Burg, Tobias (Hrsg.); Herlemann, Rebecca (Hrsg.)Antiquariat.de
1.276 Ergebnisse
Best.-Nr. 3940FBEssen, Edition Folkwang, 2022. 4°. 29 x 24 cm. 389 Seiten. Farbig illustrierter Original-Pappband. Erste Auflage.
1998Best.-Nr. 80273Feldafing: Buchheim Verlag, 1998. 27 cm ; kart.
1975Best.-Nr. 52861ABLuzern/ Frankfurt am Main., Bucher Verlag., 1975. 27,5 x 24,5 cm. 242 S. OLeinen mit illustriertem OUmschlag, 52861AB 1. Auflage. Umschlagkanten etwas lichtrandig und mit Bereibungen. Sonst gutes Exemplar.
1918Best.-Nr. 12825DBMünchen., Delphin-Verlag., 1918. 30 x 20 cm. 16 S. Text/ 32 Blatt Abbildungen. Schwarzes, geprägtes OLeder., 12825D Vorzugsausgabe 40 Exemplare. Schnitt minimal nachgedunkelt, Einbandecken stellenweise minimal beschabt. Sonst sehr gutes Exemplar.
1947Best.-Nr. 40208ABDssd., Kunstsammlungen der Stadt., [1947]. 8°. 2 S. (Text), 27 Tafeln. OKarton. 1. Auflage. Einband vorne leicht stockig, insgesamt gering angestaubt. Sonst gutes Exemplar.
Best.-Nr. 0085-Co.J. Holzschnitt, bezeichnet und signiert. 38:25 cm. Vollrandiger Abruck auf transparentem Japan.
in-12 carré ( 165 X 165 mm ) de 118 pages broché sous couverture illustrée. Trés nombreuses illustrations hors-texte en couleurs et en noir. Bel exemplaire. [109B-19] Catalogue de l"exposition du 17 mai au 15 août 1965 au musée Cantini de Marseille.
in-4° 191 pages, abdt ill. in-t. n./coul., broche, couverture illustree plast. Contributions de (e.a.) : K.J. Geirlandt, B. Schulz, P. Hadermann, A. M. Hammacher... Très bel exemplaire. [P-29] Très bel exemplaire.
in-4 (30x24), 255 pp., nombreuses illustrations n&b et en couleurs, biographies et bibliographies, broche, couverture illustree a rabats. Bel exemplaire. [PLC-12]
1968Best.-Nr. 67081(Neuwied, Hermann Luchterhand, 1968). 2 Bl., 35 S., 3 Bl. Mit 10 Tafeln. 4to. Illustr. OHLn.
1919Best.-Nr. 0012-C1919. Holzschnitt, 1919, signiert, betitelt und mit ?Handdruck? bezeichnet. Darstellungsgröße 29,7:23,4 cm, Blattgröße 35,7:30 cm. Nr. 8 von 20 Exemplaren. - Mit Deckweiß nochmals signiert sowie nummeriert. Tadelloses Exemplar auf Japan.
Best.-Nr. 54058BBo.J. Max Unold, geboren am 1. Oktober 1885 in Memmingen; gestorben am 18. Mai 1964 in München.
1970Best.-Nr. 68809München, Prestel-Verlag, (1970). 411 S. Mit 143 tls. ganzseit. Illustr. 4to (ca. 29,5 x 25,5 cm). Braunes Orig.-LEINEN mit SU (dieser leicht gebräunt) im Schuber.
1970Best.-Nr. 65728München, Prestel-Verlag, (1970). 411 S. Mit 143 tls. ganzseit. Illustr. 4to (ca. 29,5 x 25,5 cm). Braunes Orig.-LEDER mit blindgeprägtem RTitel.
1919Best.-Nr. 81481München, Hugo Schmidt, [1919]. [4], 157 S. Mit 12 Original-Lithographien auf Tafeln von Josef Weisz. 4to (30 x 22cm). Bläulichgrünes HalbMaroquin d. Zeit.
