26 082 résultats
1937réf. 72521937. Soyer Raphael. Soyer Raphael. BEDTIME. Cole 54. Lithograph 1937. 18 x 10 1/4 inches; 457 x 260 mm. Total edition of 225 commissioned by Rabin & Kreuger Gallery Newark NJ a first edition of 75 was supplemented by a second edition of 150. Although Cole is silent about it it seems likely that the second edition was really a further printing done shortly after the first; he offers no indication that there is any variation between the two or any way to tell them apart. In the next year Soyer did his first lithograph for Associated American Artists "Protected" which is very similar to this image here the baby looks at the viewer from the mother's right shoulder; in "Protected" the baby is on the mother's left shoulder; the format for "Protected" is smaller. Bedtime is much less frequently seen than "Protected" a surprise given that the editions were apparently close in size. A fine impression of this large early print in excellent condition. unknown
réf. 4086Soyer Raphael. Soyer Raphael. BEHIND THE SCREEN. Etching with aquatint 1935. Cole 39 2d state. 4 7/8 x 3 15/16 in. An unrecorded apparent later state from of Cole 39 with additional cross-hatching creating deeper shading. An unsigned possibly unique impression. unknown
réf. 7244Soyer Raphael. Soyer Raphael. STUDY FOR PEDESTRIANS. Cole 87 Gettings 64 the second state. Etching 1962. Artist's Proof there was no edition in this state and only about 8 in the first state. 5 15/16 x 6 3/4 inches; 151 x 171 mm. Inscribed "A.P." and signed in pencil. Annotated verso "the artist his daughter and her friend." A true "working proof" in very good condition. Rare. In the second state there is additional drypoint cross-hatching to Soyer's face and jacket and to the background. This is the first of four related plates on the "Pedestrian" theme and the first in which Soyer inserted his own likeness into the image See Soyer's comment at G.63. In Cole 88 G.65 Pedestrians - First Plate an additional female figure appears at Soyer's left. Cole 89 G. 66 Self-Portrait shows only the image of the artist and Cole 90 G. 67 Pedestrians 1963 shows additional figures to the right as well as the cityscape in the background. These latter two were included in the portfolio "Sixteen Etchings by Raphael Soyer." unknown
réf. 7734Soyer Raphael. Soyer Raphael. YOUNG WOMAN DRYING HERSELF. Cole 57A. Lithograph in color 1940. Edition of 300. 19 x 12 1/8 inches; 482 x 308 mm. Signed in pencil and numbered 193/300. In excellent condition. unknown
1921réf. 000470Battersea and Cardiganshire 1921. First Edition . Soft cover. Very Good Plus. 8vo - over 7¾" - 9¾" tall. Battersea and Cardiganshire Great Britain 1921 and 1922. Standard letter folds minor age discoloration and peripheral wear else Very Good Plus. Three original ALS by Sabatini - author of such landmark masterpieces as Scaramouche Captain Blood The Sea-Hawk Fortune Fool Saint Martin's Summer and a lengthy list of other titles. Sabatini was just beginning earning to earn international renown for his lush textured prose and swashbuckling romantic plots when he wrote these letters. Two were written in 1921 - the year of publication of Scaramouche considered by many to be his most brilliant work. The other was written in 1922 the year of publication of Captain Blood. Those two titles remain today the most valuable Sabatini first editions. That his life was becoming hectic in those years at the height of his genius is evidenced by these letters: hard to read they nonetheless all express regrets for his being unable to attend one function or another. L-61 paperback
1899réf. 74816Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1899. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Février 1899 23.50 x 34.50 cm une feuille et une serpente Rare original colour lithograph executed by Raphaël Collin for L'Estampe Moderne series number 22 published in February 1899. One of 50 deluxe copies printed on Japan paper with wide margins artist's signature in the plate publisher's dry stamp representing a child's profile in the lower margin numbered stamp of the deluxe issue on verso; engraving preceded by a tissue guard captioned with the artist's name title and a poem. Lithograph inspired by the poem Partenza by Francis Vièlé-Griffin reproduced on the tissue guard of the print. Magnificent French monthly publication issued between May 1897 and April 1899 L'Estampe moderne consists of unpublished chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each issue of four prints was printed in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of handsome format is superbly printed on the most prestigious of papers: Japan. Thick silky satiny and pearlescent it contributes to making each page a work in its own right. Its quality of ink absorption and its affinity with colours also make it the ideal support for these very beautiful lithographs. The interest of French collectors in artistic posters grew in the early 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie"". The poster originally popular and posted in the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a complete work of art on the same level as the luxury illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
