3886 risultati
rif. 122623London Cassell Peter and Galpin circa 1870 . Early Printing; folio 315 x265 mm; engraved frontispiece portrait of the author 86 full-page engraved plates and numerous chapter headings and vignettes throughout age-toning to text block the very occasional minor spot or mark otherwise very good-plus; publisher's brown cloth illutrated gilt panels to upper board and spine rubbed and bumped at extremities slight fraying to corners movement to hinges but not split in the main very good and most handsome. 'The Fables unquestionably represent the peak of La Fontaine's achievement' and this edition that of Doré's as well. 'La Fontaine did not invent the basic material of his Fables; he took it chiefly from the Aesopic tradition and in the case of the second collection from the East Asian. He enriched immeasurably the simple stories that earlier fabulists had in general been content to tell perfunctorily subordinating them to their narrowly didactic intention.' Britannica. Ray Illustrator and the Book 207. London, Cassell, Peter and Galpin, [circa 1870], hardcover
1937rif. 15068Lausanne, Editions d'Art suisse ancien, 1937. 4 volumes in-4 en feuilles sous cartable rouge à attaches, pièces de titre contrecollée aux premiers plats.
rif. 1685Shanghai, T'Usewei Printing, 1914-1922. 7 volumes, 8-vo, illustrated boards sewn at spine as issued, profusely illustrated with coloured plates, very good condition.
rif. 23117Paris, Charpentier, 1866. 58 livraisons in-8 (sur 60) - Sous couverture jaune illustrée, réunies sous chemise et étui. Premier tirage de la remarquable illustration de GUSTAVE DORÉ.
rif. 52194Charpentier.1866.In-4 en demi-chagrin avec caractères dorés.60 dessins de Gustave Doré.ère édition illustrée.496 p.Quelques rousseurs.BE.Tête rouge.
1866rif. 84430Charpentier | Paris 1866 | 19 x 27.30 cm | relié
1959rif. 50063New York: Andre Emmerich Gallery 1959. Very good. 15-times signed limited first edition of this anthology of modern poetry written in response to Pre-Columbian sculpture with leaves autographed by every contributing poet. For this project Ashton selected and sent an individual photograph to each participant soliciting a wide variety of poetic responses limited only by the title of the collection. The full list of contributors includes: Barbara Howes James Wright Louise Bogan Theodore Roethke John Malcolm Brinnin I.A. Richards William Carlos Williams W.S. Merwin Stanley Kunitz C. Day Lewis St.-John Perse William Jay Smith Richard Wilbur Jean Garrigue and Octavio Paz. Rare. 9.5'' x 6.5''. Original half green leather with marbled boards. Green topstain. Edition of 1500 of which 50 copies containing autographs of contributing poets have been especially bound and numbered; this copy no. 41. Black and white photographs by Boltin. 30 63 5 pages. First 15 leaves signed in pen each by a different contributor. Moderate wear to boards with some chipping to spine ends. Interior bright and unmarked. (Andre Emmerich Gallery) unknown
1959rif. 50063New York: Andre Emmerich Gallery 1959. Very good. 15-times signed limited first edition of this anthology of modern poetry written in response to Pre-Columbian sculpture with leaves autographed by every contributing poet. For this project Ashton selected and sent an individual photograph to each participant soliciting a wide variety of poetic responses limited only by the title of the collection. The full list of contributors includes: Barbara Howes James Wright Louise Bogan Theodore Roethke John Malcolm Brinnin I.A. Richards William Carlos Williams W.S. Merwin Stanley Kunitz C. Day Lewis St.-John Perse William Jay Smith Richard Wilbur Jean Garrigue and Octavio Paz. Rare. 9.5'' x 6.5''. Original half green leather with marbled boards. Green topstain. Edition of 1500 of which 50 copies containing autographs of contributing poets have been especially bound and numbered; this copy no. 41. Black and white photographs by Boltin. 30 63 5 pages. First 15 leaves signed in pen each by a different contributor. Moderate wear to boards with some chipping to spine ends. Interior bright and unmarked. (Andre Emmerich Gallery) unknown books