1903Best.-Nr. 134611903. Rouault Georges. whose work is often associated with Fauvism and Expressionism. Autograph Letter Signed circa 1903 a significant early document from the formative years of a central figure in modern French art that illuminates his transition from student of Symbolism to institutional guardian of Gustave Moreau's artistic legacy. Written on the eve of his departure from Paris and addressed to an unnamed correspondent the letter situates Rouault directly within the intellectual and pedagogical world of the École des Beaux-Arts and in close association with his mentor Gustave Moreau under whom he studied and to whom he remained profoundly devoted. Rouault writes with urgency "Dear sir I am leaving and I wanted to make absolutely sure that this will reach you and your cousin. Your cousin I am sure will be happy to have it" and refers explicitly to "the souvenirs you requested regarding the École des Beaux-Arts and on Gustave Moreau and others" requesting confirmation "before the end of the day so I can give them to you personally. I am leaving Paris for a while." Composed during a period of personal and artistic crisis between roughly 1902 and 1904 the letter documents Rouault at a pivotal juncture as he withdrew from Parisian life while consolidating his intellectual inheritance from Symbolism. Rouault Georges. Autograph Letter Signed. No place no date circa 1903. One page written on recto and verso approximately 8 1/4 x 10 5/8 inches entirely in Rouault's hand and signed "Georges Rouault." On the verso Rouault adds a revealing postscript that sheds light on his early curatorial and editorial concerns: "If you would prefer to keep the originals you can do this on the condition that it would be very exact copies and reviewed very carefully even if the brochure seems not in order as far as the syntax. aside from the spelling mistakes that you are authorized to correct." This language acquires particular historical weight in light of Rouault's appointment in 1902 as the first curator of the Musée Gustave Moreau established in Moreau's former residence and bequeathed to the French nation. The references to "originals" "exact copies" and an imperfect "brochure" strongly suggest his involvement in preparing or reviewing early institutional materials associated with the museum's formative years decades before his later publication Souvenirs Intimes in 1926. The letter therefore functions not merely as personal correspondence but as documentary evidence of Rouault's active role in shaping the posthumous reception of Moreau and the institutional consolidation of French Symbolism at the turn of the twentieth century. Minor handling wear and light natural aging to the paper; text remains fully legible with a clear well-preserved signature. Overall condition: very good. unknown
1903Best.-Nr. 134611903. Rouault Georges. whose work is often associated with Fauvism and Expressionism. Autograph Letter Signed circa 1903 a significant early document from the formative years of a central figure in modern French art that illuminates his transition from student of Symbolism to institutional guardian of Gustave Moreau's artistic legacy. Written on the eve of his departure from Paris and addressed to an unnamed correspondent the letter situates Rouault directly within the intellectual and pedagogical world of the École des Beaux-Arts and in close association with his mentor Gustave Moreau under whom he studied and to whom he remained profoundly devoted. Rouault writes with urgency "Dear sir I am leaving and I wanted to make absolutely sure that this will reach you and your cousin. Your cousin I am sure will be happy to have it" and refers explicitly to "the souvenirs you requested regarding the École des Beaux-Arts and on Gustave Moreau and others" requesting confirmation "before the end of the day so I can give them to you personally. I am leaving Paris for a while." Composed during a period of personal and artistic crisis between roughly 1902 and 1904 the letter documents Rouault at a pivotal juncture as he withdrew from Parisian life while consolidating his intellectual inheritance from Symbolism. Rouault Georges. Autograph Letter Signed. No place no date circa 1903. One page written on recto and verso approximately 8 1/4 x 10 5/8 inches entirely in Rouault's hand and signed "Georges Rouault." On the verso Rouault adds a revealing postscript that sheds light on his early curatorial and editorial concerns: "If you would prefer to keep the originals you can do this on the condition that it would be very exact copies and reviewed very carefully even if the brochure seems not in order as far as the syntax. aside from the spelling mistakes that you are authorized to correct." This language acquires particular historical weight in light of Rouault's appointment in 1902 as the first curator of the Musée Gustave Moreau established in Moreau's former residence and bequeathed to the French nation. The references to "originals" "exact copies" and an imperfect "brochure" strongly suggest his involvement in preparing or reviewing early institutional materials associated with the museum's formative years decades before his later publication Souvenirs Intimes in 1926. The letter therefore functions not merely as personal correspondence but as documentary evidence of Rouault's active role in shaping the posthumous reception of Moreau and the institutional consolidation of French Symbolism at the turn of the twentieth century. Minor handling wear and light natural aging to the paper; text remains fully legible with a clear well-preserved signature. Overall condition: very good. unknown books
1991Best.-Nr. 1125541991 Edition de la Fondation Pierre Gianadda, Martigny - 1991 - Grand in-8, broché format carré - 345 pages - Très nombreuses illustrations et reproductions photographiques en couleurs et en N&B in et hors texte
Best.-Nr. 48799, Paris-Musees, 1992 Relie, cartonnage d'editeur, 463pp. FR.edition.,275 x 225 x 35 mm, nombr. ills. en coul. et n/b., belle exemplaire. ISBN 9782879000817.
Best.-Nr. 5040Paris-Musées, 1992. Fort in-4, cartonnage éditeur illustré en couleurs, 463 pp. Préface, par Suzanne Pagé - Anatomie d'une époque, par Lionel Richard - Rêve, utopie et apocalypse : Genèse de la sensibilité expressionniste, par Jean-Michel Palmier - La réception de l'expressionnisme en Allemagne, par Mario-Andreas von Lüttichau - Grandeurs et misères ...
Best.-Nr. EN-038o.J. Holzschnitt, 1919, auf gelblichem Velin, mit Bleistift signiert, datiert und als ?Handdruck? bezeichnet. Darstellungsgröße ca. 19:12,5 cm, Blattgröße 33:21 cm. - Mit vereinzelten Stockfleckchen. Sehr guter Abdruck und selten! Provenienz: Aus dem künstlerischen Nachlass. Literatur: Ausst. Katalog: Edmund Daniel Kinzinger 1888-1963. Reuchlinhaus Pforzheim, eine Ausstellung der Stadt Pforzheim und der Galerie Joseph Fach, Frankfurt am Main, bearb. von Anne-Dore Ketelsen-Volkhardt. Pforzheim, 1988, Nr. 30, Abb. S. 46.
1921Best.-Nr. 1404171921. Signiert, datiert "1922" und bezeichnet "Begegnungen". Im Stein monogrammiert und datiert "[19]21". Auf Bütten mit Wasserzeichen "GF". 29,5 x 21,3 cm. Papier: 46,5 x 37,8 cm.
Best.-Nr. 28630Brussels, Ministry of National Education and Flemish Culture, 1980 Geillustreerde kartonomslag in kleur, 165 x 240mm., 46pp., colour illustration, 72 b/w plates.
1992Best.-Nr. 027280Sint Martens Latem 1992 Lannoo / Art Book company Hardcover As New
1917Best.-Nr. 69977Berlin-Wilmersdorf, Verlag der Wochenschrift Die Aktion (Franz Pfemfert), 1917. 87 S., 4 Bll. Anzeigen. Mit 2 s/w Taf. (Die Aktions-Lyrik, 3). 21 cm. Illustr. OPp.
