1.334 Ergebnisse
1903Best.-Nr. 134611903. Rouault Georges. whose work is often associated with Fauvism and Expressionism. Autograph Letter Signed circa 1903 a significant early document from the formative years of a central figure in modern French art that illuminates his transition from student of Symbolism to institutional guardian of Gustave Moreau's artistic legacy. Written on the eve of his departure from Paris and addressed to an unnamed correspondent the letter situates Rouault directly within the intellectual and pedagogical world of the École des Beaux-Arts and in close association with his mentor Gustave Moreau under whom he studied and to whom he remained profoundly devoted. Rouault writes with urgency "Dear sir I am leaving and I wanted to make absolutely sure that this will reach you and your cousin. Your cousin I am sure will be happy to have it" and refers explicitly to "the souvenirs you requested regarding the École des Beaux-Arts and on Gustave Moreau and others" requesting confirmation "before the end of the day so I can give them to you personally. I am leaving Paris for a while." Composed during a period of personal and artistic crisis between roughly 1902 and 1904 the letter documents Rouault at a pivotal juncture as he withdrew from Parisian life while consolidating his intellectual inheritance from Symbolism. Rouault Georges. Autograph Letter Signed. No place no date circa 1903. One page written on recto and verso approximately 8 1/4 x 10 5/8 inches entirely in Rouault's hand and signed "Georges Rouault." On the verso Rouault adds a revealing postscript that sheds light on his early curatorial and editorial concerns: "If you would prefer to keep the originals you can do this on the condition that it would be very exact copies and reviewed very carefully even if the brochure seems not in order as far as the syntax. aside from the spelling mistakes that you are authorized to correct." This language acquires particular historical weight in light of Rouault's appointment in 1902 as the first curator of the Musée Gustave Moreau established in Moreau's former residence and bequeathed to the French nation. The references to "originals" "exact copies" and an imperfect "brochure" strongly suggest his involvement in preparing or reviewing early institutional materials associated with the museum's formative years decades before his later publication Souvenirs Intimes in 1926. The letter therefore functions not merely as personal correspondence but as documentary evidence of Rouault's active role in shaping the posthumous reception of Moreau and the institutional consolidation of French Symbolism at the turn of the twentieth century. Minor handling wear and light natural aging to the paper; text remains fully legible with a clear well-preserved signature. Overall condition: very good. unknown books
1903Best.-Nr. 134611903. Rouault Georges. whose work is often associated with Fauvism and Expressionism. Autograph Letter Signed circa 1903 a significant early document from the formative years of a central figure in modern French art that illuminates his transition from student of Symbolism to institutional guardian of Gustave Moreau's artistic legacy. Written on the eve of his departure from Paris and addressed to an unnamed correspondent the letter situates Rouault directly within the intellectual and pedagogical world of the École des Beaux-Arts and in close association with his mentor Gustave Moreau under whom he studied and to whom he remained profoundly devoted. Rouault writes with urgency "Dear sir I am leaving and I wanted to make absolutely sure that this will reach you and your cousin. Your cousin I am sure will be happy to have it" and refers explicitly to "the souvenirs you requested regarding the École des Beaux-Arts and on Gustave Moreau and others" requesting confirmation "before the end of the day so I can give them to you personally. I am leaving Paris for a while." Composed during a period of personal and artistic crisis between roughly 1902 and 1904 the letter documents Rouault at a pivotal juncture as he withdrew from Parisian life while consolidating