Ashton, DoreABAA
3 926 résultats
1972réf. 427938London: Thames and Hudson 1972. Hardcover. Near Fine/Near Fine. Presumed first British edition. Narrow quarto. 288pp. Illustrated in color and in black-and-white with 150 images including a four-color map. Special photography by Mario Carrieri. Corners lightly bumped an almost near fine copy in a near fine dust jacket with modest edgewear and a short closed tear on top edge. Thames and Hudson hardcover books
1985réf. 164547London: Arts Council of Great Britain 1985. Softcover. VG. Glossy color-illustrated softcover with red lettering. 84 pp. Color and BW illustrations. Catalogue of an exhibition from January 30- April 21 1985. Arts Council of Great Britain paperback books
2014réf. 209149Houston TX / New Haven CT: The Menil Collection / Yale University Press 2014. Hardcover. As new. Quarto. Hardcover. Matte illustrated boards. 144 pages : chiefly illustrations chiefly color ; 29 cm. "Lee Bontecou b. 1931 established a significant reputation in the 1960s with pioneering sculptures and reliefs made of raw and expressionistic materials. Her art is simultaneously organic and mechanical and infused with biological geological and technological motifs. These same qualities also animate a less-known but compelling body of work: her drawings. Ranging from her early soot on paper works created using powder from a welding torch to recent drawings in pencil and colored pencil that evoke cosmoses and microcosmic worlds this stunning book is the first retrospective survey of Bontecou's consistently innovative drawings. More than sixty full-color plates populated by imagery ranging from black voids to mechanomorphs to hybrid descendants of teeth plants and fish are complemented by original essays from leading scholars who explore themes such as the drawings' historical contexts Bontecou's use of the iconography of the void and the eco-apocalyptic themes of an artist who came of age in the roiling political atmosphere of the 1960s."--Publisher's website. The Menil Collection / Yale University Press hardcover books
1978réf. 106425New York: Pantheon Books 1978. Hardcover. Fine/Near Fine. First American edition. Illustrated. Fine in near fine dustwrapper with some age-toning and soiling. Pantheon Books hardcover books
1958réf. 459727Berkeley: University of California Press 1958. Hardcover. Fine/Near Fine. First American edition from British sheets. Ownership stamp and signature of noted American psychologist and anthropologist Henry Guze a founder of the American Academy of Psychotherapists the Society for Clinical and Experimental Hypnosis and co-founder of the Society for the Scientific Study of Sex on the front fly else fine in very slightly spine-toned near fine dustwrapper. University of California Press hardcover books
1977réf. 162591New York: Harold Reed Gallery 1977. First edition. Softcover. 12 pages. Exhibition catalog for a show that ran March 3-19 1977. Text by Dore Ashton. Includes 5 color images. A clean near fine copy in stapled wrappers. Harold Reed Gallery unknown books
réf. SLIVCN-9782813220172TREDANIEL GUY EDITEUR
réf. 29997Texte de l'abbé Cruchet . 1893 . Mame , Grand in 8° cartonnage d'éditeur polychrome .Tranches dorées .Planches H.T. gravées sur bois .(Rousseurs) .
1993réf. 14924Ars mundi 1993 478 pages in4. 1993. Relié. 478 pages.
1886réf. 2947Librairie de Firmin Didot et Cie 1886 528 pages in8. 1886. reliure éditeur cartonnage rouge percaline décor richement doré tranches dorées. 528 pages.
1868réf. 230544Paris: Hachette 1868. 24 S. Text + 6 (von urspr. 9) s/w Taf. *Gr 4° Ln. *Einband mit Deckelblindprägung und vergoldetem Titel *1 S. lose, 3 S. herausgerissen *einzelne S. leicht stockfleckig *Einband berieben und an Kanten etwas bestossen *die Tafeln wurden von Gustave Doré gezeichnet und von W. Ridgway, A, Willmore, G.C. Finden, W. Greatbach. E.P. Brandard und C.H. Jeens gestochen*.
1918réf. 22115Leipzig, Insel, o. J. (1918 ?). 185 S., 1 Bl. mit zahlr. teils ganzseit. Textabb. 4°. HLwd. der Zeit mit aufgeklebtem OU (etw. gebräunt, kl. Gebrssprn.).
1988réf. 2918Inter-livres, 1988. Grand in-4 broché de 14 pages suivies de planches, couverture illustrée imprimée en deux tons, légèrement jaunies en bords. Illustré d'une large vignette de titre, de quelques figures in-texte et de 38 planches à pleine page, le tout de Gustave Doré.
