863 résultats
réf. 2446Number 87 of only 500 copies printed. Contents measure to 12.5 x 12 in. Housed within two-part gilt-decorated acrylic case 13 3/4 x 14 in. Contains 3 different parts. All pieces are numbered 87/500 in pencil; case numbered the same in gilt. 1/3: Color lithograph of Dali's "Mao-Marilyn" painting housed in matching blue moire portfolio. 2/3: Etre Dieu book bound in blue moire; gilt title to cover. 3/3: 3 phonograph records each in gold paper slipcase. Dali's six-part poem opera "Etre Dieu" based on a libretto by Manuel Vazquez Montalban with music by French avant-garde artist Igor Wakhevitch features Dali as God and Brigitte Bardot as an artichoke. ; All shipments through USPS insured Priority Mail. Editorial Mediterrania hardcover
1967réf. 183321Paris & New York: Leon Amiel 1967. The frontispiece from the Twelve Signs of the Zodiac portfolio. The 12 individual plates were signed the frontispiece was never signed. There was also an edition of 250 on Arches paper. Edition of 50. Coloured lithograph after an original gouache on Japon paper. Sheet size: 72.8 x 51.8 cm. Unframed. Excellent condition. Field 67-6; Michler & Lopsinger 1181-1192. unknown
réf. 189073Saint Raphael: Editions Des Maitres Contemporains 1974. One of 12 plates from Le Bestiaire de la Fontaine Dalinesé portfolio. Artist's proof aside from the edition of 250. Drypoint etching on Arches paper left and right edges deckled. Signed in pencil lower right by Dalí A.E to lower left. Plate size: 58.5 x 40.5 cm. Sheet size: 76 x 56.5 cm. Unframed. Light spotting to lower edge affecting the margins image in excellent condition. Field 74-1 A. Michler & Lopsinger 653. unknown
1993réf. SONG3791312790Brand: Prestel Publishing 1993-11-01. hardcover. Used: Good. 10.00x1.25x12.25. Buy with confidence. Excellent Customer Service & Return policy. Brand: Prestel Publishing hardcover
réf. 7163London: The Folio Society. Near Fine. 2016. Hardcover. No. 173 of 750 copies. One quarter navy leather binding over brown silk-textured boards gilt titles on spine and front. Large volume with beautiful color illustrations by Dali. Smaller companion volume is an abridged text of the tales translated by Lyons. In a large blue clamshell box with white printed titles box has light scuffing. ; Elephant Folio . The Folio Society hardcover
réf. 120921New York Transworld Art 1974. . Etching with hand-colouring 1974 on BFK Rives paper signed inscribed 'F' and numbered from the French edition of 195 there was also an edition of 195 on Arches with text in English inscribed 'A' published by Transworld Art New York 655 x 508 mm. 25¾ x 20 in. Field 74-8 H. New York, Transworld Art, 1974. unknown
réf. 120922New York Transworld Art 1974. . Etching with hand-colouring 1974 on BFK Rives paper signed inscribed 'F' and numbered from the French edition of 195 there was also an edition of 195 on Arches with text in English inscribed 'A' published by Transworld Art New York 655 x 508 mm. 25¾ x 20 in. Field 74-8 I. New York, Transworld Art, 1974. unknown
réf. C73350London 2016. Limited Edition Of 750 Copies. . Near fine. Contents unmarked sound and bright. Some slight bumping at corners of clamshell box with very slight soiling mark at front towards bottom edge. Slight creases at back and head of spine of larger folio volume. . Folio; 8vo. Pp: Unpaginated; xvi 512. Limited edition of 750 copies numbered copy 418 in blue clamshell box with white and gold lettering at front. Publisher's blue and gold folio boards with stylised debossed Dali signature at front and gilt lettering at spine. Illustrated throughout in colour. Publisher's original blue boards with gilt at spine. Includes one volume containing 50 Salvador Dali illustrations and another smaller edition of the text to accompany them translated by Malcolm C. Lyons. This is a large and heavy set and may require extra postage. hardcover
réf. 120918New York Transworld Art 1974. . Etching with hand-colouring 1974 on BFK Rives paper signed inscribed 'F' and numbered from the French edition of 195 there was also an edition of 195 on Arches with text in English inscribed 'A' published by Transworld Art New York 655 x 508 mm. 25¾ x 20 in. Field 74-8 E. New York, Transworld Art, 1974. unknown
réf. 120923New York Transworld Art 1974. . Etching with hand-colouring 1974 on BFK Rives paper signed inscribed 'F' and numbered from the French edition of 195 there was also an edition of 195 on Arches with text in English inscribed 'A' published by Transworld Art New York 655 x 508 mm. 25¾ x 20 in. Field 74-8 J. New York, Transworld Art, 1974. unknown
