MICHELANGELO PISTOLETTO. JACQUES MEURIS.Livre Rare Book
3.454 resultados
ref. 1557Bruxelles, Les Maîtres de forme contemporains, 1993. 22 x 22 cm, pagination discontinue, en feuilles sous chemise imprimée sous emboîtage conçu par Michelangelo Pistoletto et réalisé en sérigraphie sur plexiglas miroir. Plexiglas rayé (mais peut-être est-ce normal?). Un des 5 exemplaires numérotés marqués EA/JM et signés par les deux auteurs. A l'intérieur du boîtier, l'on trouve dix cahiers de photos comprenant six images de Pistoletto et huit cahiers de textes, y compris un texte original de Jacques Meuris. Le boîtier contient également une oeuvre originale de l'artiste appellée Rotazione dei Corpi, représentant un détail de l'épaule de l'Homme interstellaire de Pistoletto. Oeuvre tirée en photostat sur transparents à l'intention de cet ouvrage.
1999Reggio Emilia, Scripta Maneant 2012, in-folio, legatura editoriale mezza pelle con sei nervi al dorso, copertina rivestita in pergamena con impressioni e titoli dorati, cofanetto telato con titoli dorati, pp. 415 completamente illustrato a colori. Tiratura di 1999 esemplari, la nostra copia n. 567. In stato di nuovo.
ref. 2977Fin XVIe siècle Belle épreuve légèrement jaunie, coupée au sujet avec des accidents restaurés au verso, petit manque. 31 x 22,8cm. Filigrane à la crosse la Bâle dans monogramme utilisé au XVIe siècle de 1520 à 1606, Gaudriault, Filigranes (…) p119 N° 488. Avant la signature te l’inscription sur la dalle. Portrait médaillon représentant Michel-Ange, le visage tourné vers la gauche, mention « MICHAEL ANGELUS BONAROTUS PATRICIUS FLORENT AN ANGENS LXXIII »C’est surtout par la gravure, permettant d’avoir une vue d’ensemble du jugement dernier, que la fresque de Michel-Ange obtint une reconnaissance universelle. Ce qui explique la prolifération des copies tout au long du XVIe et XVIIe siècle de cette œuvre majeure. Bel exemplaire ne tirage du XVIe siècle avant la lettre et d’un très bel encrage.
ref. 85270Florenz «A spese dell’editore» 1852. Gr.8° 1 Bl. Impressum Titelbl. XII 151 S. Priv.-HLwd. d. Zt. m. goldgepr. Rückenschildchen Rücken min. fleckig Deckel min. beschienen Exlibris a. Innendeckel Papier tlw. etw. gebräunt von rosa ausgeblichen u. min. stockfl. - Exemplar m. unterschiedlicher Bogengrösse Druck oben und innen zentriert: allg. gutes Ex. «Una ristampa della edizione fattane già nella Etruria» etw. verbessert. Ex. Nr. 3/65 von Pietro Fanfani im Impressum signiert. 010 Florenz, «A spese dell’editore», 1852 unknown
1960ref. 31839Torino: Galatea 1960. Two pinholes to front panel; thus close to near fine. Scarce with single OCLC record located worldwide Reina Sofia. Octavo. Bifolium catalogue from Michelangelo Pistoletto's first exhibition of paintings Mar. 30 - Apr. 15 1960. With descriptive list of 20 exhibited works accompanied by an insightful commentary from Luigi Carluccio—positioning Pistoletto as against-the-grain for his post-War commitment to figuring the human body. Front panel illustrated with a striking tipped color plate. Torino: Galatea unknown
1964In 4', leg. in tela con sovracc. ill., pp. 1019, 868 ill. n.t.Dedica autografa di Paolo Portoghesi in prima bianca.Protetto con sovracc. artigianale di plastica trasparente, lievi usure agli angoli e ai margini. Buone condizioni.Saggi di Giulio Carlo Argan, Aldo Bertini, Sergio Bettini, Renato Bonelli, Decio Gioseffi, Roberto Pane, Paolo Portoghesi, Bruno Zevi.Il volume offre agli studiosi una documentazione affatto originale della produzione architettonica michelangiolesca dalla tomba di Giulio II e dall'impianto della Sistina alla cappella Sforza e all'intervento estremo di Santa Maria degli Angeli. Tutti gli schizzi architettonici di Michelangiolo sono qui riprodotti, spesso in grandezza naturale e in quadricromia. Le rilevazioni dei monumenti sono state eseguite appositamente per questo libro e costituiscono un patrimonio filologico di eccezionale importanza che consente una precisa identificazione dei segni michelangioleschi. Centinaia di nuove fotografie illustrano gli spazi, i volumi, le modanature rapprese o erompenti, gli scatti della scrittura architettonica buonarrotiana.Luogo di pubblicazione TorinoEditore EinaudiAnno pubblicazione 1964Materia/Argomento Architettura, Michelangelo
