CollectifLivre Rare Book
462 résultats
2005réf. art1725mBroché, 363 pages, illustré en couleur, 26,0 x 28,5 x 2,6 cm, le livre est comme neuf, édition RMN.
2005réf. 11292005 - broché - Editions de la Réunion des Musées nationaux - 2005 - In-4 (28,5 x 26 cm) broché, couverture à rabats - 363 pages - Très nombreuses illustrations - ISBN : 2-7118-4924-4 / 9782711849246 - Titre complet : Vienne 1900. Klimt, Schiele, Moser, Kokoschka - Serge LEMOINE (Commissaire général) - Marie-Amélie zu SALM-SALM (Commissaire) - Catalogue édité à l'occasion de l'exposition Vienne 1900, au Musée d'Orsay
réf. 354070Galerie Nationales Du Grand Palais Paris 2005 In-4 ( 285 X 250 mm ) de 363 pages, broché sous couverture illustrée. Illustrations dans et hors-texte. Très bel exemplaire.
1981réf. 100266HBWien:, Edition Tusch, 1981. 321 Seiten, 1 Bl., OLnbd., OU., 29 x 27,5 cm.
1983réf. 16045Introduction de René Passeron; De la collection Tout l'œuvre peint. Formidable illustration.. Cartonnage d'éditeur de toile beige sous jaquette illustrée. Très bon Paris Flammarion 1983 1 volume in-4°
2010réf. 33085Fleuve editions 2010 228 pages 22x14x2cm. 2010. Broché. 228 pages.
1979réf. 91108New York, Sotheby 1979. Mit zahlr. Abbildungen. 39 Bll. Gr.-8vo. OBrosch.
1979réf. 326856New York: Sotheby Parke Bernet 1979. paperback. near fine. Gustav Klimt. Thin square 8vo printed wrappers. New York: Sotheby Parke Bernet My 16 1979. Near fine. Sotheby Parke Bernet unknown books
réf. 14880Catalogue de la vente publique, à New York, Sotheby Parke Bernet Inc, le 16 mai 1979, in-8, br., 32 dessins décrits et reproduits, liste des prix jointe.
2015réf. 14034ABMunich, London, New York, Prestel, 2015. 28,5 : 23,5 cm. 239 pages with 154 mostly coloured plates and illustrations. Original cloth with coloured illustrated original dust jacket.
2015réf. 14034AB2015. Munich London New York Prestel 2015. 285 : 235 cm. 239 pages with 154 mostly coloured plates and illustrations. Original cloth with coloured illustrated original dust jacket. Describes and illustrates the view of those three famous Austrian artists on woman. - The exteisive catalogue of the exhibition at the Belvedere in Vienna. With many fundamental articles like: Love Psyhce and Obsession the woman of Klimt Schiele Kokoschka - Gender asymmetries emacipation offers and uprising - Feminine Sexuality in the Work of Gustav Klimt - and others. hardcover
2005réf. BN551556München : Prestel 2005. 2005. The naked truth : Klimt Schiele Kokoschka and other scandals. Natter and Max Hollein. With contributions by Tobias G. Natter . Engl. transl. Elizabeth Clegg The naked truth : Klimt Schiele Kokoschka and other scandals. Natter and Max Hollein. With contributions by Tobias G. Natter . Engl. transl. Elizabeth Clegg Natter Tobias G. Herausgeber und Gustav Illustrator Klimt München : Prestel unknown
2012réf. 97811Knopf. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 368 pp. ; 54 illus. -- with a bonus offer--; The spellbinding story part fairy tale part suspense of Gustav Klimt’s Portrait of Adele Bloch-Bauer one of the most emblematic portraits of its time; of the beautiful seductive Viennese Jewish salon hostess who sat for it; the notorious artist who painted it; the now vanished turn-of-the-century Vienna that shaped it; and the strange twisted fate that befell it. The Lady in Gold considered an unforgettable masterpiece one of the twentieth century’s most recognizable paintings made headlines all over the world when Ronald Lauder bought it for $135 million a century after Klimt the most famous Austrian painter of his time completed the society portrait. Anne-Marie O’Connor writer for The Washington Post formerly of the Los Angeles Times tells the galvanizing story of the Lady in Gold Adele Bloch-Bauer a dazzling Viennese Jewish society figure; daughter of the head of one of the largest banks in the Hapsburg Empire head of the Oriental Railway whose Orient Express went from Berlin to Constantinople; wife of Ferdinand Bauer sugar-beet baron. The Bloch-Bauers were art patrons and Adele herself was considered a rebel of fin de siècle Vienna she wanted to be educated a notion considered “degenerate” in a society that believed