GRANDVILLE, DAUMIER, CHAM.Livre Rare Book
rif. 7541Paris, chez Aubert et Cie, 1842-1843. 34 x 26 cm, collection incomplète. Manquent les livraisons 26, 27, 29, 32, 44. Livraison 9 déchirures recollées, livraison 10 déchirée sans manque, livraison 43 déchirure, livraison 46 déchirure, livraison 48 déchirure avec manque angulaire. Deux volumes reliés demi basane à coins, reliures frottées.
rif. 7541Paris, chez Aubert et Cie, 1842-1843. 34 x 26 cm, collection incomplète. Manquent les livraisons 26, 27, 29, 32, 44. Livraison 9 déchirures recollées, livraison 10 déchirée sans manque, livraison 43 déchirure, livraison 46 déchirure, livraison 48 déchirure avec manque angulaire. Deux volumes reliés demi basane à coins, reliures frottées.
1848rif. 47291848. Lithograph. 305mm by 235mm sheet. Lithograph from 'Le Charivari' 1848. Scenes from the life of Georges Fattet dentist: To the left Napoleon's statue has been replaced by one of Fattet; Top right a satisfied client with two sets of dentures asks for a third; bottom right Fattet is greeted by assistant. CONDITION : faint horizontal crease as issued. Margins slightly trimmed. A couple of foxing spots in the margins. unknown
1848rif. 6651848. Lithograph. 285mm by 235mm sheet. Lithograph from 'Le Charivari' 1848. Scenes from the life of Georges Fattet dentist: Top he bows before a queen; bottom in a street procession a woman places a crown on his head and children throw flower petals along his path.Margins slightly trimmed. unknown
1988rif. DADAX0898382777Springer 1988-10-31. 2nd. hardcover. New. 6.14x0.88x9.21. Buy with confidence. Excellent Customer Service & Return policy. Springer hardcover
1913rif. A111-039Wien, Kaiserlich-K?nigliches Milit?r-Geographisches Institut, 1913. Hochformat, ca. 38 x 55 cm, Ausgabe: mehrf?rbig; Zustand: gut +
1847rif. 26021847. Lithograph. 240mm by 340mm sheet. 'Voyeux mon domestique meeieurs avec mes Rateliers Osanores il brise du fer !.' Depicts Dr Fattet the famous French dentist.Original lithograph published in Paris 1847. Signed 'CHAM' in the image. From a series titled 'Celebrites Charivariques' which was published in the French magazine 'Le Charivari'. Text on reverse folds as issued. Light overall toning. Trimmed at an angle at top of the sheet. unknown
rif. 113252[Paris, 1869-circa 1872], 2 volumes grand in-4 de 210x300 mm environ comprenant les numéros 1 à 200. Demi-chagrin vert, dos à cinq nerfs portant titres dorés, gardes de papier marbré. Des frottements sur le cuir, discrètes griffures sur les plats, rares rousseurs, bon état général.
1850rif. 1278863Paris: Au Bureau du Journal le Charivari 1850's. 8vo.; VG; 3/4 bound in brown leather spine paneled with burgundy label and gilt lettering; repaired with original spine rebacked new label new endpapers; marbled boards; wear to corners rubbing to boards spine; some age-toning to pages; three of the images have been cut out of the Revue Du Salon De 1853. NOTE: Shelved in Locked Annex Area ND-HV Column. 1278863. FP New Rockville Stock. Au Bureau du Journal le Charivari unknown
1850rif. 1278863Paris: Au Bureau du Journal le Charivari 1850's. 8vo.; VG; 3/4 bound in brown leather spine paneled with burgundy label and gilt lettering; repaired with original spine rebacked new label new endpapers; marbled boards; wear to corners rubbing to boards spine; some age-toning to pages; three of the images have been cut out of the Revue Du Salon De 1853. NOTE: Shelved in Locked Annex Area ND-HV Column. 1278863. FP New Rockville Stock. Au Bureau du Journal le Charivari unknown books
