(DORE, Gustave, ill); LA FONTAINE, J deBiblio.com
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rif. 65821Paris: Librairie de L. Hachette 1868. Folio 35 x 26 cm. pp.lx864. Contemporary richly gilt brown morocco title in gilt within broad gilt decorated borders raised bands marbled endpapers all edges gilt. 84 full page wood-engraved plates. Old ownership inscription to front blank and title. Intermittent light foxing generally a very good copy in a handsome binding. La Fontaine's fables with illustrations from "one of the most popular" and "greatest of all illustrators" Ray 327-28. During the period of this book's publication Doré went from being "virtually unknown in England to being the most famous illustrator in the world" Malan 67 with books such as this bringing Doré to an international audience. Paris: Librairie de L. Hachette, 1868. hardcover
1878rif. 1433461878. An interesting autograph letter signed G. Doré in French approximately 80 words on 17 lines dated 24 June 1878. The previous year Doré had illustrated Ludovico Ariosto's influential poem Orlando Furioso published in London by Hachette and Co. In 1878 he produced several landscapes including Landscape in Scotland exhibited his woodcut entitled Ganymede at the Cercle de l'Union Artistique and showed sculptures at the Paris Salon. The Daily Telegraph commenting on his works at the Salon observed "It is not often that many-sided genius is so quickly appreciated by the jealous world of art" Conder The Doré Gallery: Descriptive Catalogue of the Pictures by M. Gustave Doré on View at 35 New Bond Street London. The same month Doré gained notice at the Exposition Universelle in Paris for a plaster cast of his eleven-foot vase "Poem of the Vine". Although the vase was the subject of much comment and admiration the sculptor received no awards for it. "There was a great deal of comment on this lack of appreciation evinced by the French for their fellow-countryman especially as 'La Nuit' another of Doré's superb creations occupied a place in one of the interior galleries of the Champs de Mars buildings. It is a curious fact that nowadays most people are of opinion that Doré received a great many medals and was usually one of the most distinguished contributors to the Paris Salon. As a matter of fact he never received one; not even an honorable mention" Roosevelt The Life and Reminiscences of Gustave Doré p. 440. "Cher maitre Pour la troisième fois depuis hier je recois inclus dans des lettres d'amis de Londres le feuillet détaché du Daily Telegraph du 22; c'est vous dire la très vive sensation qu'ont produites là-bas les lignes si chaleureuses que vous m'avez fait l'amitié de consacrer à la description de ma nouvelle oeuvre. Je m'empresse de vous adresser mes plus affectueux remerciements que je ne veux pas tarder d'aller renouveler de vive voix. À vous bien cordialement." "Dear Master For the third time since yesterday I have received included in letters from London friends the page taken from the Daily Telegraph of the 22nd; this is to tell you of the very lively sensation produced there by the warm lines that you so kindly devoted to the description of my new work. I hasten to forward you my most affectionate thanks that before long I hope to renew to you in person." Single sheet of notepaper watermarked "Freres" 204 x 260 mm sometime folded for mailing. Slight creasing from handling otherwise near-fine. unknown
1857rif. 42522London: Addey and Co. 1857. First edition. Folio. 83 1 pp. Publisher's green cloth boards gilt lettered and decorated to the upper cover recently respined with matching corners in brown morocco in-keeping with the original binding. 12 plates. Some wear and discolouration to the boards occasional finger marking to the leaves plus small marginal tears at intervals with tissue repairs recurring damp stain cutting across the upper right margin of many of the plates sometimes touching the image. London: Addey and Co. unknown
rif. 63152Paris: Librairie Hachette et Cie. 1890. Folio 37 x 28 cm. pp.lx864. Contemporary half blue morocco over marbled boards brass studs to each corner spine with raised bands and compartments decorated with various fauna devices additional contrasting brown corner pieces and similar to head and foot of spine marbled endpapers. Complete as listed with engraved portrait frontispiece and 84 full-page engraved plates plus head and tail piece vignettes to each fable. Intermittent light spotting minor dampstain to foredge confined to outer margin at pp.110-148 aqnd similarly to lower margin of pp. 431 -480 minute closed tear with old repair to lower edge of one leaf pp.93/94 generally a very good example in an unusual binding. First published in French in in 58 weekly parts starting in November 1866 and first published in book form in 1867. Paris: Librairie Hachette et Cie., 1890. hardcover
rif. 200913216Paris, Librairie Hachette et cie, 1879 ; in-folio, 658 pp., cartonnage de l'éditeur. Traduit par A.-J. du Pays et illustré par GUSTAVE DORÉ - qlq rousseurs et ptes restauration, pleine percaline rouge d'éditeur (ptes usures sinon bon état général (cartonnage signé A. Souze).
1863rif. 5971863 Paris, Hachette, 1863.
