5 418 résultats
1964réf. 310000Paris: Maeght 1964. #38 of 350 copies on vélin de Rives. With 5 original lithographs including one b&w double-page by Picasso Cr. 124; Bloch 1847 and one each in color by Miró Cramer 87 Tal-Coat Ubac and Pallut; with illustrated wrappers and 8 other illustrations after Braque including etched frontispiece "Trois oiseaux sur fond violet"; plates by additional artists including Man Ray Marc Chagall and others. Folio. Loose as issued in illustrated wrappers. In chemise and paper over boards slipcase. Fine with a few smudges to slipcase. #38 of 350 copies on vélin de Rives. With 5 original lithographs including one b&w double-page by Picasso Cr. 124; Bloch 1847 and one each in color by Miró Cramer 87 Tal-Coat Ubac and Pallut; with illustrated wrappers and 8 other illustrations after Braque including etched frontispiece "Trois oiseaux sur fond violet"; plates by additional artists including Man Ray Marc Chagall and others. Folio. With original lithographs by Picasso Miró and others. Maeght unknown books
1964réf. 1742Paris: Mourlot Press 1964. First edition. Soft cover. FIRST EDITION one of 2000 copies on Velin d'Arches out of a total edition of 2200 of this lavishly illustrated exhibition catalog from the Smithsonian Institution. With 18 original lithographs most in color by Chagall Picasso Miro Beaudin Esteve Matisse Guiramand Florsheim Cathelin Brasilier Brianchon Cocteau Minaux Jenkins Calder Kito Giacometti and Manessier. Prints from the Mourlot Press. Exhibition Sponsored by the French Embassy Circulated by the Traveling Exhibition Service of the National Collection of Fine Arts Smithsonian Institution. Paris: Mourlot Press 1964. Quarto original plain wrappers original dust jacket with lithograph by Chagall. Just a hint of toning to spine. Text in English. A FINE COPY. Mourlot Press paperback books
1975réf. 013823Paris Libération - Bazooka production 1975 En feuilles
1953réf. 237361953 Paris, Berggruen, Mourlot, brochés in-8 allongés, 1953-1990, couvertures illustrées, certaines lithographiées, tirages limités.
1952réf. 1607150006Paris decembre 1952: Mourlot 1/1/1952. Poster. Very Good. Woodcut lithographic poster by Picasso. 65 x 47 cm. 1000 total on Cranson Paper in Different Colors Mourlot - Paris pub. Ref: Mourlot 68 - Czw 77 The poster is subtitled "Maison de la Pensee Francaise/ 2 Rue de L'Elysee-VIII/ A Partir du 6 Decembre. It is titled "The Goat" in the Catalogue Raisonne. The Maison de la Pensee is where Picasso held his first ceramics exhibition and his largest exhibition of sculptures and drawings in 1951. In the bottom left corner is small text that reads "Mourlot-Paris". The artist's signature is printed in the stone. Included in the Catalogue Raisonne "Picasso In His Posters: Image And Work" by Luis Carlos Rodrigo catalogue number 015 on Pages 1697-1698. See our pictures. Paris decembre 1952: Mourlot unknown
1971réf. mon0003131073Marlborough / Saidenberg. 1971T. paperback. Good. 0.4000 11.7000 8.1000. Marlborough / Saidenberg. paperback
réf. 323708San Francisco: Alan Wofsy vd. Titles in English and French; Spanish and Catalan. 12 vols. 4to. Cloth. Fine in fine dust jackets. Titles in English and French; Spanish and Catalan. 12 vols. 4to. Alan Wofsy unknown
réf. 36072Paris: La Bibliothèque Française 1945. Portfolio. 1st edition. Loose sheets as issued in later custom clamshell box with original portfolio cover mounted on front. 4to. One of 3200 Numbered Copies. 111 plates of drawings the first 100 relating to Buchenwald originally drawn on stolen paper plus 6 portraits and 5 aquarelles in color. Captions in French English and Russian. 26 cm. Title page and preface in French. Title translates as "111 Drawings Made in Buchenwald 1944-1945." Very early 1945 publication from the year of liberation. Boris Taslitzky began painting at the age of fifteen and attended the academie Montparnasse and the École des Beaux-Arts in Paris between 1925 and 1933. In 1933 he joined the Association of Revolutionary Writers and Artists A. É. AR where he became general secretary of the section of Painters and Sculptors and then in 1935 he joined the Communist Party. In 1936 during the presentation of Quatorze Juillet by Romain Rolland Taslitzky participated in the exhibition that brought together Picasso Léger Matisse Braque Jean Lurcat Laurens and Pinion in the lobby of the Alhambra Theatre. Taslitzky was captured in June 1940 escaped in August and joined the Resistance. He was arrested again in November 1941 sentenced to two years in prison and then on July 31 1944 he was deported to Buchenwald where he manages to make some two hundred drawings showing life in the camps. "If I go to hell I will make sketches. Besides I have experience I've been there and I've drawn! . " he later said. His mother died at Auschwitz . In 1946 Taslitzky exhibited his works which were inspired by the Resistance and Deportation winning the Prix Blumenthal. He was later awarded the Military Cross and Military Medal and in 1997 he received the insignia of Chevalier of the Legion of Honour under the Resistance and Deportation. He was both witness and actor in the story of French Resistance and the Holocaust. For more on Taslitzky see for example https://boris-taslitzky.fr/fortune-critique/02fortune-critique-1970-2004.htm SUBJECTS : Concentration camps -- Pictorial works. Buchenwald Camp de Guerre mondiale 1939-1945. Prisonniers et déportés. Camps allemands. Buchenwald. Album. Concentration camps. Pictorial works. Wear to original illustrated cover which has been mounted on front of box but no damage to illustration. Moving early and important. Holo2-125-44. Paris: La Bibliothèque Française unknown
