1 224 résultats
réf. BN588881Builders of a Nation Builders of a Nation Jacques Monet Editor unknown
1986réf. BN655813Park Lane. 1986. 1986. Hardcover. Monet - A Retrospective. Monet - A Retrospective. Monet Claude Charles F. Stuckey Herausgeber Park Lane. hardcover
2009réf. BN657478Von der Heydt-Museum 2009. 2009. Softcover. Claude Monet. Von der Heydt-Museum Wuppertal 11.10.2009 von Gerhard Finckh. Claude Monet. Von der Heydt-Museum Wuppertal 11.10.2009 von Gerhard Finckh. Claude Monet / Gerhard Finckh Von der Heydt-Museum paperback
réf. 69011824-6Harlequin Mills & Boon Limited. Used - Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Harlequin Mills & Boon, Limited unknown
1990réf. BN50478Köln: Taschen 1990. Orig.-Ausgabe. Ausstellungskataloge Köln: Taschen unknown
1996réf. BN48981München New York: Prestel 1996. Erstauflage dieser Ausgabe. Biographie München, New York: Prestel unknown
réf. 66970Paris Levrault Schoell et Cie. An XIII - 1805. 4to 27.5 x 21.3 cm. 27 pp. numbered 26-52. Original printed wrappers. = This work by the eminent French naturalist Jean-Baptiste de Lamarck 1744-1829 is very important for two reasons. First it is the first work to contain observations on the geology of Australia in particular answering the question whether a higher sea-level in past geological time was or was not a global phenomenon. Lamarck received crucial information from the French naturalist and explorer François Péron 1775-1810 who was on board when the expedition by Baudin set sail with the ships Naturaliste and Geographe. Dispatched by Napoleon the aim of the expedition was to investigate and possibly claim the unknown South-Land before the British. Péron sent his data before he himself and the appointed geologists of Baudin's expedition published their "official" accounts. The second reason why this paper is important to the history of science is that it contains the first version of Lamarck's own "theory of the earth" forming the basis for his evolution-theory and showing Lamarck's way of thinking and thus why his colleagues and competitors frowned upon his work. As Frederick Gregory pointed out: "To Lamarck hypothetical reasoning was a necessary piece of a scientist's equipment. Certainly one must not abuse the judicious application of hypotheses by creating a theory out of mid air - Lamarck was not one to condone lack of attention to fact and detail. But to refuse to generalize at all beyond the immediate testimony of the facts was an equally faulty scientific procedure: I believe that the course of silence is good for nothing. Every effort to lift the veil which hides nature's operations from us is useful. A mediocre idea often gives birth to a better one and by force of trying one will perhaps obtain some success. All that is important in such circumstances is to give as certain only that which is clearly demonstrated'." Lamarck's Neptunean views were later proven to be wrong but they do form a basis for his famous theory of natural selection. Later challenged successfully by Darwin it now appears from gene-data that several aspects of Lamarck's theory may in fact be operational in natural selection. This paper was published in the famous Annales du Muséum d'Histoire Naturelle. With the original printed wrappers and accompanied by two other geological papers by Faujas-Saint-Fond Voyage géologique à Oberstein and by Vauclin Analyse des topazes de Saxe de Sibérie et du Brésil. Uncut. Wrappers a bit frayed at edges as usual with uncut items. Some scattered spotting otherwise a very good clean copy. F. Gregory J.-B. Lamarck and the Philosophy of Nature in France University of Florida edu website. Not in Ferguson. unknown
