Martinez, Miguel AngelBiblio.com
3.454 resultados
ref. 8305020-nnew. unknown
20086 x 9 Paperback Like New Book. Ship form publishers. pls. allow 8 - 10 weeks for de livery as this is just to be released in August 2008. new release d book. No longer represented only by Hollywood and the commerica l fashion industry, Los Angeles in recent years has received inte rnational media attention as one of the world's new art centers.
1824ref. R260232484Périsse frères et Méquignon Junior. 1824. In-8. Relié plein cuir. Bon état, Couv. défraîchie, Coiffe en tête abîmée, Quelques rousseurs. 448 + 453 + 513 + 508 + 477 + 458 + 465 + 466 + 441 pages. Roulettes. Filets. Fleurons. Filets dorés encadrant les plats.Titre et tomaison dorés sur pièce de titre. Dos insolé et frotté. Etiquette collée sur coiffe en pied.Garde marbré. Epidermures sur certains plats. . . . Classification Dewey : 0-GENERALITES
1999AA.VV Michelangelo. La Cappella Sistina. Documentazione e interpretazioni (4 volumi). , De Agostini 1999, 4 volumi rilegati in pelletitoli e fregi in oro e cordoli sul dorso, volumi in perfette condizioni, cofanetto leggermente usurato Molto buono (Very Good) . Copertina rigida 88-415-6896-8
1991ref. 23970Greenbrae: The Allen Press 1991. Limited edition. Previous owner's small ex-lbris label to front free endpaper else fine. 100 pp.1 tipped-in illustration from a self-portrait of Michelangelo; octavo 11 x 7.5 inches half brown cloth and Fortuny print fabric over boards. Text printed in hand-set Bembo type on Barcham Green hand-made paper. Vinyl jacket. Publication announcement laid in Edition of 115 copies. This publication is post-Allen Press Bibliography. The Allen Press hardcover
ref. ABE-27613246Orion Book. Near Fine. Hardcover. Signed by Authors. First Edition. A NEAR FINE FIRST IN DJ. SIGNED ON TIPPED IN BOOKPLATE BY ANTONIONI. Orion Hardcover
ref. 51-6337Rome: Nicolaus van Aelst circa 1570 later impression. . Engraving on 19th Century thick wove paper.60.5 x 46.5cm. .Right margin creased. Waterstain on right side. .References: Adam von Bartsch Le Peintre graveur. Vienna 1803 cat. no. 17 p. 393.TIB The Illustrated Bartsch. Abaris Books 1978– cat. no. 17 p. 52 ill.Paolo Bellini "Incisioni di Giorgio Ghisi" Rassegna di studi e di notizie. 7 1979 p. 132.Suzanne Boorsch R. E. Lewis Michal Lewis The Engravings of Giorgio Ghisi. The Metropolitan Museum of Art New York 1985 cat. no. 48.iii p. 161 iv.Paolo Bellini L'opera incisa di Giorgio Ghisi. Bassano del Grappa 1998 cat. no. 18.iv p. 87 ill.Met Museum: Object Number: 1984.1108.3 Rome: Nicolaus van Aelst , circa 1570 (later impression. unknown
ref. 51-6336Rome: Nicolaus van Aelst circa 1570 later impression. . Engraving on 19th Century thick wove paper.60.5 x 46cm. .Right margin creased. Waterstain in lower right quadrant. References: Boorsch Lewis and Lewis 159.47.iii; Bellini 1979 p. 136; Bellini 1998 85.17.iii; Bartsch XV.393.19; TIB 3115 55.19Met Museum: Object Number: 26.70.33 Rome: Nicolaus van Aelst , circa 1570 (later impression. unknown
1957ref. 600325Napoli: Edizioni Scientifiche Italiane 1957. 1st Edition . Hardcover. Very Good. Volume 1 933 pages 373 figures. Volume II. 1085 pages 403 figures. Volume III 1124 pages 778 figures. In ITALIAN. All three volumes: profusely illustrated some figures in color. Pages all v/g condition. Grey cloth red labels with gilt title on spines. Edges and corners show very light wear. VG Edizioni Scientifiche Italiane hardcover
ref. 5192Simil piel color verde letras doradas nueva. unknown