2014réf. 23678Editions 2024, 2014. In-4, cartonnage couleurs, dos de toile titré. Tout beau tout neuf.
1954réf. AUB-5492Club des Libraires de France 1954. Bel ex. relié, rel. pleine toile ornée d'éd., in-8 num., 378 pages.
1980réf. AUB-566SCACELP, Paris 1980. Bel exemplaire relié, reliure pleine toile ornée d'éd., in-4, 102 + 154 pages avec dessins.
réf. 201708857Paris, Odé, 1959 ; in-8, 238 pp., cartonnage de l'éditeur. Avec jaquette en superbe état.
réf. 201212341Paris, Odé, 1959 ; in-8, 238 pp., cartonnage de l'éditeur. Avec jaquette.
réf. 200903040Paris, Odé, 1965 ; petit in-4, 238 pp., cartonnage d'éditeur avec jaquette.
réf. 201303277Paris, Odé, 1960 ; in-8, 276 pp., cartonnage de l'éditeur. Avec jaquette.
réf. 955HACHETTE .SD . CIRCA DEBUT XXé .RELIE .158 DESSINS DE GUSTAVE DORE .
1991réf. KNY1785521991. Hardcover. Language: Russian. Condition: good. Engravings. Original title: Bibleysky Albom v Gravyurakh. The photos show the actual copy offered. Ships from Ukraine by Nova Post with tracking after receipt of payment (bank transfer or PayPal); delivery time 12–28 business days including customs clearance. Shipping for this book (up to 1 kg): Netherlands €24.70, Belgium €29.60, Germany €19.90, France €29.10, Austria €29.10, Switzerland €46.00; other countries on request. The exact amount is confirmed when we accept your order. The parcel is sent from outside the EU/UK/Switzerland. Import VAT on books (e.g. Netherlands 9 %, Germany 7 %, Belgium 6 %, France 5.5 %, Switzerland 2.6 %, UK 0 %) and a customs handling fee of the carrier may be charged to the buyer on delivery; they are not included in the price. Consumers in the EU have the statutory 14-day right of withdrawal (see the seller terms). If the book does not match the description or is damaged in transit, please contact us right after receipt.
1906réf. 141150Librairie Hachette et Cie, coll. « Bibliothèque des écoles et des familles » 1906 In-4 cartonnage de l’éditeur pleine percaline rouge 27,5 cm sur 18. 299 pages. Bon état d’occasion.
1987Exhibition catalogue for the show at the Barbican Art Gallery with the title of the same name. Book is in excellent condition in black cloth with gilt print at spine, large oblong format. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows the slightest signs of shelf wear only, no tears. 191 pages with large prints in color, some b&w throughout. From the preface: "Over the centuries London has been visited by many artists from abroad and this exhibition is an attempt to illustrate how each visitor has in turn found inspiration from the city. The exhibition interprets this 'image' of London, reveals how the city has changed through four hundred years, and explores the idea of the city in the mind of the visitors and their response to it. Wyngaerde was the earlist artist to attempt to represent the city with relative accuracy. He conceived London as a great Gothic city with many towers and spires. Thomas Wyek may have witnessed the Great Fire, and he certainly painted several views of it. After the Fire, London was rapidly rebuilt and expanded. The subsequent completion of the new cathedral and the City's increasing commercial success attracted many traveller-artists. With its bustling market, Covent Garden was a favourite subject of the 18th-century artists such as Van Aken and Angillis. By contrast the serene Thames views of Canaletto and Joli recall Venice, and their interpretation of London as a city of grace and enlightenment seem more in keeping with the neo-classical order that fashioned the second half of the 18th Century. In the 19th Century artists began to depict the darker side of London. Focusing upon scenes of labour, poverty and suffering in an oppressive industrial environment, G?ricault and Dor? portrayed the Babylonian image of London. Nevertheless, Victorian London was also shown as a city of success and wealth. The river scenes of Whistler, and the busy, yet fashionable Street scenes of Bianche, Tissot and De Nittis represent it as essentially a hive of activity, business and busy-ness. Wistler and Monet were also inspired by the atmosphere of London, the foggy and nocturnal views ...
1955réf. R200117451Odé le monde en couleur. 1955. In-12. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 460 pages. Nombreuses illustrations en couleurs et en noir et blanc dans et hors texte. Avec bandeau d'éditeur. Jaquette illustrée en couleurs, en état d'usage. Contreplats illustrés en couleur.. Avec Jaquette. . . Classification Dewey : 963-Ethiopie et Erythrée
