1.065 resultados
1981ref. mon0000186267Yale University Press 9/10/1981 12:00:01 A. hardcover. Very Good. 0.6614 in x 8.4606 in x 7.5512 in. very clean hardcover with jacket. no marks. clean text. solid binding. dj has very light edge wear and corner chipping. very light wear. ISBN matches listing Yale University Press hardcover
1914ref. 185375London: Constable and Company Limited 1914. First edition in English of Kandinsky's seminal theoretical publication. Kandinsky explores theosophy outlines his theories of the artist as a prophet and argues for expression and spirituality in the place of naturalistic representation. Extracts from this translation were published in Wyndham Lewis's Blast magazine later in 1914 quickly establishing Kandinsky's reputation in Britain. The work was published in German in 1911 as Über das Geistige in der Kunst. The first edition was issued in quarter cloth with marbled boards as here and also in grey boards. Small quarto. With 9 plates after paintings 4 by Kandinsky 3 diagrammatic plates in red and black woodcut chapter headpieces by Kandinsky. Original blue quarter cloth brown paper label to spine lettered in gilt marbled paper boards edges untrimmed. A few spots of wear to extremities occasional foxing to contents a few gatherings roughly opened: a very good copy. hardcover
ref. DADAX3777440361New unknown
ref. ria9780691268507_inpHardback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A hardcover
2018ref. 1-3957705517saxoniabuch.de 2018. Paperback. New. 208 pages. German language. 8.78x6.85x0.67 inches. saxoniabuch.de paperback
ref. 72463Köln Verlag M. DuMont Schauberg 1960 Auflage: 1. Halbleinen gebunden; farbig illustrierter Einband / Anz. Seiten: 23 / 305 x 33 cm / mit 1 Porträt als Frontispiz sowie 16 farbigen und 16 schwarzweissen Reproduktionen von Werken des Künstlers / Zustand: sehr gut geringe bis leichte Gebrauchsspuren; Einband geringfügig berieben und etwas gebräunt Besitzerstempel auf Vorsatz Die farbigen Reproduktionen sind sämtlich lose in eingebundenen Passepartouts; zusätzlich sind dem Buch in der Lasche am Hinterdeckel 2 weitere Passepartouts beigelegt. Köln, Verlag M. DuMont Schauberg, 1960, Auflage: 1. unknown
1973ref. 228250Milano: Feltrinelli 1973. Rilegato sovracoperta custodia hard cover dust jacket slip-case. Ottimo Fine. Volume I: Punto e linea nel piano. Articoli teorici. I corsi inediti al Bauhaus. Volume II: Dello spirituale nell'arte. Scritti critici e autobiografici. Teatro. Poesie. A cura di Philippe Sers. Numerose immagini in bianco e nero e a colori. 8vo. pp. XXIV - 321 e XIX - 424. Ottimo Fine. Piccolo strappo alla sovracoperta del II volume One small tear to the dust jacket of the II volume. Prima edizione First Edition. Feltrinelli, hardcover
ref. 39225Paris Galerie Maeght 1957. 1 Doppelbl. Später als 1922 ausgeführte Gouache als Entwurf für ein Wandbild in der Ausstellung der Juryfreien Kunstschau Berlin unknown
ref. OTF-S-9783037786239Lars Mller Publishers. New. BRAND NEW GIFT QUALITY! NOT OVERSTOCKS OR MARKED UP REMAINDERS! DIRECT FROM THE PUBLISHER! Lars M?ller Publishers unknown
1958ref. 24117Milano: Il Saggiatore 1958. Rilegato sovracoperta custodia hard cover dust jacket slip-case. Ottimo Fine. Numerose illustrazioni in nero e 41 tavole a colori applicate. Diverse foto dell'Artista. 4to. pp. 428. Ottimo Fine. Prima edizione italiana First Italian Edition. Il Saggiatore, hardcover