1975ref. 86042Roma: Eldec 1975. Due volumi in-folio cm. 44 pp. 227 5; pp. 231 11. Con illustrazioni nel testo e 17 belle incisioni originali su rame su fogli sciolti firmate a matita dall'artista di cui una a doppia pagina ritratto di Firenze ed una fissata in antiporta ritratto di Michelangelo. Sontuosa legatura originale in piena pelle con tre strisce decorative e titoli in oro chiusure con legacci. Sguardie con la riproduzione del manoscritto di Michelangelo con le "ricette per il mal d'occhi" il cui originale si trova nel Codice Vaticano. I due volumi sono inoltre custoditi in una struttura metallica appositamente costruita. Ottimo stato di conservazione. Edizione stampata in tiratura limitata e numerata di 2000 esemplari ns. n. 899. Eldec unknown
1991ref. 77915New York:: Alfred A. Knopf 1991. First edition; No. 440 of 2500 copies. publisher's cloth with gilt-lettered leather labels on spines; in publisher's slipcase. Small brown spot to the cloth of one volume; otherwise both volumes fine. Two oversized folio volumes. Illustrated throughout from photographs in color. Additional postage applicable: two very large very heavy volumes. Alfred A. Knopf, hardcover
1950ref. 345644London: Vision 1950. Hardcover. Very Good. Small octavo. Corners a bit bumped a very good copy without dustwrapper. Bookplate of Leonard and Esther Baskin on the front pastedown and an inscription dated in 1951 to Lennie from "the Estys" presumably Bill and Molly Esty. Baskin a bookplate for the Estys. From the library of the artists Ben Shahn and Bernarda Bryson Shahn with an estate label designed by their son Jonathan Shahn. Presumably Baskin gave the book to his sometimes collaborator Shahn. Vision hardcover
1950ref. 345644London: Vision 1950. Hardcover. Very Good. Small octavo. Corners a bit bumped a very good copy without dustwrapper. Bookplate of Leonard and Esther Baskin on the front pastedown and an inscription dated in 1951 to Lennie from "the Estys" presumably Bill and Molly Esty. Baskin a bookplate for the Estys. From the library of the artists Ben Shahn and Bernarda Bryson Shahn with an estate label designed by their son Jonathan Shahn. Presumably Baskin gave the book to his sometimes collaborator Shahn. Vision hardcover books
1997ref. Alibris.0006709lannoo. 1997. Hard cover. Fine in very good dust jacket. 699 p. Includes: illustrations index bibliography. lannoo hardcover
Lotto comprensivo di 188 stampe in nero originali, presumibilmente di diversa provenienza, tutte raffiguranti soggetti classici (prevalentemente religiosi e mitologici) ricavati da grandi autori quali Raffaello, Michelangelo, Rubens, Reni, Leonardo Da Vinci, ... Stampate in Francia, non datate ma, presumibilmente, risalenti ai primi decenni dell'800. Dimensioni: 12 x 18 cm all'incirca. Stato di conservazione: Qualche inevitabile ossidazione della carta, alcune stampe presentano piccole mancanze o tagleitti sui margini, alcune presentano i margini un po' rifilati, due o tre stampe (in totale) presentano una scritta apenna sul margine bianco ma, nell'insieme, un lotto ben conservato Si vedano le fotografie che fanno parte integrante della descrizione. Soggetti vari: una quindicina di stampe sono dedicate a San Bruno "Couronnement de Charlemagne" (Raphael) "La peste" (C. Procaccini) "Galilèe en prison" "La jurisprudence" (Raphael) "Proserpine aux enfers" Pandore Apollo "Danse des muses" Centaure "Gladiateur mourant" "Incendie de Borgo Vecchio" (Raphael) "Salomé fille d'Herodiade (Leonard de Vinci) "Paysage - scene d'effroi" "Paysage - Animaux près d'une ruine", "Vue des bords de la mer" St. Michel Bacco Promethée "Les bergers d'Arcadie" "Massacre des innocens" "Victoire d'Ostie" diverse stampe ritraggono la Santa Famiglia "La nativité" Ercole "Diane et ses nymphes" "Le bapteme" St. Marc Milon de Crotonne "Salomon et la reine Saba" Amazone "Naissance de l'amour" "Abram recevant les trois anges", St. Madaleine St. Jérome St. Barthélemy "Venus Victorieuse" "Marche de silène" "St. Antoine tourmente par le demon" "Fuite en Egypte" "Charles Ier" "Les lutteurs" "Le char de l'aurore" (Guido Reni) ....
