778 résultats
réf. 05954Paris: Chez Aubert & Cie. 1850. Fifteen Hand-Colored Lithographed Plates Caricaturing the British CHAM pseudonym of Amédée de Noé. Mœurs Britanniques. Paris: Chez Aubert & Cie. n.d. ca. 1850. Large folio 13 1/4 x 10 inches; 336 x 252 mm. Hand-colored lithographed title and fifteen numbered hand-colored lithographed plates heightened with gum arabic. Publisher's cream-colored glazed lithographed boards neatly rebacked with cream-colored cloth backstrip. A little bit of marginal soiling. Otherwise a near fine copy. Of Charles Amédée de Noé 1818-1879 "known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray The Art of the French Illustrated Book pp. 155-156. The Plates: 1. Une femme bien attachée 2. Le Quaker 3. Le Recruteur 4. Visite au Musée 5. Mariage d'inclination 6. Les Hauts grades 7. Philanthropie. Bien entendue 8. Les Boxeurs 9. L'Écossais 10 Un Costume national 11. Baragouin Britannique 12. In the Stocks 13. Le Péage du turn-pike 14. L'Invalide de Chelsea 15. Smithfied Market Bobins III 842. Paris: Chez Aubert & Cie., 1850 unknown
réf. 05311Paris: Chez Aubert & Cie. 1850. Fifteen Hand-Colored Lithographed Plates Caricaturing the British CHAM illustrator. Mœurs Britanniques. Paris: Chez Aubert & Cie. n.d. ca. 1850. Large folio 12 7/8 x 9 5/8 inches; 327 x 244 mm. Hand-colored lithographed title and fifteen numbered hand-colored lithographed plates heightened with gum arabic. Publisher's advertisement leaf at end. Small neat 1 1/8 inch repair to top margin of plate 12 not affecting image some minor and mainly marginal scattered foxing otherwise an excellent example. Contemporary quarter dark brown ribbed cloth over marbled boards. Some wear to corners and edges of boards. Of Amédée de Noé "known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray The Art of the French Illustrated Book pp. 155-156. The Plates: 1. Une femme bien attachée 2. Le Quaker 3. Le Recruteur 4. Visite au Musée 5. Mariage d'inclination 6. Les Hauts grades 7. Philanthropie. Bien entendue 8. Les Boxeurs 9. L'Écossais 10 Un Costume national 11. Baragouin Britannique 12. In the Stocks 13. Le Péage du turn-pike 14. L'Invalide de Chelsea 15. Smithfied Market. Paris: Chez Aubert & Cie., 1850 unknown
réf. 05327Paris: Chez Aubert & Cie. 1846. The Pleasures of Youth. Young Parisian Gentlemen At Play CHAM pseudonym of Amédée de Noé. Nos Gentils Hommes a Gout. Tournure Elégance Moeurs et Plaisirs de la Jeunesse Dorée. Par Cham Paris: Chez Aubert & Cie. n.d. 1846. First only edition complete. Folio 13 x 9 5/8 inches; 330 x 245 mm. Hand-colored lithographed title page and twenty hand-colored lithographed plates all heightened with gum arabic. Original pictorial lithographed green boards. Minimal rubbing to board edges and corners near fine. Rare with OCLC recording only six copies in institutional holdings worldwide and only one auction record since 1923. We have only seen one other copy of this title. A satire of the bustle behavior customs and pleasures of young Parisian gentlemen - golden youth. Of Amédée de Noé "known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray pp. 155-156. The Plates: 1. Ne vous effrayez pas! 2. Un objet de prix pour ne rien prendre 3. Fol de carrossier. 4. Un maitre dans une peau de domestique. 5. Des gages fabuleux. 6. Ton vicomte est un cuistre! 7. Pauvre créancier! 8. L'ami de coeur. 9. Tiens! C'est le m'sieu du château! 10. Palsambleu quél bon petit chic!! 11. L'etat d'heritier a bien ses charges! 12. Monsieur le baron après souper. 13. Prenez y garde John! 14. Un ci-devant. 15. Tachez donc de faire aller mes cheveux! 16 Le tir des pigeons. 17. Oh he! Ce cavalier! Ohe! 18. Bravo Marquis! Tu arrives le premier. 19. Dieu! La belle chasse. 20. Au diable les préjugés! Paris: Chez Aubert & Cie.,, 1846 unknown