his intellectual inheritance from Symbolism. Rouault Georges. Autograph Letter Signed. No place no date circa 1903. One page written on recto and verso approximately 8 1/4 x 10 5/8 inches entirely in Rouault's hand and signed "Georges Rouault." On the verso Rouault adds a revealing postscript that sheds light on his early curatorial and editorial concerns: "If you would prefer to keep the originals you can do this on the condition that it would be very exact copies and reviewed very carefully even if the brochure seems not in order as far as the syntax. aside from the spelling mistakes that you are authorized to correct." This language acquires particular historical weight in light of Rouault's appointment in 1902 as the first curator of the Musée Gustave Moreau established in Moreau's former residence and bequeathed to the French nation. The references to "originals" "exact copies" and an imperfect "brochure" strongly suggest his involvement in preparing or reviewing early institutional materials associated with the museum's formative years decades before his later publication Souvenirs Intimes in 1926. The letter therefore functions not merely as personal correspondence but as documentary evidence of Rouault's active role in shaping the posthumous reception of Moreau and the institutional consolidation of French Symbolism at the turn of the twentieth century. Minor handling wear and light natural aging to the paper; text remains fully legible with a clear well-preserved signature. Overall condition: very good. unknown
grand in-8°, 96 pages abdt illustrees h.t. en couleurs, notices, cartonnage ed., jaquette illustree. Bel exemplaire malgre l'usure de la jaquette. [GD8/5]
Best.-Nr. ART7033M1986, Mazzota. In-4, broché, cartonnage éditeur, 247 pages. Trace de tampon encreur sur page de garde. Exemplaire correct
Best.-Nr. 7213Limes Verlag, Wiesbaden. Un portfolio beige illustré, contenant 8 pp. de table en allemand et complet de ses 20 planches en noir de Willi Geiger. Bon état.
Best.-Nr. 72998Wiesbaden (Allemagne), Saaten-Verlag, 1965. 10 x 21, 170 pp., 150 illustrations en N/B, plusieurs vignettes, broché, bon état.
1929Best.-Nr. 65553Paris, G. Crès et Cie, 1929. 4 Bll., 158 S. Mit zahlr. Holzschnitt-Illustr. OKart. mit farb. Holzschnittillustration auf dem Vorderdeckel.
Best.-Nr. 31708André Silvaire, Ecoles et Mouvements, 1962, 174 pp., broché, couverture un peu défraîchie, passages signalés au crayon, état correct.
Raccolta di cataloghi originali rilegati editorialmente, pubblicati in occasione delle mostre di Lyonel Feininger, Germano Olivotto, Le Corbusier, Toni Zarpellon, Mauro Reggiani, Igino Legnaghi, Anselmi - Costalonga - Fulgenzi - Patelli - Perusini in ''Anticipazioni memorative'', Giorgio Giusti, Carlo Lorenzetti, Hans Hartung, Max Bill, Man Ray, Winfred Gaul, Ljerka Sibenik, Eddie Allen. Ill. in nero e a colori. Testi di F. Bondi, B. Passamani, S. Orlandini, G. Marchiori, P. Restany, G. C. Argan, N. Ponente, H. Richter et al. Biografie degli artisti. 15 cataloghi . 8vo. pp. 200 circa. . Ottimo (Fine). . . . Prima esposizione delle tavole originali per il supplemento domenicale del Chicago Tribune di Feininger; le ''sostituzioni'' in plexiglas e neon di Olivotto; una delle prime esposizioni personali di Legnaghi che presenta superfici rettangolari d'acciaio, di un nero opaco e lucide come specchi argentei e progetti di lastre metalliche.
1975Best.-Nr. 1253671975 Galerie Verrière, Lyon - 1975 - In-4 à l'italienne, broché, couverture illustrée - 47 pages + cahier d'illustrations en N&B in fine - Ouvrage publié à l'occasion de l'exposition "Armes & Bagages " à la Galerie Verrière (Lyon) du samedi 15 mars au vendredi 2 mai 1975
1979Best.-Nr. 17879Musée d'art contemporain In-4 à l'italienne Couverture souple Montréal 1979
2003Best.-Nr. 47819Fragments éditions, coll. « Atelier » 2003 Traduit par Lysa Hochroth
2006Mm 215x285 First ediction. Volume in copertina rigida con sovraccoperta, 456 pagine profusamente illustrate a colori lungo l'intero testo redatto in lingua inglese - english text. Copia in ottime condizioni, spedizione in 24 ore dalla conferma dell'ordine.
1969Best.-Nr. 41668Stuttgart, Manus Presse, (1969). ). 20 ungeheftete Kartonseiten. Mit 1 mehrfarb. doppelblattgr. Holzschnitt (Titelumschlag) von HAP Grieshaber, 1 s/w Foto, 4 einfarb. Lithographien, 3 Zinkätzungen, 1 doppelblattgr. mehrfarb. Linolschnitt, 1 einfarb. Holzschnitt. Folio. OKart.
1979Best.-Nr. 73961(Stuttgart), Hatje, (1979). 77 S. Mit zahlr. tls. farb. Abb. (1 doppelblattgr.). 4to (28 x 22 cm). Orig.-Klappen-Broschur.
1991Best.-Nr. 61966CBWien und Köln, Böhlau Verlag, 1991. 8°. 21 x 15 cm. 322 Seiten. Original-Karton. (Stichwort: Kunstgeschichte).
1973Best.-Nr. 82219Wien, Edition Tusch, 1973. 173 S. Mit zahlr., teils ganzseitigen s/w Abb. (= Österreichische Graphiker der Gegenwart, 9). Gr.-8vo. 24 cm. OKart. mit illustr. SU im illustr. Orig.-Pp.-Schuber.
1959Con introduzione e curatela di B. H. Friedman. Con 10 tavole a colori e 23 in bianco e nero . 8vo. pp. 84. . Molto buono (Very Good). . . .
1930Best.-Nr. 9446DBEssen, G. D. Baedeker Verlag, 1930. Groß-8°. 23 cm. 86 Seiten. Pappband der Zeit.
1986Best.-Nr. 71647(Hamburg), Hoffmann und Campe, (1986). 792 S. Mit 1 Porträt als Frontispiz (nach der Lithographie von Heinrich Stegemann). OLn. mit SU.
1990Catalogo di mostra, Los Angeles County Museum of Art, 4 ottobre - 30 dicembre 1990 e The Metropolitan Museum of Art, New York. 19 febbraio - 5 marzo 1991. Con contributi di John Klein, James D. Herbert, Alvin Martin, Roger Benjamin. Numerose illustrazioni in nero e a colori. Testo in inglese . 4to. pp. 350. . Molto buono (Very Good). . . .
1966Helen Frankenthaler - Ellsworth Kelly - Roy Lichtenstein - Julse Olitski. Catalogo di mostra a cura della National Collection of Fine Arts, Smithsonian Institution, Washington, D.C. Con 9 tavole a colori (fotografie di Ugo Mulas, Steve Schapiro, Hans Landshoff, Alexander Liberman). Biografie e percorso artistico dei quattro pittori, elenco delle mostre personali e collettive, bibliografia essenziale. Testo italiano e inglese . 8vo (cm 27x21). pp. 42. . Buono (Good). Angolo inferiore della copertina anteriore tagliato (Bottom corner of front cover cut out). . .
1992Best.-Nr. 66190CBParis, Editions Daniel Papierski, 1992. 4°. 31 x 25 cm. 269 Seiten. Original-Leinenband mit Original-Schutzumschlag. [2 Warenabbildungen] (Histoire et philosophie de l'art).
1988Réalisés les 14, 15, 16 et 17 mai 1988 à Santa Monica, Californie. A cura della Galerie Jean Fournier, Parigi, 1988. Intervista in francese ed inglese all'Artista di Yves Michaud. 2 fotografie in bianco e nero dell'artista di Kurt Blum . 8vo (cm 25x18). pp. 64. . Ottimo (Fine). . . .
1969Catalogo della mostra tenutasi presso le Centre National d'Art Contemporain, Parigi, 10 dicembre - 12 gennaio 1969. Testi di Pierre Schneider, Philippe Hosiasson, Georges Duthuit, Herbert Read, Franz Meyer, James-Johnson Sweeney. 10 illustrazioni in bianco e nero. Bibliografia, Biografia . 16mo. pp. 50. . Molto buono (Very Good). Firma di appartenenza alla prima pagina (Signature of the previous owner to the first page). . .