1870rif. 46571London: Cassell 1870. Cervantes Miguel de 1547-1616. The history of Don Quixote. xxviii 737pp. plus 8-page publisher's catalogue. 118 illustrations by Gustave Doré 1832-83. London: Cassel Petter and Galpin n.d. ca. 1864-71. 309 x 245 mm. Original publisher's binding of brown cloth front cover and spine elaborately stamped in gilt blindstamped on back cover all edges gilt; slipcase. Very slight edgewear hinges a bit weak but fine otherwise. A fine example. Doré's classic illustrations "visualized the tall and lanky windmill chaser and his pot-bellied servant Sancho Panza the way all adaptations have portrayed them since" Knudde. Knudde Kjell "Gustave Doré." Comiclopedia Lambiek.Net 21 Feb. 2024. . Cassell unknown
1870rif. 46571London: Cassell 1870. Cervantes Miguel de 1547-1616. The history of Don Quixote. xxviii 737pp. plus 8-page publisher's catalogue. 118 illustrations by Gustave Doré 1832-83. London: Cassel Petter and Galpin n.d. ca. 1864-71. 309 x 245 mm. Original publisher's binding of brown cloth front cover and spine elaborately stamped in gilt blindstamped on back cover all edges gilt; slipcase. Very slight edgewear hinges a bit weak but fine otherwise. A fine example. Doré's classic illustrations "visualized the tall and lanky windmill chaser and his pot-bellied servant Sancho Panza the way all adaptations have portrayed them since" Knudde. Knudde Kjell "Gustave Doré." Comiclopedia Lambiek.Net 21 Feb. 2024. . Cassell unknown books
rif. 373912Andre Emmerich Gallery 1959. Limited. Hardcover . Very Good/No Jacket As Issued. Limited Edition of 1500 of which 50 copies containing autographs of contributing poets have been specially bound and numbered; This copy no. 46; Anthology featuring poems and signiatures from Barbara Howes James Wright Louise Bogan Theodore Roethke John Malcolm Brinnin I.A. Richards William Carlos Williams W.S. Merwin Stanley Kunitz C. Day Lewis St.-John Perse William Jay Smith Richard Wilbur Jean Garrigue and Octavio Paz; Black and white photography by Lee Boltin; Sound binding; Clean sturdy quarter green leather marbled boards w/ gilt accents; Mild to moderate edge-wear/rubbing present w/ mild fraying to corners; Pages free of markings; An excellent copy gently worn quite scarce thus. We have photographed 3 signatures for you. Other photographs on request. Andre Emmerich Gallery hardcover
rif. fol662London: The Folio Society. VG : in very good condition with maroon slipcase. 2019. Limited Edition 230/500. Maroon hardback cloth covers with maroon leather spines. 360mm x 260mm 14" x 10". 1000pp. Heavy set extra shipping needed for overseas. . The Folio Society hardcover
rif. 8376Deux tomes en deux volumes in folio pleine toile rouge de l’éditeur, titre et tomaison au dos et sur le premier plat, dorés. Pages de garde sur papier à la cuve,décorées d’étoiles dorées. Traduction de Louis viardot.Tome premier:faux-titre, frontispice sous serpente,titre 459 pages, 2 pages de table des grandes compositions, en tête, culs de lampe, ainsi que 61 planches hors-texte, sur fond teinté imitant le chine ;de Gustave DORE. Tome second : Faux-titre, frontispice sous serpente, titre, 515 pages,2 pages de table des grandes compositions,culs de lampe, en tête, ainsi que 57 planches hors-texte, sur fond teinté imitant le chine. Hachette é Cie 1863 Premier tirage. Une petite restauration en pied, rousseurs éparses habituelles, plus concentrées, en fin et début de volumes. Publication avec d’admirables compositions de Gustave DORE Carteret 3-138