1868In folio (mm. 398x293), 3 volumi, piena pergamena coeva, cornice dorata ai piatti, dorso mz. pelle coeva, fregi e tit. oro al dorso, pp. X,(2),138; VIII,134; (8),132,(4); con un ritratto di Dante e 135 tavv. f.t. che riproducono le celebri composizioni del Doré. "Prima edizione italiana" con queste illustrazioni. Cfr. Mambelli “Annali ediz. dantesche”,362: “Il Camerini prese a testo la lezione del Witte. Per le dichiarazioni tenne conto dei migliori interpreti antichi e moderni: Boccaccio, Buti, Benvenuto da Imola, Tommaseo, Blanc, ecc.” Bell’esempl. marginoso.con complessive 135 tavv. f.t. che riproducono le celebri composizioni del Doré. Manca il ritratto di Dante. "Prima edizione italiana" con queste illustrazioni. Cfr. Mambelli “Annali ediz. dantesche”,362: “Il Camerini prese a testo la lezione del Witte. Per le dichiarazioni tenne conto dei migliori interpreti antichi e moderni: Boccaccio, Buti, Benvenuto da Imola, Tommaseo, Blanc, ecc.”. Con lievi fiorit., ma certamente un buon esemplare.
1870rif. 12057Paris, Typographie de A. Pougin, 1870. 1 vol. in-8. Reliure à la Bradel, demi-maroquin bleu à coins, auteur et titre dorés, exemplaire non rogné. XVpp, 110pp, [1]f blanc.
1903rif. 0056451903 Paris, Hetzel, [1903-1904]. Grand in-8 percaline rouge de l'éditeur ornée de fers spéciaux, titre dans le cartouche, tranches dorées (Engel Rel., d'après une plaque de C. Blancheland). ; (2) ff. de faux-titre (avec frontispice au verso) et titre, 410 pages. Rousseurs au feuillet de titre.
1990Tre volumi in folio, illustrazioni di Gustavo Doré e i colori del pittore Ernesto Treccani. Note dello stesso Treccani e contributi di Mario Marti “Dante con noi” e Giuseppe Selvaggi “Dante: Doré più Treccani”. Questa edizione de La Comedia di Dante, poi Divina Commedia, ripropone il testo e i caratteri usati da Johann Neumeister da Magonza e da Evangelisti Angelini da Terni nel 1472 nella loro tipografia di Foligno per la prima e storica edizione a stampa del Poema. Formato in folio, pagine 214, 206, 230. Legatura in piena pelle, iscrizioni in oro zecchino al piatto e al dorso, nervature sul dorso. Cofanetti rigidi in pelle. Tiratura di 2998 esmplari
1856rif. 66572Gravés sur bois par F. Rouget, O. Jahyer et J. Gauchard, Imprimés par J. Best. Poème avec prologue et épilogue par Pierre Dupont, Préface et notice bibliographique par Paul Lacroix (Bibliophile Jacob), Avec la ballade de Béranger mise en musique par Ernest Doré, 1 vol. in-plano cartonnage éditeur demi-toile verte, premier plat illustré, Michel Lévy Frères, Paris, 1856, 18 pp., 2 ff. (frontispice) et 12 planches hors texte
2014rif. BN124617Société des Editions Mengès 2014. 2014. Softcover. Venise l'art et la foi le Nouveau Testament en la basilique Saint-Marc : Tirage limité Venise l'art et la foi le Nouveau Testament en la basilique Saint-Marc : Tirage limité Joseph Doré Société des Editions Mengès paperback
1876rif. 20288Paris, Hachette, 1876. Petit in-folio de [4]-434-[2] pages, cartonnage rouge noire et or de l'éditeur et dos de chagrin rouge richement illustré, tranches dorées.