réf. 51-5761Palma de Mallorca: Las Ediciones de los Papeles de son Armadans 1962. Folio. 25 x 35cm. Original burlap binding.158pp. plus index limitation statement and colophon. Illustrated with reproductions of 32 Picasso pastel drawings. On Guarro paper with Picasso-designed "sun" and "sheaf" watermarks. Text in Spanish.Camilo José Cela Spanish 1916-2002 was a poet novelist member of the Royal Spanish Academy and Royal Senator in the Spanish parliament. He won the Nobel Peace Prize for literature in 1989. This book a collection of fables presents a collaboration between Cela and his friend Picasso.Light wear to boards with rubbed corners; light wear and toning to page edges occasional minor mark light foxing along top edge; a near fine copy.A collection of fables by the Spanish writer who won the Nobel Prize in 1989 the Cervantes Prize the Premio Planeta etc. Published in Palma de Mallorca in an edition of 2135 copies with 32 color drawings by Picasso. Of these 2000 were numbered 1-2000: this copy is numbered 417 and signed by the author. Bound in straw-coloured roughly woven hessian that was specially made for this edition. Printed on ‘papel Picasso’ – used here for the first time – made with double watermarks a sun and a sheaf or a bunch of flowers loosely bound with a ribbon both designed by Picasso. Palma de Mallorca: Las Ediciones de los Papeles de son Armadans, 1962 hardcover
1948réf. 41432France: Caheirs D'art 1948. Hardcover. Good. Folio hardcover with black and red boards decorative end papers and a cream colored slipcase with black titling. A reproduction of one of Picasso's sketchbooks in what would have been it's original formats providing a fantastic look into the artist's mind and creative process limited to 1200 copies. The condition of the book is Very Good bumped corners at the bottom right edge; binding overall intact though there is wear along the inner joints; illustrations within clean; general aging; slight smoke smell. The condition of the slipcase is Poor repaired with archival tape; general shelf wear and aging along the seams of the case; missing top edge. Unpaginated. Caheirs D'art hardcover
réf. 05-00191945. Wool tapestry after the painting. 97 x 120 cm. 38 x 47.5 inches. Picasso Project no. 45-012. 1945. unknown
1984réf. TH233286Thames & Hudson London 1984. 1st Edition. HARDCOVER. From the collection of Ruth Lynam the photographer fashion writer and noted balletomane and has a slip of paper signed in black ink by Yves Saint Laurent pasted to the half title leaf no other marks or inscriptions. This is the UK edition of the book published to accompany the Yves Saint Laurent retrospective exhibition at the Metropolitan Museum of Art New York 14 December 1983 - 2 September 1984. Large heavy 4to. gilt embossed black cloth gilt lettering to spine 192pp numerous plates in colour and b/w etc. __CONDITION : A well preserved near FINE clean and tight unmarked copy pages very slightly tanned hint of shelf rub to cover bottom edges in a VERY GOOD complete Dust Jacket very slightly creased and nicked along the top edge head of spine panel slightly chipped looks fine in its removable transparent protector. . NOTE: Depending on destination this item may require an extra payment for insurance. If so orders made by card will be completed only after you have approved any such extra cost. . . . . . . . . . . . . To see more of our Costume fashion etc type DBBCOSTUME in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Thames & Hudson, London hardcover
1947réf. 2239Paris, Librairie Les Nourritures terrestres, 1947. Volume in-folio (335 x 260 mm), en feuilles, couverture rempliée illustrée d'une vignette gravée, chemise dos de percaline verte titrée or et étui éditeur. Première édition illustrée. 31 EAUX-FORTES EN NOIR HORS-TEXTE ET UN FRONTISPICE EN COULEUR GRAVÉS PAR OSCAR DOMINGUEZ. Le texte manuscrit de Paul Éluard est reproduit en héliogravure enluminé par la gravure de Dominguez.Tirage: 1 ex. sur vergé ancien + 220 ex. sur Vélin de Lana (celui-ci n° 87). Roger Lacourière a assuré l'entière impression de l'ouvrage. Parfait exemplaire, en condition d'origine, de ce très beau livre gravé. Vélin de Lana teinté exempt de rousseurs, ce qui est plutôt rare.