1880rif. 15669Paris: Calmann Levy 1880. Hardcover. fair. This copy has an ex-libris stamp inside of front board by Robert Florey: Robert Florey 1900-1979 was a French screenwriter director of short films and actor who moved to Hollywood in 1921. Florey worked as assistant director to Josef von Sternberg Frank Borzage and Victor Fleming before making his feature directing debut in 1926. He turned out more than 50 movies over the next 23 years from the first Marx Brothers movie "The Cocoanuts" 1929 to horror movies such as "Murders in the Rue Morgue" 1932 starring Bela Lugosi to skillful low-budget crime programmers like "The Crooked Way" 1949. Scarce. 4to. 349pp. Original contemporary illustrated paper covered boards with gold lettering and illustration to cover and spine. Blue endpapers. Ex libris Robert Florey see above. Great collection of 3b/w caricatures by the acclaimed French artist Cham a.k.a. Amedée Charles Henry de Noé. With a short biography. Head and tail of spine rubbed and worn with tear to top spine. Corners worn. Scuffing rubbing staining to boards. Minor browning to pages. In French. In overall good- condition. Calmann Levy hardcover
1880rif. 15669Paris: Calmann Levy 1880. Hardcover. fair. This copy has an ex-libris stamp inside of front board by Robert Florey: Robert Florey 1900-1979 was a French screenwriter director of short films and actor who moved to Hollywood in 1921. Florey worked as assistant director to Josef von Sternberg Frank Borzage and Victor Fleming before making his feature directing debut in 1926. He turned out more than 50 movies over the next 23 years from the first Marx Brothers movie "The Cocoanuts" 1929 to horror movies such as "Murders in the Rue Morgue" 1932 starring Bela Lugosi to skillful low-budget crime programmers like "The Crooked Way" 1949. Scarce. 4to. 349pp. Original contemporary illustrated paper covered boards with gold lettering and illustration to cover and spine. Blue endpapers. Ex libris Robert Florey see above. Great collection of 3b/w caricatures by the acclaimed French artist Cham a.k.a. Amedée Charles Henry de Noé. With a short biography. Head and tail of spine rubbed and worn with tear to top spine. Corners worn. Scuffing rubbing staining to boards. Minor browning to pages. In French. In overall good- condition. Calmann Levy hardcover books
1850rif. 041568Paris: Bureau De Punch 1850. 1st Edition . Hardcover. Very Good. Ii 192 Ii Pp. Quarter Grey Cloth Morocco Spine Label Gilt Marbled Boards. Begins With Title Page Dated April 1850 No Other Title Pages Or Rear Covers. Light Wear Beginning To Fray At Corners Light Foxing. Charles Amédée De Noé Known As Cham 1818 - 1879 Was A French Caricaturist And Lithographer. Raised By A Family Who Wished Him To Attend A Polytechnic School He Instead Attended Painting Workshops By Nicolas Charlet And Paul Delaroche And Began Work As A Cartoonist Taking On The Pseudonym "Cham". In 1839 He Published His First Book Monsieur Lajaunisse Which Began A Career That Would Span 40000 Drawings. In 1843 He Began To Be Published In Newspapers Like Le Charivari Whose Staff He Was On For Thirty Years. Later Works Included Proudhon En Voyage And Histoire Comique De L'assemblée Nationale. He Wrote A Number Of Comic Plays Towards The End Of His Life. Bureau De Punch hardcover
rif. 51-6182Paris: 19th Century. Original ink drawingCaricature à l'encre légendée. 140x 155 mm.Expertise by Bernard Portheault8 rue des Pichots 41500 Mer Paris: 19th Century unknown
rif. GOR009602032Paperback. Acceptable. paperback
rif. R320172244Chez Aubert et Cie. non daté. In-4. Relié. Etat d'usage, Coins frottés, Dos abîmé, Papier jauni. 192 pages - nombreux dessins en noir et blanc dans le texte - texte sur deux colonnes - quelques dessins ont été coloriés - papier jauni - ciuns, tranches frottés - platys tâchés - coiffes abîmées.. . . . Classification Dewey : 840-Littératures des langues romanes. Littérature française
1868rif. 270Ed. HETZEL, Paris, 1868-1869. 4 vol. in-8 1/2 reliure de cuir vert . Dos à faux nerfs orné de mention d’auteur , de titre, de tomaison et de 6 doubles filets dorés. T1 : 228 p. T2 : 196 p, T3: 196 p. T4 : 196 p. Bien complet de toutes les livraisons, des 1000 dessins, 550 scènes et types avec légendes de GAVARNI soit 350 dessins de plus que dans les éditions précédentes. ÉDITION AUGMENTEE EN TEXTES ET ILLUSTRATIONS Y COMPRIS DE LA PRÉFACE ET PROSPECTUS. Illustrateurs : GAVARNI, CHAMPIN, GRANDVILLE,BERTALL, CLERGET. Auteurs: GAVARNI, BALZAC, HUGO, VERNE, SUE, MUSSET, SAND, STENDHAL, STAHL ( HETZEL) …
rif. 9386Paris, Michel Lévy frères, 1850. Fort in-4, (2)-625-(1) pp., reliure de l'époque demi-chagrin vert, dos orné (quelques rousseurs).
