi and Matteo de' Pasti see Toniolo "La Miniatura a Ferrara dal Tempo di Cosmè Tura all'eredità di Ercole de' Roberti" 1998 pp. 19-20 and 76-77. The leaves show subtle variations in the style of the illuminations a result of work done by a team of artists doing variations on a theme. At one time in a Spanish library the manuscript was brought to Britain during the Peninsular War and came to be owned by the Rolls family later Lords Llangattock of Monmouth in Wales from whom it takes its name. By the time the work reached Britain most of the miniatures had already been cut out. The Breviary sold at Christie's on 8 December 1958 lot #190 to Goodspeed's of Boston who broke it up. The intact first quire of 10 leaves was purchased by Philip Hofer and given to Harvard cf. Wieck "Late Medieval and Renaissance Illuminated Manuscripts" p. 130 and fig. 74 and individual leaves appeared in 1967 in the catalogues of Folio Fine Art "the quality of the leaves is extremely high" Maggs Brothers "of a very high quality" and Alan Thomas "of exquisite quality". The present example is especially desirable for the portrait of St. Paul who is depicted holding a sword and book and whose carefully molded features reflect the growing interest in realistic portraiture in Renaissance Italy. unknown

Phillip J. Pirages Fine Books and Medieval Manuscripts · Estados UnidosUS$ 10.400,00≈ € 9.291,53

A VERY FINE MEDIEVAL ILLUMINATED VELLUM MANUSCRIPT LEAF IN LATIN, FROM THE LLANGATTOCK BREVIARY, WITH AN HISTORIATED INITIAL DEPABAA

TEXT FROM THE FEAST OF STS. PETER AND PAUL

Phillip J. Pirages Fine Books and Medieval Manuscripts · Estados UnidosUS$ 10.400,00≈ € 9.291,53

[THE GOSPELS IN ARABIC AND LATIN].Biblio.com

Sacrosancta quatuor Iesu Christi D.N. Evangelia. Arabicè scripta Latine reddita figurusq. ornata.

ref. 63499Romae Rome: Ex Typographia Medicea 1619. Folio 33.5x21 cm. pp. 4 9-462 2 with at recto the printer's letter repeated with the date of the 1591 original edition blank at verso. Contemporary green vellum spine with raised bands and gilt-decorated compartments red Morocco label marbled endpapers edges dyed red. Title printed in red and black with Medici's woodcut coat-of-arms printer's advice "Typographus lectori". With 149 text woodcuts by Leonardo Parassole c.1570-c.1630 after Antonio Tempesta 1555-1630 their monograms appearing on a number of the illustrations. The woodcuts are remarkable examples of Tempesta's work notable for their clarity of composition and their didactic narrative of the episodes depicted. Ex libris Luigi Bossi Milan 1758-1835 with his engraved heraldic bookplate to front pastedown along with T. Fenteman & Sons Leeds booksellers label to upper corner. Title-page lightly browned boards faded and discoloured some occasional light toning generally a very good copy printed on thick paper the woodcuts in strong impressions throughout. Rare 1619 reissue or of the original 1591 stock of the Arabic Medicean Gospels. The text lines are almost identical with those of the Arabic issue but now have an interlinear Latin version added which was prepared by Antonius Sionita. In 1584 the last year of the papacy of Gregory XIII who had constantly endeavoured to effect a union between the Church of Rome and the eastern Christians Cardinal Ferdinando de' Medici the brother and later the successor of the Grand Duke of Tuscany founded a printing press in Rome with a vast selection of oriental types cut by the French typographer Robert Granjon. Run by a versatile orientalist Giovan Battista Raimondi the press had various aims. One was to produce propaganda which would attract the eastern Christians to Roman Catholicism. Another was to corner the publishing market in an area where typography was prohibited and to make a financial profit from the sale in the east of books printed in Arabic. The third aim was to further European knowledge and to provide good editions of Arabic versions of certain standard non-religious texts. These included the writings of Avicenna al-Idrisi's geographical compendium al-Tusi's adaptation of Euclid's text on geometry and various works on Arabic grammar and syntax. The first major publication was the 1591 edition of the Gospels. This copy has an interlinear Latin translation but the work was also issued solely in Arabic. It contains 149 fine woodcut illustrations made by Leonardo Parasole mainly after designs by one of the best known Florentine artists of his day Antonio Tempesta who owed much of his fame to the frescoes he painted in the Vatican and in a number of Roman palaces. The woodcut in the Gospel of St Mark of the presentation of the head of John the Baptist to Salome Mark 6:28 by a man in Turkish dress reminds us of the common association between the great enemy of Christendom in the sixteenth century and the ancient heathens. The Arabic text is printed in Robert Granjon's famous large fount generally considered the first satisfactory Arabic printing type; as all early printed editions of the Arabic Gospels it is based on the Alexandrian Vulgate cf. Darlow/M. 1636. The Latin version is by Leonardo Sionita. The work begins with page 9 without a title-page or any preliminary matter at all: "the intended prefatory matter was apparently never published" Darlow/M. Darlow & Moule 1637 & 1643; Schnurrer Bibliotheca arabica 318; Brunet II 1122-23; Graesse II 531 Romae [Rome]: Ex Typographia Medicea, 1619. hardcover

