1 992 résultats
1949réf. HAY383621949 - tiré à 2500 exemplaires sur Alpha-Marais numéroté celui-ci portant le numéro 1524 - . Paris Pierre Seghers Éditeur. broché couverture souple à rabats. Très bon état. gd in-8. illustré et bien complet des 7 planches en couleurs de Salvador Dali. unknown
1950réf. 30143New York:: Doubleday & Co. 1950. First edition. Hardcover. Publishers orange cloth over boards minor shelf wear still about near fine contents clean and crisp. The fontispiece is signed ÒDaliÓ at the bottom in real ink. We are uncertain whether it is an actual Dali signature as it doesnÕt match the common Dali signature on most of his art. It is possible it could be an earlier or later signature but we are uncertain. If it were a forgery you would think the forger would mimic the common signature most people often see. Due to the undertainty we have not adjusted the price. Price alone is for the work itself. Illustrated dust jacket minor chipping at front bottom corner a bit of minor damp stain at top of spine area. Inside flaps slight clipped not the price at corners. Overall presents excellent in new protective mylar. At time of description our copy is in much better condition than the very few others with jackets ripped and torn available on the market. Scarce work of short horror stories on madness. Rarely seen Dali works of macabre. With color frontispiece and six b&w full page plates by Dali. Dust jacket cover as well repeated with frontispiece. Doubleday & Co., hardcover
réf. 72127Couverture rigide. Bon/1983. in-4. 1983 in-4 reliure éditeur Superbe exemplaire illustrations de Dali nous joignons le carton d'invitation pour la présentation du flacon "" Le Parfum Salvador Dali""! unknown
réf. 80410Couverture rigide. Bon/1967. in-4. Paris 1967 in-4 np broché couverture illustrée Très bel exemplaire magnifiquement illustré! unknown
1978réf. Alibris.0018784New York: Harry N. Abrams Inc. 1978. Hard cover. Very good in very good dust jacket. 296 p. Contains: Unspecified. Includes Unspecified. Audience: General/trade. . Harry N. Abrams, Inc. hardcover
1966réf. 91822Paris: Jean Petithory 1966. Fine. Man Ray shoots Surrealist Mannequins Jean Petithory Paris 1966 26.5 x 30.2 cm Relié sous étui First edition one of 37 numbered copies ours one of a few hors commerce copies for collaborators and friends signed by Man Ray on the justification. 15 photographs on watermarked vélin Montgolfier mounted on guards each bearing Man Rays printed studio stamp Épreuve originale atelier Man Ray Paris. The copy exceptionally contains the original subscription prospectus and an invitation to the book launch exhibition opening night organised by Simone Loliée. Publishers binding by the renowned bookbinder Mercher bearing his signature in the negative of the photographic paper on each endpaper and pastedown flat black shagreen spine title author and date stamped in gilt lengthwise photographic boards with gilt background after an original composition by Man Ray specially designed for this work original wrappers preserved black paper slipcase. Illustrated with 15 original photographic prints of the mannequins photographed by Man Ray at the 1938 International Exhibition of Surrealism. The mannequins had been transformed by Man Ray himself Salvador Dalí Oscar Dominguez Marcel Duchamp Max Ernst Espinoza Maurice Henry Marcel Jean Léo Malet André Masson Sonia Mossé Joan Miró Wolfgang Paalen Kurt Seligmann and Yves Tanguy. They were presented within a Surrealist staging by Marcel Duchamp and lighting designed by Man Ray himself. During the 1930s the European Surrealists had a fetishistic interest in simulated woman-female mannequins that they transformed into playful sculptural works of art. In 1938 Man Ray photographed a series of their work at the Exposition Internationale du Surréalisme presented in the unsettling half-light of the Galerie des Beaux-Arts on the rue du Faubourg Saint-Honoré. Visitors walking down a corridor on the Rue Surréaliste saw a series of dressmakers mannequins inhabitants of a dreamlike Paris scantily clad or adorned with a jumble of incongruous objects and flanked by street signs bearing highly symbolic names: some real such as the Rue des Vieilles