1904réf. 80561Paris: Galerie Durand-Ruel 1904. Fine. Galerie Durand-Ruel Paris 1904 10 x 17.50 cm relié First edition of the exhibition catalogue presenting 37 works by Claude Monet at the Galerie Durand-Ruel from 9 May to 4 June 1904. During the exhibition most of the paintings were immediately purchased by American collectors. Binding in vellum-effect paper boards names of the catalogue preface writer and the painter inscribed in ink water-effect paper endpapers covers and spine preserved curious ex-libris drawn by H. P. Gassier glued to a pastedown endpaper binding signed Gonon. Preface by Octave Mirbeau. A rare and pleasant copy. Galerie Durand-Ruel hardcover
1930réf. cfe14146New York : Exotica Club 1930. 1st Edition 1st Printing. Hardcover. Very Good/No Jacket. Vincente Minelli. From the recently auctioned collection of Caroline Riesor Rau and David Wallerstein--this copy is inscribed by the illustrator and future husband of Judy Garland--Vincent Minelli to Caroline Riesor Rau " Not nearly nice enough for you but it will do to put gin glasses on-Vincente Minelli"--on the half title page. Very rare to find a signed copy by Minelli--signed in 1930 before he was well known and before Judy Garland starred in the Wizard of Oz in 1939. 7 Beardsley like wiid-cut black and white semi erotic drawings. A very good copy without the rare dustjacket. Burgundy cloth boards with silver lettering and decorations on front board and spine--although the spine is just a bit faded. The burgundy cloth on the rear boards has some light streaking--uncut paper edges. A clean copy and mostly tight hinges. Caroline Rau was married to David Wallerstein--who was on the board of directors of Disney ABC and later on McDonalds. He was a persona friend of Walt Disney and his wife was a well known Chicago socialite. Exotica Club hardcover
2008réf. BN24255Flammarion im Vertrieb Prestel 2008. 2008. Hardcover. 316 x 248 x 24 cm. Claude Monet ist der maßgebliche Vertreter des Impressionismus. Schon zu Lebzeiten wurde er weltweit gefeiert. Gegen Ende des 19. Jahrhunderts hat er damit begonnen in Giverny rund 100 km nordwestlich von Paris den berühmten Wassergarten mit Seerosen und der Brücke im japanischen Stil anzulegen. Seit dieser Zeit malte er ausschließlich diese Motive aus seiner unmittelbaren Umgebung darunter auch die acht riesigen Gemälde die er 1922 dem französischen Staat schenkte und die im Pariser Musée de l'Orangerie zu sehen sind. Entstanden ist ein Zyklus von insgesamt 210 Gemälden der in diesem Buch vollständig abgebildet und erläutert wird. Fünfundzwanzig Jahre seines Lebens hat Claude Monet den "Seerosen"-Gemälden gewidmet. Entstanden ist dabei die beeindruckendste Serie der Kunstgeschichte - ein Spiel der Lichter ein Fest fürs Auge. In diesem Buch werden erstmals alle 251 Gemälde dieser einzigartigen Serie abgebildet darunter auch auf großformatigen Ausklapptafeln die riesigen Wandbilder die heute Hunderttausende von Kunstkennern in die Pariser Orangerie locken. Autor: Claude Monet geb. 1840 in Paris ist der berühmteste Vertreter des französischen Impressionismus. 1883 zog der Künstler nach Giverny. Hier entstanden die wunderbaren Gartenansichten und berühmten Seerosenbilder. Er wurde jedoch sein ganzes schöpferisches Leben lang von Selbstzweifeln gequält. Mehr als irgendein anderer Maler maß er einem der Grundsätze des Impressionismus Bedeutung bei: dem Betrachter den Eindruck von Licht und Emotion zu vermitteln. Er sagte 'Die Techniken sind unterschiedlich. Die Kunst bleibt sich gleich: eine gewollte und einfühlsame Umschreibung der Natur: Ich kämpfe und ringe mit der Sonne. Man müßte mit Gold und Edelsteinen malen.' Kunstgeschichte Gemälde französischer Impressionismus Gartenansichten Seerosenbilder Maler Sprache deutsch Maße 240 x 310 mm Einbandart gebunden Kunst Musik Theater Malerei Plastik Monet Claude ISBN-10 2-08-020069-0 2080200690 ISBN-13 978-2-08-020069-3 9782080200693 Der komplette Zyklus Monets Seerosen: Die vollständige Serie der "Nymphèas" Gebundene Ausgabe Jean-Dominique Rey Autor Denis Rouart Autor Christine Diefenbacher Übersetzer Kunstgeschichte Gemälde