730 résultats
1803réf. 2250.1803London S. Gosnell 1803. Sm. 4to. contemporary paneled calf with blind decorated sides and spine which has been rebacked much earlier; red morocco label all edges stained red. Occasional foxing mainly to the beginning and end; a handsome well-printed copy. The 46 Dance of Death plates are within separately engraved borders in four different designs three of which are copied with slight variations from the Diepenbeke borders to W. Hollar's plates. As to the plates themselves 30 are copies from Hollar's designs the rest are from the spurious editions of Holbein's cuts with variations. The last plate not mentioned by Douce as being in this work and often lacking is a design by De Mechel called "Petite Danse de Morts" which was originally engraved on the sheath of a poignard after drawings by Holbein. The work was first published in Edinburgh in 1788. According to Aldred Warthin "The paper used in the Edinburgh edition is extremely poor which may account for the poor impressions of the plates. Two other editions of Deuchar were printed by S. Gosnell London in 1803 one WITH and one WITHOUT the Diepenbeke borders. The prints in these London editions are much better than those of the Edinburgh and a better quality of paper is used." It would appear that Warthin did not know that there were two editions of 1803 printed for Scott by two different printers S. Gosnell and W. Smith & Co. See: Warthin Aldred S. The Physician of the Dance of Death. pp. 79-80. Douce Francis. The Dance of Death. pp. 135-36. Minns Collection. AAA Catalogue 1922. No. 268 "Large uncut copy of this rare edition of Deuchar's plates. Printed on heavier paper than the first edition and with very fine impressions of the plates.". PLATES WITH THE DECORATIVE BORDERS London S. Gosnell unknown books
1803réf. 22501803London W. Smith for John Scott 1803. Small 4to. contemporary red straight grain morocco expertly rebacked with a half-inch wide decorated border surrounding a blind-tooled border; spine with four raised bands and elaborate decorative gilt tooling. A.e.g. The work contains a total of fifty plates of which 46 are devoted to the Dance of Death. The plates are printed without the decorative borders found in copies printed by S. Gosnell for John Scott the same year. In this copy they are interleaved with the letterpress text. As to the Dance of Death plates themselves 30 are copies from Hollars designs the rest are from the spurious editions of Holbeins cuts with variations. The work was first published in Edinburgh in 1788. According to Aldred Warthin "The paper used in the Edinburgh edition is extremely poor which may account for the poor impressions of the plates. Two other editions of Deuchar were printed by S. Gosnell London in 1803 one WITH and one WITHOUT the Diepenbeke borders. The prints in these London editions are much better than those of the Edinburgh and a better quality of paper is used." It would appear that Warthin was unaware that there were two printings in 1803 for Scott by two different printers. In our experience the Smith printing is the rarer of the two. See" Warthin Aldred S. The Physician of the Dance of Death. pp. 79-80. Douce Francis. The Dance of Death. pp. 135-36. Minns Collection. AAA Catalogue 1922. No. 268 "Large uncut copy of this rare edition of Deuchar's plates. Printed on heavier paper than the first edition and with very fine impressions of the plates.". IN A FINE RED MOROCCO BINDING London W. Smith for John Scott hardcover books
1803réf. 21501803London W. Smith for John Scott & Thomas Ostell 1803. Squarish small 4to. original gray publisher's boards with a printed paper label: Holbein's Dance of Death with Fifty Plates. Twelve Shillings. Rebacked a few plates guarded slight widespread spotting. RARE IN THIS STATE. As to the plates themselves there are fifty as the cover label states the title-page calls for 46 and they differ in number slightly from another edition of the same year printed by S. Gosnell for Scott and Ostell. What's more they are not set within decorative borders and the letterpress and title-page differs significantly from the other edition in both typeface and format; here the text is gathered in an integral section that precedes the plates in the other edition the plates are integrated into the text we know of another copy in the publishers gray boards in which the plates are untrimmed and gathered in a section after the letterpress. Thirty of the plates are copies from Hollar's designs the rest are from the spurious editions of Holbein's cuts with variations. The last plate not mentioned by Douce as being in this work and often lacking is a design by De Mechel called "Petite Danse de Morts" which was originally engraved on the sheath of a poignard after drawings by Holbein. The work was first published in Edinburgh in 1788. According to Aldred Warthin "The paper used in the Edinburgh edition is extremely poor which may account for the poor impressions of the plates.and The prints in these London editions are much better than those of the Edinburgh and a better quality of paper is used." The quality of the plates in the two 1803 editions is similar as to wear the impressions of the Gosnell-printed edition are however considerable darker than are those printed by Smith. See" Warthin Aldred S. The Physician of the Dance of Death. pp. 79-80. Douce Francis. The Dance of Death. pp. 135-36. Minns Collection. AAA Catalogue 1922. No. 268 "Large uncut copy of this rare edition of Deuchar's plates. Printed on heavier paper than the first edition and with very fine impressions of the plates.". IN THE PUBLISHER'S BOARDS London W. Smith for John Scott & Thomas Ostell hardcover books
1959réf. 17863Paris, Imprimerie de GLM (Guy Lévis Mano), 1959. 1/1465 ex. num. sur vélin teinté (n° 1021). In-8°, 112 pp,. non paginées, intérieur très frais. Broché, très bon état général (tampon ex-libris ésotérique).
