26 082 résultats
1837réf. 48406Altona Hamburg: Johann Friedrich Hammerich 1837. First edition. Hardcover. g to g. Octavo. xvi 800pp. Bound in brown pebbled half cloth over black pebbled boards. Treatise of Jewish law and observances by Samson Raphael Hirsch the German Orthodox Rabbi who founded the school of contemporary Orthodox Judaism Today's modern Orthodoxy and a vocal opponent of Reform Judaism. The work is organized in six sections according to Hirsch's classification of the commandments: Thaurauß Laws derived from the Five Books of Moses Edauß Jewish Holidays Mischpotim Laws Between Man and Man Chukim Laws Regarding Daily Life and Animals Mizwauß Laws about Devotion and Awaudoh Service and Prayer. The book was written in a literary German to explain Jewish customs ceremonies and doctrines with the special emphasis on German-Jewish youth. List of abbreviations and symbols in German and Hebrew at front and registers in German and Hebrew an addendum of explanation and abbreviations in Hebrew and errata at rear. Publisher's advertisement for the German Bible for Israelites a new translation from the Masoretic text and edited by Gotthold Salomon on last page. Text in German Gothic script titles subtitles and abbreviations in Hebrew. Binding with some wear along edges small chips and some scuffing along leather spine. Light foxing of block diminishing towards end of block. Binding in overall good interior in good to goo condition. Johann Friedrich Hammerich hardcover books
réf. 150991New York: Hyperion 2011. First edition of the legendary tennis champion's autobiography. Octavo original boards illustrated. Boldly signed by Rafael Nadal on the front free endpaper. Fine in a fine dust jacket. Jacket design by Laura Drew. Written with John Carlin. Rafael Nadal's story begins in Mallorca where the tight-knit Nadal family has lived for generations. Coached by his uncle Toni from the age of four and taught humility and respect by his parents Nadal has managed the uncommon feat of becoming an acclaimed global celebrity while remaining a gracious hardworking role model for people in all walks of life. Now he takes us behind the scenes from winning the Wimbledon 2008 final-described by John McEnroe as "the greatest game of tennis" he had ever seen-to the family problems that brought him low in 2009 and the numerous injuries that have threatened his career. With candor and intelligence Nadal brings readers on his dramatic and triumphant journey never losing sight of the prize he values above all others: the unity and love of his family. Hyperion hardcover
1946réf. 54171Bergen-Belsen: Our Voice/ Unzer Sztyme 1946. First edition. Hardcover. vg- to vg. Oblong small folio. 38pp. single-sided leaves. Recased with a black cloth spine with the original illustrated tan and red paper front wrapper laid down. Original black paper back wrapper. New endpapers. Content printed on large heavy stock paper leaves. This scarce powerful and disturbing collection of Holocaust images predominantly taken in the ghettos of Bedzin and Lodz and the camp in Bergen-Belsen by captured Nazi soldiers might best be described in the words of the editors: "The incentive to produce this collection gave us our deepest desire to show the world the crimes of Germany to give expression to the throttled cry of pain of the Jews to the sighs of our fathers and mothers sisters and brothers during the frozen nights of winter and the overpowering heat of the summer which was spent in sealed railway trucks the desire to bring back to our memories of the Jewish settlements which were drowned in torrents of Jewish blood". This notable work was prepared in advance of the Nuremberg Trials as a further evidence of Nazi crimes and is considered one of the most important works assembled by Jews in the aftermath of destruction to visually document the horrors of the Holocaust. The work features 115 striking b/w photographic reproductions. with captions in Yiddish Hebrew English and German. Separate title pages in all four languages as well. Binding with some rubbing chipping and small tears to the edges of the covers. A few creases closed tears and a small stain to the main portion of the cover which is otherwise quite clean and vibrant. Title pages with some slight