2 143 résultats
1950réf. 511816London: William Campion 1950. Hardcover. Fine/Very Good. First edition. Illustrated in color by Salvador Dali. Small quarto. 101pp. Just about fine in a lightly toned very good example of the rather delicate dust jacket; the spine is heavily toned with a small dampstain at the base and a small area of loss near the base as well as a bit of light rubbing and a tiny stain on the unprinted lower panel. William Campion hardcover
1960réf. 458221New York: Echo Magazine 1960. Softcover. Very Good. Volume One Number Four. Small quarto. Five flexible vinyl discs. Spiral bound printed wrappers. Spirals lacking small stain on front wrap but otherwise complete and very good or better with the five inserted records in fine condition. This short-lived novelty magazine was meant to be opened to a single disc folded over and played on a turntable. This includes five discs: Improvisations by Bob and Ray; The City Dog - A Sight & Sound Story Illustrated in the text by James Thurber; Salvador Dali - A Linguistic Presentation; National Collegiate Jazz Festival Winner's First Recordings; and A New Dance - The Madison Complete Instructions & Music. Echo Magazine unknown
1942réf. 15601942. DALI Salvador. The Secret Life of Salvador Dali. 400 pp. illustrated throughout. 4to 258 x 190 mm. cloth and illustrated dust jacket in a new cloth folding box. New York: Dial 1942. With an elaborate double page inscription cum drawing by Dali. From the library of the photographer Arnold Crane with his signature on the front endpaper. hardcover
1986réf. Alibris.0035209Barcelona: Àmbit Serveis Editorials. 1986. Hard cover. Very good in good dust jacket. dust jacket has 5-inch internal clean cut on front cover slightly affecting illustration. 79 p. illustrations. In Spanish Catalan and English. Àmbit Serveis Editorials hardcover
réf. DADAX0821218107Brand: Bulfinch Pr 0000-00-00. First Edition. hardcover. New. 9.75x0.75x11.25. Buy with confidence. Excellent Customer Service & Return policy. Brand: Bulfinch Pr hardcover
1993réf. SONG3791312790Brand: Prestel Publishing 1993-11-01. hardcover. Used: Good. 10.00x1.25x12.25. Buy with confidence. Excellent Customer Service & Return policy. Brand: Prestel Publishing hardcover
réf. SONG0960069216Felicie 0000-00-00. F First American Edition. hardcover. Used: Good. 12.20x8.66x1.38. Buy with confidence. Excellent Customer Service & Return policy. Felicie hardcover
réf. 120918New York Transworld Art 1974. . Etching with hand-colouring 1974 on BFK Rives paper signed inscribed 'F' and numbered from the French edition of 195 there was also an edition of 195 on Arches with text in English inscribed 'A' published by Transworld Art New York 655 x 508 mm. 25¾ x 20 in. Field 74-8 E. New York, Transworld Art, 1974. unknown
réf. 120922New York Transworld Art 1974. . Etching with hand-colouring 1974 on BFK Rives paper signed inscribed 'F' and numbered from the French edition of 195 there was also an edition of 195 on Arches with text in English inscribed 'A' published by Transworld Art New York 655 x 508 mm. 25¾ x 20 in. Field 74-8 I. New York, Transworld Art, 1974. unknown
1948réf. 1033H10London: Vision Press Ltd. 1948 . Cloth. Very Good/Good. 10" by 8". Salvador Dalí. The limited first British edition of Dalí's extraordinary Surrealist autobiography profusely illustrated by the artist and retaining its striking original dust wrapper one of one thousand copies. In the publisher's original black cloth binding. Complete with the original unclipped dust wrapper. First published in New York by Dial Press in 1942 this is the first British edition limited to 1000 copies. Profusely illustrated throughout with Dalí's drawings and sketches including a colour plate and seven double-sided photographic plates depicting the artist Gala his paintings and elements of his personal iconography. Collated complete. Dalí's characteristically extravagant autobiography tracing his childhood in Catalonia artistic education in Madrid emergence within the Surrealist movement relationship with Gala and development of the highly theatrical public persona that became inseparable from his art. In the publisher's original cloth binding. Externally generally smart. Slight rubbing and bumping to extremities. The odd light mark to boards. Slight fading to spine. Slight offsetting to half-title and verso of final page. Dust wrapper a little worn. Tape repairs along to upper and lower edges. Edge wear resulting in the odd crease chip and closed tear with slight loss. Slight loss to head of spine. Slight sunning to spine. One or two marks to wraps. Internally hinges slightly strained in places but firm. Pages bright and clean with one or two minor handling marks. Very Good Vision Press Ltd. hardcover