réf. 03321Paris: Chez Aubert & Cie. 1846. The Pleasures of Youth. Young Parisian Gentlemen At Play CHAM pseudonym of Amédée de Noé. Nos Gentils Hommes a Gout. Tournure Elégance Moeurs et Plaisirs de la Jeunesse Dorée. Par Cham Paris: Chez Aubert & Cie. n.d. 1846. First only edition complete. Folio 13 1/4 x 9 7/8 inches; 336 x 250 mm. Hand-colored lithographed title page and twenty hand-colored lithographed plates. Pictorial lithographed advertisement and Aubert et Cie. catalogue 16 pp. at rear. Original pictorial lithographed green boards. Later dark green pebbled cloth spine and endpapers. Board edges and corners a little rubbed some light mainly marginal foxing. Small repaired tear to outer margin of lithographed advertisement leaf. An excellent example. With the bookplate of Joel Spitz on front paste-down. Provenance: purchased in Paris 1947. Rare with OCLC recording only six copies in institutional holdings worldwide and no auction records since 1923. We have only seen one other copy of this title. A satire of the bustle behavior customs and pleasures of young Parisian gentlemen - golden youth. Of Amédée de Noé "known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray pp. 155-156. The Plates: 1. Ne vous effrayez pas! 2. Un objet de prix pour ne rien prendre 3. Fol de carrossier. 4. Un maitre dans une peau de domestique. 5. Des gages fabuleux. 6. Ton vicomte est un cuistre! 7. Pauvre créancier! 8. L'ami de coeur. 9. Tiens! C'est le m'sieu du château! 10. Palsambleu quél bon petit chic!! 11. L'etat d'heritier a bien ses charges! 12. Monsieur le baron après souper. 13. Prenez y garde John! 14. Un ci-devant. 15. Tachez donc de faire aller mes cheveux! 16 Le tir des pigeons. 17. Oh he! Ce cavalier! Ohe! 18. Bravo Marquis! Tu arrives le premier. 19. Dieu! La belle chasse. 20. Au diable les préjugés! Paris: Chez Aubert & Cie.,, [1846] unknown
réf. 04212Paris: Arnauld De Vresse 1850. Exceedingly Scarce Highly Amusing Hand-Colored Caricatures Showing "The Crazy's of the Day" CHAM illustrator pseud. of Charles Amédée de Noé. Les Toqués Du Jour. Paris: Arnauld De Vresse n.d. ca. 1847. First edition. Large folio 13 3/4 x 10 5/16 inches; 349 x 261 mm. Hand-colored lithographed title and thirty-six comical scenes on eighteen fine hand-colored lithographed plates heightened with gum arabic. Each scene with printed caption below. Publisher's brown ribbed cloth bordered in blind front cover lettered in gilt. Expertly rebacked to style at an early date. Inner hinges cracked but sound corners very slightly rubbed. A near fine copy of this exceedingly scarce album. A highly amusing collection of lithographs by Cham 1819-1879 satirizing the varieties of Les Toqués Du Jour The Crazy's of the Day. Of Charles Amédée de Noé "known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray The Art of the French Illustrated Book pp. 155-156. Exceedingly scarce. No copies found in WorldCat or KVK and apparently no copies have appeared at auction certainly during the past thirty-five years. Paris: Arnauld De Vresse, 1850 unknown
réf. 05993Paris: Chez Aubert & Cie. 1850. Jokes in Poor Taste CHAM pseudonym of Amédée de Noé. Turlupinades Contrariétés et Autres Amusemens Négatifs Jokes in Poor Taste Par Cham. Paris: Chez Aubert & Cie. ca. 1850. First edition. Folio 13 1/16 x 9 3/4 inches; 331 x 249 mm. Hand-colored lithographed title and fifteen full-page hand-colored lithographed plates with captions. Publisher's original yellow cloth over yellow boards printed in black and bronze. A very fine copy. OCLC locates just four copies worldwide: Morgan Library & Museum; New York Public Library; Getty Institute; University of Illinois. CHAM pseudonym of Amédée de Noé 1818-1879. French caricaturist and lithographer published his first book Monsieur Lajeunesse in 1839 and from 1843 began to be regularly published in illustrated magazines such as Le Charivari which in 1835 focused primarily on publishing satires of everyday life thereafter becoming one of the most popular of French caricaturists through entertaining storybooks such as this work which satirized 'jokes in poor taste.' Several artists "followed in the wake of Daumier and Gavarni. Among the most attractive of the former is Amédéé de Noé "known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray pp. 155-156. Cham had contacts with English artists many of whom had trained on the Continent most in company with English artist and follower of the pioneering German lithographer Alois Senefelder. The Plates: 1. Tout ça c'est bel et bon! It's all well and good! 2. L'éducation es tune bonne chose! Education is a good thing! 3. Hardi! Conscrit la patrie a les yeux sur toi!. Daring! Conscript the fatherland has its eyes on you!. 4. Je veux que mon fils ait un prix! I want my son to have a prize! 5. Mes papiers.mes papiers! My papers.my papers! 6. Tiens tiens elle était pressée c'tte lettre Well well she was in a hurry that letter 7. De de quoi.de de quoi!. From what.from what!. 8. Malheureux! Tu me feras blancher avant l'âge. Unfortunate! You will make me white before my age. 9. Enfin j'en tiens un!. Finally I got one!. 10. Non vous ne vous trompez pas! No you are not mistaken! 11. Je risqué tout tant pis pour moi! I risked everything too bad for me! 12. Ah! Vous êtes ambitieux! Ah! You are ambitious! 13. Qué bonheur m'ssieu! What happiness sir! 14. Cré coquin mes chemises neuves. Naughty creation my new shirts. 15. Y sont drôles les maitres! The masters are funny there! Bobins IV 1349. Paris: Chez Aubert & Cie., 1850 unknown
réf. 05330Paris: Chez Aubert & Cie. 1850. Jokes in Poor Taste CHAM pseudonym of Amédée de Noé. Turlupinades Contrariétés et Autres Amusemens Négatifs Jokes in Poor Taste Par Cham. Paris: Chez Aubert & Cie. ca. 1850. First edition. Folio 13 1/4 x 9 7/8 inches; 337 x 251 mm. Hand-colored lithographed title and fifteen full-page hand-colored lithographed plates with captions. Advertisement leaf at end Maison de Commission. Des Modes Parisiennes. Publisher's pictorial glazed green boards lower portion of spine renewed inner front hinge cracked some light wear to corners. An excellent copy. OCLC locates just four copies worldwide: Morgan Library & Museum; New York Public Library; Getty Institute; University of Illinois. CHAM pseudonym of Amédée de Noé 1818-1879. French caricaturist and lithographer published his first book Monsieur Lajeunesse in 1839 and from 1843 began to be regularly published in illustrated magazines such as Le Charivari which in 1835 focused primarily on publishing satires of everyday life thereafter becoming one of the most popular of French caricaturists through entertaining storybooks such as this work which satirized 'jokes in poor taste.' Several artists "followed in the wake of Daumier and Gavarni. Among the most attractive of the former is Amédéé de Noé "known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray pp. 155-156. Cham had contacts with English artists many of whom had trained on the Continent most in company with English artist and follower of the pioneering German lithographer Alois Senefelder. The Plates: 1. Tout ça c'est bel et bon! It's all well and good! 2. L'éducation es tune bonne chose! Education is a good thing! 3. Hardi! Conscrit la patrie a les yeux sur toi!. Daring! Conscript the fatherland has its eyes on you!. 4. Je veux que mon fils ait un prix! I want my son to have a prize! 5. Mes papiers.mes papiers! My papers.my papers! 6. Tiens tiens elle était pressée c'tte lettre Well well she was in a hurry that letter 7. De de quoi.de de quoi!. From what.from what!. 8. Malheureux! Tu me feras blancher avant l'âge. Unfortunate! You will make me white before my age. 9. Enfin j'en tiens un!. Finally I got one!. 10. Non vous ne vous trompez pas! No you are not mistaken! 11. Je risqué tout tant pis pour moi! I risked everything too bad for me! 12. Ah! Vous êtes ambitieux! Ah! You are ambitious! 13. Qué bonheur m'ssieu! What happiness sir! 14. Cré coquin mes chemises neuves. Naughty creation my new shirts. 15. Y sont drôles les maitres! The masters are funny there! Bobins IV 1349. Paris: Chez Aubert & Cie., 1850 unknown
