730 résultats
réf. 59-3823Windsor Castle: ND. One of a number of color collotype facsimiles of Holbein portraits. 28 x 20.7 cm 11 x 8-1/8 inches. Hans Holbein the Younger was appointed King's Painter to Henry VIII in 1535. He became famous for his portraits of the royal family and court nobility. Some of these prints have a stamp verso reading "Copyright by H M the King Windsor Castle." All are stamped recto with a crown and "ER VII." Printed in England. Windsor Castle: ND. unknown
réf. 59-3817Windsor Castle: ND. One of a number of color collotype facsimiles of Holbein portraits. 27 x 19.5 cm 10-3/4 x 7-3/4 inches. Hans Holbein the Younger was appointed King's Painter to Henry VIII in 1535. He became famous for his portraits of the royal family and court nobility. Some of these prints have a stamp verso reading "Copyright by H M the King Windsor Castle." All are stamped recto with a crown and "ER VII." Printed in England. Windsor Castle: ND. unknown
réf. 59-3816Windsor Castle: ND. One of a number of color collotype facsimiles of Holbein portraits. 26 x 22 cm 10-1/4 x 8-3/4 inches. Hans Holbein the Younger was appointed King's Painter to Henry VIII in 1535. He became famous for his portraits of the royal family and court nobility. Some of these prints have a stamp verso reading "Copyright by H M the King Windsor Castle." All are stamped recto with a crown and "ER VII." Printed in England. Windsor Castle: ND. unknown
1795réf. 54825IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. John Chamberlaine London. 1795. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Accompanied by a biographical tract giving a brief history of this nobleman in the court of Henry VIII. Engraved by BARTOLOZZI Francesco. Stipple engraving. Fine condition. Printed colour. Size: 23 x 33 cm. 9 x 13 inches unknown
réf. 71-4037Firenze: La Societa Editrice circa 1841-1846. Stipple and line engraving. 49.5 x 34.4 cm. sheet. Drystamp of the publisher. Very Good. Light foxing in the margin areas.“Storia della pittura dal suo risorgimento in Italia dimostrata coi monumenti della Reale Galleria di Firenze.” OCLC no. 83041262. Firenze: La Societa Editrice, circa 1841-1846. unknown
1812réf. 73604London: John Chamberlaine 1812. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco in IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. Stipple engraving. Printed colour. Size: 333 x 250 mm Fine condition. unknown
1812réf. 73615London: John Chamberlaine 1812. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco in IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. Stipple engraving. Printed colour. Size: 333 x 250 mm Good condition. unknown
1812réf. 73606London: John Chamberlaine 1812. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco in IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. Stipple engraving. Printed colour. Size: 333 x 250 mm Fine condition. unknown
1812réf. 73587London: John Chamberlaine 1812. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco in IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. Stipple engraving. Printed colour. Size: 333 x 250 mm Fine condition. unknown
1856réf. 193907Paris: Edwin Tross 1856. Paperback. Good Boards are shelf/edgeworn foxed and smudged; spine strip is loosening and chipped at the edges; signature is present on ffep; inner hinge is cracked at front and rear covers which are loose but still holding; textblock is cracked; textblock edges are darkened; pages are lightly smudged with occasional smudges. Brown boards with gilt lettering and illustration; 36 unnumbered pages; richly illustrated. This gorgeous book is richly illustrated with wood engravings throughout. Edwin Tross paperback
réf. 1169571247.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1947réf. 87160hLondon: Phaidon Press 1947. Book. Near Fine. Hardcover. 16mo - over 5¾ - 6¾" tall. Cloth hard covers in dust jacket. Old bookseller's sticker to endpaper; top edge and endpapers toned. Toning and mild edge wear to jacket not price-clipped now protected in removable archival mylar sleeve. Otherwise clean tight and unmarked. Notes bibliography list of reproductions. Very neat -- a sound and handsome copy. 127pp. Phaidon Press Hardcover
2026réf. LRB521987Paris: Editions Recreasoft 2026 Language: English. Approximately 532 pages. English : Print-on-demand reprint. Original edition : 1902. A classic study of The Dance of Death presenting a sequence of wood engravings based on designs attributed to Hans Holbein accompanied by Francis Douce's learned treatise on the subject. Of enduring interest to collectors of emblem books iconography print history and the visual culture of mortality this volume brings together artistic interpretation and bibliographical scholarship in a substantial reference work. Book images are non-contractual. Editions Recreasoft. Softcover. New. Editions Recreasoft paperback