réf. 1179281977 . Drypoint and etching on heliogravures in colours on Rives paper 1977 signed in pencil and numbered from the edition of 200 there were also 20 artist's proofs printed by Ateliers Rigal Paris published by Berggreuen Editions Paris sheet: 44.5 x 31 cm. 17½ x 12¼ in. This work is from the suite of 80 etchings by Salvador Dali based on Francisco Goya's 18th century series Los Caprichos. Goya's series served as a satirical commentary on Spanish society at the end of the 18th century particularly targeting the nobility and clergy as well as superstitions and irrationality prevalent at the time. In 1977 Dali reproduced the series as heliogravures subsequently reworking each of the plates with Surrealist drypoint additions and stencil colouring. 'Goya was preoccupied with dreams dreamlike states and nightmares - the varying states of consciousness that allowed him to explore allusive subjects.The Caprichos provide the earliest concentrated evidence of Goya's interest in dreams."Truth to life" is the essence of what Goya achieved through his graphic work. His prints and drawings quietly observe confront dissect and reflect the many facets of what it means to be human. This truth to life has fueled the works' relevance over the course of two centuries as they continue to provoke audiences to engage with Goya's profound insights'. Mark McDonald 'Goya's Graphic Imagination' The Metropolitan Museum of Art 2021. Michler and Löpsinger 866; Field 77-3 62 1977 unknown
réf. 1179331977 . Drypoint and etching on heliogravures in colours on Rives paper 1977 signed in pencil and numbered from the edition of 200 there were also 20 artist's proofs printed by Ateliers Rigal Paris published by Berggreuen Editions Paris sheet: 44.5 x 31 cm. 17½ x 12¼ in. This work is from the suite of 80 etchings by Salvador Dali based on Francisco Goya's 18th century series Los Caprichos. Goya's series served as a satirical commentary on Spanish society at the end of the 18th century particularly targeting the nobility and clergy as well as superstitions and irrationality prevalent at the time. In 1977 Dali reproduced the series as heliogravures subsequently reworking each of the plates with Surrealist drypoint additions and stencil colouring. 'Goya was preoccupied with dreams dreamlike states and nightmares - the varying states of consciousness that allowed him to explore allusive subjects.The Caprichos provide the earliest concentrated evidence of Goya's interest in dreams."Truth to life" is the essence of what Goya achieved through his graphic work. His prints and drawings quietly observe confront dissect and reflect the many facets of what it means to be human. This truth to life has fueled the works' relevance over the course of two centuries as they continue to provoke audiences to engage with Goya's profound insights'. Mark McDonald 'Goya's Graphic Imagination' The Metropolitan Museum of Art 2021. Michler and Löpsinger 923; Field 77-3 5 1977 unknown
réf. 1179311977 . Drypoint and etching on heliogravures in colours on Rives paper 1977 signed in pencil and numbered from the edition of 200 there were also 20 artist's proofs printed by Ateliers Rigal Paris published by Berggreuen Editions Paris sheet: 44.5 x 31 cm. 17½ x 12¼ in. This work is from the suite of 80 etchings by Salvador Dali based on Francisco Goya's 18th century series Los Caprichos. Goya's series served as a satirical commentary on Spanish society at the end of the 18th century particularly targeting the nobility and clergy as well as superstitions and irrationality prevalent at the time. In 1977 Dali reproduced the series as heliogravures subsequently reworking each of the plates with Surrealist drypoint additions and stencil colouring. 'Goya was preoccupied with dreams dreamlike states and nightmares - the varying states of consciousness that allowed him to explore allusive subjects.The Caprichos provide the earliest concentrated evidence of Goya's interest in dreams."Truth to life" is the essence of what Goya achieved through his graphic work. His prints and drawings quietly observe confront dissect and reflect the many facets of what it means to be human. This truth to life has fueled the works' relevance over the course of two centuries as they continue to provoke audiences to engage with Goya's profound insights'. Mark McDonald 'Goya's Graphic Imagination' The Metropolitan Museum of Art 2021. Michler and Löpsinger 907; Field 77-3 21 1977 unknown
réf. 120921New York Transworld Art 1974. . Etching with hand-colouring 1974 on BFK Rives paper signed inscribed 'F' and numbered from the French edition of 195 there was also an edition of 195 on Arches with text in English inscribed 'A' published by Transworld Art New York 655 x 508 mm. 25¾ x 20 in. Field 74-8 H. New York, Transworld Art, 1974. unknown
