Holbein, Hans (II)Biblio.com
730 résultats
réf. 2926353Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1523. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 2926328Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1524. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 2926329Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1524. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 2926327Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1524. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 2926330Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1524. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1812réf. 73582London: John Chamberlaine 1812. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco in IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. Stipple engraving. Printed colour. Size: 333 x 250 mm Fine condition. unknown
1795réf. 53462IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. John Chamberlaine London. 1795. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco. Stipple engraving. Fine condition. Printed colour. Size: 22.5 x 33 cm. 9 x 13 inches. unknown
réf. 3572813Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1500. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 3572815Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1500. Professionally printed on premium fine-art paper Photo Rag 308 premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 3572816Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1500. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 3572814Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1500. Professionally printed on premium fine-art paper Photo Rag Bright White in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1538réf. RHOLBIB00twThomas Platter 1538. Very Good. Holbein Hans. Bible leaf from German 1538 Bibel with Hans Holbein illustrations. Bale: Thomas Platter 1538. 22 x 33 cm. Book condition: Very good but sadly mounted with glue on a piece of modern pres board. Lightly soiled. Pencil identifications on lower margin. Page 3 with Genesis is visible. It contains a 8.5 x 5.5 cm illustration of the flood and two black and white historiated initials 6 lines high. Thomas Platter unknown books
1950réf. 224737Germany: Im Insel 1950. Hardcover. Very Good. Very good hardcover. About 38 pages. Corners slightly rubbed and bent. In German. Spine slightly brown. Im Insel hardcover books
1832réf. 233834München 1832. 53 lithographs on tissue tipped in. 1 vols. 8vo. Bound in full brown morocco a.e.g. Very good. Bookplate of Van Nest. 53 lithographs on tissue tipped in. 1 vols. 8vo. unknown books
1832réf. 63965München, Auf Kosten des Herausgebers, 1832. Kl.-8°. Mit 53 lithogr. Tafeln. 78 S., HLdr. d. Zt. m. Rückenverg. u. goldgepr. Rückentitel.
1792réf. 65216London: W. Bulmer & Co 1792. HOLBEIN Hans; CHAMBERLAINE John. artist. CHAMBERLAINE John. Imitations of Original Drawings by Hans Holbein in the Collection of His Majesty for the Portraits of Illustrious Persons of the Court of Henry VIII. With biographical tracts. Published by John Chamberlaine Keeper of the King's Drawings and Medals and F.S.A. London: W. Bulmer & Co. 1792. First edition of Chamberlaine's magnificent volume of 86 color stipple-engraved plates rarely found complete. Large folio 21 1/4 x 16 1/2 inches; 540 x 415 mm. Complete with the 80 listed plates all of which are mounted frontispiece portraits of Holbein and Holbein's wife and a third frontis of a group portrait two hand-colored miniatures and an additional plate of Henry Howard Earl of Surry engraved by Scriven. An impressive collection of full-page engravings after Holbein's legendary portraits of Jane Seymour Anne Boleyn Sir Thomas More a young Edward VI Anne of Cleves and other court figures with frontispiece portraits of Holbein and his wife. Of the listed plates all but four portraits are engraved by the great Bartolozzi. In total eighty-two plates are in color with four on lavender paper sixty-three on pink thirteen on white/buff inclusive of one sheet with double portrait of Henry and Charles Brandon finished by hand. With one leaf of publisher's advertisements. 19th-century full red morocco rebacked with original spine laid down. Boards elaborately stamped with floral devices and with thirteen gilt rules. Spines elaborately stamped in blind and gilt lettered in gilt. With one-inch gilt dentelles. All edges gilt. Green coated endpapers. Plates exceptionally bright and clean with only very minor instances of foxing. Most foxing is to leaves and not engravings. Title-page with 11/2-inch x 1/2 piece torn from fore-edge and a 2-inch closed tear at fore-edge neither affecting text. Many of the plates are a somewhat wrinkled. The plate of Lord Clinton with a small tear to the pink paper not affecting engraving. Occasional marginal closed tears professionally repaired. Binding a bit rubbed and bumped. Overall a very good copy of a magnificent work. German artist Hans Holbein the Younger ranks "as one of the best portrait-painters in the world. He combined artistic beauty and precision of technical execution with extraordinary truth to nature and power of interpretation of character." Holbein born in 1497 first "arrived in England in the 18th year of the reign of Henry VIII. Sir Thomas More was then Chancellor of the Exchequer and Warham. was Archbishop of Canterbury. Through them Holbein obtained easy access to the leading men of the court" painting portraits of Moore Warham and many others before returning home. He journeyed back to England in 1532 where by 1536 he was in service as "'the king's painter' and in that year he painted the new queen Jane Seymour." In 1539 as a New Year's gift to the king "he gave 'a table of the pictour of the prince's grace' possibly the portrait of the infant Edward VI at Hanover. His portrait of Anne of Cleves perhaps the one now in the Louvre was sufficiently attractive to decide the king in her favour" DNB. The majestic portraiture of Holbein who died in London in 1543 "remains unsurpassed for sureness and economy of statement penetration into character and a combined richness and purity of style" Waterhouse. At the end of the 18th century John Chamberlaine in the court of George III sought to bring together a work to pay tribute to Holbein's magnificent artistry. There had been previous unsuccessful attempts to publish the portraits in engraved reproductions such as a 1792 volume containing 33 plates of poor quality titled The Court of Henry the Eighth. Yet Chamberlain succeeded where others failed for as the king's Keeper of the Drawings he assembled in this Imitations of Original Drawings by Hans Holbein 84 splendid color stipple-engraved full-page portraits of Edward VI Anne Boleyn Thomas More Jane Seymour the Archbishop of Canterbury Anne of Cleves and other major figures of the age. "One of the most magnificent books that we have ever seen and whether we consider the genius of the painter or the talents of the engravers reflects high honor on the age and nation which produced it" London Monthly Review. Sir Walter Scott praised it as "a collection which at once satisfies the imagination and the understanding showing us. how the most distinguished of our ancestors looked moved and dressed and. how they thought acted lived and died" Allibone 1120. Color-inked on the plates these intricate stipple-engraved portraits comprise "inestimable examples of English color printing at its best" Joan Friedman. "This magnificent work is surely the finest early example of English color printing. The reduced reissue of 1812 reprinted in 1828 gives no idea of the book's quality" Ray English 19. "In every way a splendid book" Abbey Life 205. Initially issued serially in 14 parts from 1792-1800. This volume's 86 beautiful portraits were achieved with techniques that admirably succeed in honoring Holbein's portraiture. The plates were etched or engraved in gray or sepia ink with additional colored inks applied a la poupee two hand-colored. Text by Edmund Lodge. Abbey Life 206. Lowndes 1381. Abbey Life 205 206. HBS 65216. $12500. W. Bulmer & Co unknown books
1856réf. 18766Paris, Tross, 1856. Titel mit Druckermarke, 2 weiße Blatt, 30 Blatt, davon die Hälfte beidseitig bedruckt nach Holbein, die anderen weiß. 8°, Pappband mit hübschem Kleisterpapierbezug des frühen 20. Jahrhunderts, ca. 1910, zum Rücken hin mit Ockerfarbe "ausgebessert". Einband wohl gefertigt von der Buchbinderei H. Böhm, Mannheim (Etikett am hinteren Spiegel).
1959réf. 9101959 - broché - A Paris, de l'Imprimerie de GLM - MCMLIX (1959) - In-8 (22 x 15 cm) broché - Sans pagination - Nombreuses gravures de Holbein - Ouvrage tirée à 1500 exemplaires. Exemplaire sur vélin teinté, numéroté N° 232 - Titre complet : La Bible. Quatre vingt quinze images de Hans Holbein avec les textes pour chacune traduicts du latin en françois par les Docteurs de Louvain
1877réf. 190547London: Arundel Society for Promoting the Knowledge of Art 1877. Hardcover. Fair heavy shelfwear to boards internal hinges broken with pages loose all plates are present foxing spots throughout volume 2 has possible water damage to thegreen cloth of the bottom front cover volume 1 has some damp staining to top edge of beginning pages. Two oversized volumes bound in 3/4 brown leather and green cloth boards 5 raised bands on spines with gilt lettering top edge gilt marble illustrated end papers. Volume 1 contains an 8 pp preface followed by a list of the plates and plates numbered 1-40. Volume 2 contains a list of the plates followed by plates 41-80. Each plate has an accompanying text page. "Under the Sanction of the Science and Art Department of the Committee of Council on Education." title page. 18x13x3" Arundel Society for Promoting the Knowledge of Art hardcover books
2001réf. 47655New Haven ; London : Yale Univ. Press, 2001. 262 S. : zahlr. Ill. ; 28 cm ; Sprache: Englisch Leinen
1988réf. 48764Basel : Kunstmuseum, 1988. 272 S. : zahlr. Ill. (z.T. farb.) ; 26 cm broschiert
1988réf. 48767[Hamburg] : Hamburger Kunsthalle - Basel : Kunstmuseum - [New York] : Johnson Repr. Corp. - [San Diego] : Harcourt Brace Jovanovich, 1988. 147 S. : überwiegend Ill. (z.T. farb.) ; 26 cm broschiert
2010réf. 47295Ostfildern, Deutschland : Hatje Cantz, 2010. 39 S. : überw. Ill. ; 23 cm , 1 CD Pp.
2010réf. 145426Ostfildern, Deutschland : Hatje Cantz, 2010. 44 S. + CD 8° , Hardcover/Pappeinband
réf. 108775aafUttweil am Bodensee, C. Uhler o.J. (1860), in-8vo, VIII (Titelbl. - Vorwort) + 48 getönt. Holzst.-Tafeln, sehr sauberes Exemplar, gold- u. blindgepr. Lwd d. Zt, mit Deckeltitel, Buckblock aus d. Orig.-Einband gelöst, Rücken etwas verblasst, sonst tadellos.