französischer Impressionismus Gartenansichten Seerosenbilder Maler Kunstgeschichte Gemälde französischer Impressionismus Gartenansichten Seerosenbilder Maler Claude Monet ist der maßgebliche Vertreter des Impressionismus. Schon zu Lebzeiten wurde er weltweit gefeiert. Gegen Ende des 19. Jahrhunderts hat er damit begonnen in Giverny rund 100 km nordwestlich von Paris den berühmten Wassergarten mit Seerosen und der Brücke im japanischen Stil anzulegen. Seit dieser Zeit malte er ausschließlich diese Motive aus seiner unmittelbaren Umgebung darunter auch die acht riesigen Gemälde die er 1922 dem französischen Staat schenkte und die im Pariser Musée de l'Orangerie zu sehen sind. Entstanden ist ein Zyklus von insgesamt 210 Gemälden der in diesem Buch vollständig abgebildet und erläutert wird. Fünfundzwanzig Jahre seines Lebens hat Claude Monet den "Seerosen"-Gemälden gewidmet. Entstanden ist dabei die beeindruckendste Serie der Kunstgeschichte - ein Spiel der Lichter ein Fest fürs Auge. In diesem Buch werden erstmals alle 251 Gemälde dieser einzigartigen Serie abgebildet darunter auch auf großformatigen Ausklapptafeln die riesigen Wandbilder die heute Hunderttausende von Kunstkennern in die Pariser Orangerie locken. Autor: Claude Monet geb. 1840 in Paris ist der berühmteste Vertreter des französischen Impressionismus. 1883 zog der Künstler nach Giverny. Hier entstanden die wunderbaren Gartenansichten und berühmten Seerosenbilder. Er wurde jedoch sein ganzes schöpferisches Leben lang von Selbstzweifeln gequält. Mehr als irgendein anderer Maler maß er einem der Grundsätze des Impressionismus Bedeutung bei: dem Betrachter den Eindruck von Licht und Emotion zu vermitteln. Er sagte 'Die Techniken sind unterschiedlich. Die Kunst bleibt sich gleich: eine gewollte und einfühlsame Umschreibung der Natur: Ich kämpfe und ringe mit der Sonne. Man müßte mit Gold und Edelsteinen malen.' Kunstgeschichte Gemälde französischer Impressionismus Gartenansichten Seerosenbilder Maler Sprache deutsch Maße 240 x 310 mm Einbandart gebunden Kunst Musik Theater Malerei Plastik Monet Claude ISBN-10 2-08-020069-0 2080200690 ISBN-13 978-2-08-020069-3 9782080200693 Der komplette Zyklus Monets Seerosen: Die vollständige Serie der "Nymphèas" Gebundene Ausgabe Jean-Dominique Rey Autor Denis Rouart Autor Christine Diefenbacher Übersetzer Flammarion im Vertrieb Prestel hardcover
réf. DADAX050009246XNew unknown
réf. P11J-03165Aurora Art Publishers. Used - Good. Good condition. Paperback edition. A copy that has been read but remains intact. May contain markings such as bookplates stamps limited notes and highlighting or a few light stains. Aurora Art Publishers paperback
réf. 51821666like new. unknown
réf. DADAX1851709789New unknown
réf. 33414277-nnew. unknown
réf. 19092263-nnew. unknown
réf. 30797368-nnew. unknown
réf. SONG1849760128Used: Good unknown
réf. DADAX0304359009New unknown
réf. SONG1903278910Used: Good unknown
1802réf. 91311Paris: MaillardChez l'AuteurAgasse 1802. Fine. ""Very rare first edition enriched with an autograph manuscript by Lamarck"" Maillard Chez l'Auteur Agasse Paris An x 1802 12.8 x 20.4 cm Relié First edition very scarce of this important work. Contemporary-style half speckled fawn calf binding smooth spine decorated with triple gilt fillets green shagreen title label small vellum corners marbled paper boards bookplate pasted onto a pastedown red edges modern binding. A restored loss to the left margin of the title page. Hydrogéologie contains Lamarcks geological observations gathered during his travels in Germany Hungary and France. Its principal merit lies in demonstrating the considerable importance of plants and animals as agents of geological transformation. It is in this work that the word biology appears for the first time on page 8 which Lamarck regarded as an appropriate term for the sciences of life. ""Lamarck's geology was closely connected with his work in other fields. His Hydrogéologie which grew out of a 1799 memoir presented to the Academy and his work in invertebrate paleontology was published in 1802. He originally intended it to be a much broader work as the manuscript shows It was to have been a terrestrial physics including meteorology geology and biology a term he coined. He had not only a sense of interrelation of fields but within geology a vision of the whole. He saw all of nature working according to similar principles : general natural tendencies producing gradual change over long periods of time with local circumstances explaining the irregularities. His approach to geology was similar to that in other sciences : concern with the general principles and contempt for those who interested themselves too much with the specifics"". Cf. Leslie J. Burlingame notice ""Lamarck"" in: D.S.B. A remarkable copy enriched with a 6-line autograph manuscript by Lamarck inserted between pp. 56 and 57 providing details on an ancient masonry discovered in the Somme department and attesting to an earlier shoreline: ""L'abbaye de Valoir près de l'Authie dépt. de la Somme conserve encore dans ses fondations et ses caves les restes d'une maconnerie tres ancienne soupconnée romaine dans lesquels on voit les anneaux pour amarer les batimens marins et des eperons de vaisseau accompagnés de beaucoup de petrifications ; ce qui prouve qu'alors c'etoit un quai ou arrivoient les eaux de la mer"" s.l.n.d. 1 p. oblong 16mo. A very good copy. Â MaillardChez l'AuteurAgasse hardcover
1924réf. 88745Paris: s. n. 1924. Fine. s. n. Paris s. d. 1924 13.5 x 21.7 cm Agrafé Very rare first edition printed by the Bureaux de l'armée nationale only two copies recorded in the CCF: ASOM and Nanterre.A pleasant copy.The pamphlet brings together the texts of two lectures: the first delivered on 19 June 1924 in Hanoi the second on 10 December 1924 in Paris; both advocate for a systematic effort to provide indigenous populations with access to education.A former captain in the colonial artillery Paul Monet 18841941 was then head of the Annamite Students' Residence in Hanoi. He would soon gain attention for echoing Roland Dorgelès' stance on the exploitation of indigenous labour by French companies Les Jauniers 1930. s. n. unknown
1906réf. 87491Paris: H. Floury 1906. Fine. H. Floury Paris 1906 20.50 x 27 cm relié First edition one of 100 copies on Japon the only deluxe issue. Navy blue half shagreen with slight color restoration spine with five raised bands abundantly framed in gilt blue watered silk flyleaves marbled endpapers and pastedowns original wrappers and spine preserved gilt top edge binding signed J. Querelle. A superb copy on japon of the first authoritative publications on the history of Impressionism and the first bibliophile edition centered around this movement. Illustrated edition with 6 original etchings by Pissarro Les Faneuses; Renoir Femme nue assise and Femme nue couchée; one of only three etchings ever made by Cézanne Portrait of Guillaumin; Armand Guillaumin Vue près de Saardam - the copy is complete with the additional etching by Renoir on bistre Seated Nude Woman' reserved for copies on japon. The work also features a frontispiece rotogravure of Fantin-Latour's Atelier aux Batignolles. In addition to the six original etchings the book features 21 full-page plates including a colour rotogravure of Monet's famous Impression sunrise and no fewer than 105 reproductions of works and portraits of artists in the text. Théodore Duret paints here the great history of the movement he championed collected and theorized from its very beginnings. As early as 1878 he had published a small study that made him the first historian of these artists if not of the group itself just four years after their first exhibition at Nadar's studio. Twenty years after the last Impressionist exhibition Duret establishes the