abrasions and age toning with all text still clean and vibrant. The rest of the pages throughout clean with only very minor age toning mostly to the edges with all images and text clean. Book block tight. Binding in very good- interior in overall very good condition. Scarce with its original cover in good shape which is usually found in quite damaged states. Protected in modern mylar. Yiddish title: ××•× ×“×–×¢×¨ חורבן ×ין בילד Authors: ×’×¢×–×מלט ×ון רעד×גירט דורך רפ×ל ×לעווסקי פ×ול טרעפמ×ן דוד ר××–× ×˜×ל Publication: בערגן-בעלזן ×רויסגעבער ×¦×¢× ×˜×¨×ל ×§×מיטעט פון די ב×פרייטע יידן ×ין דער בריטישער ×–×× ×¢/ פ×רל××’ ××•× ×“×–×¢×¨ ×©×˜×™× Hebrew title: חורבננו בתמונות Authors: נלקט ונערך בידי רפ×ל ×ולבסקי פ×ול טרפמן דוד רוזנטל Publication: ברגן-בעלזן הועד המרכזי ×œ×™×”×•×“×™× ×”×ž×©×•×—×¨×¨×™× ×‘×זור הבריטי/הוצ×ת ××•× ×“×–×¢×¨ שטימע. Our Voice/ Unzer Sztyme hardcover
1946réf. 54171Bergen-Belsen: Our Voice/ Unzer Sztyme 1946. First edition. Hardcover. vg- to vg. Oblong small folio. 38pp. single-sided leaves. Recased with a black cloth spine with the original illustrated tan and red paper front wrapper laid down. Original black paper back wrapper. New endpapers. Content printed on large heavy stock paper leaves. This scarce powerful and disturbing collection of Holocaust images predominantly taken in the ghettos of Bedzin and Lodz and the camp in Bergen-Belsen by captured Nazi soldiers might best be described in the words of the editors: "The incentive to produce this collection gave us our deepest desire to show the world the crimes of Germany to give expression to the throttled cry of pain of the Jews to the sighs of our fathers and mothers sisters and brothers during the frozen nights of winter and the overpowering heat of the summer which was spent in sealed railway trucks the desire to bring back to our memories of the Jewish settlements which were drowned in torrents of Jewish blood". This notable work was prepared in advance of the Nuremberg Trials as a further evidence of Nazi crimes and is considered one of the most important works assembled by Jews in the aftermath of destruction to visually document the horrors of the Holocaust. The work features 115 striking b/w photographic reproductions. with captions in Yiddish Hebrew English and German. Separate title pages in all four languages as well. Binding with some rubbing chipping and small tears to the edges of the covers. A few creases closed tears and a small stain to the main portion of the cover which is otherwise quite clean and vibrant. Title pages with some slight abrasions and age toning with all text still clean and vibrant. The rest of the pages throughout clean with only very minor age toning mostly to the edges with all images and text clean. Book block tight. Binding in very good- interior in overall very good condition. Scarce with its original cover in good shape which is usually found in quite damaged states. Protected in modern mylar. Yiddish title: ××•× ×“×–×¢×¨ חורבן ×ין בילד Authors: ×’×¢×–×מלט ×ון רעד×גירט דורך רפ×ל ×לעווסקי פ×ול טרעפמ×ן דוד ר××–× ×˜×ל Publication: בערגן-בעלזן ×רויסגעבער ×¦×¢× ×˜×¨×ל ×§×מיטעט פון די ב×פרייטע יידן ×ין דער בריטישער ×–×× ×¢/ פ×רל××’ ××•× ×“×–×¢×¨ ×©×˜×™× Hebrew title: חורבננו בתמונות Authors: נלקט ונערך בידי רפ×ל ×ולבסקי פ×ול טרפמן דוד רוזנטל Publication: ברגן-בעלזן הועד המרכזי ×œ×™×”×•×“×™× ×”×ž×©×•×—×¨×¨×™× ×‘×זור הבריטי/הוצ×ת ××•× ×“×–×¢×¨ שטימע. Our Voice/ Unzer Sztyme hardcover books
1690réf. P1832Rome: Dominici de Rossi 1690. Very Good. Image Size : 500x665 mm 19.625x26.125 Inches Platemark Size : 515x680 mm 20.25x26.75 Inches Paper Size : 555x735 mm 21.875x28.875 Inches Coloring: Hand Colored Medium: Copper Engraving Categories: Religious Christianity; Architectural General; Dominici de Rossi unknown
réf. P1831Rome: Dominici de Rossi. Very Good. Image Size : 455x680 mm 17.875x26.75 Inches Platemark Size : 490x685 mm 19.25x27 Inches Paper Size : 540x742 mm 21.25x29.25 Inches Coloring: Hand Colored Medium: Copper Engraving Categories: Religious Christianity; Architectural General; Dominici de Rossi unknown
