3 934 résultats
1825réf. 7408Paris Béchet Aîné 1825 In-8 XII + 303 pp + 1 cahier blanc qui commence par quelques notes concernant l'attribution de ces écrits, tranches marbrées, bel état intérieur, petites taches sans gravité sur les plats, mors fendu en queue sur 2 cm et mors légèrement frotté, dos très légèrement passé Plutot assez rare
1939réf. 14292Paris, éditions de la revue Verve, 1939. In-4 de 134-[44] pages, couverture illustrée couleurs et or par Maillol.
1922réf. 221613Munich: Riehn & Reusch 1922. Limited. hardcover. near fine. With a 28pp foreword and introduction by Georg Leidinger. Illustrated with 58 beautifully printed color plates accented in gilt and protected with tissue. Folio bound in full vellum intentionally aged to simulate a more ancient volume. Munchen: Riehn & Reusch 1922. Limited edition of 150 copies this one without a number. Covers slightly bowed otherwise a fine copy internally spotless. Contains Durer's imaginative marginal drawings from the Prayer Book of Maximilian I dated 1515 later augmented by Lukas Cranach. Riehn & Reusch unknown
1922réf. 221613Munich: Riehn & Reusch 1922. Limited. hardcover. near fine. With a 28pp foreword and introduction by Georg Leidinger. Illustrated with 58 beautifully printed color plates accented in gilt and protected with tissue. Folio bound in full vellum intentionally aged to simulate a more ancient volume. Munchen: Riehn & Reusch 1922. Limited edition of 150 copies this one without a number. Covers slightly bowed otherwise a fine copy internally spotless. Contains Durer's imaginative marginal drawings from the Prayer Book of Maximilian I dated 1515 later augmented by Lukas Cranach. Riehn & Reusch unknown books
1614réf. 2859# AUTEUR: Durer traduicts par Loys Meigret lionnois - de langue latine en françoise # ÉDITEUR: Jean Jeansz - ARNHEM # ANNÉE ÉDITION: 1614 # ENVOI, BEAUX PAPIERS: Vergé # COUVERTURE: Plein Vélin ivoire - titre noir (de la proportio. du corps humain) au dos # DÉTAILS: Petit in folio relié vélin ivoire 2ff.+ 124ff. Manque 27 feuillets dont 34 gravures au simple trait sur 145, cet exemplaire comporte 85 à pleine page dont une dépliante et 26 dans le texte. Célèbre traité d'esthétique à l'usage des peintres et graveurs tentant d'associer aux données instinctives des règles mathématiques. L'ouvrage auquel Durer avait travaillé ne parut qu'après sa mort en 1528,i l fut aussitôt traduit en latin, cette 3eme édition française reproduit la traduction du lyonnais Loys Meigret publiée en 1557 d'après Joachim Camérarius. Reliure Vélin ivoire à petit rabat fin XVIIIème en excellent état. # PHOTOS visibles sur www.latourinfernal.com
1971réf. 50696Verona, (Officina Bodoni), 1971. Fol. Mit 25 Textholzschnitten von Fritz Kredel nach Albrecht Dürer. 119 S., 1 Bl., OHPgmt. m. goldgepr. Rückentitel u. Deckelvignette, Kopfgoldschnitt u. transparentem OUmschlag in OLwd.-Schuber.
réf. BN97425Albrecht Dürer. Das druckgraphische Werk - Band III: Buchillustrationen Albrecht Dürer. Das druckgraphische Werk - Band III: Buchillustrationen unknown
1525réf. P5215Rome c.1525. Very Good margins trimmed. Notes: Engraved by an Italian printmaker Marcantonio Raimondi after a woodcut by Albrecht Durer from the Life of the Virgin. Marcantonio Raimondi often called simply Marcantonio c.1470/82–c.1534 was an Italian engraver known for being the first important printmaker. Image Size : 292x212 mm 11.50x8.35 Inches Platemark Size : 300x216 mm 11.81x8.50 Inches Paper Size : Coloring: Black & White Medium: Wood Engraving Categories: Old Masters; unknown
réf. #[60570]Engraved at the age of 14 as inscribed in the stone in the foreground by Johannes Wierix after Dürer. On the plate on the right the date and the monogram of the German master:'1520 / AD' l Engraving on paper trimmed to platemark; total: 145 x 100 mm; state II/2; Hollstein 989; MH 749; Alvin 628 unknown
1923réf. 95104Leipzig/Berlin, B.G. Teubner 1923. 1923. 4°, XV S., 160 S., 25 Bll. mit 68 s/w Abbildungen und dem Errata-Zettel, Orig.-Leinen.
1493réf. 460007Nuremburg : Anton Koberger 1493. First Edition. Disbound. Physical description; 1 leaf ; 44 cm. From the 23rd folio with publisher's device. Text in double columns; wide margins with contemporary manuscript annotations. Light marginal dust-dulling and foxing with a faint crease to the top. Remains remarkably well-preserved overall. Notes; Commonly known as the Nuremberg chronicle. Subjects; World history. Chronology. Incunabula. Germany. Nuremberg 1493. Nuremburg : Anton Koberger unknown
1620réf. 1502751507/ 1580-1620. Mit dem Monogramm "AD" und der Jahreszahl "1507". Auf feinem Bütten. Mit winzigem Rändchen um die Plattenkante, teils auf diese geschnitten. 23,6 x 17,7 cm. Papier: 23,7 x 17,8 cm.
réf. 46881Gravure de Ph.Mohlitz,signée et datée de 1984. Hors Commerce. Dimension: Haut: 28 cm. Larg: 42 cm, hors cadre. Parfait état.Encadrée et sous verre.Ph.Mohlitz,cet immense graveur,admirateur entre-autre de Dùrer,était né en Mars 1941.Décédé en Mars 2019.Il vivait à Bordeaux.
1515réf. Durer1515DURER Albrecht: Lucian of Samosata -- De ratione conscribendae historiae ex graeco in latinum traductus translated from Greek to Latin by Willibald Pirckheimer. Nuremberg: F. Peypus 1515. Ornamental title page featuring a woodcut border by Albrecht Durer. 4to 19ff final blank at the end; early marbled pastepaper boards front cover detached and spine perished. A few minor stains with text closely trimmed to printed marginalia but without any loss. Lucian's text is titled "How to Write History". The translator was Durer's closest friend and patron encouraging the artist's study of a classical humanisit education through scholarly talks and loaned him funds for travel to Venice from 1507 to 1509. This title-page was commissioned by Pirckheimer and used five times first in an earlier work published 1513. Provenance: Dr George Kloss bookplate on front pastedown with manuscript label "no. 2343" sold at Sothebys London 7 May 1835 rear endpaper with note "Bought by L. H. N. at Hyatt sale in Feb. 1838 for 60 cents" Cooley & Bangs auction New York Catalogue of Rare Scarce and Early Printed Books 21 February 1838. Ref: British Museum catalogue 1904.0206.28 Pirckheimer's own copy; Hollstein VII 225; Kurth Willi Complete Woodcuts of Durer 270. F. Peypus hardcover
1515réf. Durer1515DURER Albrecht: Lucian of Samosata -- De ratione conscribendae historiae ex graeco in latinum traductus translated from Greek to Latin by Willibald Pirckheimer. Nuremberg: F. Peypus 1515. Ornamental title page featuring a woodcut border by Albrecht Durer. 4to 19ff final blank at the end; early marbled pastepaper boards front cover detached and spine perished. A few minor stains with text closely trimmed to printed marginalia but without any loss. Lucian's text is titled "How to Write History". The translator was Durer's closest friend and patron encouraging the artist's study of a classical humanisit education through scholarly talks and loaned him funds for travel to Venice from 1507 to 1509. This title-page was commissioned by Pirckheimer and used five times first in an earlier work published 1513. Provenance: Dr George Kloss bookplate on front pastedown with manuscript label "no. 2343" sold at Sothebys London 7 May 1835 rear endpaper with note "Bought by L. H. N. at Hyatt sale in Feb. 1838 for 60 cents" Cooley & Bangs auction New York Catalogue of Rare Scarce and Early Printed Books 21 February 1838. Ref: British Museum catalogue 1904.0206.28 Pirckheimer's own copy; Hollstein VII 225; Kurth Willi Complete Woodcuts of Durer 270. F. Peypus hardcover books
1827réf. 743Bamberg and Leipzig: Kunz and Brockhaus 1827-1831. Three parts bound in one volume COMPLETE. These three parts were originally intended to be the second volume of a three-volume study but no more was published. This volume however is the complete catalogue raisonné and bibliography the first comprehensive catalogue devoted to this great artist and a groundbreaking work of art-historical scholarship. In all X 1090 pages and three plates one folding. In Part I Heller describes hundreds of paintings drawings and sculptures. Part II features 2555 prints of which the vast majority are copies fakes and prints after works by Dürer: unlike later cataloguers of the master's work Heller describes these apocryphal works in great detail providing hundreds of small woodcut illustrations of details which distinguish the originals from the copies. To this day Heller remains the definitive source on early copies of Dürer's work. Part III which is often missing as it was published four years later by a different publisher and in a different city is a detailed critical bibliography describing 216 items as well as a catalogue of medallions relating to Durer. Thick 8vo bound in contemporary boards. Some wear to extremities of boards but still solid. Internally FINE AND BRIGHT. Very rare. Kunz and Brockhaus hardcover
1926réf. 003254Les Editions des Meilleurs Livres, 1926
1827Three parts bound in one volume, COMPLETE. These three parts were originally intended to be the second volume of a three-volume study, but no more was published. This volume, however, is the complete catalogue raisonnÈ and bibliography, the first comprehensive catalogue devoted to this great artist and a groundbreaking work of art-historical scholarship. In all, X + 1090 pages and three plates, one folding. In Part I, Heller describes hundreds of paintings, drawings, and sculptures. Part II features 2,555 prints, of which the vast majority are copies, fakes, and prints after works by D¸rer: unlike later cataloguers of the master's work, Heller describes these apocryphal works in great detail, providing hundreds of small woodcut illustrations of details which distinguish the originals from the copies. To this day, Heller remains the definitive source on early copies of D¸rer's work. Part III, which is often missing (as it was published four years later, by a different publisher, and in a different city) is a detailed critical bibliography describing 216 items, as well as a catalogue of medallions relating to Durer. Thick 8vo, bound in contemporary boards. Some wear to extremities of boards, but still solid. Internally FINE AND BRIGHT. Very rare.
réf. EXE0050bNew York, Albaris, 1974. 6 volumes in-4° pleine toile, reliure de l'édition.
1817réf. 19583London: R. Ackermann 1817. First edition. Hardcover. Recased in quarter brown morocco and maroon boards. Very good. Durer Albrecht. 8 pages in text. Folio 38 x 28 cm. Portrait title in red and black forty-three lithographic plates of borders printed in various colors. An important printing milestone the first book printed by lithography in England. ABBEY LIFE 202. "Attempts had been made earlier at lithography as witness Forbes's Oriental Memoirs' which contain a few specimens engraved in 1811 but this book is the first serious attempt to popularize the new method. Books from Ackermann's Lithographic Press' are scanty." Bookplate contents fresh and clean light dampstain to a few leaves at hinge head slight rubbing to joints front cover rehinged. Orig. front cover laid-in at rear. R. Ackermann hardcover
1817réf. 19583London: R. Ackermann 1817. First edition. Hardcover. Recased in quarter brown morocco and maroon boards. Very good. Durer Albrecht. 8 pages in text. Folio 38 x 28 cm. Portrait title in red and black forty-three lithographic plates of borders printed in various colors. An important printing milestone the first book printed by lithography in England. ABBEY LIFE 202. "Attempts had been made earlier at lithography as witness Forbes's Oriental Memoirs' which contain a few specimens engraved in 1811 but this book is the first serious attempt to popularize the new method. Books from Ackermann's Lithographic Press' are scanty." Bookplate contents fresh and clean light dampstain to a few leaves at hinge head slight rubbing to joints front cover rehinged. Orig. front cover laid-in at rear. R. Ackermann hardcover books