ref. 65820Firenze Florence: Appresso Domenico Maria Manni 1726. Small 8vo. 16 x 10 cm. pp.xxx1923. Near contemporary full vellum spine with gilt lettering and old shelf label marbled endpapers to pastedowns edges dyed blue. Charming wood-cut vignettes throughout. Old ownership inscription to title-page Melchior Magius Romae C.A.C 1727 an additional later inscription dated 1844 to flyleaf. Some faint spotting and toning generally a very good example. Michelangelo Buonarroti was a prolific poet writing over 300 poems including sonnets madrigals and epigrams during his lifetime. Michelangelo's poetry often overshadowed by his monumental visual art was deeply romantic intensely personal and frequently controversial due to its homoerotic themes and intense emotional expressions. Largely dedicated to young men with the most famous recipient being the Roman nobleman Tommaso dei Cavalieri these poems represent one of the first known examples in high art of a man openly declaring his passion for another in a confessional manner. This edition contains essays humanist Benedetto Varchi and Mario Guiducci apologist for Galileo. Firenze [Florence]: Appresso Domenico Maria Manni, 1726. hardcover
1850ref. 53296Torino: Stab. Fontana 1850. In-4 p. mm. 323 x 229 3 volumi mz. pelle coeva decorazioni e titolo oro al dorso pp. 216; 208; 2202; incluse 3 belle antiporte allegoriche; ornato da pregevoli grandi iniziali figurate e finali incise su legno; illustrato da 305 su 306 bellissime tavole caricaturali incise in rame non firmate. Straordinaria opera di satira politica soprattutto contro il Papato la Francia e l'Austria. L'Autore già comproprietario e articolista del "Don Pirlone" caduta la Repubblica Romana fuggi' a Torino dove pubblicò la presente opera mantenendone lo stile satirico che aveva fatto la fortuna del giornale romano. "Prima edizione" rara e molto ricercata. Cfr. Inventario Raccolta Bertarelli "Risorgimento Italiano"I6395.Esemplare con lievi fioriture peraltro in buono stato. Stab. Fontana, unknown
ref. 182776Rome, Società tipografica, 1827 2 parties en un vol. in-4, [8]-264-17 pp., [8] ff. n. ch. de tables, avec 7 planches, gravées au trait, chagrin marine, dos à nerfs à caissons dorés richement ornés, encadrements de triple, quadruple et simple filet doré sur les plats enserrant un décor géométrique également doré, double filet doré sur les coupes, tranches mouchetées, encadrement de quadruple filet doté sur les contreplats, gardes doublées de papier gaufré ivoire (J. Weber). Une tache sur le plat supérieur, mais bel exemplaire, à grandes marges.
ref. 182775Paris, Dondey-Dupré, 1845 2 vol. in-4, XV-384 et VIII-406 pp., avec 9 planches gravées au trait (à la fin du volume I), demi-chagrin marine, dos à nerfs ornés de filets et de caissons dorés, coins en vélin vert, tranches mouchetées (reliure de l'époque). Rousseurs, mais bon exemplaire.
1845ref. 64330Parigi: Stamperia Orientale di Dondey-Duprè. 1845. Due volumi di cm. 32 pp. xv 1 384; viii 406. Con 9 tavole f.t. incise in rame. Solida ed elegante legatura del tempo in mezza pelle dorsi a nervi con titoli e fregi in oro. Bell’esemplare particolarmente marginoso. Edizione di soli 125 esemplari non comune soprattutto in tale stato di freschezza. Stamperia Orientale di Dondey-Duprè. unknown
1988ref. 014516Verso Books. Unclipped DJ in archival cover minor edge wear. . Fine. Hardcover. 1988. Verso Books hardcover
ref. 105328Bruxelles-Paris, Les maîtres de forme contemporains, M. & L. Durand-Dessert, 1993, un livre broché 230x 230x15 mm contenu dans un boîtier est réalisé à partir d’un miroir sérigraphié sur plexiglas. A l’intérieur du boîtier, l’on trouve dix cahiers de photos comprenant six images de Pistoletto et huit cahiers de textes, y compris un texte original de Jacques Meuris. Le boîtier contient également une œuvre originale de l’artiste appelléeRotazione dei Corpi,représentant un détail de l’épaule del’Homme interstellairede Pistoletto. Édition de 120 exemplaires, 15 exemplaires hors commerce et 10 épreuves d’artistes, tous numérotés et signés par Michelangelo Pistoletto et Jacques Meuris. État neuf. (105328)
2012In-foli cm. 31 X 40 pp. 416 con 500 ill. a colori, manca l'inserto di 16 pag. in carta pergamenata. Legatura in pergamena con dorso in pelle con nervature. Impressioni in oro sui piatti, tiratura di 1999 esemplari (647). Come nuovo in cofanetto illustrato.