1948réf. SDAL003New York: Doubleday & Company 1948 Translated by John Addington Symonds. Illustrated by Salvador Dalí with full-page color plates and black-and-white drawings. First trade edition. Signed by Dalí with an original drawing of a horse on verso of half-title page. Publisher's red cloth with horse illustration in gilt to front board and black label lettered in gilt to spine. Very good with some fading to spine some rubbing to spine label and dimming to spine gilt front board gilt bright and a hint of offsetting to endpapers. Overall an attractive copy scarce signed. The Autobiography of Benvenuto Cellini was written by the Italian sculptor and draftsman in the sixteenth century although it was not published until 1728. This work detailing the personal life of a well-known artist has become perhaps the most important autobiography of the Italian Renaissance giving readers a glimpse into the lives of historical figures like Michelangelo and the Medici family. In his writing Cellini is unconcerned with maintaining a proper image of himself and uses humor and exaggerations to embellish his story even describing violent attacks he supposedly committed and otherworldly experiences he endured. This trade edition was preceded by a 1946 limited edition of 1000 numbered copies signed by Dalí. Signed. First Edition. Hard Cover. Very Good. New York: Doubleday & Company hardcover
réf. 36073Barcelona: Editorial Mediterrania 1985. Near Fine. Barcelona: Editorial Mediterrania 1985. First Edition Limited to 500 sets of which this is no. 349. Three volumes; large square quartos 31.5cm; publisher's blue gilt-lettered moiré silk all edges gilt housed in two-piece clear acrylic slipcase; Vol. I: 228pp.; Vol. 2: Three 33 1/3 vinyl audio discs in original gilt card chemises; Vol. 3: Laid in color print "Autoretrat" by Dali. Vinyl chemises all show some finger-soiling scratches to acrylic slipcase with some cracks crudely tape-repaired; overall slipcase in Good condition contents Near Fine. Editorial Mediterrania unknown
1933réf. 22613New York: Julien Levy Gallery 1933. Single sheet. Very Good. A wonderful piece of Surrealist ephemera and one of the great early Julien Levy catalogues. The scarce historic November-December 1933 catalogue/announcement of Salvador Dali's first solo exhibition in America. 26 listed paintings followed by a Dali essay and 2 Dali illustrations. All on a single purple sheet folded into thirds. Light creasing at all 3 panels renders this copy a VG to VG rather than a Near Fine but happily the fragile catalogue remains bright and very presentable. This copy also boasts superb provenance having come directly from the family of artist --and Julien Levy patron-- Joseph Cornell and before that from his house itself famously on Utopia Parkway in Flushing Queens New York. Julien Levy Gallery unknown
réf. ANAIS-3791316028Prestel Pub. hardcover. Good. 0x0x0. Buy with confidence. Excellent Customer Service & Return policy. Prestel Pub hardcover
1933réf. 32705Paris.: Editions des Cahiers Libres. 1933. Original publisher's pink printed wrappers with titles in black to front cover within ruled borders title to spine and publisher's vignette to rear wrapper. 8vo. 172 x 112 mm. Half-title with 'Du Même Auteur' and list of works verso leaf with monochrome frontispiece portrait of Deharme by Valentine Hugo verso printed title with copyright verso leaf with quotation and Deharme's verse leaf with 'Table' recto and verso final leaf with justification and achevé d'imprimer. Salvador and Gala Dali's copy with a presentation from Lise Deharme.From the first edition limited to 310 copies with this unopened copy one of 300 on 'Ingres rose' paper and with a presentation in purple ink from Deharme to Salvador and Gala Dalí on front free endpaper: 'Pour le seul peintre / Dalí / Avec: l'admiration profonde / de son amie / Lise / Pour Gala tendrement'.Lise Deharme who published her first book 'Images dans le Dos du Cocher' in 1921 her second book 'Il Etait une Petite Pie' with illustrations by Joan Miró is often - erroneously - described as her first under her maiden name Lise Hertz was a muse to the Surrealists and editor of Le Phare de Neuilly a periodical published in the Paris suburb of Neuilly. Immortalised by Breton in 'Nadja' as 'la dame au gant' Deharme was a prolific poetess and novelist. 'Cahier d'une Curieuse Personne' was her third published book. Editions des Cahiers Libres. unknown
réf. 189074Saint Raphael: Editions Des Maitres Contemporains 1974. One of 12 plates from Le Bestiaire de la Fontaine Dalinesé portfolio. Artist's proof aside from the edition of 250. Drypoint etching with hand coloured pochoir stencil on Arches paper upper and lower edges deckled. Signed in pencil lower right by Dalí A.E to lower left. Plate size: 40.5 x 58.5 cm. Sheet size: 56.5 x76 cm. Unframed. Light spotting to lower edge affecting the margins image in excellent condition. Field 74-1 B. Michler & Lopsinger 654. unknown
réf. 189084Saint Raphael: Editions Des Maitres Contemporains 1974. One of 12 plates from Le Bestiaire de la Fontaine Dalinesé portfolio. Artist's proof aside from the edition of 250. Drypoint etching with hand coloured pochoir stencil on Arches paper left and right edges deckled. Signed in pencil lower right by Dalí A.E to lower left. Plate size: 58.5 x 40.5 cm. Sheet size: 76 x 56.5 cm. Unframed. Light spotting to lower edge affecting the margins image in excellent condition. Field 74-1 K. Michler & Lopsinger 664. unknown