1804réf. 13945London: np 1804. Later Edition. Full Calf. Very Good. Later Edition. Full Calf. "Dance of Death": late-medieval allegory on the universality of death. With Hans Holbein the Younger the Danse macabre takes on a completely new artistic form. This depicts the brutal irruption of Death in work and the joy of living. This representation takes precedence over the idea that death spares no social class. In 1538 with the publication of Les simulacres de la Mort Hans Holbein the Younger redefines the theme of the danse macabre. Death always aggressive and jubilant no longer dances in a long farandole but intervenes directly in scenes of daily life. This is a series of 32 engraving with a folding plate which were originally executed around 1804. This edition has continuous pagination and is in English beginning with a divisional title: 'Descriptions of the cuts in Hollar's Dance of death.' The final part 'The Dance of Macaber.' Collation: A2-B-F8 Pagination: 281p1 32 plates 2 frontis 1 folding 29 engraved leaves. This copy also includes handwritten inscriptions on the plates of Biblical verses from Genesis on several leaves. Completely detached front board shaken rear rubbing/bumping to extremities otherwise a good copy. Full mottled tree calf with gilt spine/edging decorations. 4to. 81pp. Illus. b/w 32 unnumbered leaves of engravings with folding plate frontispieces. Annotations. Lacking a plate np unknown
réf. 45266860-nnew. unknown
1804réf. 4447426small 4to complete with 33 plates one folding nicely rebound with pebbled leather spine and leather label light wear to covers discolouration-foxing throughoutsome pages heavy foxing otherwise unmarked John Harding hardcover
2010réf. DADAX1163410381Kessinger Publishing 2010-09-10. hardcover. New. 6.00x0.44x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing hardcover
1974réf. 5071DB1974. 2 Bände in Halblederbox. Boston The Godine Press 1974. 8°. Text mit lose beigelegten Tafeln. unknown
réf. 104392London J. Coxhead 1816. 8° 1 Titelbl. Kupferstich-Portrait W. Hollar 70 S. Life of Holbein; The dance of death; Descriptions of the cuts.; Dance of macaber 1 Kupferstich-Portrait of Hans Hollbein 31 Kupfertaf. alle Kupfern handkoloriert. Privat-Lwd. m. Rückentitel Exlibris a Vors. Blätter durchgängig etwas stock- u fingerfleckig Die Bildunterschriften in den Kupfern in Latein die erläuternden Texte engl./frz. - David Deuchar 1743 - 1808 kopierte recht unbeschwert die 30 Totentanzstiche von Wenzel Hollar 1607-1677 den jener nach Holbein neu gestochen hatte. - Massmann 57. 010 London, J. Coxhead, 1816 unknown
1892réf. 12597London: George Bell & Sons. Fair with no dust jacket. 1892. Limited Edition. Hardcover. ii 18 ii pp 49 leaves. Limited edition of 500 copies of which this is one in Imperial 16mo. Signature of Harriet Monroe in pencil on the first free end paper. In original publisher's brown cloth with gilt title to front cover spine covering perished but binding holding. Red and black title page 49 copies of woodcuts and a facsimile of the original 1538 French title page. Forty-one of the woodcuts were according to Dobson cut 11 years before 1538 while the remaining 8 were added after that edition. Accompanying each woodcut is a verse in Latin with the antique French below it. Harriet Monroe 1860 1936 was an American editor scholar literary critic poet and patron of the arts and the founding publisher and long-time editor of Poetry magazine which she established in 1912. As a supporter of the poets Wallace Stevens Ezra Pound H. D. T. S. Eliot William Carlos Williams Carl Sandburg Max Michelson and others Monroe played an important role in the development of modern poetry. Interior is in good condition. The tissue protector for the title page is heavily browned and cracking away at the gutter the binding is a bit shaken but otherwise the book is clean and unmarked save for Monroe's signature and a small bibliographic note on the verso of that page. A scarce title nice with an early Monroe provenance. ; 16mo 6" - 7" tall . George Bell & Sons hardcover
réf. SKU0580090Penguin Classics 2017-01-03. paperback. Good. 5x0x7. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking Penguin Classics paperback
réf. SKU0627597Penguin Classics 2017-01-03. paperback. New. 5x0x7. New Textbook Ships with Tracking Penguin Classics paperback
réf. 1333423446.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1019418192.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1354666607.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover