Albrecht, Urs (Hrsg.)Antiquariat.de
1.276 Ergebnisse
1991Best.-Nr. 50315Basel, Galerie Beyeler, 1991. 76 nn. S. Mit zahlr. farb. Abb. 4to. OKart. m. OCellophanumschlag.
1990Best.-Nr. 55448(Stuttgart), Ernst Klett Verlag für Wissen u. Bildung, (1990). 215 S. Mit zahlr. Abb. u. Plänen. (= Literaturreisen: Wege, Orte, Texte). OKart.
Best.-Nr. 1339Musée de l'Orangerie, Paris, 1970. In-8, broché sous couverture illustrée en couleur, s.p. [100 pp. env.]. Avant-propos, par Hélène Adhémar - Constance et diversité de l'art flamand, par Paul Haesarts - Catalogue [270 n°] - Ouvrages généraux sur l'art belge XIX-XXe siècle.
Best.-Nr. 105.000Bruxelles, Palais des Beaux-Arts, 1961. 21 x 26, sans pagination, très nombreuses planches en couleurs et en N/B, broché, bon état.
1982Best.-Nr. 129883Couverture souple. Livret 18 x 22 cm de 90 pages. 24 diapositives aux couleurs passées. Légèrement défraîchi.
1960Best.-Nr. ABSTRACT013461Tiber Press New York. 1960. First editions. Folio. The Poems by John Ashbery illustrated by Joan Mitchell; Odes by Frank O'Hara illustrated by Michael Goldberg; Permanently by Kenneth Koch illustrated by Alfred Leslie; Salute by James Schuyler illustrated by Grace Hartigan. Each volume has four screenprints by the respective artist and is one of 200 copies numbered in the press and signed by both the author and the artist. Cloth-backed illustrated boards. All the poets and artists were based in New York and had known each other for several years. The publisher left the choice of partners to the individuals themselves.A fine set in the original acetate dustwrappers and cloth slipcase. Tiber Press, New York. hardcover
1982Best.-Nr. 13431Paris, Selbstverlag, 1982. Broschiert, 4°, 420 S., überwiegend auf braunem Packpapier, zahlreiche Illustrationen auf Tafeln; -Einband leicht geblichen, gutes Exemplar/ soft board, 4vo, 420 pp, some on brown paper, numerous illustrations on plates; -slightly sunned, very good copy.
Best.-Nr. 22944Paris, Hazan, 2012. In-folio, 319 pp., cartonnage éditeur muet, jaquette originale illustrée (quelques minuscules frottements et taches).
Texts by Heinz Althofer, Charles Harrison, Radu Stern, Marco Pogacnik, Antonio Costa, Jeffrey T. Schnapp. Profusely illustrated in colour (works by Matisse, Picasso, Boccioni, Kirchner, Kandinsky, Malevich, De Chirico, Mondrian, Duchamp). With synoptic tables, bibliography . 4to. pp. 456. . Ottimo (Fine). . . .
Volume pubblicato in occasione della mostra di Verona, Palazzo Forti, 7 luglio - 10 ottobre 1989. Introduzione di Giorgio Cortenova. Testi di Goriano Rugi, Jean Clair, Enrico Mascelloni, Manfred Fath, Tulliola Sparagni et al. Notizie biografiche, bibliografia essenziale, catalogo delle opere e indice degli artisti. Numerose ill. in nero e a colori (opere di Boccioni, Bonzagni, Cezanne, Dufy, Sonia e Robert Delaunay, Gauguin, Kandinsky, Hodler, Hofer, Jawlensky, Kokoschka, Macke, Manguin, Matisse, Nolde, Pechstein, Schmidt-Rottluff, Gino Rossi, Schiele, Viani, Kubin, et al.) . 8vo. pp. 268. . Molto buono (Very Good). . . .
Marc - Kandinsky - Klee - Macke - Jawlensky - Campendonk - Kubin - Munter. Einleitung von H.M. Wingler . 16mo. pp. 60. . Molto buono (Very Good). . . .
Catalogo della mostra tenutasi presso la Galleria del Levante, Monaco, dal dicembre 1968 al gennaio 1969. Con 13 tavole in bianco e nero delle opere di: Richard Janthur, Ludwig Meidner, Jacob Steinhardt. Note biografiche. Testo di Emilio Bertonati in italiano e tedesco . 8vo. pp. 16 non numerate. . Molto buono (Very Good). Fioriture leggere su poche pagine (Some light yellowing). . .
Catalogue. Texts by Paul Vogt (The Blaue Reiter), Horst Keller (Watercolors and Color Drawings in German Expressionosm), Martin Urban (The North Germans: Paula Modersohn-Becker, Christian Rohlfs, Emil Nolde), Wolf-Dieter Bube (The Artists Group Die Brucke), Eberhard Roters (Big-City Expressionism: Berlin and German Expressionism). Artists' Biographies. Supplement: Essays in German. With 300 illustrations (works by 19 artists: Paula Modersohn-Becker, Christian Rohlfs, Emil Nolde, Erich Heckel, Ernst Ludwig Kirchner, Karl Schmidt-Rottluff, Max Pechstein, Otto Mueller, Franz Marc, Vasily Kandinsky, Alexej Jawlensky, Oskar Kokoschka, Lyonel Feininger, Ludwing Meidner, Jacob Steinhardt, George Grosz, Otto Dix, Max Beckmann) . 8vo. pp. 336. . Molto buono (Very Good). . . .
1982Catalogo di mostra. Con 244 tavole in nero e a colori. Opere di: E. Barlach, M. Beckmann, A. Camaro, S. Dalì, J. Hegembarth, B. Heiliger, E.L. Kirchner, A. Kubin, M. Liebermann, H. Moore, E. Nolde, O. Schlemmer, M.Slevogt e altri . 4to. pp. 212. . Perfetto (Mint). . Prima edizione (First Edition). .
Catalogo di mostra. Fondazione Mazzotta, Milano, Foro Buonaparte, 18 ottobre 2003 - 20 gennaio 2004. Testi di: M. Moeller, H. Friedel, E. Franz, A. Hoberg, V. Adolphs, C. Hopfengart et al. Opere a cura di Tulliola Sparagni. Apparati: Bio-bibliografie degli artisti e bibliografia generale. Con 114 tavole a colori . 4to. pp. 198. . Perfetto (Mint). . . .
Stedelijk van Abbemuseum Eindhoven, 9 november tm 17 december 1967. Preface by Jean Leering and Paul Wember. Artists: Jackson Pollock, Willem de Kooning, Franz Kline, Robert Motherwell, Arshile Gorky, Mark Rothko, Clifford Still, Ad Reinhardt, Barnett Newman, Jasper Johna, Robert rauschenberg, Andy Warhol, Roy Lichtenstein, James Rosenquist, Claes Oldenburg, Elsworth Kelly, Morris Lousi, Kenneth Noland, Larry Poons, Frank Stella, Robbert Morris, Donald Judd, Dan Flavin. 67 black and white illustrations. Biografical Notes . 8vo. pp. 52. . Molto buono (Very Good). . . .
Catalogo della galleria R.N. Ketterer di Campione, Lugano. Con illustrazioni in bianco e nero e a colori e caratteristiche tecniche delle opere (Francis Bacon, Max Beckmann, Lyonel Feininger, Erich Heckel, Alexej von Jawlensky, E.L. Kirchner, Emil Nolde, Oskar Kokoschka, Oskar Schlemmer et al.) . 8vo. pp. 160 non numerate. . Molto buono (Very Good). Data riportata a penna sul dorso (Date written in pen along spine). . .
1988Catalogo della mostra tenutasi presso la Galerie Springer, Berlino aprile - maggio 1988. Illustrazioni in bianco e nero. In allegato cartolina d'invito . 16mo (cm 18,5 x 15). pp. 32. . Molto buono (Very Good). . . .
1990Catalogo di mostra, 5 ottobre - 15 novembre 1990. Introduzione di Achille Bonito Oliva. Una intervista con l'artista di Miriam Mirolla. Numerose illustrazioni a colori, anche in tavole ripiegate. Biografia, attività espositiva, bibliografia. Testo in italiano/inglese . 8vo. pp. 70. . Ottimo (Fine). . . .
2005Best.-Nr. 885082005 Laval, Presses de l'Université, 2005, in 8° broché, 276 pages.
Best.-Nr. 1767Lyon. N° 5. Novembre 1921. 16 pages. Henri Focillon ("Lettre à Jean Epstein"), Ozenfant et Jeanneret ("Esthétique et Purisme"), Pierre Combet-Descombes (Texte télégraphique), Louis Delluc ("Toros"), Chlebnikoff (Poème), Marcel Requien ("Expiation", film). Bois gravés hors texte de Jean Epstein, Jeanneret, Pierre Deval, Jean Lacroix (et un frontispice non signé, très beau). Catalogue de la 1ère Exposition du Promenoir : "Cubisme - Purisme - Expressionnisme" (oeuvres de Albert Gleizes, Ch. E. Jeanneret, Oscar Kokoschka, Fernand Léger, Amédée Ozenfant, Lasar Segall).
2008Best.-Nr. 32671(Paris), Musée d'Art moderne de la ville de Paris / Paris Musées, (2008). Un vol. au format pt in-4 (285 x 228 mm) de 227 pp. Reliure cartonnée d'édition, dos en percaline grège, sous jaquette illustrée.
in-4° n.p., 77 planches de reproductions en n&b et couleurs, photographies, broche, couverture illustree en couleur. Tres bel exemplaire. [PLC-10]
1991Best.-Nr. 31519(Münster) Westfäilisches Landesmuseum, (1991). Un vol. au format pt in-4 carré (236 x 262 mm) de 288 pp. Reliure d'édition de plein cartonnage illustré, dos lisse.
1918Best.-Nr. 10135Jena: Eugen Diederichs 1918. First edition no. 119 of 250 signed copies. Portfolio of seven woodcuts and three text leaves title introduction and colophon loose in the publisher's orange paper portfolio with gilt vignette on front. Handmade paper sheets 32x26" with the images approx. 22x18" each signed in pencil by Wolf. Some light foxing to plates more pronounced on title leaf and plate VII. Portfolio with wear and a few stains. Very good. German-Jewish artist Gustav Wolf 1887-1947 is best remembered for his powerful Expressionist woodcuts exploring spiritual and philosophical themes. He fled Nazi Germany and settled in Massachusetts where he taught and continued to produce expressionist prints about the Holocaust and rural American life until his death in 1947. Published by the influential house of Eugen Diederichs in 1918 Die Blätter vom lebendigen Sein Leaves of Living Being is Wolf's monumental visual meditation on creation existence and transcendence through a mystical vision of the cosmos. A truly visionary production and in a striking elephant folio from the prolific printmaker and artist Wolf. Eugen Diederichs unknown