Interessante carteggio di Michelangelo Billia indirizzato allo scrittore Odoardo Campa. Studioso di filosofia Billia fondò la rivista filosofica Nuovo Risorgimento (1891), fu Arconte del Sillogo Filellenico per la Confederazione orientale. Polemista violento, sostenne con tenacia il rosminianesimo, specialmente contro i neotomisti.
1973ref. 41PARIS. EDITIONS D'ART LES HEURES CLAIRES. 1973. GRAND IN-FOLIO EN FEUILLES (30,5 X 41 X 9,5 CENTIMETRES ENVIRON) DE 141 + (14) PAGES, SOUS COUVERTURE CREME REMPLIEE, TITRE IMPRIME EN ROUGE, CHEMISE ET ETUI CARTONNES DE L'EDITEUR, RECOUVERTS DE PAPIER JAPONAIS VERT D'EAU. TEXTE ITALIEN AVEC LA TRADUCTION FRANCAISE. ILLUSTRE DE 16 BURINS HORS TEXTE, DONT UN A DOUBLE PAGE, ET DE NOMBREUX BOIS GRAVES DANS LE TEXTE. PREMIER TIRAGE, LIMITE A 300 EXEMPLAIRES NUMEROTES, DONT 20 HORS COMMERCE. UN DES 34 SUR GRAND VELIN D'ARCHES COMPORTANT UN CROQUIS ORIGINAL LEGENDE ET SIGNE AU CRAYON (PORTRAIT DE MICHEL-ANGE), UNE SUITE EN NOIR SUR JAPON NACRE ET UNE SUITE EN SEPIA SUR GRAND VELIN D'ARCHES, CELUI-CI PORTANT LE NUMERO 32. INSOLATION SUR UNE PARTIE DU DOS, PETITS ACCROCS SANS GRAVITE AU NIVEAU DU DOS DE L’ETUI, SINON TRES BEL ETAT.
2017ref. 2-1634856899Nova Science Pub Inc 2017. Hardcover. New. 1st edition. 279 pages. 10.00x7.00x0.75 inches. Nova Science Pub Inc hardcover
2021ill., cart.
ref. 28232Mantua Italy : Edizioni Corraini 2005. Small quarto 250 x 180 mm pp. 32 printed on diecut aluminium leaves spiral bound in publisher's original cardboard slipcase. Limited to 700 copies signed and numbered by the artist. Text in English and Italian. An as new copy very fine. A striking artist's book / private press production printed entirely on aluminium sheets which accompanied Pistoletto's exhibition of the same name where he created six large scale dining tables out of steel conceived as meeting point for the cultures and nations bordering the seas. ""Understanding and accepting the Other is the most threatening dare that recent history challenges us"" says Angela Vettese editor of this book. Michelangelo Pistoletto picks up this dare and shows us six ""dining tables of cultures"" projected thinking at the form of the seas that link different people landscapes and cultures: from Mediterranean sea to Baltic from South China sea to Caribbean sea without forgetting Black and Red sea. If a sea joins an island can be the setting of a world in which art claims a responsible change in society: in San Servolo island near Venice the italian artist presented Cittadellarte some installations that show a different social structure in politics communication works economics and so on. Even the book's construction reflects Pistoletto's sensibility towards nature: every page included cover are made of aluminium. Some of these are punched and like open doors show the concepts on which is based the new civilization pushed by Cittadellarte. 'Michelangelo Pistoletto is an Italian painter performance artist and theorist. Best known for his innovative stainless steel paintings with mirror-like surfaces he also produced pioneering performance art and sculptural installations. He maintained a lifelong interest in the use of humble and discarded materials and at the height of his career was considered one of the stars of the Italian art movement Arte Povera. Born on June 25 1933 in Biella Italy he studied art while apprenticing at his father’s restoration workshop and in 1960 mounted his first solo show of figurative paintings and portraits at the Galleria Galatea in Turin. He rose to international prominence with his sculpture series Minus Objects1966 which includes a set of columns and a two-dimensional table and chairs. The work along with a series of mirror paintings was awarded first prize in the São Paulo Biennale. Growing increasingly reclusive over time Pistoletto withdrew his work from the Venice Biennale in 1968 due to the student riots. He has had solo exhibitions in institutions around the world notably including the Tate Modern in London and the Guggenheim Museum in New York. He lives in Turin Italy.' - Artnet http://www.artnet.com/artists/michelangelo-pistoletto/ unknown