women being out in the world went against their feminine “nature”. The author describes how Adele inspired the portrait and how Klimt made more than a hundred sketches of her—simple pencil drawings on thin manila paper. And O’Connor writes of Klimt himself son of a failed gold engraver shunned by arts bureaucrats called an artistic heretic in his time a genius in ours. She writes of the Nazis confiscating the portrait of Adele from the Bloch-Bauers’ grand palais; of the Austrian government putting the painting on display stripping Adele’s Jewish surname from it so that no clues to her identity nor any hint of her Jewish origins would be revealed. Nazi officials called the painting The Lady in Gold and proudly exhibited it in Vienna’s Baroque Belvedere Palace consecrated in the 1930s as a Nazi institution. The author writes of the painting inspired by the Byzantine mosaics Klimt had studied in Italy with their exotic symbols and swirls the subject an idol in a golden shrine. We see how sixty years after it was stolen by the Nazis the Portrait of Adele Bloch-Bauer became the subject of a decade-long litigation between the Austrian government and the Bloch-Bauer heirs how and why the U.S. Supreme Court became involved in the case and how the Court’s decision had profound ramifications in the art world. A riveting social history; an illuminating and haunting look at turn-of-the-century Vienna; a brilliant portrait of the evolution of a painter; a masterfully told tale of suspense. And at the heart of it the Lady in Gold—the shimmering painting and its equally irresistible subject the fate of each forever intertwined. . 2012. 0307265641 . Knopf hardcover
1900réf. 14553Curtis Publishing. Philadelphia. 1900 Oversize magazine about 11 by 16 inches with some 48 pages. Bound in illustrated wraps. This is the famous issue with the GUSTAV KLIMT front cover illustration. The usual good stuff inside but KLIMT trumps any other content. Very scarce very desirable in this condition. Address label; slight wear most noticeable at the spine bottom; center two leaves loose from spine. Beautiful condition. NEAR FINE Language: eng Language: eng Language: eng. 1st Edition. Soft cover. Near Fine/No Jacket. Curtis Publishing. Philadelphia. paperback
réf. 19-8848Salzburg: Verlag Galerie ca. 1940s. Large format color reproduction print poster 27” x 27”. Very Good. Mild creasing. Printed in Austria. Salzburg: Verlag Galerie, [ca. 1940s?]. unknown
réf. 1219711931 . Collotype in colours 1931 on chine colle paper laid down on heavy cream wove paper from the edition of 500 the full sheet with deckled edges published by Max Eisler Vienna 48 x 45.5 cm. 19 x 18 in. 1931 unknown
2005réf. ABE-3614087063455312662100 PAGES-23,2 CM X 30,2 CM-EN COUVERTURE "FEMME NUE ACCROUPIE UNE JOUE SUR LE GENOU DROIT" DE EGON SCHIELE-VIENNE, PAR CLAUDIO MAGRIS-DISSIDENCE-LA NAISSANCE DE LA MODERNITE, ENTRETIEN AVEC JEAN CLAIR-L'ESPRIT DES FORMES, ENTRETIEN AVEC SERGE LEMOINE-CHRONOLOGIE-LES GUERRES DE LA SECESSION-EFFERVESCENCE-GUSTAV KLIMT, PAR SIMONE AROUS-LA FRISE BEETHOVEN, PAR JEAN-MICHEL NECTOUX, LA SYMPHONIE PICTURALE-KOLOMAN MOSER, PAR MARIE-AMELIE ZU SALM-SALM, DU DESIGN AU DESSIN-OSCAR KOKOSCHKA, PAR GERARD-GEORGES LEMAIRE, CHRONIQUEUR AUX PINCEAUX-KOKOSCHKA ET LA MUSIQUE, PAR GILLES MACASSAR, LA FIANCEE DU VENT-EGON SCHIELE, PAR MATHIEU BRAUNSTEIN, LA VERITE CRUE-FETICHISME, PAR GILBERT LASCAULT, CHAIR QUI SOUFFRE, CHAIR QUI JOUIT-PANORAMAS, PAR JEAN-FRANCOIS LASNIER, PAYSAGES INTERIEURS-MISES A NU, PAR PIERRE WAT, PORTRAITS A CORPS PERDU-ART GRAPHIQUE, PAR JEAN-FRANCOIS LASNIER, TETES D'AFFICHES-BIBLIOGRAPHIE-(EM0716)
réf. MLU608201824New. Este Maravilloso Tarot se inspiró en el estilo artístico del siglo XX la obra es del pintor Austríaco Gustav Klimt quien tuvo una posición primaria en Viena una ciudad rica en los movimientos intelectuales que contribuyeron a la formación del hombre actual. Autor: Klimt Gustav. Idioma: Spanish. Materia: AdivinacionCartasOráculoTarot / Tarot Divination Oracle Cards New Age. ISBN: 9788883954610. Ejemplar nuevo. Referencia: MLU608201824. Spanish-language edition. Ships from Uruguay with full tracking. Every book is individually wrapped with care and securely packed so it reaches you in excellent condition. Looking for a title you can't find We source books on request. Thank you for letting us serve you. Amado Libros Montevideo. Edición en español. Enviamos desde Uruguay con seguimiento completo. Cada libro va envuelto con cuidado y bien protegido para que llegue a sus manos en excelentes condiciones. ¿Busca un título que no encuentra Conseguimos libros por encargo. Gracias por permitirnos servirle. Amado Libros Montevideo. unknown