1959réf. 17863Paris, Imprimerie de GLM (Guy Lévis Mano), 1959. 1/1465 ex. num. sur vélin teinté (n° 1021). In-8°, 112 pp,. non paginées, intérieur très frais. Broché, très bon état général (tampon ex-libris ésotérique).
réf. GF18997Lithographie d'après Mauraisse - format 49 x 31 cm marges comprises - quelques piqures en marge -
réf. 941495Edwin Tross Paris 1856 In-8 ( 220 X 145 mm ) de 48 feuillets non chiffrés, demi-maroquin tabac, dos à nerfs orné de filets et fleurons dorés, tête dorée. Très belle impression de Firmin Didot sur papier vergé. Texte encadré des gravures sur bois reproduisant les dessins d'HOLBEIN ayant pour thème la danse macabre. Très bel exemplaire agréablement relié.
1856réf. 129341856 un volume, reliure demi-vélin blanc grand in-octavo (half binding white vellum in-octavo), dos muet (spine without title), dos long (spine without raised band), papier peigné aux plats (cover with painting paper), toutes tranches lisses (all smooth edges) jaspées (all marbled edges), couverture illustrée conservée (cover illustrated of the preserved paperback edition), Bel exemplaire, tel que paru, sur papier vergé. Texte encadré des gravures sur bois en noir (engraving woods in black) reproduisant les dessins d' Hans Holbein ayant pour théme la danse des morts (Très belle impression de Firmin Didot), 48 feuillets non paginés, 1856 Paris Edwin Tross Editeur,
1856réf. 21788Paris Edwin Tross 1856 in-8 pleine percale un volume, reliure pleine percaline vert-foncé grand in-octavo Editeur (binding full percale in-octavo Editor)(22,6 x 14,2 cm), dos long (spine without raised band), titre frappé "or" verticalement au centre du dos avec des fers spéciaux "or" de part et d'autre du titre, plats ornés à froid (plaques spéciales Editeur) d'un cadre central ovale à froid dans un encadrement à triple filets à froid avec coins en enchevêtrement, titre frappé "or" au milieu du cadre ovale à froid, au centre du 1er plat, toutes tranches lisses (all smooth edges), Bel exemplaire, tel que paru, sur papier vergé. Texte en vieux françois et Latin encadré des gravures sur bois en noir (engraving woods in black) reproduisant les dessins d' Hans Holbein ayant pour théme la danse des morts (Très belle impression de Firmin Didot), 48 feuillets non paginés, 1856 Paris Edwin Tross Editeur,
1828In-4 gr. (mm. 353x245), mz. pelle con ang. coeva (lievi abras.), dorso a cordoni con ricca decoraz. e tit. oro, tagli dorati, cc.nn. 71, intervallate da 84 magnifiche tavole di ritratti inc. in rame e colorati a mano, ad imitazione dei disegni originali di Holbein. In Indice ne sono indicati solo 80, gli altri 4 sono: di Holbein e sua moglie, di Henry e Charles, figli di Charles Brandon, Duke of Suffolk. In questa splendida collezione, le illustrazioni sono stampate su carta pesante bianca o color rosa (come gli originali), sempre precedute da un foglio bianco di protezione, e sono accompagnate da una biografia del personaggio. I disegni originali si devono al grande artista tedesco Hans Holbein il Giovane (1497-1543) che divenne pittore aulico di Enrico VIII (dopo il 1532) e “nei suoi ritratti mostra una finezza di indagine psicologica e una precisione tecnica superiori a quelle che si riscontrano nel padre, Hans il Vecchio”. Così Diz. Treccani,V, p. 787. A distanza di due secoli, l’iniziativa di raccogliere i magnifici ritratti di importanti personaggi della corte di Enrico VIII e di trarne delle tavole incise fu di John Chamberlaine, antiquario inglese vissuto tra il XVIII e l’inizio del XIX secolo, mentre le note biografiche sono a firma di Edmund Lodge. "Seconda edizione" con le tavole della prima del 1812. I ritratti su carta bianca hanno il bordo del margine bianco annerito per ca. 15 mm. (non quelle su carta rosa); solo 1 tav. con fiorit., altrimenti esemplare ben conservato.