ref. BN86164Leuven/Louvain B University Press. Sporen in Belgie. 175 Jaar Spoorwegen - 75 Jaar NMBS. Leuven/Louvain (B), University Press unknown
1960ref. 138792Italy: Nepi Film 1960. Vintage borderless photograph from the set of the 1961 film. A candid aerial photograph of Mastroianni Moreau and two other cast members conversing around a table. With a stamp for Telecine and a few annotations on the verso. The second film in the trilogy that begins with "L'Avventura" 1960 and ends with "L'Eclisse" 1962. Shot on location in Milan. Probably no one has ever said it better than Bosley Crowther who reviewed the film for the New York Times in 1961: "Too sensitive and subtle for apt description are Antonioni's pictorial fashionings of a social atmosphere a rarefied intellectual climate a psychologically stultifying milieu-and his haunting evocations within them of individual symbolisms and displays of mental and emotional aberrations. Even boredom is made interesting. There is for instance a sequence in which a sudden downpour turns a listless garden party into a riot of foolish revelry exposing the lack of stimulation before nature takes a flagellating hand. Or there's a shot of the crumpled wife leaning against a glass wall looking out into the rain that tells in a flash of all her ennui desolation and despair." 9.5 x 7.5 inches. Near Fine. In a custom museum-quality frame archivally mounted with UV glass. Criterion Collection 678. Eureka Masters of Cinema 61. Nepi Film unknown
1960ref. 138792Italy: Nepi Film 1960. Vintage borderless photograph from the set of the 1961 film. A candid aerial photograph of Mastroianni Moreau and two other cast members conversing around a table. With a stamp for Telecine and a few annotations on the verso. The second film in the trilogy that begins with "L'Avventura" 1960 and ends with "L'Eclisse" 1962. Shot on location in Milan. Probably no one has ever said it better than Bosley Crowther who reviewed the film for the New York Times in 1961: "Too sensitive and subtle for apt description are Antonioni's pictorial fashionings of a social atmosphere a rarefied intellectual climate a psychologically stultifying milieu-and his haunting evocations within them of individual symbolisms and displays of mental and emotional aberrations. Even boredom is made interesting. There is for instance a sequence in which a sudden downpour turns a listless garden party into a riot of foolish revelry exposing the lack of stimulation before nature takes a flagellating hand. Or there's a shot of the crumpled wife leaning against a glass wall looking out into the rain that tells in a flash of all her ennui desolation and despair." 9.5 x 7.5 inches. Near Fine. In a custom museum-quality frame archivally mounted with UV glass. Criterion Collection 678. Eureka Masters of Cinema 61. Nepi Film unknown books
1735ref. 3981735 Couverture rigide A Florence, chez Michel Nestnus & François Moucke, 1735. Un volume in-8 (18,5 x 13 cm), reliure plein vélin, dos lisse, titre doré, pièce de titre en maroquin rouge. Texte juxtalinéaire italien-français, 308 pages, vignette(s) au(x) titre(s), bandeaux et culs de lampe gravés, quelques rousseurs et piqûres éparses. Traduction effectuée par Vlenghels, selon Le Barbier. L'édition originale date de 1557. Ludovico Dolce, écrivain et théoricien de l'art, établit dans ce texte un dialogue fictif entre Francesco Fabrini (1516-1580) et L’Aretin (1492-1556), révélateur du débat entre l'art florentin et vénitien de l'époque. Dolce considère notamment que les oeuvres de Raphaël et du Titien sont bien supérieures à celle de Michel-Ange. Bon exemplaire.