réf. 04607Paris: Mon. Martinet 1860. The Trial of Jean Bidoux in his Military Career CHAM Pseudonym of Charles Amédée de Noé. Les Tâtonnements de Jean Bidoux dans la Carrière Militaire. The trials of Jean Bidoux in his Military Career. Par Cham. Paris: Mon. Martinet 1860. First edition. Large quarto 13 1/4 x 9 7/8 inches; 336 x 250 mm. Pictorial lithograph title-page and eighteen lithograph plates with sixty-five amusing images. Publisher's quarter red roan over blind stamped red cloth front cover decoratively titled in gilt. Small stain to top margin of last plate otherwise a fine copy. Paris: Mon. Martinet, 1860 unknown
réf. 06849Paris: Chez Aubert & Cie. 1845. All is Fair in Love and War" Cham's Complete Satirical Album of the French Army in Algeria - Thirty-One Lithographed Plates CHAM pseudonym of Charles Amédée de Noé. À la guerre comme à la guerre. Par Cham. Paris: Chez Aubert & Cie. n.d. 1846. First edition. Oblong folio 10 1/8 x 12 3/4 inches; 254 x 324 mm. Pictorial lithographed title-page and thirty numbered lithographed plates each with printed caption beneath presenting Cham's wonderfully comic and frequently irreverent view of the experiences and misadventures of the French army in Algeria. Publisher's original pictorial green boards front cover reproducing the design of the lithographed title-page rear cover plain. Minimal rubbing and wear to spine ends and extremities; internally remarkably clean and fresh. An exceptional survival in the original publisher's pictorial boards. Near fine. A complete suite of Cham's celebrated caricatures of the French military campaign in Algeria comprising the pictorial title and all thirty numbered plates. The title À la guerre comme à la guerre is a proverbial French expression - literally "in war as in war" - conveying the idea that in difficult circumstances one must make do with whatever is available: essentially "you have to take things as they come." It provides the perfect framework for Cham's comic assault upon the romantic conception of military life. Rather than heroic battle scenes and martial glory Cham gives us the decidedly less glamorous realities of campaigning in North Africa: exhausting marches hunger and thirst unruly Arab horses uncomfortable nights beneath canvas troublesome provisions razzias encounters with wild animals and the innumerable indignities suffered by the ordinary soldier. Officers and enlisted men alike are subjected to Cham's irreverent eye the hardships of colonial campaigning becoming the raw material for a sustained sequence of visual jokes. The album relates specifically to the French conquest of Algeria begun in 1830 and still very much an active military enterprise when these lithographs appeared. By the mid-1840s the French army was engaged in the final stages of its long struggle against the forces of Abd el-Kader. Cham transforms this serious contemporary subject into an extended comic narrative of military discomfort confusion and misadventure. CHAM pseudonym of Charles Amédée de Noé 1818-1879. One of the most prolific French caricaturists of the nineteenth century Cham belonged to the generation that followed Daumier and Gavarni and became particularly associated with Le Charivari. His extraordinary productivity - he was said to have had "an idea a day" - resulted in thousands of drawings and lithographs many subsequently gathered into albums such as the present work. "It is