réf. RO30315238Insel-Verlag.Leipzig. Non daté. In-12. Cartonné. Bon état, Couv. convenable, Dos satisfaisant, Quelques rousseurs. 37 pages. 24 illustrations en couleurs, hors textes. En V.O. allemand.. . . . Classification Dewey : 830-Littératures des langues germaniques
réf. 41643Paris Imprimé pour Edwin Tross 1856 in 8 (22,5x14) 1 volume reliure pleine percaline noire de l'éditeur, dos et plat supérieur titrés en lettres dorées, non paginé, texte encadré d'après les dessins d'un livre d'heures de Simon Vostre, et lettrines de Holbein sur le thème de la Danse des Morts. Imprimé pour Edwin Tross sur papier vergé par Firmin Didot Frères. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
réf. 7971Paris, Imprimé pour Edwin Tross, 1856. 22,5 x 14 cm, non paginé. Relié pleine percaline noire de l'éditeur, dos et plat supérieur titrés en lettres dorées, texte encadré d'après les dessins d'un livre d'heures de Simon Vostre, et lettrines de Holbein sur le thème de la Danse des Morts. percaline légèrement poussiéreuse sinon bon exemplaire.
réf. 7971Paris, Imprimé pour Edwin Tross, 1856. 22,5 x 14 cm, non paginé. Relié pleine percaline noire de l'éditeur, dos et plat supérieur titrés en lettres dorées, texte encadré d'après les dessins d'un livre d'heures de Simon Vostre, et lettrines de Holbein sur le thème de la Danse des Morts. percaline légèrement poussiéreuse sinon bon exemplaire.
1832réf. 18638Munchen, auf Kossten des Herausgebers, 1832. In-12 de 78 pages et l'avis au relieur, plein maroquin vert, dos à nerfs orné de caissons dorés, plats ornés de treize filets dorés encadrant les plats, simples sur les coupes, triples aux contreplats, armes de Léon Curmer frappées aux centres des plats, tranches dorées. Reliure signée Simier, r. du Roi.
1842réf. 18637Paris, Jules Labitte, sans date [1842]. Petit in-12 de 252-[2] pages, demi-chagrin chocolat, dos à nerfs orné de filets et fleurons dorés. Reliure signée Faille.
1780réf. 19667Bâle, Guillaume Hass, 1780. 14 feuillets volants, non rognés, jamais reliés.
réf. 498Basle Hasler et cie. in-4 (293x230mm.) cartonnage de toile verte ornée de fers spéciaux dorés sur le premier plat ainsi que le titre. Tranches dorées, reliure de l'éditeur. (date non mentionnée)
1947réf. 027074Laclaustra y Compañia 1947. Soft Cover. Near Fine. One of 80 copies on Liverpool Ledger paper with one original copperplate etched Exodi XIX 93 rectangular and 4 oval illustrations. In publishers good only box. Loose leaves in a softcover protected by a glassine paper dust wrapper Laclaustra y Compañia paperback
1871Sm. 4to., First Edition, with a portrait frontispiece and very numerous fine full-page facsimiles in the text, neat signature on half-title and verso; original maroon cloth, boards elaborately blocked in blind and lettered in gilt, gilt back, uncut, black endpapers, backstrip moderately sunned else a very good, bright, clean copy. High-quality photo-lithographic facsimile reissue, with an introduction, alphabetical list of all the Latin mottoes and general index. Very scarce.
2000réf. Khe03526Heidelberg (Elfenbein) 2000 (= Erste Ausgabe). 8°, illustriertes Originalleinen (Hardcover) ,381 S., Abbildungen, ISBN 393224530x 1
réf. 21009Hanover 14 July 1829. In German not translated. 3 pp. 10 x 8 inches address panel tear at opening paper toning. With a Stargardt catalogue slip November 2001 estimate 500 Euros. Franz Ignaz Holbein von Holbeinsberg 1779-1855 Austrian playwright theatre manager actor and musician. In 1809 he worked as an actor in Vienna for a short period then as a director and theatre manager in Germany; 1841-1849 manager of the Burgtheater 1848-1853 of the Vienna Court Opera. He writes to Louis Angely 1787-1835. German writer of comedy. . Nach allem was ich über diese Arbeit höre wird die königl. Hoftheater Comite die Aufführung gewiß genehmigen und die Oeconomie sich über das Hornorar mit Ihnen einigen. Ihre Handwerker welche ich keines wie so manche Kittiker in die Klaße der Possen stelle haben mir wie so viele Ihrer Arbeiten schon recht viele Freude gemacht. Das ehrliche gutgemeinte Ueberreichen der Sparbüchse der Freundschaft wie die Theilung der einzigen Tasse Chiocoulade hat zu herzlichem Lachen bei mir immer eine Thräne der Rührung gestellt. Ich weiß kein höheres Lob kenne keine angenehmere Lustigkeit . unknown
1925réf. RD-PZBF-OZ0S1925. Hardcover. Good. Covici 1925 number 381 of 1100 copies. Good plus. Corners worn through otherwise moderate wear soiling sun-fading. Pages yellowed with occasional smudges minor blemishes. Binding reasonably firm. hardcover
1977réf. 1367074CAN. New. 1977. Soft Cover. This is a reprint edition. . CAN paperback
