Gustave DoreBiblio.com
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1854rif. 1854LParis: Au Bureau du Journal Amusant 1854. First Edition. no cover. good /no dj as issued. Gustav Dore. Paris Au Bureau du Journal Amusant no date around 1854 Oblong quarto 13.25" x 10" 345x265cm.First edition Scarce publication with twenty original captioned lithographed plates by Gustave Doré. Doré's debut album of illustrations published at age 22: "In this album Doré begins to display an unprecedented mastery of comedy and exuberance. We are constantly drawn in by the abundant playfulness of his verve and as Béraldi says 'by a very accurate very witty and yet measured observation'"Henri Leblanc Catalogue de l'oeuvre complète de Gustave Doré 90. This copy is missing the spine and publisher's lithographed green cover which is identical with the title page which has a white background present. A back cover is probably also missing. The 20 lithographed plates are complete. Most have light foxing almost entirely only in the margins. Plate 18 has remnants of tape on the back. Plate 20 has a small repaired tear at the bottom of the page not affecting illustration or text. The binding of the book block is still solid. Au Bureau du Journal Amusant unknown
1867rif. 39565Paris: Garnier 1867. Gustave Doré. A LARGE-PAPER COPY ON CHINESE PAPER OF THE FIRST EDITION WITH THE PLATES PRINTED FROM THE ORIGINAL WOODBLOCKS. XXXII 665 pp. Balzac's "Contes drolatiques" which the author considered his masterpiece first appeared between 1832 and 1837. In 1855 appeared the first illustrated edition with 425 wood-engravings after Gustave Doré which Doré considered his masterpiece but the images were printed from electrotypes plate rather than from the actual blocks so the impressions are somewhat dull. A second edition with Doré illustrations appeared in 1861 again printed from the electrotype plates except 25 copies. This third edition with the Doré illustrations published in 1867 is THE FIRST EDITION PRINTED ENTIRELY FROM THE ORIGINAL BLOCKS. This is furthermore ONE OF ONLY 25 COPIES PRINTED ON FINE CHINESE PAPER RENDERING THE IMPRESSIONS EVEN SHARPER. 8vo. Attractively bound in three-quarters morocco and marbled boards c. 1900. Top edge gilt other edges uncut. Light wear to extremities of binding. INTERNALLY FINE AND BRIGHT. Béraldi VI p. 35; Leblanc p. 43 n1. Garnier hardcover
rif. 52462Paris, Londres Le Tour du Monde, Li 1862-1873 34 livraisons relies en un volume in-4, demi-chagrin bordeaux, dos nerfs orn de fleurons pousss or; doublures et gardes de papier peigne, tte lisse, non rogn.Collection complte des 34 livraisons qui ont paru dans la revue Le Tour du Monde de 1862 1873 (29 cahiers de 16 pages, 4 de 32 pages et un des 64 pages), qui renferment 324 dessins de Gustave Dor, dont 164 pleine page et 160 in-texte. Ces livraisons sont trs recherches car les dessins de Gustave Dor y sont non seulement en premier tirage, mais galement en plus grand nombre que dans la premire dition en librairie, publie par Hachette en 1874 dans laquelle certaines gravures ont t rduites (cf. Henri Leblanc, Catalogue de l'Suvre complet de Gustave Dor, Paris, 1931, pages 340-349).
