1 919 résultats
1980réf. 51198New jersey Chartwell Books Inc. 1980. Large 4to. Orig. boards. with orig. cold. dustjacket. With 65 plates in colour and 112 in black and white. With a lithograph from an original work by Dali. hardcover
réf. 26116-Espasa Calpe 1977-. First edition. Text in Spanish. 315x260mm 253 pages. Illustrated in colour and black and white. Cloth with gilt design by Dali 1972 a little corner fraying. Some light spotting to prelims and endpages. No dustjacket known. Very good. Ask to see our other Salvador Dali titles. We specialise in exhibition catalogues. Dali. Por Ramon Gomez de la Serna spanish artist 8423942740 -Espasa Calpe (1977)- hardcover
réf. 25151-Atlantis / Editorial Blume 1985-. First edition. Text in Spanish. Illustrated in colour and black and white. Unpaginated. Pictorial boards. Small chip to rear edge. Very good. No dustjacket. Ask to see our other Salvador Dali titles. Dali. Dali. Dali.Spain Spanish Artist 20th Century 3881999809 -Atlantis / Editorial Blume (1985)- hardcover
réf. DADAX08109022220000-00-00. First American Edition. hardcover. New. xx. Buy with confidence. Excellent Customer Service & Return policy. hardcover
réf. 6298876Taylor & Francis Group . Hardback. New. pp. 212 Taylor & Francis Group hardcover
1994réf. SONG1871592267Brand: The Tears Corporation/Creation 1994-12-31. paperback. Used: Good. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. Brand: The Tears Corporation/Creation paperback
1986réf. 003996San Francisco: North Point Press 1986. 1st Edition . Soft cover. Near Fine. Xxviii 135pp. Sewn in wraps. Near fine with former owner's seal blind-embossed at title page. First English-language edition of this 1926 novel by French Surrealist writer René Crevel noted for its revolt against the hetero-normative dictates of André Breton. Translated by poet David Rattray 1946-1993 and including a 1954 foreword by Salvador Dali. North Point Press paperback
1962réf. 45622Cleveland. Very Good. First American Edition. Original printed wrappers. 8vo; 64 pages; Contents clean and complete in original wrappers with image of Catalan village on front wrapper. Privately Printed by Stratford Press in a Limited Edition for The Reynolds Morse Foundation. "This early journal by the painter Salvador Dali is not only a rare expression by a Catalonian about Catalonia events but it also gives a glimpse of the artist's extraordinary vitality nearly a decade before his name reached Paris and the Surrealists." Layout and design by George Tennent. Varityping by Frances Kuchar and Linda Schneider. Scattered illustrations -- pen and ink sketches by young Dali and photographs of noted places later painted by Dali. . 1962. unknown
2006réf. C200137Opera Gallery 2006. Hardcover Hardcover. Fine. Oblong quarto. 255pp. Original quarter red vinyl cloth over illustrated boards. Slight wear to covers otherwise very good indeed. No jacket. Opera Gallery hardcover
1978réf. 598105Madrid: Ministerio de Cultura 1978. Softcover. Near Fine. Number 25. Slim quarto. Illustrated. Text in Spanish. Light wear and front blank tanned near fine. A very nicely produced magazine; this issue prints Ashbery's "Self-Portrait in a Convex Mirror" in Spanish by Javier Marías and an essay on Ashbery by Kevin Power; a portion of the Iliad translated by Luis Alberto de Cuenca; and "Nueva York: Cuatro Poetas y Cuatro Pintores" selected by Donald Sultan among other material. Laid in is a large tabloid-style facsimile of the inaugural issue of Dalí News: Monarch of the Dailies first published in 1945 lightly tanned light edgewear. Ministerio de Cultura unknown
1967réf. 512145Paris: Hotel Meurice 1967. Softcover. Near Fine/Very Good. First edition. Text in French. Small quarto. With gravure illustrations and four color lithographs by Salvador Dali. Near fine in plain card covers and very good or better color pictorial dust jacket. Hotel Meurice unknown
1950réf. 511816London: William Campion 1950. Hardcover. Fine/Very Good. First edition. Illustrated in color by Salvador Dali. Small quarto. 101pp. Just about fine in a lightly toned very good example of the rather delicate dust jacket; the spine is heavily toned with a small dampstain at the base and a small area of loss near the base as well as a bit of light rubbing and a tiny stain on the unprinted lower panel. William Campion hardcover