1870rif. 191009Montaner y Simon Barcelona, Montaner y Simon, 1870 - 1872. 2 volumes In-Folio reliés plein chagrin rouge de l'éditeur. Dos à faux nerfs ornés et estampés à froid. Signature du relieur "Palacios Barcelona" en queue. Premier plat avec titre et décors : portrait de Dante dans un médaillon estampé à froid, fleurons et ornementations aux angles et filets d'encadrement dorés. Second plats décoré estampé à froid. Toutes tranches dorées. XXVI + 232 pages + 1 f.n.ch. + 193 + 190 pages + 1 f.n.ch.Segun el texto de las ediciones mas autorizadas y correctas. Nueva traduccion directa del italiano por D Cayetano Rosell. Completamente anotada y con un prologo biografico-critico, escrito por el muy illustre presidente de la Academia Espanola D. Juan Eugenio Hartzenbusch. Le premier volume contient l'Enfer, le deuxième le Purgatoire et le Paradis. Illustrations de Gustave Doré, hors-texte et sous serpentes légendées. Quelques menus défauts, légères rousseurs par endroits. Les gravures sont bien préservées par les serpentes. Peu courant dans cette reliure éditeur spectaculaire. Bel exemplaire
1879rif. 174291879 Paris, Librairie d'art, Ludovic Baschet, 1879, 1 vol. in-folio de 98-(2) pp.-(4) pp. de tables, 23 photographies originales hors-texte, reliure d'époque signée Trioullier successeur de Petit-Simier, demi-maroquin rouge à coins, dos à nerfs orné de caissons dorés, tête dorée, anciennes restaurations en tête et en pied, peu de rousseurs, bon ex.
1859rif. 84308Au bureau du journal amusant | s. l. s. d. [1859] | 34.50 x 26.50 cm | relié
1874rif. 773391874 | 13.20 x 20.70 cm | 4 pages sur un double feuillet
rif. 8375texte collationné sur les éditions originales avec une vie de l’auteur,des notes et un glossaire.Deux tomes en deux volumes in folio pleine toile rouge de l’éditeur. Plaque dorée avec titre sur le premier plat,larges filets en encadrement titre,filets, palmettes,décor dorés au dos. Premier volume: faux-titre, frontispice, Rabelais en médaillon, sous serpente imprimée. Titre, XLIV, 476 pages, nombreuses vignettes dans le texte ainsi que 29 planches hors texte sous serpente imprimée, par Gustave DORE. Non rogné. Garnier frères 1873 Premier tirage.(Une charnière restaurée sur 215mm ainsi qu’une petite déchirure au dos, au même niveau-voir photos) Second volume : Faux-titre, frontispice sous serpent imprimée,titre,496 pages, Nombreuses vignettes dans le texte ainsi que 31 belles planches hors-texte sous serpente imprimée, par Gustave DORE. Garnier frères 1873.Non rogné, Très bon état.Belle édition sur beau papier. Un des plus beaux livres de Gustave DORE
rif. 571198Garnier Frères Libraires-Editeurs Paris 1873 2 volumes in-folio ( 440 X 335 mm ), spectaculaires cartonnages rouges richement décorés de l'éditeur, dos lisses ornés d'un grand personnage doré portant le titre et de palettes dorées en tête et en queue, plats ornés d'une grande plaque dorée représentant les différents personnages des oeuvres encadrant le titre, ainsi que de plusieurs encadrement à froid, second plat orné d'un grand blason doré et du même encadrement à froid, ( cartonnages de Ch. MAGNIER, plaques de A. SOUZE ). Texte collationné sur les éditions originales avec une vie de l'auteur, des notes et un glossaire. EDITION ORIGINALE de cette publication monumentale et PREMIER TIRAGE des puissantes compositions de Gustave DORE, soit: un portrait de RABELAIS en frontispice, 60 planches hors-texte sous serpentes légendées et 658 illustrations dans le texte. Rousseurs passim, cartonnage en très bel état. Exemplaire très désirable du chef-d'oeuvre de RABELAIS magnifié par les exceptionnelles compositions de Gustave DORE.
rif. 51999Charpentier.1866.In-4 en demi-percaline avec pièce de titre.1ère édition illustrée.60 H-T de Gustave Doré.( Carteret 259).Couvs.conservées.496 p.Grande fraîcheur.
