835 résultats
réf. 05327Paris: Chez Aubert & Cie. 1846. The Pleasures of Youth. Young Parisian Gentlemen At Play CHAM pseudonym of Amédée de Noé. Nos Gentils Hommes a Gout. Tournure Elégance Moeurs et Plaisirs de la Jeunesse Dorée. Par Cham Paris: Chez Aubert & Cie. n.d. 1846. First only edition complete. Folio 13 x 9 5/8 inches; 330 x 245 mm. Hand-colored lithographed title page and twenty hand-colored lithographed plates all heightened with gum arabic. Original pictorial lithographed green boards. Minimal rubbing to board edges and corners near fine. Rare with OCLC recording only six copies in institutional holdings worldwide and only one auction record since 1923. We have only seen one other copy of this title. A satire of the bustle behavior customs and pleasures of young Parisian gentlemen - golden youth. Of Amédée de Noé "known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray pp. 155-156. The Plates: 1. Ne vous effrayez pas! 2. Un objet de prix pour ne rien prendre 3. Fol de carrossier. 4. Un maitre dans une peau de domestique. 5. Des gages fabuleux. 6. Ton vicomte est un cuistre! 7. Pauvre créancier! 8. L'ami de coeur. 9. Tiens! C'est le m'sieu du château! 10. Palsambleu quél bon petit chic!! 11. L'etat d'heritier a bien ses charges! 12. Monsieur le baron après souper. 13. Prenez y garde John! 14. Un ci-devant. 15. Tachez donc de faire aller mes cheveux! 16 Le tir des pigeons. 17. Oh he! Ce cavalier! Ohe! 18. Bravo Marquis! Tu arrives le premier. 19. Dieu! La belle chasse. 20. Au diable les préjugés! Paris: Chez Aubert & Cie.,, 1846 unknown books
réf. 03321Paris: Chez Aubert & Cie. 1846. The Pleasures of Youth. Young Parisian Gentlemen At Play CHAM pseudonym of Amédée de Noé. Nos Gentils Hommes a Gout. Tournure Elégance Moeurs et Plaisirs de la Jeunesse Dorée. Par Cham Paris: Chez Aubert & Cie. n.d. 1846. First only edition complete. Folio 13 1/4 x 9 7/8 inches; 336 x 250 mm. Hand-colored lithographed title page and twenty hand-colored lithographed plates. Pictorial lithographed advertisement and Aubert et Cie. catalogue 16 pp. at rear. Original pictorial lithographed green boards. Later dark green pebbled cloth spine and endpapers. Board edges and corners a little rubbed some light mainly marginal foxing. Small repaired tear to outer margin of lithographed advertisement leaf. An excellent example. With the bookplate of Joel Spitz on front paste-down. Provenance: purchased in Paris 1947. Rare with OCLC recording only six copies in institutional holdings worldwide and no auction records since 1923. We have only seen one other copy of this title. A satire of the bustle behavior customs and pleasures of young Parisian gentlemen - golden youth. Of Amédée de Noé "known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray pp. 155-156. The Plates: 1. Ne vous effrayez pas! 2. Un objet de prix pour ne rien prendre 3. Fol de carrossier. 4. Un maitre dans une peau de domestique. 5. Des gages fabuleux. 6. Ton vicomte est un cuistre! 7. Pauvre créancier! 8. L'ami de coeur. 9. Tiens! C'est le m'sieu du château! 10. Palsambleu quél bon petit chic!! 11. L'etat d'heritier a bien ses charges! 12. Monsieur le baron après souper. 13. Prenez y garde John! 14. Un ci-devant. 15. Tachez donc de faire aller mes cheveux! 16 Le tir des pigeons. 17. Oh he! Ce cavalier! Ohe! 18. Bravo Marquis! Tu arrives le premier. 19. Dieu! La belle chasse. 20. Au diable les préjugés! Paris: Chez Aubert & Cie.,, [1846] unknown books