1991ref. 32376Milano 1991. Centerfold with minor wear at edges; near fine. Scarce with single OCLC record located Northwestern. First Edition. Folio 16.5 inches. An elegant catalogue documenting the two collections issued by Meta Memphis 1989 1991; an ambitious post-Memphis project from executive Ernesto Gismondi who commissioned an international range of contemporary artists to collaborate on furniture design. Artists like: Alighiero Boetti Pier Paolo Calzolari Sandro Chia Sol LeWitt Joseph Kosuth Mimmo Paladino Michelangelo Pistoletto Lawrence Weiner and Franz West. Contents: 8 pages folded; illustrated after 36 black-and-white product photos. [Milano] unknown
1966ref. 196421966. Antonioni Michelangelo director. Blow-Up 1966 examines perception photography and uncertainty within the cultural landscape of 1960s London placing a fashion photographer at the center of a narrative involving a possible murder captured unintentionally on film. As Antonioni's first English-language production the film situates itself within the visual and social environment of the London "mod" scene integrating fashion music and youth culture into its structure. Its treatment of sexuality and ambiguity contributed to the erosion of the Hollywood Production Code and preceded the establishment of the Motion Picture Association of America rating system marking the film as part of a broader shift in cinematic regulation and content standards. Awarded the Palme d'Or at the Cannes Film Festival the film occupies a central place in discussions of postwar European art cinema and the changing boundaries of representation. Blow-Up. Metro-Goldwyn-Mayer: United States 1966. Archive of six original promotional photographs issued for theatrical display ranging in size from approximately 6.5 x 8 to 8.75 x 11 inches including three color and three black and white prints. Images depict scenes from the film including interactions between Vanessa Redgrave and David Hemmings and views of Hemmings' Rolls-Royce emphasizing both character dynamics and the material culture of the London setting. Black and white photographs include production and photography information on the verso while color prints feature the film title actor names and MGM logo along the lower margin. Produced during a period of rapid transformation in film aesthetics and censorship standards Blow-Up aligns with broader developments in 1960s cinema that prioritized ambiguity visual experimentation and contemporary urban life. Its focus on the act of looking and the instability of photographic evidence reflects wider cultural concerns with media surveillance and reality during the decade. Promotional materials such as these photographs document how studios presented avant-garde narrative and stylistic elements to mainstream audiences bridging commercial exhibition and art cinema discourse. Minor handling wear with one photograph showing faint pinholes; overall very good to excellent condition. unknown
1966ref. 196421966. Antonioni Michelangelo director. Blow-Up 1966 examines perception photography and uncertainty within the cultural landscape of 1960s London placing a fashion photographer at the center of a narrative involving a possible murder captured unintentionally on film. As Antonioni's first English-language production the film situates itself within the visual and social environment of the London "mod" scene integrating fashion music and youth culture into its structure. Its treatment of sexuality and ambiguity contributed to the erosion of the Hollywood Production Code and preceded the establishment of the Motion Picture Association of America rating system marking the film as part of a broader shift in cinematic regulation and content standards. Awarded the Palme d'Or at the Cannes Film Festival the film occupies a central place in discussions of postwar European art cinema and the changing boundaries of representation. Blow-Up. Metro-Goldwyn-Mayer: United States 1966. Archive of six original promotional photographs issued for theatrical display ranging in size from approximately 6.5 x 8 to 8.75 x 11 inches including three color and three black and white prints. Images depict scenes from the film including interactions between Vanessa Redgrave and David Hemmings and views of Hemmings' Rolls-Royce emphasizing both character dynamics and the material culture of the London setting. Black and white photographs include production and photography information on the verso while color prints feature the film title actor names and MGM logo along the lower margin. Produced during a period of rapid transformation in film aesthetics and censorship standards Blow-Up aligns with broader developments in 1960s cinema that prioritized ambiguity visual experimentation and contemporary urban life. Its focus on the act of looking and the instability of photographic evidence reflects wider cultural concerns with media surveillance and reality during the decade. Promotional materials such as these photographs document how studios presented avant-garde narrative and stylistic elements to mainstream audiences bridging commercial exhibition and art cinema discourse. Minor handling wear with one photograph showing faint pinholes; overall very good to excellent condition. unknown books
1989ref. 76540Distribuciones Los Horreos 1989. Distribuciones Los Horreos unknown
1983ref. 765411983. unknown
1847ref. 89754Librairie scientifique française et orientale de A. Larue | Paris 1847 | 16.2 x 24.5 cm | Broché
1960ref. 134674Rome: Cino del Duca 1960. Vintage oversize double weight borderless glossy press photograph by Enrico Appetito from the 1960 film. Bold notation on the verso noting that the photograph is from the archives of the French cinephile magazine "Cinema 60." The first film in Antonioni's famed trilogy followed by La Notte and L'eclisse. A classic scene from the film from the section shot on location in Rome where actresses Lea Massari and Monica Vitti stare wonderingly at the soulless void before them. 9.25 x 11.75 inches. Near Fine. Criterion Collection 98. Cino del Duca unknown
1961ref. 167658N.p.: N.p. 1961. Five vintage borderless reference photographs from the 1961 film including one oversize photograph showing director Michelangelo Antonioni and a camera crew on the set. French and numeric annotations in manuscript ink and pencil on the versos. The second film in Antonioni's trilogy that begins with "L'Avventura" 1960 and ends with "L'Eclisse" 1962. Probably no one has ever said it better than Bosley Crowther who reviewed the film for the New York Times in 1961: "Too sensitive and subtle for apt description are Antonioni's pictorial fashionings of a social atmosphere a rarefied intellectual climate a psychologically stultifying milieu-and his haunting evocations within them of individual symbolisms and displays of mental and emotional aberrations. Even boredom is made interesting. There is for instance a sequence in which a sudden downpour turns a listless garden party into a riot of foolish revelry exposing the lack of stimulation before nature takes a flagellating hand. Or there's a shot of the crumpled wife leaning against a glass wall looking out into the rain that tells in a flash of all her ennui desolation and despair." Set and shot on location in Milan. Four photographs 9.5 x 7 inches one 12.5 x 9.5 inches. Very Good plus. Criterion Collection 678. Eureka Masters of Cinema 61. N.p. unknown
1960ref. 134674Rome: Cino del Duca 1960. Vintage oversize double weight borderless glossy press photograph by Enrico Appetito from the 1960 film. Bold notation on the verso noting that the photograph is from the archives of the French cinephile magazine "Cinema 60." The first film in Antonioni's famed trilogy followed by La Notte and L'eclisse. A classic scene from the film from the section shot on location in Rome where actresses Lea Massari and Monica Vitti stare wonderingly at the soulless void before them. 9.25 x 11.75 inches. Near Fine. Criterion Collection 98. Cino del Duca unknown books
1961ref. 167658N.p.: N.p. 1961. Five vintage borderless reference photographs from the 1961 film including one oversize photograph showing director Michelangelo Antonioni and a camera crew on the set. French and numeric annotations in manuscript ink and pencil on the versos. The second film in Antonioni's trilogy that begins with "L'Avventura" 1960 and ends with "L'Eclisse" 1962. Probably no one has ever said it better than Bosley Crowther who reviewed the film for the New York Times in 1961: "Too sensitive and subtle for apt description are Antonioni's pictorial fashionings of a social atmosphere a rarefied intellectual climate a psychologically stultifying milieu-and his haunting evocations within them of individual symbolisms and displays of mental and emotional aberrations. Even boredom is made interesting. There is for instance a sequence in which a sudden downpour turns a listless garden party into a riot of foolish revelry exposing the lack of stimulation before nature takes a flagellating hand. Or there's a shot of the crumpled wife leaning against a glass wall looking out into the rain that tells in a flash of all her ennui desolation and despair." Set and shot on location in Milan. Four photographs 9.5 x 7 inches one 12.5 x 9.5 inches. Very Good plus. Criterion Collection 678. Eureka Masters of Cinema 61. N.p. unknown books
1975ref. 310777NY: GROVE PRESS. Fine with no dust jacket. 1975. First Edition; First Printing. Softcover. First edition. Paperback original. SIGNED on rear inside cover by director Michelangelo Antonioni on a neatly tipped-in card. Also SIGNED on a tipped-in card on the front inside cover by the film's star Jack Nicholson. About fine in mass narket-size pictorial printed wrappers. B . GROVE PRESS. paperback