1931réf. 333711Vienna: Austrian State Printing Office 1931. Collotype print with chine colle 19 x 17 7/8 inches. Limited English edition. The Stoclet Frieze is a series of three mosaics 1905 - 1911 commission for the Stoclet Palace in Brussels Belgium. This image was in the first panel called 'The expectation'. Printed in 'Gustav Klimt Eine Nachlese An Aftermath' a portfolio of 30 collotypes prints 15 are multi-color and 15 are monochrome on chine colle paper laid down on heavy cream-wove paper with deckled edges; Max Eisler Editor-Publisher; Osterreichischer Staatsdruckerei Austrian State Printing Office Printer; in a limited edition of 500 numbered examples of which: 200 were printed in German 150 were printed in French and 150 were printed in English. Max Eisler 1881-1937 the publisher of the 1931 Aftermath portfolio was an art historian at Vienna University specializing in modern and contemporary arts and crafts whose 1920 book on Klimt was the first Klimt monograph. Some foxing and toning but otherwise in good condition. Gustav Klimt 1862-1918 was a celebrated Austrian symbolist painter and a leader of the Vienna Secession movement. His work which helped define Art Nouveau in Europe is known for its ornate style. Austrian State Printing Office unknown books
1931réf. 333711Vienna: Austrian State Printing Office 1931. Collotype print with chine colle 19 x 17 7/8 inches. Limited English edition. The Stoclet Frieze is a series of three mosaics 1905 - 1911 commission for the Stoclet Palace in Brussels Belgium. This image was in the first panel called 'The expectation'. Printed in 'Gustav Klimt Eine Nachlese An Aftermath' a portfolio of 30 collotypes prints 15 are multi-color and 15 are monochrome on chine colle paper laid down on heavy cream-wove paper with deckled edges; Max Eisler Editor-Publisher; Osterreichischer Staatsdruckerei Austrian State Printing Office Printer; in a limited edition of 500 numbered examples of which: 200 were printed in German 150 were printed in French and 150 were printed in English. Max Eisler 1881-1937 the publisher of the 1931 Aftermath portfolio was an art historian at Vienna University specializing in modern and contemporary arts and crafts whose 1920 book on Klimt was the first Klimt monograph. Some foxing and toning but otherwise in good condition. Gustav Klimt 1862-1918 was a celebrated Austrian symbolist painter and a leader of the Vienna Secession movement. His work which helped define Art Nouveau in Europe is known for its ornate style. Austrian State Printing Office unknown
réf. 3990382896.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1919réf. 139055Vienna: Gilhofer & Ranschburg 1919. Edition of 500 and 10 proofs. Printed by The Art Institution Max Jaffé in Vienna and issued as one of 25 prints from the portfolio Fünfundzwanzig Handzeichnungen. Collotype on matt art paper tipped onto thin cream card with mount as issued. Sheet size: 33 x 51.5 cm. Excellent condition. unknown
2000réf. Q-3791323288Prestel Pub 2000-04-01. Paperback. New. In shrink wrap. Looks like an interesting title! Prestel Pub paperback
1996réf. 50667Augsburg, Weltbild Verlag GmbH, 1996. Genehmigte Lizenzausgaben für Bechtermünz Verlag 64, 64, 63, 63, 64, 64 Seiten , 22 cm, kartoniert
1995réf. BN252673338 Abb. davon 208 farb.Hatje Cantz Verlag 1995. 1995. Sehnsucht nach Glück. Wiens Aufbruch in die Moderne: Klimt Kokoschka Schiele Marian Bisanz-Prakken Gottfried Friedl Gerbert Frodl Sehnsucht nach Glück. Wiens Aufbruch in die Moderne: Klimt Kokoschka Schiele Marian Bisanz-Prakken Gottfried Friedl Gerbert Frodl Schulze Sabine Gustav Klimt und Egon Schiele 338 Abb., davon 208 farb.Hatje Cantz Verlag unknown