comprehensive story of this artistic revolution: ""For the early twentieth century and the decades to follow the history of Impressionism is Duret's 'The history of the Impressionist painters'."" Laura Iamurri. Renowned for its chronological accuracy - although in many cases Duret recalls events from his own memories - this work became a reference and was widely reprinted and translated London: Grant Richards 1910; Berlin: B. Cassirer 1909. Duret dedicates a monograph to each painter he mentions with the exception of Caillebotte and places Berthe Morisot in what he refers to as ""the core group of Impressionists."" Absent from his 1878 study Paul Cézanne now considered a post-Impressionist and Armand Guillaumin make their appearance here. A true art gallery on papier japon this text of reference for generations of readers' Laura Iamurri was the first to find a legitimate place for Impressionism in French art history. Not in Carteret. Etchings by Renoir Delteil 12 14 15; Camille Pissarro Delteil 94/XII Cézanne Venturi 1159; Armand Guillaumin Armand Guillaumin 1841-1927 gravures et lithographies 1995 p. 41. H. Floury hardcover
1889réf. 88035Paris: Galerie G. Petit 1889. Fine. Galerie G. Petit Paris 1889 16 x 24.50 cm broché First edition of the exceptionally rare catalog of Claude Monet and Auguste Rodin's dual exhibition at the Georges Petit gallery in Paris. With introductory essays by Octave Mirbeau for Monet and Gustave Geffroy for Rodin. The catalog features 145 paintings by Monet and 36 sculptures by Rodin in chronological order including the famous Impression soleil levant Impression Sunrise as well as Le Penseur The Thinker still described as a part of the Gates of Hell for which it was originally created. Small restoration to head of spine title and dates penned on spine traces of stamp on front pastedown scattered foxing thoughout. Rare copy of the exhibition catalog of Claude Monet and Auguste Rodin: the greatest of the Impressionists and the most famous sculptor of his time united by their love of nature and their tireless quest towards artistic ideal. ""Rodin and Monet were bound by a lifelong friendship and reciprocal admiration. While they were true contemporaries born within two days of one another in November 1840 it is hard to pinpoint when they actually met. They were almost certainly introduced by mutual friends like writers and critics Octave Mirbeau and Gustave Geoffroy or the art dealer Paul Durand-Ruel. On his return from Belle-Île in 1886 Monet is known to have started attending dinners held by the ""Bons Cosaques"" a group of artists and men of letters gathered together by Octave Mirbeau. Rodin also frequented these literary and artistic dinners that contributed to the intellectual effervescence of the period and challenged Academicism. By the time of the exhibition held at the Galerie Georges Petit in 1889 the four protagonists Rodin Monet Mirbeau and Geffroy definitely knew and already respected each other. On a visit to the Mirbeau family near Auray Brittany in 1887 Rodin saw the ocean for the first time and is said to have exclaimed: ""It's a Monet!"" To Mirbeau's way of thinking Rodin and Monet had embarked on the same artistic adventure and were destined to be equally successful. In November 1886 he wrote to Rodin about the paintings that Monet was going to exhibit at Petit's gallery the following year: ""He works hard and in my opinion he has done great things: it will be a new facet of his talent; a formidable awe-inspiring Monet of whom we were unaware. Our friend Monet is a heroic man of courage and if anyone deserves to succeed alongside you it's him. . the dual exhibition was a great success with the public and critics. According to Mirbeau Monet and Rodin embodied ""most gloriously and most definitively the two arts of painting and sculpture"" Rodin Museum. Galerie G. Petit unknown
réf. 30797368like new. unknown