to be regretted that space will not serve to represent the caricaturists and depictors of manners who followed in the wake of Daumier and Gavarni. Among the most attractive of the former is Amédée de Noé known as Cham that is Ham the son of Noah of whom it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège in which Daumier was his collaborator are typical of his work" Ray The Art of the French Illustrated Book pp. 155-156. The Plates: Pictorial lithographed title-page. Ça ne vaut pas l'eau filtrée!!. Au diable les chevaux arabes! Quelle chance!! Pour faire un bon pot-au-feu. V'là soixante lieues d'avalées! Ces gueux d'arabes. Dites donc caporal. Une visite sous la tente. Encore quinze lieues à faire. Une razzia. C'est fort drôle conscrit!. Un héritage flambé. Allons bon!. Gueux de sauvages! Y a des gens qui ont du bonheur! Il est bon d'avoir des amis. C'est une flêche empoisonnée. En toute chose il ne faut jamais considérer la faim. Qué beau pays!!! Est-ce que tu attends l'omnibus. Pauvres camarades! Cristi! V'la mon paletot qui se déchire! Y a pas de bon sens! Cher papa et chère maman. Mon Général. C'est un coup superbe! Un petit homme à grandes passions. Marche de nuit. Un réveil désagréable. L'appétit est le meilleur cuisinier. A remarkably fresh example of one of Cham's most entertaining lithographic albums complete with all thirty plates and retaining the particularly desirable original pictorial boards. Paris: Chez Aubert & Cie., 1845 unknown
réf. 04620Paris: Chez Aubert & Cie. 1846. A Satirical View of the French in Algeria CHAM pseudonym of Amédée de Noé. À la guerre comme à la guerre. Variantes lithographiques sur le thême bien connu: Ah! quel plaisir d'être soldat. Par Cham. Paris: Chez Aubert & Cie. n.d. 1846. First edition. Oblong folio 10 1/4 x 13 1/8 inches; 260 x 334 mm. Twenty-seven of thirty-one hand-colored lithographed plates heightened with gum Arabic presenting a satirical view of the life of the French contingent in Algeria. Publisher's sixteen page catalog bound in at end. Bound without the pictorial title-page and plates 1 29 & 30. Ten plates with short lower marginal tears. Twentieth century tan cloth over boards red morocco spine label lettered in gilt. A very good albeit incomplete example. The plates: 2. Au diable les chevaux arabes! 3. Quelle chance!! 4. Pour faire un bon pot-au-feu. 5. V'là soixante lieues d'avalées! 6. Ces gueux d'arabes. 7. Dites donc caporal. 8. Une visite sous la tente. 9. Encore quinze lieues à faire. 10. Une razzia. 11. C'est fort drôle conscrit!. 12. Un héritage flambé. 13. Allons bon!. 14. Gueux de sauvages! 15. Y a des gens qui ont du bonheur! 16. Il est bon d'avoir des amis. 17. C'est une flêche empoisonnée. 18. En toute chose il ne faut jamais considérer la faim. 19. Qué beau pays!!! 20. Est-ce que tu attends l'omnibus. 21. Pauvres camarades! 22. Cristi! V'la mon paletot qui se déchire! 23. Y a pas de bon sens! 24. Cher papa et chère maman. 25. Mon Général. 26. C'est un coup superbe! 27. Un petit homme a grandes passions. 28. Marche de nuit. CHAM pseudonym of Charles Amédée de Noé 1818-1879. "It is to be regretted that space will not serve to represent the caricaturists and depictors of manners who followed in the wake of Daumier and Gavarni. Among the most attractive of the former is Amédée de Noé known as Cham that is Ham the son of Noah of whom it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège in which Daumier was his collaborator are typical of his work" Ray The Art of the French Illustrated Book pp. 155-156. Paris: Chez Aubert & Cie., 1846 unknown
1869réf. 227831869 Album de 60 caricatures par Cham IN8 broché,15pp recto seul, 4 vignettes en N/B par page
1850réf. 196701850 Paris, Maison Martinet, sans date (vers 1850), in-4 br. de 32 pp. de dessins humoristiques, couverture rose impr., rousseurs, bon ex.
1860réf. 196821860 Paris, Martinet, sans date (vers 1860), in-4 br. de 16 feuillets, non paginé, de dessins humoristiques et satiriques, couverture gris-bleu impr., rousseurs, bon ex.
1860réf. 196761860 Paris, Martinet, sans date (vers 1860), in-4 br. de 16 feuillets, non paginé, de dessins humoristiques et satiriques légendés, couverture beige impr. fortement tachée (encre brune), peu de rousseurs, bon ex.
1860réf. 196831860 Paris, Arnauld de Vresse, sans date (vers 1860), in-4 br. de 16 feuillets, non paginé, de dessins humoristiques et satiriques, couverture gris-bleu impr., rousseurs, bon ex.
réf. 19674Paris, Martinet, sans date (vers 1860), in-4 br. de 16 feuillets, non paginé, de dessins humoristiques et satiriques légendés, couverture jaune impr., rousseurs, bon ex.
1850réf. 75481850 Paris, au bureau du Charivari et chez Martinet, sans date (vers 1850), album in folio de 1 titre lithographié et 54 planches humoristiques de caricatures lithographiés par Destouches, montées sur onglets, rel. post. demi-chagrin brun, dos à nerfs, rousseurs, bon ex.
1860réf. 196801860 Paris, Martinet, sans date (vers 1860), in-4 br. de 16 feuillets, non paginé, de dessins humoristiques et satiriques, couverture jaune impr. dos fendu en pied, rousseurs, bon ex.
réf. 19675Paris, Martinet, sans date (vers 1860), in-4 br. de 16 feuillets, non paginé, de dessins humoristiques et satiriques légendés, couverture jaune impr., rousseurs, bon ex.
1866réf. 196771866 Paris, Arnauld de Vresse (vers 1866), in-4 br. de 16 feuillets, non paginé, de dessins humoristiques et satiriques légendés, couverture grise impr., peu de rousseurs, bon ex.
réf. 19673Paris, Martinet, sans date (vers 1860), in-4 br. de 16 feuillets, non paginé, de dessins humoristiques et satiriques légendés, couverture jaune impr., rousseurs, bon ex.
1863réf. 196791863 Paris, Martinet, sans date (1863), in-4 br. de 16 feuillets, non paginé, de dessins humoristiques et satiriques, couverture jaune impr., rousseurs, bon ex.
1860réf. 196781860 Paris, Martinet (vers 1860), in-4 br. de 16 feuillets, non paginé, de dessins humoristiques et satiriques légendés, couverture jaune impr., peu de rousseurs, bon ex.
1860réf. 196811860 Paris, Martinet, sans date (vers 1860), in-4 br. de 16 feuillets, non paginé, de dessins humoristiques et satiriques, couverture gris-bleu impr., rousseurs, parfois accentuées, bon ex.
1850In 12°; 27 cc. Brossura editoriale con il piatto anteriore riccamente illustrato, qualche mancanza di carta al dorso. Una piccolissima mancanza di carta al margine superiore bianco dell'ultima carta, ininfluente. Prima edizione di questa raccolta di opere satiriche e caricaturali del celebre illustratore, caricaturista e fumettista francese, Charles Amédée de Noé, noto con lo pseudonimo di Cham (Parigi, 26 gennaio 1818 Parigi, 6 settembre 1879). Di nobili origini, suo padre era Conte di Noé e Pari di Francia, nonostante una naturale predisposizione per la matematica, preferì fin da giovane di frequentare le botteghe dei due celebri pittori, Nicolas Toussaint Charlet e Paul Delaroche. La sua opera "Histoire de Mr. Lajaunisse", pubblicata per la prima volta nel 1839, una storia ideata come un susseguirsi di immagini sequenziali sulla scorta dell opera dello svizzero Rodolphe Topffer, è considerato il primo albo a fumetti francese. L'opera qui presentata, facente parte delle Miroir Comiques, ne rappresenta il numero 2. Rarissimo. Very rare.