1923réf. 16696JBoston: Little Brown 1923. First Edition. Bookplate. Fine in a fine price-clipped dust jacket. A rare book in dust jacket which has a terrific color exotic painting on the front cover. The basis for the classic Errol Flynn swashbucker directed by Michael Curtiz and co-starring Claude Rains Brenda Marshall Donald Crisp Flora Robson Alan Hale Henry Daniell Una O’Connor Gilbert Roland and William Lunidigan. Little Brown unknown
1801réf. 6589London: Published by John Raphael Smith 1801. Mezzotint with roulette coloured by hand. Image size: 17 1/4 x 21 1/2 inches. A touching scene after Morland: 'a master of genre and animal painting an artist worthy to be placed in the same rank as the best of those Dutch masters whom he studied as a boy' DNB This print is a wonderful example of the manner in which Morland perfectly conveys the hardships and beauties of country life his depiction of a poor country family battling the hardships of winter shows the bitter side of the pastoral life with grace and sympathy. George Morland was one of the most successful genre painters of his time creating during his industrious career some of England's most cherished paintings. At an early age Morland displayed his artistic genius he learned to paint at three and exhibited his first work at the Royal Academy at the mere age of ten. Morland was a prodigious painter producing more than 4000 paintings during the entirety of his career and sometimes painting two or three works in a day. His beautiful idealistic scenes were a favorite source of inspiration for contemporary engravers and as many as 250 separate engravings were done of his paintings during his lifetime. One such engraver was John Raphael Smith who throughout his career translated many of Morland's paintings to print. Smith was a highly influential figure in the late eighteenth-century British art world he quickly became an impresario of the print-publishing trade producing nearly 400 prints during his lifetime 130 of which were of his own design. This beautiful print refelects both the talents of the engraver and the genius of the artist in its sentiment and execution it demonstrates the best of English genre. Published by John Raphael Smith unknown
1786réf. 8168London: Published by J. R. Smith No. 83 Oxford Street 1786. Coloured mezzotint. In good condition with the exception of some faint soiling in upper margin. Bottom margin outside platemark is coated with white paint. Water stains on verso of sheet not noticeable on front of sheet. Image size: 14 3/4 x 17 inches. Plate size: 17 7/8 x 19 5/8 inches. Sheet size: 19 5/8 x 20 inches. A wonderful mezzotint after Rev. Matthew William Peters by one of the finest eighteenth century engravers. This charming print is engraved after a painting by Rev. Matthew William Peters and is a fascinating example of this period in British printmaking. Matthew Peters was trained in London under the portraitist Thomas Hudson. He quickly became a prominent member of the Society of Artists exhibiting portraits in oil and pastel and attracting a number of prominent aristocratic patrons including the Duke of Manchester the Marquess of Granby and Lord Grosvenor for whom he painted some of his most controversial pictures. Urged by his patrons Peters painted a series of quasi-erotic character studies of courtesans which at that time were quite unusual in Britain. These controversial pictures were eagerly reproduced by industrious printmaker/publishers such as Smith and caused a flurry of curious customers to hurry to London print-shops. Following his ordination in 1781 Peters quickly denounced his early erotic pictures as immoral. Upon being appointed Honorary Chaplain to the Royal Academy Peters expressed a profound regret "that he ever devoted his talents to such subjects". With this in mind this picture becomes extremely interesting. In this work Peters continues to observe and appreciate charming subjects in fancy costumes but eliminates the erotic overtones present in his earlier works. Instead he has chosen to depict an age-old moral subject fortune-telling an institution in western art since the Renaissance. This print which is expertly engraved by one of the finest eighteenth century printmakers is a fascinating view into a turbulent period in Peters' life when he struggled to produce images that would appeal to his viewers while remaining true to his moral beliefs. D'Oench Copper into Gold: Prints by John Raphael Smith 1751-1812 p. 224 No. 274; Smith Catalogue No. 135 & 136; Ackermann 1802 p. 9 described as companion prints; Chaloner Smith British Mezzotinto Portraits Ward 97 Smith 186; Frankau An 18th Century Artist and Engraver: John Raphael Smith 146. Published by J. R. Smith, No. 83 Oxford Street unknown