1950réf. 31238BBParis, Sauret, 1950. 4° 208 Seiten, mit 2 ORIGINAL-LITHOGRAPHIEN, davon der Umschlag doppelblattseitig Paloma und Claude, Illustr. 75-179. brosch., mit Transparentfolie Folie beschädigt, leichte Bräunung, Falz geplatzt, sauber und gut erhalten!
réf. 236694Editions De La Sirène Paris 1919 In-4 de 12 pages, broché sous couverture illustrée de Pablo PICASSO et coffret au premier plat ajourée d'une fenêtre de plexiglass laissant voir l'illustration de la couverture, dos titré au palladium ( Présentation signée de Yves RAMEAU ). EDITION ORIGINALE et PREMIER TIRAGE de la couverture de PICASSO. Rousseurs éparses sur la couverture avec légères usures. Bon exemplaire magnifié par l'élégante présentation de Yves RAMEAU. Très rare.Colophon: "Le ragtime d'Igor STRAVINSKY a ete tire a
19914 vols., 4to., First Edition, with frontispieces and very numerous illustrations and photographs in the text; cloth, backstrips lettered in black, coloured endpapers, front board of first volume lightly browned at extreme upper edge else all near fine copies in unclipped dustwrapper (dustwrapper of first volume moderately browned). The set comprises: Vol. I: 1881-1906 (1991 ); Vol. II: 1907-1917 (1996); Vol.III: 1918-1932 (2007); Vol. IV: 1933-1943 (2022). THE UK EDITIONS ARE FAR SCARCER THAN THEIR US COUNTERPARTS; COMPLETE SETS OF THE UK EDITION ARE EXCEEDINGLY SCARCE.
réf. 007553New York: SPADEM/ Pace Gallery Publ. 1986. Poster. Near Fine. Poster. First Printing. 22 1/4"w x 38"h. RARE exhibition poster SIGNED by Paloma Picasso renowned fashion designer and daughter of Pablo Picasso signed lower left and dated by her "86. The exhibition ran at the Pace Gallery New York City from May 2 - August 1 1986. Near Fine faint creases small stain bottom right corner. Well suited for framing will be shipped loosely rolled in a mailing tube. SPADEM/ Pace Gallery Publ. unknown
réf. 51-5511Paris: Louis Broder 1966. Portfolio without the etchings. 38 x 48cm. Folio. Original cloth slipcase and vellum wraps. Includes half-title limitation page signed in pencil by Picasso colophon list of plates 4 Rives chemises 8 pages of text. One of 255 numbered copies on Rives.Cramer 136; Bloch 1183-92; Bloch Books 129.Picasso created these etchings and aquatints as homage to Reverdy's poem. Sable Mouvant quicksand. The poems are set in the desert and relate to a series of psychological struggles and hallucinations. Picasso's images elegantly depict the poet's intentions and transport the viewer from reality to expose the inner turmoil of a helpless man and his harsh surroundings. Paris: Louis Broder, 1966 paperback
1954réf. 21707New York: Harcourt Brace and Company 1954. First American edition. Hardcover. Orig. red and blue pictorial boards designed by Picasso housed in fine gilt lettered red silk covered clamshell box. Picasso Pablo. Unpaginated. Folio 36 x 26.5. With an appreciation by Rebecca West. Sixteen full-page color lithographs printed by Mourlot the Verve double number 29/30. VERVE p.269. "In this richly diverse masquerade which combines something of the English Christmas pantomime and something of the Commedia dell' Arte with touches of a `dance macabre' the very magnificence of the draftsmanship seems to strike and added note of irony. Never has such stupendous virtuosity been so lightheartedly employed for making fun of art." Lacks spine clean tear to front cover endpaper margin stain to title front cover head not affecting text interior contents clean. Harcourt, Brace and Company hardcover books