réf. 439Verona: Officina Bodoni 1971. Limited Edition. Fine. Albrecht Dürer. 8vo; 9 x 6 in. 230 x 153 mm; 222 pp. One of 135 copies on Magnani paper Dante type. 37 woodcut illustrations after Dürer with accompanying poetic text by Fra' Benedictus Chelidonius. Original russet morocco-backed boards gilt fillets and titlling t.e.g. others uncut plastic dust-jacket leather-tipped board slip-case. Mardersteig 171. In the years 1508 to 1511 Albrecht Dürer created three famous sets of engravings two Passion of Christ and the Life of Mary. Among them the Passio Christi known as the "Small Passion" to distunguished it from the one with bigger format is considered DÜRER'S MASTERPIECE. This edition was issued to mark the 500th anniversary of Albrech Dürer's birth. It includes 37 images including the engraving on the frontispiece and is notable for the artist's focus on the essence of depiction. The works were cut in wood by the Italian master-engraver Leonardo Farina. As in the first and very rare 1511 edition this volume's verses are in latin commissioned by Dürer for this work from the monk Benedictus Chelidonius / Benedikt Schwalbe. The Italian translation by the poet Enzio Cetrangolo is included in the book as well as an essay by the publisher Giovanni Mardersteig on the work of Dürer and the verses of Benedikt Schwalbe. Officina Bodoni unknown
2001réf. 057104Dover Publications. Softcover in Very Good to Fine condition no stamps writing or marks looks like new except for a small sticker removal spot on the back cover no other flaws to note . Very Good. Soft cover. 2001. Dover Publications paperback
Copia in Controparte, prima metà XVI Secolo. Incisione a Bulino e Acquaforte, 115 x 73 mm. Esemplare rifilato al filetto di riquadro, applicato su carta antica. Questa copia dalla celebre incisione di Dürer (1471-1528), di buona qualità grafica, non è descritta da Strauss, The Illustrated Bartsch, 10, Commentary, 1981, p. 45, n.013, B.13. Rientrato dal secondo viaggio in Italia, effettuato per approfondire i suoi studi relativi alla prospettiva e alle proporzioni umane, Dürer realizzò anche le splendide sedici lastre della Piccola Passione su rame (1507-1512), che si caratterizza per un nuovo stile dove la finezza e l'uso sistematico delle linee incise modella le forme in termini di luce e ombra. Nelle tavole su rame sono poche le aree non lavorate rispetto alla Grande Passione in xilografia e un intenso effetto chiaroscurale pervade le scene con una luce quasi spirituale. La Piccola Passione si basa su una serie di disegni su carta, datata 1504, eseguiti a inchiostro e biacca, conservati all'Albertina. . Cfr. anche J.Kantor, Dürer's passions, Cambridge 2000; A. Hass, Two devotional manuals by Albrecht Dürer: The Small Passion and the Engraved Passion, in "Zeitschrift für Kunst-geschichte", 63, 2000, p. 169-230; G.M. Fara, A. Dürer, Firenze, 2007, p. 57-58, n.3m..
1817réf. 201930London: R. Ackermann's Lithographic Press 1817. 1st Edition. Hardcover. Very Good. Folio. Durer Albrecht. Leather spine and corners over marbled paper-covered boards five raised bands to spine compartments stamped in gilt top edge gilt marbled endpapers 14.5" x 10.5" 45 plates including title page & text facsimile. Very strong binding pleasant exterior; some foxing to plates--mostly quite minor larger but still light in color on the margins of the last several plates. The first book printed by lithography in England; each plate of design is one color--black green purple red brown etc. Text page and title page are in red & black. A nice copy of a beautiful book which also has its place in the history of printing. R. Ackermann's Lithographic Press hardcover