2001ref. 97289Milano: Mazzotta 2001. Brossura wrappers. Ottimo Fine. Volume edito in occasione della mostra Genova Palazzo Ducale 27 ottobre 2001 - 17 febbraio 2002. Saggi di Angelica Jawlensky Bianconi Irina Devjat'jarova Antonio Gibelli Leo Lecci et al. Con 235 ill. a colori e tante altre in nero. Schede biografiche a cura di Paola valenti. 4to. pp. 330. Ottimo Fine. . Mazzotta, unknown
1934ref. 028887New York: Brentano's 1934. 1st Edition 1st Printing. Hardcover. Good/Good. V 155 Pp Plates At End. Yellow Dust Jacket Printed In Black Attached Over Plain Boards. Light Wear But Spine Browned And With Tears At Corners. With The Original Slipcase Well Worn At Edges. Inscribed By Ramiel Mcgehee To Photographer Sonya Noskowiak "To Sonya In Remembrance Of A Most Important Event! In Gratitude Ramiel Mcgehee May 25Th 1936". Mcgehee Provided Research And Revisions For Danz's 1941 Book. Noskowiak - 1975 Was An American Photographer And Member Of The Famous San Francisco Photography Collective Group F/64 That Included Ansel Adams And Edward Weston. While In San Francisco She Began Working For Photographer Johan Hagemeyer And He Taught Her The Basics Of The Trade. Through Hagemeyer She Met Edward Weston And From 1929 To 1935 She Lived With Him As A Lover Student Model Printer Of His Commercial Photographs And Surrogate Mother To His Children. While With Weston She Developed A Strong Vision Of Her Own And She Quickly Became Known For Her Portraits And Artistic Images. In 1932 Noskowiak Became An Organizing Member Of The Short-Lived Group F/64 Which Included Such Important Photographers As Ansel Adams Imogen Cunningham Willard Van Dyke Weston And His Son Brett. Members Of F/64 Believed That Photography Was An Art Form In Itself And So Photography Did Not Need To Follow The Norms Of The Fine Arts In Order To Be Defined As Art. Noskowiak's Works Were Shown At Group F/64'S Inaugural Exhibition At San Francisco's M. H. De Young Museum; She Had Nine Photographs In The Exhibit - The Same Number As Weston.She Continued Taking And Selling Photographs Through The 1950'S. Her Archives Including 494 Prints Hundreds Of Negatives And Many Letters To Edward Weston Are Now Housed At The Center For Creative Photography In Tucson Arizona. Source: Wikipedia. Brentano's hardcover
1951ref. b30459Paris: Maeght Editeur 1951. First Edition . Hardcover. Near Fine/Near Fine. Near fine in original plain boards with cloth spine and dust jacket. Text in French. Maeght Editeur hardcover
1914ref. 005794London: Constable and Company Limited 1914. First Edition in English . Cloth Spine/Marbled Boards. Very Good/No Dustwrapper as Issued. 8 3/4" Tall. 9 Plates. Xxvii 112. First English Edition Preceding The American Issue. Finely Printed By The Chiswick Press. Blue Cloth Over Patterned Boards Morocco Spine Label With Title And Author As Issued With Gilt Lettering Complete And Bright. Fragile Boards Worn At Edges Marbled Paper Which Covers The Boards Is Worn Through On Each Board Right Along Edge For Several Inches But Spine Cloth Shows Only Slight Rubbing At Top And Bottom And Book Is Near Fine Internally. No Stains Or Other Marks Internally Or Externally. A Scarce Book In Collectible Condition. Constable and Company Limited hardcover
1912ref. b30205Muchen: R. Piper 1912. First Edition . Hardcover. Very Good. Rebound in cloth-covered boards with an inset label on the front board spine labels and a ribbon marker. Corner chip and stain on the half-title page some pages with light edgewear a small puncture on the final four leaves and a chip on the advertisement leaf. Housed in a specially made clamshell box covered in decorative cloth with spine labels. R. Piper hardcover