1960réf. 458221New York: Echo Magazine 1960. Softcover. Very Good. Volume One Number Four. Small quarto. Five flexible vinyl discs. Spiral bound printed wrappers. Spirals lacking small stain on front wrap but otherwise complete and very good or better with the five inserted records in fine condition. This short-lived novelty magazine was meant to be opened to a single disc folded over and played on a turntable. This includes five discs: Improvisations by Bob and Ray; The City Dog - A Sight & Sound Story Illustrated in the text by James Thurber; Salvador Dali - A Linguistic Presentation; National Collegiate Jazz Festival Winner's First Recordings; and A New Dance - The Madison Complete Instructions & Music. Echo Magazine unknown
1942réf. 15601942. DALI Salvador. The Secret Life of Salvador Dali. 400 pp. illustrated throughout. 4to 258 x 190 mm. cloth and illustrated dust jacket in a new cloth folding box. New York: Dial 1942. With an elaborate double page inscription cum drawing by Dali. From the library of the photographer Arnold Crane with his signature on the front endpaper. hardcover
1986réf. Alibris.0035209Barcelona: Àmbit Serveis Editorials. 1986. Hard cover. Very good in good dust jacket. dust jacket has 5-inch internal clean cut on front cover slightly affecting illustration. 79 p. illustrations. In Spanish Catalan and English. Àmbit Serveis Editorials hardcover
réf. DADAX0821218107Brand: Bulfinch Pr 0000-00-00. First Edition. hardcover. New. 9.75x0.75x11.25. Buy with confidence. Excellent Customer Service & Return policy. Brand: Bulfinch Pr hardcover
1993réf. SONG3791312790Brand: Prestel Publishing 1993-11-01. hardcover. Used: Good. 10.00x1.25x12.25. Buy with confidence. Excellent Customer Service & Return policy. Brand: Prestel Publishing hardcover
réf. SONG0960069216Felicie 0000-00-00. F First American Edition. hardcover. Used: Good. 12.20x8.66x1.38. Buy with confidence. Excellent Customer Service & Return policy. Felicie hardcover
réf. 120918New York Transworld Art 1974. . Etching with hand-colouring 1974 on BFK Rives paper signed inscribed 'F' and numbered from the French edition of 195 there was also an edition of 195 on Arches with text in English inscribed 'A' published by Transworld Art New York 655 x 508 mm. 25¾ x 20 in. Field 74-8 E. New York, Transworld Art, 1974. unknown
réf. 120922New York Transworld Art 1974. . Etching with hand-colouring 1974 on BFK Rives paper signed inscribed 'F' and numbered from the French edition of 195 there was also an edition of 195 on Arches with text in English inscribed 'A' published by Transworld Art New York 655 x 508 mm. 25¾ x 20 in. Field 74-8 I. New York, Transworld Art, 1974. unknown
1948réf. 1033H10London: Vision Press Ltd. 1948 . Cloth. Very Good/Good. 10" by 8". Salvador Dalí. The limited first British edition of Dalí's extraordinary Surrealist autobiography profusely illustrated by the artist and retaining its striking original dust wrapper one of one thousand copies. In the publisher's original black cloth binding. Complete with the original unclipped dust wrapper. First published in New York by Dial Press in 1942 this is the first British edition limited to 1000 copies. Profusely illustrated throughout with Dalí's drawings and sketches including a colour plate and seven double-sided photographic plates depicting the artist Gala his paintings and elements of his personal iconography. Collated complete. Dalí's characteristically extravagant autobiography tracing his childhood in Catalonia artistic education in Madrid emergence within the Surrealist movement relationship with Gala and development of the highly theatrical public persona that became inseparable from his art. In the publisher's original cloth binding. Externally generally smart. Slight rubbing and bumping to extremities. The odd light mark to boards. Slight fading to spine. Slight offsetting to half-title and verso of final page. Dust wrapper a little worn. Tape repairs along to upper and lower edges. Edge wear resulting in the odd crease chip and closed tear with slight loss. Slight loss to head of spine. Slight sunning to spine. One or two marks to wraps. Internally hinges slightly strained in places but firm. Pages bright and clean with one or two minor handling marks. Very Good Vision Press Ltd. hardcover