1870rif. 34143London: Cassell Petter and Galpin c. 1870. A very early issue of this wonderfully illustrated Cervantes. With 118 spectacular illustrations by by Gustave Doré. Folio 32 x 24 cm very handsomely bound in three-quarter dark tan morocco over marbled paper covered boards the spine with raised bands gilt ruled compartments of the spine decorated with gilt at the centers lettered in gilt in two compartment. xxviii 737 pp. A very handsome and sturdy copy the binding is very strong and well preserved with virtually no wear the text-block lightly mellowed the plates in fine condition half-title with some browning at the edges a very pleasing copy. A PLEASING AND HANDSOME COPY. SCARCE IN SUCH WELL PRESERVED CONDITION. Gustave Doré was one of the greatest illustrators of his day. He was born in Strassburg in 1832. In 1848 he moved to Paris where “his facility as a draughtsman was extraordinary.” He was a prolific worker and his subjects were usually religious or historical. He died in January of 1883. His grand and magnificent style is a perfect complement for Cervantes heroic tale. This great tome presents one of our favorite printings of the Spanish classic and because of the weight of the text block is usually found broken and loose. This copy is as sturdy as one could hope for and is especially handsome as well. Cassell, Petter, and Galpin hardcover
rif. 631703Easton Press 2011. First Thus. Leather Binding. Fine. Copy #285 of only 400 numbered sets issued. The superb Easton Press Deluxe Limited Edition one of the rarest issued by the Press of the classic Gustave Dore illustrations presenting the 3 works in 2 stunning volumes. Beautifully bound in full brown leather decorated in gilt and black all edges gilt marbled endpapers. Housed in publisher's elaborate brown cloth slipcase decorated in gilt and black. This set has never been read opened only to catalog. Certificate and unused bookplates laid in loose. 10.5 x 14 inches. PLEASE NOTE: due to the size and weight of this book it will require additional charges for overseas and expedited shipping. Easton Press unknown
1866rif. 84430Paris: Charpentier 1866. Fine. Charpentier Paris 1866 19 x 27.30 cm relié First illustrated edition uncommon with 60 wood-engraved plates by Gustave Doré engraved by Huyot Jonnard. Edition with the first address: Quai de l'école preferable to the second. Half old red morocco binding with corners. Jansenist spine with raised bands bearing title author and date at foot. Series of double fillets on boards. Light traces of rubbing. Corners and boards rubbed. Paper superbly fresh of exquisite whiteness except for one signature lightly browned and a slight trace of dampstain to upper margin of one engraving and foxing to upper margin of table of contents. Rare condition in contemporary half morocco with beautifully fresh paper. ""A highly sought-after publication for its remarkable illustration it is of great rarity in first printing"" Carteret 259. One of the first works illustrated by the young Gustave Doré friend of Théophile Gautier. Charpentier hardcover
rif. 36228New York London Paris and Melbourne. Cassell & Company. N.d. c. 1885. Hardcover. folio 30cm "edition de luxe" In Two volumes lxiv320 & 757pp. frontis 100 engraved plates on heavy stock paper with tissue guards & over 300 text and half page illustrations floral decorated endpapers in the original pebbled red cloth paper spine labels some leaves uncut a fine set. cgc An exceptionally illustrated edition of La Fontaine's collection of 237 fables first published in 1668. This edition illustrated by Dore first appeared from 1867 to 1870 published in 37 parts. The de luxe edition includes all 37 parts with an extensive essay on the life and works of Jean de la Fontaine by French critic Nicholas Geruze 1799-1865. Also included is La Fontaine's "Life of Aesop the Phrygian" his dedication to the Dauphin the grandson of Louis XIV and his original Preface. Of particular note are the magnificent engraved plates with etchings by French artist Jean Baptiste Oudry 1686-1755 and engraved by Cochin Sornique Ouvrier Tardieu and others. New York, London, Paris and Melbourne. Cassell & Company. N.d. c. [1885] hardcover
rif. 7487Bel exemplaire de cette célèbre édition illustrée, particulièrement décoratif dans sa reliure de maroquin rouge signée David . Parfait état . Grand format In Folio