ref. DADAX0306805707New unknown
1962ref. 163007Paris: Maeght Editeur 1962. 1st edition. Nice copy. oversize. card covers 29pp. colour & b/w plates map notes index Der Blaue Reiter Oct - Nov 1962. 2 double page Lithographs after Kandinsky. 1 colour lithograph after Douanier-Rousseau. 22 reproductions of works by Kandinsky Schnberg Klee Braque Matisse Macke Marc Bloch Mnter Picasso et al. Published in 1962 for the exhibition tribute to the review "Der Blaue Reiter" at the Galerie Maeght. Maeght Editeur unknown
1974ref. 33850Paris: XXe siecle 1974. First edition hardcover in beige cloth and gold gilt lettering 12 3/4 x 10" 32 x 25 cm with dust jacket 136pp. A special number of the XXe siecle Art series published under the direction of G. di San Lazzaro and printed in Italy. This tribute contains twenty-two colour reproductions and one hundred and thirty-eight in black and white. Most noteworthy are the four original lithographs on Arches vellum by Kandinsky one of which is in colour. This book contains a complete overview of Kandinsky's oeuvre accompanied by numerous essays in French from colleagues and friends including Max Deutsch Joan Miro Pierre Boulez and many others. This copy is still crisp and in fine condition the dust jacket alone showing some very light wear and scratches. A wonderful hommage in image and print to the master with the notable addition of four original lithographs! XXe siecle unknown
ref. B9781494135966Hardback. New. hardcover
ref. 14948Bern Benteli 1952. 8° 144 S. 10 Abb. Broschur m. Transp.-OU. Kapitale etw- gebrauchsspurig Transp.-OU am Rücken etw. gebr$äunt innen tadellos. 4. Auflage. Gestaltung und Einführung von Max Bill. 010 Bern, Benteli, 1952 unknown
ref. 52917Bern Benteli 1973. 8° 144 S. Textabb. 8 Taf.; 252 S. Abb. tlw. a. Taf.; 209 S. Abb. Brosch. m. OU u. Transp.-OU. OUs an den Kapitalen etw. knittrig bzw. randrissig jew. Prägeexlibris in Schmutztitel sonst tadellos. Nachauflagen. Einführung bzw. Kommentar sowie Gestaltung von Max Bill. 010 Bern, Benteli, 1973 unknown
ref. 51471Köln DuMont Schauberg 1958. 4° 428 S. zahlr. Abb. davon 100 a. Taf. 41 farb. u. montiert. OLwd. Kleine Rostspuren auf Deckel 1 sonst tadell. EA des Standardwerks. Mit dem Katalog der Gemälde in 761 Nummern. Bibliographie Lebensdaten etc. im Anhang. 010 Köln, DuMont Schauberg, 1958 unknown
ref. 23014Luzern Kunstkreis 1976. 4° 136 S. zahlr. teilw. farb. Abb. u. 4 Orig.-Graph. OLwd. goldgepr. m. OU. OU min. randrissig; obere Deckelecken gestaucht; Exlibris; handschriftl. Nr. auf Vors. Schmutztitelbl. u. Titelbl.; sonst gutes Exemplar. Mit vier eigens für diesen Band ausgewählten Holzschnitten davon einer mehrfarbig. 010 Luzern, Kunstkreis, 1976 unknown
ref. 78419München Prestel 2009. 4° 300 S. zahlr. meist farb. Abb. oft a. Taf. Kart. m. OU OU tlw. etw. berieben u. randknittrig untere Ecke etw. bestossen buch sonst tadellos. EA. Erschienen zur Ausstellung in den «drei weltweit grössten Kandinsky-Sammlungen» München Paris und New York. 010 München, Prestel, 2009 unknown
ref. 5115Bern Benteli 1952 u. 1955. 8° 142 u. 209 S. Abb. Brosch. m. OU u. Transparent-OU Umschlag min. gebräunt sonst tadellos. Enthält: Bd. 1: Über das Geistige in der Kunst 4. Aufl.; Bd. 2: Punkt und Linie zu Fläche. Beitrag zur Analyse der malerischen Elemente 3. Aufl.; beide Bände mit einer Einführung von Max Bill. 010 Bern, Benteli, 1952 u. 1955 unknown