réf. 1179281977 . Drypoint and etching on heliogravures in colours on Rives paper 1977 signed in pencil and numbered from the edition of 200 there were also 20 artist's proofs printed by Ateliers Rigal Paris published by Berggreuen Editions Paris sheet: 44.5 x 31 cm. 17½ x 12¼ in. This work is from the suite of 80 etchings by Salvador Dali based on Francisco Goya's 18th century series Los Caprichos. Goya's series served as a satirical commentary on Spanish society at the end of the 18th century particularly targeting the nobility and clergy as well as superstitions and irrationality prevalent at the time. In 1977 Dali reproduced the series as heliogravures subsequently reworking each of the plates with Surrealist drypoint additions and stencil colouring. 'Goya was preoccupied with dreams dreamlike states and nightmares - the varying states of consciousness that allowed him to explore allusive subjects.The Caprichos provide the earliest concentrated evidence of Goya's interest in dreams."Truth to life" is the essence of what Goya achieved through his graphic work. His prints and drawings quietly observe confront dissect and reflect the many facets of what it means to be human. This truth to life has fueled the works' relevance over the course of two centuries as they continue to provoke audiences to engage with Goya's profound insights'. Mark McDonald 'Goya's Graphic Imagination' The Metropolitan Museum of Art 2021. Michler and Löpsinger 866; Field 77-3 62 1977 unknown
réf. 1179331977 . Drypoint and etching on heliogravures in colours on Rives paper 1977 signed in pencil and numbered from the edition of 200 there were also 20 artist's proofs printed by Ateliers Rigal Paris published by Berggreuen Editions Paris sheet: 44.5 x 31 cm. 17½ x 12¼ in. This work is from the suite of 80 etchings by Salvador Dali based on Francisco Goya's 18th century series Los Caprichos. Goya's series served as a satirical commentary on Spanish society at the end of the 18th century particularly targeting the nobility and clergy as well as superstitions and irrationality prevalent at the time. In 1977 Dali reproduced the series as heliogravures subsequently reworking each of the plates with Surrealist drypoint additions and stencil colouring. 'Goya was preoccupied with dreams dreamlike states and nightmares - the varying states of consciousness that allowed him to explore allusive subjects.The Caprichos provide the earliest concentrated evidence of Goya's interest in dreams."Truth to life" is the essence of what Goya achieved through his graphic work. His prints and drawings quietly observe confront dissect and reflect the many facets of what it means to be human. This truth to life has fueled the works' relevance over the course of two centuries as they continue to provoke audiences to engage with Goya's profound insights'. Mark McDonald 'Goya's Graphic Imagination' The Metropolitan Museum of Art 2021. Michler and Löpsinger 923; Field 77-3 5 1977 unknown
réf. 1179311977 . Drypoint and etching on heliogravures in colours on Rives paper 1977 signed in pencil and numbered from the edition of 200 there were also 20 artist's proofs printed by Ateliers Rigal Paris published by Berggreuen Editions Paris sheet: 44.5 x 31 cm. 17½ x 12¼ in. This work is from the suite of 80 etchings by Salvador Dali based on Francisco Goya's 18th century series Los Caprichos. Goya's series served as a satirical commentary on Spanish society at the end of the 18th century particularly targeting the nobility and clergy as well as superstitions and irrationality prevalent at the time. In 1977 Dali reproduced the series as heliogravures subsequently reworking each of the plates with Surrealist drypoint additions and stencil colouring. 'Goya was preoccupied with dreams dreamlike states and nightmares - the varying states of consciousness that allowed him to explore allusive subjects.The Caprichos provide the earliest concentrated evidence of Goya's interest in dreams."Truth to life" is the essence of what Goya achieved through his graphic work. His prints and drawings quietly observe confront dissect and reflect the many facets of what it means to be human. This truth to life has fueled the works' relevance over the course of two centuries as they continue to provoke audiences to engage with Goya's profound insights'. Mark McDonald 'Goya's Graphic Imagination' The Metropolitan Museum of Art 2021. Michler and Löpsinger 907; Field 77-3 21 1977 unknown
réf. 120921New York Transworld Art 1974. . Etching with hand-colouring 1974 on BFK Rives paper signed inscribed 'F' and numbered from the French edition of 195 there was also an edition of 195 on Arches with text in English inscribed 'A' published by Transworld Art New York 655 x 508 mm. 25¾ x 20 in. Field 74-8 H. New York, Transworld Art, 1974. unknown