4 006 résultats
réf. 1a5305Zeiser Nürnberg um 1860. 2 Bl. 42 in Holz gestochene Tafeln 41 auf Blatt gezogen eine Tafel verso. Halbleinen-Mappe. Imperial-Folio 475 cm x 40 cm Mappe berieben/Rücken fehlt/Titelseite etwas fleckig. - Die Mappe ist in 3 Abteilungen aufgeteilt: Erste Abtheilung: Das große Leiden Christi. 12 Blätter / Zweite Abtheilung: Das Leben der Maria. 20 Blätter / Dritte Abtheilung: Aus der Offenbarung Johannis aus dem Leben der Heiligen etc. 10 Blätter - unknown
réf. 13174La sainte famille aux trois lièvres (vers 1498) Gravure su bois - tirage du XIXème siècle. Epreuve sur vergé fort. Format 420x300mm à la cuvette. 450x350mm avec marges papier légèrement jauni
1997réf. 115129New York: Abaris Books 1997. Cloth/dust jacket Quarto. Hardcover. Very good/good. red cloth silver lettering to front cover and spine dust jacket 472 pp small tears along top edge of dust jacket. Abaris Books hardcover
1908réf. 12081München 1908. Um einiges gekürzt und neuerem Sprachgebrauch angepasst v. A. Petzer Nr. 13 v. 200 auf Bütten.Anmerk.m.Bleist.Widmung a. V. Gr.-8°. Hldr. Kunst unknown
1968réf. 297669Kentfield Calif: Produced by hand at the Allen Press 1968. Near Fine binding. Quarto; in the publisher’s printed mustard colored boards backed with woven fabric with the upper cover printed with a Durer illustration of an ancient theater; 34 leaves with 27 illustrations taken from drawings by Durer; headers printed in brown with chapter number in teal; housed in a mustard paper covered slipcase which has a trivial amount of sunning; one of 140 copies. Near Fine binding. Produced by hand at the Allen Press unknown
réf. 13179Samson tuant le lion (1497 1498) Gravure sur bois - tirage du XIXème siècle. Epreuve sur vergé . petites rousseurs en marges, papier légèrement jauni.
1922réf. 276766München: Riehn & Reusch 1922. 27 (2) Seiten + 58 Tafeln in farbigem Lichtdruck. 2° Pergamenteinband. *Expl. 32/150 der Vorzugausgabe* Vorsaätze minimal stockfleckig, schönes Expl.*.
1882réf. 165345Nürnberg, S. Soldan, 1882. XIV S., Text und 60 Blatt mit 65 montierten Tafeln aus Büttenpapier, davon 1 in Farbe und 2 gefaltete, doppelblattgroß, Tafelgröße 51 x 34 cm, Gr.-2°, Groß-Folio OHalbleinenflügelmappe, mit Frakturschrift und 60 Tafeln
1988réf. 34561988 Zürich, seefeld, 1988, 33x26. Reliure en demi maroquin brun-vert, dans un emboîtage cartonné, Monogramme d'Albrecht Dürer sur le premier plat. Richement illustré. Texte en allemand. Magnifique exemplaire, à l'état neuf. L'un des 185 exemplaire (105).
1939réf. 7077Paris, éditions de la revue Verve, 1939. In-4 de 134-[44] pages, couverture illustrée couleurs et or par Maillol. Pli central au premier plat, autrement en très belle condition.
1964réf. 487732London : Eugrammia Press 1964. Fine Facsimile Edition. Hardcover. Two very good volumes in a good slipcase only. The introduction comprises side-stitched copy in gilt-decorated red paper wrappers. The facsimile is quarter black leather over gilt-decorated turquoise cloth boards; boards slightly dust-dulled with faint edgewear only. Both text blocks remain well-preserved: tight bright clean and especially sharp-cornered. The slip case of gilt-blocked cloth boards is somewhat dust-dulled and edgeworn with the top front edge broken and the top panel pivoting on the rear. A charming item overall with very well-preserved volumes. Physical description; complete in 2 volumes ; 44 cm. Notes; A facsimile of the 1498 Nuremberg edition with German text. The introduction with minor alterations is from Panofsky's The life and work of Albrecht Dürer; notes and a select bibliography have been added by the editors. Contents; Vol. 1 Introduction by Erwin Panofsky -- Vol. 2 Die heimlich Offenbarung Iohannis facsimile reproduction of the British Museum copy. Subjects; Dürer Albrecht 1471-1528. Bible Revelation pictorial works. Wood-engraving 16th century. Apocalyptic art. Facsimiles. London : Eugrammia Press hardcover
1979réf. 1233041979 Editions Arts et Couleurs, Monte Carlo - 1979 - Trois volumes in-quarto, plein cuir maroquiné bordeaux, décor à froid et dorures sur les plats, dos à quatre nerfs sautés, pièce de titre et décor en doré, tranche de tête dorée, emboitage cartonné avec ourlet de cuir aux ouvertures - Exemplaire numéroté, sur vélin d'Arche filigrané, ex. N°2214, avec son, certificat d'authenticité à l'intérieur du dernier tome - 226 pages + 233 pages + 180 pages - Très belles illustrations en couleurs (miniatures) in-texte, hors-texte et pleine page de Jean Gradassi
[S.l., Italia?, s.n.t., XVI sec.], incisione in rame, mm. 115x74, rifilata lasciando un millimetro di margine dalla battuta del rame, su carta cinquecentesca. Reca il monogramma di Albrecht Dürer e la data (1512). Si tratta di una copia in controparte, di ottima fattura, d'una incisione della serie "Die Kupferstichpassion" di Dürer. Applicata su cartoncino moderno, con incollatura parziale, facilmente rimuovibile. Ottime condizioni. Abbiamo rintracciato una incisione analoga a Cremona, al Gabinetto delle Stampe del Museo Civico, anch'essa senza indicazione d'autore.
[S.l., Italia?, s.n.t., XVI sec.], incisione in rame, mm. 116x73, rifilata lasciando un millimetro di margine dalla battuta del rame, su carta cinquecentesca. Reca il monogramma di Albrecht Dürer e la data (1512). Si tratta di una copia in controparte, di ottima fattura, d'una incisione della serie "Die Kupferstichpassion" di Dürer. Applicata su cartoncino moderno, con incollatura parziale, facilmente rimuovibile. Ottime condizioni.
Bulino, mm. 234x185 rifilata al marg. Inventore Albrecht Durer. Applicata su ulteriore supporto cartaceo. Eseguita in controparte, si conoscono solo pochi esemplari uno dei quali nella Civica Raccolta delle Stampe Achille Bertarelli con monogramma a matita "BP". La nostra riporta sempe a matita "Marcantonio". La presente incisione è accompagnata da una vecchia perizia di O.H. Giglioli datata 8.XII.1926. Piccoli difetti in alto a destra.
réf. 13180Gravure sur bois - tirage du XIXème siècle. Epreuve sur vergé fort. épreuve bien contrastée.
réf. 13178Ecce homo petites piqures en marges sans gravité. Gravure sur bois - tirage du XIXème siècle. Epreuve sur vergé fort. Epreuve bien contrastée
réf. 13173Gravure su bois - tirage du XIXème siècle. Epreuve sur vergé fort. Format 420x300mm à la cuvette. 450x350mm avec marges. Epreuve bien contrastée
réf. 13175Le bain des hommes (vers 1496) Gravure su bois - tirage du XIXème siècle. Epreuve sur vergé fort. Format 420x300mm à la cuvette. 450x350mm avec marges.