réf. RELSPI/Box99/MH10/180626Dec 01 1956. Very Good. THE BOOK IS IN VERY GOOD CONDITION PAGES ARE CLEAN NO SIGN OF WEAR AND TEAR ON THE DUSTJACKET THIS IS A VOLUME 1 EDITION Sold by the U.K Charity Kisharon Langdon. Offering Opportunities and Support for People within the Autism and Learning Disability Community. unknown
réf. 10-21385Ediciones Libertarias. Paperback. New. In shrink wrap. Ediciones Libertarias paperback
1923réf. 38723Sous étui bordé. Reliureplein maroquin orangé, dos lisse, auteur, titre et 2 fleurons dorés, filet doré et fleurons angulaires aux plats, filet à froid aux coupes, contreplats doublés de satin bleu et bordés d'une roulette, avec boutons de roses en fleurons angulaires, le tout doré, doubles gardes, tête dorée. Reliure signée René Kieffer.Édition illustrée de 7 bois gravés en camaïeu par Raphaël Drouart imprimés en 2 tons
1932réf. 47210EDICION FACSIMIL.- Madrid: Publicaciones del Archivo de Villa Artes Gráficas Municipales 1932.- 73 p. de los estudios previos y la transcripción 62 p. sin numerar del Facsímil a todo color 2 h. de índice y colofón; Folio mayor 33 x 232 cm; Magnífica encuadernación en Plena Piel Chagrén lomo cuajado en oro y cinco nervios Tapas con plancha en seco recuadrando flanqueada por filetes dorados contracantos con rueda dorada guardas en papel marbreado cabeza tintada en color calabaza conservando las cubiertas originales Excelente estado. Sin duda un ejemplar de los que se encuadernaron especialmente para obsequiar a las autoridades. Aunque no va firmada por su técnica la encuadernación está sin duda ejecutada por un gran maestro encuadernador posiblemente por algun discípulo de Antolín Palomino de la Imprenta Municipal. MADRID Libro en español Publicaciones del Archivo de Villa hardcover
1914réf. 337Bruxelles-Paris VROMANT & CIE 1914 In-8 (190x135mm) dans une reliure entièrement moulée, plats et dos, sur le livre en matière synthétique à décor conçu par Jean de Gonet; pièce de titre en veau havane sur le dos. Reliure Révorim de Jean de Gonet.
1797réf. 13068Madrid: Imprenta Real 1797. 243x190mm. 9½x7½". Madrid Imprenta Real 1797. En 4º 243 x 190mm. 6 h. 1 retrato lii-402 pp. Encuadernación de la época en plena piel lomera con ruedas doradas formando nervios y hierro dorado en las calles tejuelo en marroquén. Magnífico ejemplar de esta obra estimada muy bien impresa en la Imprenta Real a expensas de Julián Pereyra. Segunda edición copia exacta de la primera. Contiene además de las obras completas de Mengs un "Comentario al Tratado de la Belleza" de Mengs por Joseph Azara y varias cartas. Al fin un tratado con lecciones prácticas de pintura. Obra importante. Antonio Rafael Mengs gozó de un buen prestigio y sus obras eran consultadas por todos los artistas de la época. El libro contiene además de las obras completas de Mengs un "Comentario a su Tratado de la Belleza" por Joseph Azara quien además se encargó de recoger los textos del pintor. Al fin un tratado con lecciones prácticas de pintura. Perfecto ejemplar. Imprenta Real unknown
1874réf. 24602CIUDADELA DE MENORCA: S. Fabregues 1874-1876. Primera edición.- 4º.- Media piel de época lomera con texto y filetes dorados y en seco.- 2 tomos.- I: 647 páginas.- II: 679 páginas.- 4 hojas Lista de los suscriptores.- Ilustraciones entre texto de lápidas. Sello de anterior poseedor y una dedicatoria manuscrita en las guardas de la obra no del autor a Bernardo Amer y Pons Gobernador Civil de Tarragona fechada en 1902. Muy buen ejemplar. No en Bover ya que la edición es de 1874 y la obra fue impresa en 1869 - Palau 200204 S. Fabregues unknown
1876réf. 89659Andres Pego | La Habana [La Havane] 1876-1877 | 17.5 x 25.2 cm | 3 volumes reliés
réf. 12938Soyer Raphael. MOTHER AND CHILD. Cole 93. Gettings 70. Etching 1963. The first state of 2 printed by Emiliano Sorini in an edition of only 15 the Second State with added aquatint was included in the portfolio "Sixteen Etchings by Raphael Soyer" published by Associated American Artists in 1964. Signed in pencil. 9 3/4 x 7 3/4 inches plate 16 1/4 x 12 1/2 inches sheet. In excellent condition. Rare. unknown
1954réf. 50091954. Soyer Raphael. Soyer Raphael. NUDE IN INTERIOR. Cole 76. Lithograph 1954. AAA edition of 250 with their label. 12 1/4 x 9 1/4 inches signed in pencil. Fine. unknown
1786réf. 29839A l'Hotel de Thou Rue des Poitevins Paris 1786. 2 vols. 4to. First Edition thus with engraved portrait frontispiece; handsomely bound in contemporary tree calf backs with four flat bands ruled in gilt second and fourth compartments with leather labels red/green respectively lettered and numbered in gilt all other compartments richly tooled in glt gilt dentelles blue speckled edges marbled endpapers red silk markers joints cracked but binding entirely sound boards lightly age-marked else a remarkably bright crisp copy in wholly unrestored period binding. FIRST EDITION IN FRENCH following publication in Italian by Bodoni. VERY SCARCE. Palau 164521. A l'Hotel de Thou, Rue des Poitevins, Paris, hardcover
A livre d'artiste engraved in aquatint throughout (text and images) by Raphael Drouart. Numerous full-page illustrations, head-pieces, tail-pieces, and page borders. Text follows the French translation done in 1550 by the Docteurs de Louvain. Edition limited to 115 numbered copies on very fine, uncut Japanese paper. Printed on rectos only. Signed in pencil by Drouart. Folio, loose as issued in hand-painted wrappers, protective folder, and decorated slipcase. Fine. A beautiful production.