Lanternes where Gérard de Nerval took his own life or the Rue Vivienne where Lautréamont once lived alongside invented ones such as the Rue aux Lèvres the Rue de Tous-les-Diables and the Rue de la Transfusion-de-Sang. The installations of this first international Parisian Surrealist exhibition organised by André Breton and Éluard marked a decisive moment in the history of the movement. For the first time the event dispensed with a straightforward retrospective of individual artists in favour of a series of phantasmagorical stagings live performances and ephemeral artworks prefiguring the modern concepts of installation and happening. Nearly 3000 visitors are said to have thronged to this 1938 Paris exhibition by the light of electric torches: One has the feeling of leaning over certain exhumed walls and of being the first to decipher their signs. Jean Fraysse Le Figaro littéraire 29 January 1938. From Hausmanns sculpture and de Chiricos paintings to the works of Hans Bellmer the mannequin had long occupied a central place in the Dada and Surrealist artistic vocabulary and was cited in Bretons 1924 Manifeste. These woman-objects staged in the spirit of the Musée Grévin offered infinite possibilities for the transformation of the body and the exploration of the unconscious. Some have remained enduringly celebrated such as Le Bâillon vert à bouche de pensée André Massons mannequin enclosed in a birdcage or Duchamps considered the only three-dimensional version of his alter ego Rrose Sélavy taking the form of a man cross-dressed as a woman in the style of Claude Cahun. The mannequin of lesbian artist Sonia Mossé friend of Artaud and photographed by Man Ray with Nusch is her only known artwork and the sole mannequin in the installation created by a woman artist. Man Ray had incorporated Jean Petithory hardcover
réf. 41720531-nnew. unknown
1954réf. 25008New York: Simon and Schuster 1954. Pictorial boards. Very Good. A solid tight copy of the 1954 1st edition of this playful collaboration between artist and photographer. Crisp and VG in its wonderful pictorial boards with very light rubbing and soiling along the panels and a small neat ink inscription at the front free endpaper. 12mo rich gravure photographs throughout. Lacking its original dustjacket. Simon and Schuster unknown
réf. 30392471like new. unknown
1973réf. Alibris.0015607Felicie. 1973. Hard cover. Very good in good dust jacket. Some rubbing and edge wear to jacket now in mylar. Text is clean and unmarked. Text in English Spanish French. 321 p. Contains: Illustrations. Audience: General/trade. . Felicie hardcover
1933réf. 88275Neuilly-sur-Seine: Le Phare de Neuilly 1933. Fine. One of the rarest and most iconic Surrealist magazines Le Phare de Neuilly Neuilly-sur-Seine S.d. 1933 18.20 x 25.10 cm 3 volumes brochés First edition of this important and very rare magazine complete with 4 issues in 3 volumes. Complete collection of this luxurious Surrealist magazine edited and funded by Lise Deharme and characterized by its emphasis on photography. Covers illustrated by Man Ray illustrations in black. Contributions by Salvador Dali Hans Arp Dora Maar Oscar Dominguez Brassaï Lee Miller Jacques Lacan James Joyce Georges Ribemont-Dessaignes Ilarie Voronca Nathalie Barney Benjamin Fondane Pierre Drieu La Rochelle Alejo Carpentier Eugène Jolas Lise Hirtz Lise Deharme Raymond Queneau Claude Sernet Roger Vitrac Robert Desnos Jean Follain Léon-Paul Fargue Pierre Keffer Jacques Baron Gottried Benn Céline Arnauld Monny de Boully Georgette Camille André de Richaud Jules Supervielle Claire Goll Paul Laforgue David Herbert Lawrence Marcel Jouhandeau Paul Dermée Jean Painlevé Nadar Pétrus Borel and Stendhal. Sunned spine on the No. 3/4 issue. Spine-ends and corners slightly rubbed otherwise a wonderfully preserved copy. A very fine example of this rare avant-garde magazine which ""came into being over the course of a few dinners that brought together the dissidents of Surrealism and other poets in this hospitable abode of Lise Deharme. Robert Desnos provided the title. Georges Ribemont-Dessaignes was the editor. Man Ray had designed the cover: a silhouette of a lighthouse against a photographic background of sailing boats. . It contains curiosities: a tale by Petrus Borel a photo by Nadar popular songs an investigation into the neurosis of war epitaphs taken from a cemetery of animals. Among other curiosities a sonnet by the famous psychoanalyst Jacques Lacan. It is entitled Hiatus irrationalis."" Jacques Baron Cahiers de l'Herne Raymond Queneau p. 333. Le Phare de Neuilly unknown