réf. 13176le martyr de Saint Catherine d’Alexandrie (1497-1498) Gravure su bois - tirage du XIXème siècle. Epreuve sur vergé fort. Format 420x300mm à la cuvette. 450x350mm avec marges
réf. 13177Les quatre cavaliers de l’apocalypse (1502) épreuve bien contrastée - tirage du XIXème siècle. Epreuve sur vergé fort. Epreuve bien contrastée. Format 420x300mm à la cuvette. 450x350mm avec marges
1823In 4° grande (31×23 cm); (8), XIII, (3), 102, (2) pp. e 5 c. di tav. Bella legatura coeva i mezza pelle verde foderata al dorso da fine carta verde coeva con titolo, anno e luogo di edizione impressi su fascette rosse al dorso. Qualche insignificante macchiolina di foxing in poche carte e nel complesso esemplare in buone-ottime condizioni di conservazione e ancora in barbe. Le cinque finissime tavole fuori testo, ognuna protetta da velina, sono incise in rame da Luigi Rados e contegono i ritratti di Albrecht Duerer, Marcantonio Raimondi, Luca Jacobsz di Leyda, Jacques Callot e William Woollett e cioè quelli che sono considerati i sommi incisori della scuola tedesca, italiana, fiamminga, francese e inglese di incisione. Tiratura di soli 120 esemplari. L’opera descrive le principali scuole incisorie europee, attraverso la figura dei maestri di ognuna delle scuole e alcuni altri celebri rappresentanti come ad esempi Giovanni Gottardo Muller, Giovanni Federico Clemens, Marco Dente, Giorgio Ghisi, Martino Rota, Stefano della Bella, Francesco Bartolozzi, Raffaello Morghen, Giovanni Van de Velde, Guglielmo de Leeuw, Giona Suyderhoef, Pietro Nolpe, Cornelio Bloemaert, Paolo Rembrandt Van Ryn, Cornelio Visscher, Lauwers, Edelinck, Giovanni Morin, Francesco Poilly, Nicolò Pitau, Antonio Masson, Sebastiano Le Clerc, Girardo Audran, Francesco Spierre, Giovanni Luigi Roullet, Nicolò Dorigny, Pietro Drevet figlio, Giovanni Giacomo Balechou, Carlo Clemente Bervic, Giovanni Smith, Guglielmo Ryland. Guglielmo Woollett, Giovanni Hall, Giovanni Dixon, Giovanni Sherwin, Guglielmo Sharp ed altri. Di ogni autore, oltre ad una biografia, sono illustrate, singolarmente, le incisioni più celebri commentate e descritte minuziosamente. Opera molto rara ed in buone-ottime condizioni di conservazione. Prima edizione. Rif. Bibl.: Cfr. Brunet,III,1470 – Graesse,IV, 4116.
1831réf. 182448Bamberg, Kunz, 1827-1831. M. 2 Kpfr.-Taf. u. 1 gef. Faks. 2 Bl., 1090 S. Pp. d. Zt. Einbd. berieben u. bestoßen. Rücken m. Sign. Vord. Vorsatz fehlt. Gebräunt, teils braunfl. Tekt verso Tit. Einige S. eselsohrig.
1964réf. TV253523Eugrammia Press London 1964. 1st Edition. HARDCOVER. Copy Number 461 of 535 sets made 35 were not for sale. Large folio slipcase in black cloth with gilt embossed red buckram panels to a design after Durer housing a large folio facsimile from the British Library copy bound by Zaehnsdorf in 1/4 black morocco over gilt-pictorial turquoise cloth unpaginated approx. 32pp printed on specially made very thick mould-made paper with 15 beautifully printed wood engraved plates. Plus matching sewn booklet the Panovsky introductory text in gilt embossed stiff card covers 8pp. Complete as issued __CONDITION : Both books are AS NEW the slipcase is a little shelf rubbed but otherwise FINE. __NOTE Due to size and/or weight shipping will cost more than the price shown above. Orders made by card will only be completed after you have approved the extra cost. . __We always ship in PROTECTIVE CARD PARCELS Eugrammia Press, London hardcover
1924réf. 367850Cambridge: Dunster House 1924. One of 350 copies printed by Bruce Rogers at the Printing House of William Edwin Rudge 1923. Text and illustrations printed within red rules. 39 1 imprint pp. 1 vols. 12mo. Black boards marbled endpapers printed spine label. Label toned. Unopened. Fine. One of 350 copies printed by Bruce Rogers at the Printing House of William Edwin Rudge 1923. Text and illustrations printed within red rules. 39 1 imprint pp. 1 vols. 12mo. The designs were printed by Bruce Rogers from blocks prepared by Emery Walker based on the first edition of Dürer's treatise on geometry Unterweysung 1525 where they appear in book III. The Work of Bruce Rogers 332 Dunster House unknown