réf. EXE-182Paris, A. Plique & Cie, 1924. In-4° carré, broché, couverture illustrée par l’artiste, emboîtage. Illustré de 22 gravures originales, dont 9 hors-texte. Tiré à 781 exemplaires, un des 30 de Tête sur Japon Impérial (après un exemplaire unique). Complet des trois suites de gravures: une suite en sanguine sur Japon, et deux sur vélin de Rives, dont une an sanguine.
réf. 140098aafVevey, chez Gel. Blanchoud. libraire éditeur, même maison à Loëche les Bains en Valais, (Paris, Imp. Auguste Bry, 142, rue du Bac), s.d. (vers 1850-60), in-8vo oblong, (8.5x12 l’image lithogr.), 24 planches lithogr. tintées, intercalées avec les papiers minces, brochure originale (15.5x22 cm). Couverture devant illustrée de 6 images des hôtels, la couverture porte également la mention "Lith. Collioud à Vevey." La 2è couverture avec la publicitée du libraire ‘Blanchoud’ pour e.a. la ‘Fête des Vignerons de 1851’.
réf. 446350 Paris, A. Fayard & Cie, sd, cent trente trois volumes ( 18 x 23 cm ) ,ss pp,numéroté au dos (avec inversion du 37 et 73 ,sans gravité pour l'ensemble) reliure en demi-percaline vert-olive ,aux quatre coins,en très bon état,papier non piqué,en parfaite condition,
1935réf. 19.0139México 30 de mayo de 1935. unknown
réf. 16175Paris, A. Romagnol, 1914. Deux forts in-4, un pour l'ouvrage l'autre pour les suites, 426 pp., demi-maroquin havane à coins, dos orné historié, tête dorée, sous étui (petite déchirure à l'étui).
1963réf. 002840Krefeld: Museum Haus Lange / Kaiser Wilhelm Museum 1963. Book. Fine. Soft cover. 1st Edition. Rare exhibition catalog containing 3 original silkscreens; one printed black & white on a transparent plexiglass sheet one printed black & white on black cardboard one printed white on black cardboard. Each 32 x 23.5 cm displaying striped patterns causing an intense optical effect. The artworks are loosely laid in a black folder also containing a folded sheet with black & white plates 4 pp. and a sheet with text by Paul Wember in German French and Spanish 4 pp. Catalog and silkscreens are in very fine/mint condition. Rare item by the Venezuelan-born Op and Kinetic artist Jesus Rafael Soto. Museum Haus Lange / Kaiser Wilhelm Museum Paperback
1918réf. 66277Paris : Librairie Renouard 1918. KIAI-TSEU-YUAN HOUA TCHOUAN. - PETRUCCI Raphaël traduction commentaire et préface.Les Enseignements de la Peinture du Jardin grand comme un Grain de Moutarde. Encyclopédie de la Peinture Chinoise. Traduction et commentaires par Raphaël Petrucci. Augmentés d’une préface d’un dictionnaire biographique des peintures et d’un vocabulaire des termes techniques. Illustrés d’environ cinq cents gravures. Paris Librairie Renouard1918 408x285mmXII - 519 pages demi-chagrin noir dos à nerfs auteur et itre dorés bords du haut du dos fendus sur une dizaine de centimetre reliure solide. Tirage limité exemplaire numéroté n.° 273 / 550. For shipments to the U.S.A. with a value exceeding 800 USD VAT is not included. Please contact us via our website if needed. Librairie Renouard unknown