2015rif. 111588Gallery. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer-- . 2015. 1935410679 . Gallery paperback
2003rif. 83204Gallery. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Unpaginated 21 color plates 1 photo portrait 4to. -- with a bonus offer-- . 2003. 0944680704 . Gallery paperback
1988rif. 38013Scranton Pennsylvania U.S.A.: Smithsonian Inst Pr. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE 256 pages. -- with a bonus offer--; T-Ashfrag-1; Ashton Dore Fragonard in the Universe of Painting FRAGONARD JEAN HONORE 1732 1806 . 1988. 0874742080 . Smithsonian Inst Pr hardcover
2014rif. 107186Phaidon Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer-- . 2014. 071486580X . Phaidon Press hardcover
2002rif. 62551Gallery. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 64 pp. With 66 ills. 19 col. . 29 x 25 cm. -- with a bonus offer-- . 2002. 1881450201 . Gallery paperback
2005rif. 86119Gallery. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 37 pages; 15 color plates. -- with a bonus offer-- . 2005. 0976239515 . Gallery paperback
2006rif. 88580New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED - 31 works catalogued and illustrated in color. Catalogue also includes essays on Millares by Dore Ashton and Alfonso de la Torre and a chronology of the artist's life. -- with a bonus offer--; T-Ashmill; Ashton Dore; de la Torre Alfonso; et al; et al Manolo Millares . 2006. paperback
2009rif. 87327RM. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 220 pages; 209 illus. -- with a bonus offer--; A painter of rare independent vision with an oeuvre that now stretches back a half-century Manuel Felguerez born 1928 is without doubt one of Mexico's most outstanding artists. His abstract paintings of the 1950s and 1960s presented expressively worked surfaces and a scratchy mark-making; later he arrived at the work for which he is best known abstractions of a more classical bent that evoke the cylindrical geometries of Fernand Leger and Francis Picabia. But from the start Felguerez's painting has been characterized by its earthy feel and warm hues. This superbly produced monograph includes essays on Felguerez by Dore Ashton who reflects on the artist's influence both in Mexico and abroad Mexican writer Juan Villoro who supplies a personal portrait and analyses of the work by Jorge Reynoso and Alberto Gonzalez. Alongside a wealth of excellent color illustrations this monograph provides a detailed contextualizing chronology of the artist's life and times. . 2009. 8492480777 . RM hardcover
1984rif. 66499Art Center. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 112 pp. With 63 ills. 22 x 22 cm. -- with a bonus offer-- . 1984. Art Center paperback
2010rif. 87524Hatje Cantz. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 224 pages; 115 illus. -- with a bonus offer--; Since Philip Guston's death in 1980 his late figurative paintings and drawings have steadily reaped the acclaim they deserve--acclaim that was largely denied them during Guston's lifetime Hilton Kramer infamously reviewed Guston as a "mandarin pretending to be a stumblebum" in a damning 1970 New York Times article. This volume reunites a selection of paintings from the Roma series completed during Guston's residency at the American Academy in Rome in 1970-71. From early in his career Guston had taken inspiration from Italian art and his 1973 painting "Pantheon" features a list of Italian painters: de Chirico Masaccio Piero della Francesca Giotto and Tiepolo. Italian cinema especially Fellini and classical sculpture were also dear to his heart. The Roma works consolidate this dialogue with Italian art and culture. Diary entries published alongside the reproductions recount exchanges at the American Academy pilgrimages to Venice Arezzo Sicily and Orvieto and observations of the international cultural community in Rome. . 2010. 3775726322 . Hatje Cantz hardcover
2012rif. 97844University of California Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 240 pp. ; 200 illus. 163 in color. -- with a bonus offer--; "Clay can be a metaphor for many things. I made it a metaphor for flesh and earth."--Stephen De Staebler Over the course of a fifty-year career Stephen De Staebler 1933-2011 created powerful elegiac figurative sculptures in clay and bronze. Extending and assimilating an artistic lineage that includes Michelangelo Auguste Rodin and Alberto Giacometti as well as the art of the ancient Americas Egypt and Greece De Staebler developed a sculptural vocabulary uniquely his own. A resident of the San Francisco Bay Area since the late 1950s De Staebler was among the first students of the legendary Peter Voulkos at the University of California Berkeley. In conjunction with the Bay Area Figurative movement De Staebler helped to infuse the existentialist agenda of Abstract Expressionism with a profound humanism. Illuminating the significance of De Staebler's practice as never before curator Timothy Anglin Burgard analyzes the artist's major pieces. Poet and critic Rick Newby sketches a biographical portrait of the sculptor and renowned art historian Dore Ashton offers a moving tribute to the artist with whom she was a lifelong friend. Produced in collaboration with the artist and his estate this authoritative volume --published on the occasion of a major exhibition at the de Young Museum in San Francisco--offers an unprecedented glimpse into the sculptor's studio and process. . 2012. 0520272307 . University of California Press hardcover
2007rif. 82879University of Texas Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 445 pages 352 illus. 295 in color large 4to. -- with a bonus offer--; Marcelo Bonevardi 1929-1994 was one of the most innovative artists of his generation. A native of Argentina Bonevardi spent the greater part of his career in New York City where he absorbed avant-garde practices and influences such as abstraction and primitivism using them to invent a pictorial and symbolic language with which to express his deep spirituality and affinity for myth and ritual. Bonevardi is best known for his shaped canvases which combine elements of painting and sculpture reflecting his early training and lifelong interest in architecture. During his lifetime Bonevardi received many honors including the International Prize at the X Bienal de Saõ Paulo first prize in the "Ten Argentine Artists at the United Nations" permanent installation and the Platinum Prize from the Konex Foundation. Bonevardi's work has been collected by many leading North American and Latin American museums including the Museum of Modern Art and the Guggenheim Museum in New York City; the Museo Nacional de Bellas Artes and the Museo de Arte Moderno in Buenos Aires; the Museu de Arte Contemporânea de Universidade in Saõ Paulo; and the Museo Rufino Tamayo in Mexico City. This lavishly illustrated volume presents the first comprehensive overview of the life and work of Marcelo Bonevardi. Noted art historian Dore Ashton provides a biographical and critical essay that traces Bonevardi's artistic development and situates him in the New York art scene of the 1960s and 1970s. Ashton illuminates the diverse influences that helped shape Bonevardi's art as well as his contribution to important trends in North American and Latin American abstraction. Ronald Christ's in-depth essay draws on extensive interviews with the artist and reviews of his work to offer a focused analysis of the unique themes and techniques that constitute Bonevardi's signature style. Accompanying the essays and chronologies of the artist's life and exhibitions is a catalogue of over three hundred images most in full color that comprise a stunning visual summation of Marcelo Bonevardi's oeuvre. . 2007. 029271436X . University of Texas Press hardcover
rif. 51315Philadelphia PA: Henry Altemus. As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - - No date Circa1883 - Embossed coverboards; decorated endpapers. -- with a bonus offer--; Text block clean - ex-library with usual markings. ND E Circa1883 - Embossed coverboards; decorated endpapers. . N.D. Henry Altemus hardcover
2006rif. 90634Gallery. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 44 pp. ; 17 color illustrations. -- with a bonus offer-- . 2006. 1930743602 . Gallery paperback
2015rif. 115017Spiegel & Grau. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer-- . 2015. 0812996372 . Spiegel & Grau paperback
2011rif. 123222De Luca Editori d'Arte. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened. Text in Italian. – with a bonus offer-- . 2011. 8880168894 . De Luca Editori d'Arte paperback
1988rif. 74611Musee. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 56 pp. With 62 ills. 13 col. . 30 x 21 cm. -- with a bonus offer-- . 1988. Musee paperback
2011rif. 97065Ridinghouse. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 294 pages. -- with a bonus offer--; This indispensable collection of writings on one of the central artists of Minimalism Dan Flavin was published in the U.K. in 2004 but has not been available in the United States until now. The New York-born Flavin's radical use of commercially available fluorescent light fixtures to create shockingly beautiful installations beginning in the 1960s forever changed the definitions and boundaries of sculptural practice. This book assembles for the first time key essays on Flavin who died in 1996 by Donald Judd Dore Ashton Rosalind Krauss Lawrence Alloway Germano Celant Holland Cotter and others along with reviews of his exhibitions. Spanning four decades it charts the gradual evolution of consensus about the meaning of this iconic artist. . 2011. 1905464444 . Ridinghouse paperback
2006rif. 90625Museum; Et Al. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 56 pp. ; 32 color illustrations. -- with a bonus offer-- . 2006. 0932325831 . Museum; Et Al paperback
1996rif. 57760Ewing New Jersey U.S.A.: Univ of California Pr. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED - 271 pages. "A free-spirited wave of creative energy swept through the San Francisco art community after World War II. Challenging accepted modes of painting Abstract Expressionists produced highly experimental works that jolted the public out of its postwar complacency. Susan Landauer's comprehensive examination of this dynamic movement provides the first clear picture of the artists and influences that came together in San Francisco's invigorating world of Abstract Expressionism. Landauer argues that Abstract Expressionism resulted from a broad collective impulse rather than the inspiration of a small band of New York artists. Documenting the interchanges between the East and West Coasts she cites areas of mutual influence and shows the impact of San Francisco on the New York School including artists such as Mark Rothko and Ad Reinhardt. San Francisco's Beat poets Dixieland jazz musicians and the area's stunning vistas were essential parts of Abstract Expressionism as were artistic and spiritual contacts with Asia. Under Douglas MacAgy and Clyfford Still the California School of Fine Arts became the undisputed center of vanguard abstraction on the West Coast. Artists such as Edward Corbett Jay DeFeo James Budd Dixon Frank Lobdell and Hassel Smith produced gritty provocative images whose impact extended well beyond California. Landauer also notes the importance of Grace L. McCann Morley director of the San Francisco Museum of Modern Art who opened the museum to major Abstract Expressionist figures and Jermayne MacAgy who brought local and international artists together. Enlivened by oral histories Landauer's book is a rewarding exploration of a vital period in modern art. Richly illustrated with 96 color plates it celebrates the energy and lasting impact of a special time." -- with a bonus offer--; Landauer Susan; Ashton Dore introduction The San Francisco School of Abstract Expressionism PAINTING AMERICAN MODERN 20TH CENTURY . 1996. 0520086104 . Univ of California Pr hardcover
1996rif. 57761Ewing New Jersey U.S.A.: Univ of California Pr. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED - 271 pages. "A free-spirited wave of creative energy swept through the San Francisco art community after World War II. Challenging accepted modes of painting Abstract Expressionists produced highly experimental works that jolted the public out of its postwar complacency. Susan Landauer's comprehensive examination of this dynamic movement provides the first clear picture of the artists and influences that came together in San Francisco's invigorating world of Abstract Expressionism. Landauer argues that Abstract Expressionism resulted from a broad collective impulse rather than the inspiration of a small band of New York artists. Documenting the interchanges between the East and West Coasts she cites areas of mutual influence and shows the impact of San Francisco on the New York School including artists such as Mark Rothko and Ad Reinhardt. San Francisco's Beat poets Dixieland jazz musicians and the area's stunning vistas were essential parts of Abstract Expressionism as were artistic and spiritual contacts with Asia. Under Douglas MacAgy and Clyfford Still the California School of Fine Arts became the undisputed center of vanguard abstraction on the West Coast. Artists such as Edward Corbett Jay DeFeo James Budd Dixon Frank Lobdell and Hassel Smith produced gritty provocative images whose impact extended well beyond California. Landauer also notes the importance of Grace L. McCann Morley director of the San Francisco Museum of Modern Art who opened the museum to major Abstract Expressionist figures and Jermayne MacAgy who brought local and international artists together. Enlivened by oral histories Landauer's book is a rewarding exploration of a vital period in modern art. Richly illustrated with 96 color plates it celebrates the energy and lasting impact of a special time." -- with a bonus offer--; Landauer Susan; Ashton Dore introduction The San Francisco School of Abstract Expressionism PAINTING AMERICAN MODERN 20TH CENTURY . 1996. 0520086112 . Univ of California Pr paperback
1994rif. 68163Independent Curators International New York. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to ISBN: 0916365425. 96 pp. With 84 ills. 30 x 22 cm. Description: "Accompanying an exhibition of irreverent and fantastic proposals for transforming Communist-era monuments in Russia that were submitted by more than 100 international artists in response to a 1992 invitation by Russian expatriate painters Vitaly Komar and Alexander Melamid this catalogue presents illustrations of a selection of the drawings altered photographs collages and other works created for the show documentary photographs of Soviet monuments and seven essays broadly exploring the political sociological and artistic character of propagandistic sculpture." -- with a bonus offer--; 0.5 x 11.3 x 8.3 Inches . 1994. 0916365425 . Independent Curators International, New York paperback