1801réf. 6589London: Published by John Raphael Smith 1801. Mezzotint with roulette coloured by hand. Image size: 17 1/4 x 21 1/2 inches. A touching scene after Morland: 'a master of genre and animal painting an artist worthy to be placed in the same rank as the best of those Dutch masters whom he studied as a boy' DNB This print is a wonderful example of the manner in which Morland perfectly conveys the hardships and beauties of country life his depiction of a poor country family battling the hardships of winter shows the bitter side of the pastoral life with grace and sympathy. George Morland was one of the most successful genre painters of his time creating during his industrious career some of England's most cherished paintings. At an early age Morland displayed his artistic genius he learned to paint at three and exhibited his first work at the Royal Academy at the mere age of ten. Morland was a prodigious painter producing more than 4000 paintings during the entirety of his career and sometimes painting two or three works in a day. His beautiful idealistic scenes were a favorite source of inspiration for contemporary engravers and as many as 250 separate engravings were done of his paintings during his lifetime. One such engraver was John Raphael Smith who throughout his career translated many of Morland's paintings to print. Smith was a highly influential figure in the late eighteenth-century British art world he quickly became an impresario of the print-publishing trade producing nearly 400 prints during his lifetime 130 of which were of his own design. This beautiful print refelects both the talents of the engraver and the genius of the artist in its sentiment and execution it demonstrates the best of English genre. Published by John Raphael Smith unknown books
1786réf. 8168London: Published by J. R. Smith No. 83 Oxford Street 1786. Coloured mezzotint. In good condition with the exception of some faint soiling in upper margin. Bottom margin outside platemark is coated with white paint. Water stains on verso of sheet not noticeable on front of sheet. Image size: 14 3/4 x 17 inches. Plate size: 17 7/8 x 19 5/8 inches. Sheet size: 19 5/8 x 20 inches. A wonderful mezzotint after Rev. Matthew William Peters by one of the finest eighteenth century engravers. This charming print is engraved after a painting by Rev. Matthew William Peters and is a fascinating example of this period in British printmaking. Matthew Peters was trained in London under the portraitist Thomas Hudson. He quickly became a prominent member of the Society of Artists exhibiting portraits in oil and pastel and attracting a number of prominent aristocratic patrons including the Duke of Manchester the Marquess of Granby and Lord Grosvenor for whom he painted some of his most controversial pictures. Urged by his patrons Peters painted a series of quasi-erotic character studies of courtesans which at that time were quite unusual in Britain. These controversial pictures were eagerly reproduced by industrious printmaker/publishers such as Smith and caused a flurry of curious customers to hurry to London print-shops. Following his ordination in 1781 Peters quickly denounced his early erotic pictures as immoral. Upon being appointed Honorary Chaplain to the Royal Academy Peters expressed a profound regret "that he ever devoted his talents to such subjects". With this in mind this picture becomes extremely interesting. In this work Peters continues to observe and appreciate charming subjects in fancy costumes but eliminates the erotic overtones present in his earlier works. Instead he has chosen to depict an age-old moral subject fortune-telling an institution in western art since the Renaissance. This print which is expertly engraved by one of the finest eighteenth century printmakers is a fascinating view into a turbulent period in Peters' life when he struggled to produce images that would appeal to his viewers while remaining true to his moral beliefs. D'Oench Copper into Gold: Prints by John Raphael Smith 1751-1812 p. 224 No. 274; Smith Catalogue No. 135 & 136; Ackermann 1802 p. 9 described as companion prints; Chaloner Smith British Mezzotinto Portraits Ward 97 Smith 186; Frankau An 18th Century Artist and Engraver: John Raphael Smith 146. Published by J. R. Smith, No. 83 Oxford Street unknown books