réf. 101473New York Random House 1970. First Edition. Hardback. Two linen-backed gilt-blocked leather volumes in matching clam-shell case. Top-edge gilt. An exceptional example in a like if somewhat dust-dulled clam-shell case. Additional bibliographic detail on request. ; 1 pages; Description: 2 v. 22 p. 347 plates 30 x 43 cm. Includes the major part in English of Georges Bloch's introd. To Picasso's ""Pablo Picasso. Catalogue de l'oeuvre grave et lithographie 1904-1967 "" published in 1968. New York, Random House hardcover
réf. Juanpebooks098425WE ship worldwide. Brand new 100%guarentee unknown
réf. 16-5307Paris: Georges Hugnet 1941. Original wraps. 10 x 14.8cm. 8pp. Sheets loose as issued. 6 zincographs; 3 reworked with an engraver. One of 200 unnumbered copies.Reference: Goeppert/Cramer no. 35:In-16 oblong broché. Édition originale illustrée de 6zincographies dont 3 retravaillées en taille-douce de Pablo Picasso.Tirage limité à 200 exemplaires. Paris: Georges Hugnet, 1941 paperback
1954réf. 288957New York: Harcourt 1954. First. hardcover. very good. Picasso. Preface by Teriade "Picasso and the Human Comedy" by Michel Leiris and an appreciation by Rebecca West. Of the 180 illustrations 16 are single-sided color lithographs printed by Mourlot Freres and the remainder are double-sided heliogravures printed by Draeger Freres. Short folio red pictorial boards some light shelfwear and minor wear at outer joints New York: Harcourt Brace and Company 1954. First American edition. A very good copy of this notoriously fragile book. All lithographs present and clean save for the usual toning in margins from the tissue overlays. A double issue of Verve devoted solely to Picasso. Harcourt unknown books
1954réf. PICASSOP001144Harcourt Brace New York. 1954. First U.S. edition this being a version in English of the double number 29/30 of the French art magazine Verve. Preface by T�riade. Essay ''Picasso and the Human Comedy'' by Michel Leiris translated by Stuart Gilbert. An Appreciation by Rebecca West. Sixteen of the drawings are reproduced as tissue-guarded colour lithographs. Quarto. Each of the non-lithographs is presented as a full-page illustration. Boards with a design by Picasso made especially for this book.Near fine in very good chipped nicked and slightly torn dustwrapper. It's nice to find a copy of this book which hasn't been plundered for the plates. Harcourt Brace, New York. hardcover
réf. 104308London Calder and Boyars 1970. . First edition in English first impression hardback issue. Inscribed and with an original pastel by the translator. 8vo; publisher's black boards titles to spine in silver. With the dust jacket. A very good copy in the lightly rubbed dust jacket with one or two very short tears. A superb presentation copy inscribed by the translator within a full page pastel artwork of a stylised flower/sun 'for Peggy with love Roland'. Though tempting to imagine the book to have been inscribed to the great Peggy Guggenheim the actual presentee is a much closer association for Penrose. Rosamund Berniers née Rosamond Margaret Rosenbaum was an art critic and long-time friend of the translator. Penrose a considerable artist in his own right is perhaps best known as the greatest proponent of Surrealism in the UK. Instrumental in staging the 1936 International Surrealist Exhibition in London he would would go on to establish with Lee Miller The Elephant Trust whose goal is "to develop and improve the knowledge understanding and appreciation of the fine arts in the United Kingdom." Penrose would often illustrate his presentation inscriptions but this one is particularly nice. Rosamond Berniers née Rosamond Margaret Rosenbaum was familiarly known as Peggy. London, Calder and Boyars, 1970. hardcover