Robert Frew Ltd · Reino Unido£ 7.500,00≈ € 8.957,58

MALTON, Thomas (the Elder)Biblio.com

Perspective Studies

1775ref. 3622n.p. n.p. n.d. pre-1775 1775. Original drawing of classical capitals and urns with lines of perspective. Pen and brown and black ink pencil and grey wash on laid paper without visible watermark ruled border in brown ink. Sheet 302x218mm window mount 350x275mm. Very slight soiling and foxing but overall in excellent condition. A very good and rare example of a study for an important book on perspective. � In 1775 Thomas Malton the Elder 1726-1801 published A Compleat Treatise On Perspective In Theory and Practice; on the True Principles Of Dr. Brook Taylor. This drawing is a preliminary study for plate XXII from this book. Such drawings are rare; the last to appear before this one was sold at Christie's in 2011. Malton's book was important: the Royal Academy had been founded only seven years before and in its Instrument of Foundation there was a specific requirement that the art and science of perspective be taught. A Compleat Treatise was the first book to be published on the subject following the founding of the RA. Malton was perhaps making a bid for his book to be adopted as a sort of "set text" and many Royal Academicians were among the initial subscribers. It was from the outset regarded as one of the best modern books on the subject based as it was on the newest contemporary mathematical studies of perspective. The combination of science and art is captured beautifully in this drawing. Bad luck in business forced Malton to leave England to start afresh as an artist in Dublin where he died in 1801 but his influence extended well into the nineteenth century thanks to his son also called Thomas and to Turner's use of A Compleat Treatise in his own lectures at the Royal Academy where he was Professor of Perspective. Malton's book and drawings would almost certainly have been introduced to Turner by Malton's son in whose studio Turner worked as an apprentice in the 1780s and whom Turner regarded as his "my real master". Some of Turner's own drawings and sketches used in these lectures are held at the Tate and among them are two of the capitals from plate XXII of A Compleat Treatise whose origins can be traced back to this drawing by Thomas Malton the Elder. n.p. n.p. n.d. [pre-1775]

Voewood Rare Books · Reino Unido£ 7.500,00≈ € 8.957,58

Thomson, James; Murdoch, Patrick (Life of the Author) ; Corney, Bolton (Ed)Biblio.com

The Seasons

1842ref. 001525London: Longman Brown Green and Longmans 1842. 7 viii-xlviii 5 6-320pp. Later full morocco by Thomas or John Fazakerley of Liverpool with their name stamped to foot of front turn in raised bands spine in six panels title lettered directly to second panel and author to third remaining panels with double fillet border in gilt red morocco frame single fillet inner border with central heart tool and four dots upper cover with double fillet border in gilt red morocco frame with single fillet inner border hearts and dots surrounding another red morocco inner frame with central oval red morocco frame encompassing the title and author surrounded by fauna and flora in gilt lower cover with similar frames and heart and dot border single line to edges inner edges again with red morocco border and watered silk doublures and endpapers top and bottom edges gilt with gauffering fore edge gilt and gauffered with a triptych of small fore edge paintings visible of country scenes. Small repair to head of upper joint very slightly rubbed to extremities. Internally the text is lightly browned but clean. Illustrated throughout by several artists including John Bell C. W. Cope J. P. Knight Frank Stone C. Stonhouse and Thomas Webster. Book plate of Randall Moskovitz loosely laid in Weber notes that Randall Moskovitz owned other Fazakerley bindings. Thomas Fazakerley and his son John bookbinders in Liverpool were well known for their 'reliure de luxe' bindings. Weber notes that "a lot of fore-edge paintings came out of Fazakerley's bindery . Many of the Fazakerley bindings with fore-edge paintings are done on the flat or closed surface as here especially those bindings that feature a triptych . It might be added that the style of paintings does not clearly appear to differ. Carl J. Weber surmised there may have been several artists working for Fazakerley and this may be true though unproven" Weber 'Annotated Dictionary of Fore-Edge Painting Artists and Binders' page 141. First Edition. Hardback. Very Good. 8vo. Longman, Brown, Green, and Longmans hardcover

Temple Rare Books · Reino Unido£ 7.500,00≈ € 8.957,58

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