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1973réf. 86530Paris: Nouvelles Editions Françaises 1973. Fine. Nouvelles Editions Françaises Paris 1973 24.50 x 32.50 cm reliure de l'éditeur Illustrated edition with 48 color plates reproducing works by Salvador Dalí. Leaves slightly warped at upper margin. Publisher's binding in full olive green skyvertex smooth spine minor rubbing traces to joints. Rich iconography. Large and beautiful signature with a shooting star drawing in blue felt-tip pen by Salvador Dalí covering the half-title page and the facing page. Nouvelles Editions Françaises unknown
réf. AT 9780197756263USA Edition . New. Brand New! Fast Delivery This is an International Edition and ship within 24-48 hours. Deliver by FedEx and Dhl & Aramex UPS & USPS and we do accept APO and PO BOX Addresses. Order can be delivered worldwide within 6-10 days and we do have flat rate for up to 2LB. Extra shipping charges will be requested if the Book weight is more than 5 LB. This Item May be shipped from India United states & United Kingdom. Depending on your location and availability. unknown
1968réf. 84456Paris: Le Soleil Noir 1968. Fine. Le Soleil Noir Paris 1968 29 x 31 cm reliure de l'éditeur - Dali's famous snail drawing -First edition. Publisher's binding smooth spine with its illustrated dust jacket. Numerous illustrations. Outstanding signed and inscribed copy across the title page and facing endpaper by Salvador Dali to Ms Elisa Hanioti painter herself and close friend of Gen Paul. Dali's intial D takes the form of his famous ""snail drawing"". Former British officer Captain Moore alleged secret agent during WW2 and Dali's secretary from 1956 to 1974 added the words ""Paris 1969"" and signed at the bottom of the title page. Le Soleil Noir unknown
1933réf. 22613New York: Julien Levy Gallery 1933. Single sheet. Very Good. A wonderful piece of Surrealist ephemera and one of the great early Julien Levy catalogues. The scarce historic November-December 1933 catalogue/announcement of Salvador Dali's first solo exhibition in America. 26 listed paintings followed by a Dali essay and 2 Dali illustrations. All on a single purple sheet folded into thirds. Light creasing at all 3 panels renders this copy a VG to VG rather than a Near Fine but happily the fragile catalogue remains bright and very presentable. This copy also boasts superb provenance having come directly from the family of artist --and Julien Levy patron-- Joseph Cornell and before that from his house itself famously on Utopia Parkway in Flushing Queens New York. Julien Levy Gallery unknown
1952réf. 80093Paris: La Table Ronde 1952. Fine. La Table Ronde Paris 1952 14.50 x 20 cm broché First edition of the French adaptation by Michel Déon one of 120 numbered copies on pur fil paper the only deluxe copies. Illustrated. Handsome copy despite two crease marks on the covers. La Table Ronde unknown
1970réf. 78140Paris 1970. Fine. Paris 1970 14.90 x 20.20 cm une photographie Photographic portrait of Salvador Dalí Paris 1970 149 x 202 cm one photographPhotographic portrait of Salvador Dalí contemporary silver print in black and white. Interpress stamp at the bottom of the photograph and handwritten annotations in pencil. Roneotyped sticker: « Service spécial page radio TV FR3 Dimanche 6 avril 20 heures. Une certaine idée de la Correra avec Salvador Dalí » Special service radio TV page FR3 Sunday 6 April 8 pm ""A certain idea of the Correra with Salvador Dalí"". A very beautiful photograph taken at a press conference given by Salvador Dali at the Gustave Moreau Museum in Paris on 1st April 1970 about the creation of the Dalí Theatre-Museum in Figueras. The artist poses cane in hand behind a wax reproduction of his head placed on a giant chocolate bar. It was indeed at this time that the painter advertised for Lanvin chocolates. unknown