1875rif. 74140Paris 1875. Fine. Paris 1875 11.50 x 17 cm une feuille Affectionate autograph letter signed one and a half pages 32 lines from Cham addressed to his friend Alexandre Dumas fils thanking him fraternally for the fruitful administrative steps undertaken by the latter in favor of obtaining the ribbon of the Legion of Honor for his fellow caricaturist: In this missive filled with surprised modesty and discretion Cham shows himself to be both proud and gently mocking of decorations. He never ceases to praise the affection and gratitude he feels for his friend. ""Ce 11 Fev. 1875 Mon cher ami C'est atroce ! Me voilà décoré ! Jusqu'à la fin de mes jours ! et c'est de votre faute ! Par le plus grand des hasards j'ai appris que vous aviez écrit une lettre de quatre pages au ministre. Le tout me concernant et appelant sur moi le ruban ! Sans rien dire à personne ! et sans vous dénoncer une fois le coup terminé et réussi. Que penser d'un pareil homme Où trouver assez de reconnaissance pour le remercier d'un pareil traits Je forme immédiatement une société au capital d'une reconnaissance énorme qui puisse acquitter ma dette envers vous. Ce n'est pas une croix qui honore un homme ce sont des amis comme vous. Vous devez comprendre ce que j'éprouve pour vous après un coup pareil. Bien affectueusement et merci je ne vous dis que ça ! Cham. Mes respectueux hommages à madame Dumas. Je porte mon ruban en rosette ça fait très bien."" ""February 11 1875 My dear friend It's atrocious! Here I am decorated! Until the end of my days! and it's your fault! By the greatest chance I learned that you had written a four-page letter to the minister. All concerning me and calling for the ribbon upon me! Without saying anything to anyone! and without denouncing yourself once the deed was done and successful. What to think of such a man Where to find enough gratitude to thank him for such a gesture I immediately form a company with the capital of enormous gratitude that can settle my debt to you. It is not a cross that honors a man it is friends like you. You must understand what I feel for you after such a deed. Most affectionately and thank you that's all I say to you! Cham. My respectful regards to Madame Dumas. I wear my ribbon as a rosette it looks very good."" unknown
rif. 7978Paris, chez Martinet, sans date [circa 1950]. 34,5 x 27 cm, une page de titre lithographiée et 20 planches lithographiées, en noir et blanc, proposant au total 47 sujets y compris celui sur le titre. Relié cartonnage d'éditeur demi toile. Cartonnage légèrement taché, des rousseurs sinon bon exemplaire. Envoi autographe signé du "father of the author" le Comte de Noé.
rif. 7978Paris, chez Martinet, sans date [circa 1950]. 34,5 x 27 cm, une page de titre lithographiée et 20 planches lithographiées, en noir et blanc, proposant au total 47 sujets y compris celui sur le titre. Relié cartonnage d'éditeur demi toile. Cartonnage légèrement taché, des rousseurs sinon bon exemplaire. Envoi autographe signé du "father of the author" le Comte de Noé.
1859rif. 4574Paris, Le Charivari, s. d. (vers 1859). Album de lithographies de 340 x 259 mm., couverture et 29 planches n/b, dont 10 planches d'Honoré DAUMIER, broché, première de couverture illustrée, dos refait, plusieurs planches restaurées, couvertures tachées, restaurations angulaires aux couvertures.
1644rif. 17935Frankfurt, Merian, 1644 ff. Ca. 29,5 cm x 50 cm (ganze Blatt).
1721rif. 0451o.O., Bodenehr, 1721. Fauser 2482. - Neben der detaillierten Gesamtansicht zeigt der Stich auch weite Teile des Umlandes. Im unteren Abschnitt ausführliche Legende.