1935réf. 117791935. Soyer Raphael. Soyer Raphael. IN STUDIO. Lthograph 1935. 13 1/2 x 9 1/2 in. Editon of 100 Cole 37 Gettings 28. Ttiled and Signed in pencil. "This was done on the stone in my studio. Those are my sketches tacked on the wall." Trimmed close to the image else in excellent condition. unknown
1944réf. 103591944. Soyer Raphael. Soyer Raphael. MY STUDIO or In The Studio. Lithograph 1944 Cole 63. Edition of 250 published by Associated American Artists. Signed and titled in pencil. A short marginal tear at left stopping just at the image margins somewhat trimmed backed with Japanese tissue for support else in very good condition. An early and relatively hard to find image. unknown
1954réf. 133581954. Soyer Raphael. Soyer Raphael. NUDE IN INTERIOR. Cole 76. Lithograph 1954. AAA edition of 250. 12 1/4 x 9 1/4 inches signed in pencil. Attractively framed. Fine. unknown
1938réf. 22571938. Soyer Raphael. Soyer Raphael. PROTECTED. Lithograph 1938 Cole 55. 13 3/8" x 6 1/4" signed and titled in pencil. From the AAA edition of 250. Faint staining in upper margin not affecting mage. unknown
1954réf. 25771954. Soyer Raphael. Soyer Raphael. RAILROAD WAITING ROOM. Lithograph 1954 Cole 69. 12" x 9 1/2." Signed and annotated "ap" aside from the edition of 250 published by AAA. Very good. unknown
réf. 13118Soyer Raphael. Soyer Raphael. STREET SCENE WITH MOSES SOYER. Gettings 113 not in Cole. Lithograph 1970. 19 1/4 x 14 1/4 inches; 488 x 362 mm. Edition of 150 printed by Burr Miller. Signed in pencil numbered 67/150 and inscribed "Best wishes to to Dave and Edith" In excellent condition. Nicely framed. unknown
1954réf. 54891954. Soyer Raphael. Soyer Raphael. SEAMSTRESS THE. Cole 75. Lithograph 1954. Edition of 250 published by A.A.A. 9 5/8 x 11 3/8 inches; 245 x 298 mm. Signed in pencil. With original A.A.A. label. Excellent condition. unknown
1942réf. 20081942. Soyer Raphael. Soyer Raphael. WAITING. Drypoint 1942. Cole 59. AAA ed of 250. 7 1/8" x 9 1/8." Signed. Excellent condition framed. unknown
1651réf. 000966London: by T. N. for Humphrey Moseley 1651 1651. FIRST EDITION OF THE ENGLISH TRANSLATION & THE SECOND ENGLISH EDITION OF THE LATIN TEXT. 1 vol. 5-7/8" x 4" complete internally clean and bright. Bound in later 1/4 calf gilt lettered spine hinges rubbed. Both editions contain Thorius' Cheimonopegnion or a Winter Song. Scarce only 3 copies of the first work have ever appeared at auction sense 1965 and we can find no copy of the second title ever appearing at auction. London: by T. N. for Humphrey Moseley, 1651 unknown
2017réf. SBBIH-IML4ANDYOGZBMIT Press 2017. paperback. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. MIT Press paperback
2016réf. SBBIH-4U52S5V2NU64Hodder Education 2016. paperback. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Hodder Education paperback
2019réf. SBBIH-J6MC6ZA4J5A4Proofread Publishing Ltd 2019. hardcover. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Proofread Publishing Ltd hardcover
2019réf. SBBI-mon0000160160Hatje Cantz Verlag 2019. hardcover. New. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Hatje Cantz Verlag hardcover
1875réf. 129Cronica medico quirurgica de la habana revista mensual de medicina cirugia y ciencias auxiliares dirigida por los doctores jose r argumosa y j santos fernandez habana cuba 1875.encuadernacion en media piel.11 numeros encuadernados en un volumen comienza con el numero 1 mayo de 1875 y termina con el numero 11 noviembre de 1876.revista muy rara ilustradacon trabjos de grandes medicos cubanos de la epoca.conto con la colaboracion de.joaquin lebredocalixto oxamendifelipe rodriguezmanuel bangoserafin gallardoluis montanerafael cwleyjose argumosaantonio mestrejose r a montalvojose pulidoantonio reyneztomas plasenciagabriel garciajose francisco arangovicente de la guardiasiendo su redactor administrador don eduardo f pla la propaganda literaria hardcover