réf. 120923New York Transworld Art 1974. . Etching with hand-colouring 1974 on BFK Rives paper signed inscribed 'F' and numbered from the French edition of 195 there was also an edition of 195 on Arches with text in English inscribed 'A' published by Transworld Art New York 655 x 508 mm. 25¾ x 20 in. Field 74-8 J. New York, Transworld Art, 1974. unknown
réf. 117889Paris Editions Surréalistes 1930. . Limited edition numbered 2/9 'auteur' on the justification seemingly out of series inscribed by Dali on the half-title in ink 'hommage de l'auteur Salvador Dali'; 4to 19 x 22 cm; 8 illustrations hors-texte of which one is a photo-lithographed portrait of Gala one an original etching three reproductions of Dali's drawings and three photographic prints; loose as issued in the original aluminium foil paper wrappers covered in red printed glassine very minor loss of wrappers to spine a very good copy. The first edition of Dali's first surrealist work inscribed. The first edition of Dali's first surrealist work. The 'femme visible' refers to Dalí's wife Gala who inspired him to create the book and to whom the work is dedicated. Her portrait is placed opposite the metallic covers to provide a reflection of her. It is Dali's manifesto for the paranoiac-critical method a surrealist technique which consists of the artist invoking a paranoid state resulting in a deconstruction of the psychological concept of identity subjectivity thereby becoming the primary aspect of the artwork. The present example is numbered '2/9 auteur' on the justification and signed by the artist on the half-title. The fragile red and metallic jacket which is often found damaged and torn is in remarkably fresh and unrestored condition. Michler-Lapsinger 4; Launay 288. Paris, Editions Surréalistes, 1930. unknown
1974réf. 018285Lausanne Switzerland: Edita Denoel 1974. This is a very good hardcover copy with a very good dust jacket with just light wear. Page edges lightly toned. The jacket is complete not clipped just the spine and white rear panel a bit toned evenly to an ivory color. Completely clean. Text in FRENCH. Illustrated in black & white. 12" high X 9" wide 167 pages. Large heavy book foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. Hard Cover. Very Good/Very Good. Edita Denoel Hardcover
réf. 109294Garden City N.Y. Doubleday Doran and Co. 1945. . First edition first printing signed by the illustrator; 8vo; frontispiece and 12 black and white full-page plates by Dali internally clean and bright; publisher's blue-grey cloth stylised maze design in blind centre square in red with gilt lettering gilt titles to spine on red ground minor bumping to spine ends with the price-clipped pictorial dust-jacket by Dali some toning loss to head and foot of spine minor loss and nicks to extremities tear to foot of spine at joint small repair to reverse of front panel; housed in a custom brown cloth clamshell box lined with attractive geometric patterned paper titles to spine gilt. An attractive first edition signed by Salvador Dali on the front free endpaper. A macabre tale by the pioneering Swiss fantasy author Maurice Sandoz and later the basis for a 1953 horror film of the same name. Its surrealist overtones are perfectly matched by the illustrations by Dali whom the author had met in Rome in the late 1930s. Garden City, N.Y., Doubleday, Doran and Co., 1945. hardcover
réf. 3639361547.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 3659342076.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. DADAX3836567725Taschen 2017-11-28. Illustrated. hardcover. New. 9.00x1.50x12.00. Buy with confidence. Excellent Customer Service & Return policy. Taschen hardcover
réf. 506754The Salvador Dali Museum 1974. Geb. met stofomslag oblong s.o. 2 scheurtjes verder mooi exemplaar 225 XXXVI pagina's. The Salvador Dali Museum 1974 unknown
réf. A9780804725576Hardback. New. This is the first book-length treatment of the political causes and consequences of the Great Leap Famine 1959-61 one of the worst tragedies in human history. hardcover
réf. 1033891975-76 . Colour lithograph with screenprint and etching with collage elements 1975 on Rives BFK paper signed in pencil and numbered I-186/250 from the edition of 250 on Rives paper the total edition was 600 on various paper types etching printed by Regal Paris lithograph by Desjobert Paris published Merrill Chase Chicago sheet size: 87 x 68.2 cm. 34¼ x 26¾ in. Michler/Löpsinger 822-831; Field 75-11 C 1975-76 unknown
2017réf. 2-8842823961Il Saggiatore 2017. Paperback. New. Italian language. 8.43x5.98x1.10 inches. Il Saggiatore paperback