réf. 189079Saint Raphael: Editions Des Maitres Contemporains 1974. One of 12 plates from Le Bestiaire de la Fontaine Dalinesé portfolio. Artist's proof aside from the edition of 250. Drypoint etching with hand coloured pochoir stencil on Arches paper left and right edges deckled. Signed in pencil lower right by Dalí A.E to lower left. Plate size: 58.5 x 40.5 cm. Sheet size: 76 x 56.5 cm. Unframed. Light spotting to lower edge affecting the margins image in excellent condition. Field 74-1 F. Michler & Lopsinger 659. unknown
réf. 189075Saint Raphael: Editions Des Maitres Contemporains 1974. One of 12 plates from Le Bestiaire de la Fontaine Dalinesé portfolio. Artist's proof aside from the edition of 250. Drypoint etching with hand coloured pochoir stencil on Arches paper upper and lower edges deckled. Signed in pencil lower right by Dalí A.E to lower left. Plate size: 40.5 x 58.5 cm. Sheet size: 56.5 x 76 cm. Unframed. Light spotting to lower edge affecting the margins image in excellent condition. Field 74-1 E. Michler & Lopsinger 655. unknown
réf. 189081Saint Raphael: Editions Des Maitres Contemporains 1974. One of 12 plates from Le Bestiaire de la Fontaine Dalinesé portfolio. Artist's proof aside from the edition of 250. Drypoint etching with hand coloured pochoir stencil on Arches paper left and right edges deckled. Signed in pencil lower right by Dalí A.E to lower left. Plate size: 58.5 x 40.5 cm. Sheet size: 76 x 56.5 cm. Unframed. Light spotting to lower edge affecting the margins image in excellent condition. Field 74-1 H. Michler & Lopsinger 661. unknown
réf. 189077Saint Raphael: Editions Des Maitres Contemporains 1974. One of 12 plates from Le Bestiaire de la Fontaine Dalinesé portfolio. Artist's proof aside from the edition of 250. Drypoint etching with hand coloured pochoir stencil on Arches paper lower and upper edges deckled. Signed in pencil lower right by Dalí A.E to lower left. Plate size: 40.5 x 58.5 cm. Sheet size: 56.5 x 76 cm. Unframed. Light spotting to lower edge affecting the margins image in excellent condition. Field 74-1 D. Michler & Lopsinger 657. unknown
1995réf. C86349Prestel Publishing. As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 192 pages; 693 illustrations. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Complete Lithographs and Wood Engravings -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details; Salvador Dali who was born in Figueras in Catalonia in 1904 and died there 85 years later was one of the most important of the Surrealists. Simultaneously a painter writer filmmaker and above all a showman the artist created an enormous wealth of material by means of his versatile talents. With his self-dramatization and skilful establishment of his own personality as a work of art he was a model for many other 20th-century artists. In their acknowledgements to "Salvador Dali: Catalogue Raisonne of Prints I - Etchings and Mixed-Media Prints 1924-1980" published in 1993 authors Ralf Michier and Lutz W. Loepsinger thanked Robert Descharnes Dali's personal secretary of many years for "protecting us from the small band of interested parties who tried to obstruct our research even into forgeries by means of intimidation threats of litigation and intrigue." Although Dali produced far fewer lithographs and wood engravings than etchings and mixed-media graphics the problems encountered by the authors for this second volume were in no way diminished as once again there exist a large number of forgeries that were made on signed sheets of blank paper. This title illustrates the total output of this bizarre period of the artist's life. Until 1956 Dali rejected lithography as an artistic medium. He considered the technique "weak and bureaucratic". It was only the insistence of the publisher Josef Foret that led him to become more involved in a predictably unconventional fashion however. He worked on stone both on the Paris streets and in his garden in Cadaques. Light bulbs filled with lithographic ink were smashed against stone or ink-filled bullets were fired at printing plates from antique rifles or crossbows to produce the first tachist graphics in history. . 1995. 3791316028 . Prestel Publishing hardcover
2000réf. C93364CSIC. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to ISBN: 8400074521. Text in Spanish. 77 pages. Época Catalogue Raisonne Catalog Raisonné Complete Works Catálogo Razonado Obra Completa Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . 2000. 8400074521 . CSIC paperback
2000réf. C93363CSIC. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to ASIN: B003TL83FG. Text in Spanish. 77 pages. Época Catalogue Raisonne Catalog Raisonné Complete Works Catálogo Razonado Obra Completa Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . 2000. CSIC paperback
réf. 76453Colección Artika Editorial Planeta. Colección Artika, Editorial Planeta unknown