1714rif. 9093Superbe feuille de papier doré gaufré à toutes marges. Scènes de marché principalement dans un encadrement doré également, sur fond rouge. Support : papier vergé. Très rare. La feuille est signée : Augspurg bey Iohann Michael Munck N.51. Très bon Augsbourg Avant 1714 34,5 x 43 cm
1906rif. 464263London ; Paris New York ; Melbourne : Cassell & Company Limited 1906. First Cassell Edition. Hardcover. Very good copies both in contemporary gilt-blocked half burgundy calf over burgundy buckram boards; spine with raised bands. Corners joints and endbands somewhat rubbed. Reader bookplate to front pastedown vol. 1. Text blocks remain tight and strong with scattered foxing chiefly limited to the preliminary and final leaves. A well-preserved set overall. Physical description; complete in two volumes viii xv ; 737 continuous pages to main text plates : illustrations ; 34 cm. Notes; The English text is that of Jarvis with occasional corrections from Motteux's translation. Edited by J. W. Clark. With a biographical notice of Cervantes by T. Teignmouth Shore 1841-1911. Subjects; Spanish fiction Classical period 1500-1700 Translations into English. Knights and knighthood Spain Fiction. Spain Social life and customs 16th century Fiction. Picaresque literature Spanish Translations into English. Adventure stories Spanish Translations into English. Illustrated books Great Britain 19th century. London ; Paris, New York ; Melbourne : Cassell & Company, Limited hardcover
1897rif. 336524London Paris New York & Melbourne: Cassell and Company Limited 1897. First Edition. Hardcover. Original but poor binding elaborately gilt tooled over bulky boards. Wear and tear as with age with the boards present but detached on both volumes. Text remains well preserved overall; bright and clean. Physical description; two volumes. Contents; Volume I: Genesis-Lamentations ; Volume II: Ezekiel-Revelations. Subjects; The Holy Bible. Old Testament. New Testament. Gustave Doré 1832-1883. London, Paris, New York & Melbourne: Cassell and Company Limited hardcover
rif. 96122Paris, Garnier, Frères, Libraires-Editeurs, sans date (circa 1873), 1 volume de 145x225 mm environ, xxxi-614 pages, reliure signée Bonleu, demi-chagrin à coins framboise, dos portant titres dorés, orné de motifs romantiques dorés, cuir souligné par un filet doré sur les plats, tranche de tête dorée, gardes marbrées, couvertures conservées, feuillets à toutes marges, non rognés. Papier de Chine, exemplaire non justifié, Huitième édition, illustrée de 425 dessins par Gustave Doré. Dos légèrement insolé, coins frottés, des rousseurs, sinon bon état.
rif. 35600543, Paris, Librairie d'art, Ludovic Baschet, 1879. 98 pp. 1 f., 23 photographies originales hors-texte, 2 ff. tables et 24 couvertures de livraisons conservées. In-fol. brad. demi-percal. rouge, entièrement non rog. (Reliure de l'époque) Superbe publication illustrée de 28 dessins de Gustave Doré dont 14 à pleine page ici en PREMIER TIRAGE et de 29 illustrations empruntées à divers livres illustrés par l'artiste. 23 GRANDES PHOTOGRAPHIES ORIGINALES (portrait de G. Doré par Nadar et photog.)
1964rif. 013815Turin International Center of Aesthetic Research 1964 En feuilles, couverture illustrée rempliée, chemise et étui éditeur
1866rif. 816P2London: Cassell Petter & Galpin 1866. Cloth. Good. 21.5" by 15". Gustave Dore. A folio volume containing Gustave Dore's twelve engravings of the legend of the Wandering Jew a striking example of the Frenchman's art. A series of twelve folio sized illustrations by Gustave Dore on the legend of the Wandering Jew.The Wandering Jew is a mythical immortal man who is cursed to walk the Earth until the Second Coming. The Legend begun spreading in Europe in the thirteenth century.Dore was an eminent French artist of the nineteenth century perhaps best known for his illustrated edition of the Holy Bible.Collated complete.Undated dated from Jisc from a copy held at the University of Cambridge Libraries. In the original publisher's cloth binding. Externally with some marks and rubbing to the boards and spine and some loss to the head of the spine. A few small cracks to the backstrip. Minor bumping to the extremities. Head of the rear board is a little discoloured. Hinges are strained. Closed tear to the front endpaper. Internally firmly bound. Pages are bright and generally clean with some spots. Good Cassell Petter & Galpin hardcover
2010rif. 061447Norwalk Conn.: The Easton Press 2010. Book. Illus. by Dore Gustave. Near Fine. Hardcover. 2 Volume Set Folio. Illustrated by Gustave Dore. Originally published by George Barrie Philadelphia. Bound in full dark brown leather boards with gilt lettering and design along spine and front cover. Silk moire inside covers and endpapers bound silk ribbon bookmarks full gilt page edges. Four raised bands along spines. Shelfwear: light scuffing along edges and covers some light scratch marks on rear covers a few light scratches along gilt page edges. Both volumes are tightly bound no marks. Set is in Near Fine-minus condition. The Easton Press Hardcover
1937rif. 15068Lausanne, Editions d'Art suisse ancien, 1937. 4 volumes in-4 en feuilles sous cartable rouge à attaches, pièces de titre contrecollée aux premiers plats.
rif. 1685Shanghai, T'Usewei Printing, 1914-1922. 7 volumes, 8-vo, illustrated boards sewn at spine as issued, profusely illustrated with coloured plates, very good condition.
rif. 23117Paris, Charpentier, 1866. 58 livraisons in-8 (sur 60) - Sous couverture jaune illustrée, réunies sous chemise et étui. Premier tirage de la remarquable illustration de GUSTAVE DORÉ.
rif. 52194Charpentier.1866.In-4 en demi-chagrin avec caractères dorés.60 dessins de Gustave Doré.ère édition illustrée.496 p.Quelques rousseurs.BE.Tête rouge.