réf. 04212Paris: Arnauld De Vresse 1850. Exceedingly Scarce Highly Amusing Hand-Colored Caricatures Showing "The Crazy's of the Day" CHAM illustrator pseud. of Charles Amédée de Noé. Les Toqués Du Jour. Paris: Arnauld De Vresse n.d. ca. 1847. First edition. Large folio 13 3/4 x 10 5/16 inches; 349 x 261 mm. Hand-colored lithographed title and thirty-six comical scenes on eighteen fine hand-colored lithographed plates heightened with gum arabic. Each scene with printed caption below. Publisher's brown ribbed cloth bordered in blind front cover lettered in gilt. Expertly rebacked to style at an early date. Inner hinges cracked but sound corners very slightly rubbed. A near fine copy of this exceedingly scarce album. A highly amusing collection of lithographs by Cham 1819-1879 satirizing the varieties of Les Toqués Du Jour The Crazy's of the Day. Of Charles Amédée de Noé "known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray The Art of the French Illustrated Book pp. 155-156. Exceedingly scarce. No copies found in WorldCat or KVK and apparently no copies have appeared at auction certainly during the past thirty-five years. Paris: Arnauld De Vresse, 1850 unknown books
réf. 05993Paris: Chez Aubert & Cie. 1850. Jokes in Poor Taste CHAM pseudonym of Amédée de Noé. Turlupinades Contrariétés et Autres Amusemens Négatifs Jokes in Poor Taste Par Cham. Paris: Chez Aubert & Cie. ca. 1850. First edition. Folio 13 1/16 x 9 3/4 inches; 331 x 249 mm. Hand-colored lithographed title and fifteen full-page hand-colored lithographed plates with captions. Publisher's original yellow cloth over yellow boards printed in black and bronze. A very fine copy. OCLC locates just four copies worldwide: Morgan Library & Museum; New York Public Library; Getty Institute; University of Illinois. CHAM pseudonym of Amédée de Noé 1818-1879. French caricaturist and lithographer published his first book Monsieur Lajeunesse in 1839 and from 1843 began to be regularly published in illustrated magazines such as Le Charivari which in 1835 focused primarily on publishing satires of everyday life thereafter becoming one of the most popular of French caricaturists through entertaining storybooks such as this work which satirized 'jokes in poor taste.' Several artists "followed in the wake of Daumier and Gavarni. Among the most attractive of the former is Amédéé de Noé "known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray pp. 155-156. Cham had contacts with English artists many of whom had trained on the Continent most in company with English artist and follower of the pioneering German lithographer Alois Senefelder. The Plates: 1. Tout ça c'est bel et bon! It's all well and good! 2. L'éducation es tune bonne chose! Education is a good thing! 3. Hardi! Conscrit la patrie a les yeux sur toi!. Daring! Conscript the fatherland has its eyes on you!. 4. Je veux que mon fils ait un prix! I want my son to have a prize! 5. Mes papiers.mes papiers! My papers.my papers! 6. Tiens tiens elle était pressée c'tte lettre Well well she was in a hurry that letter 7. De de quoi.de de quoi!. From what.from what!. 8. Malheureux! Tu me feras blancher avant l'âge. Unfortunate! You will make me white before my age. 9. Enfin j'en tiens un!. Finally I got one!. 10. Non vous ne vous trompez pas! No you are not mistaken! 11. Je risqué tout tant pis pour moi! I risked everything too bad for me! 12. Ah! Vous êtes ambitieux! Ah! You are ambitious! 13. Qué bonheur m'ssieu! What happiness sir! 14. Cré coquin mes chemises neuves. Naughty creation my new shirts. 15. Y sont drôles les maitres! The masters are funny there! Bobins IV 1349. Paris: Chez Aubert & Cie., 1850 unknown books
réf. 05541Paris: Chez Aubert & Cie. 1850. Jokes in Poor Taste CHAM pseudonym of Amédée de Noé. Turlupinades Contrariétés et Autres Amusemens Négatifs Jokes in Poor Taste Par Cham. Paris: Chez Aubert & Cie. ca. 1850. First edition. Folio 13 1/4 x 9 7/8 inches; 337 x 251 mm. Hand-colored lithographed title and fifteen full-page hand-colored lithographed plates with captions. Advertisement leaf at end Maison de Commission. Des Modes Parisiennes. Publisher's pictorial glazed green boards. Original glassine wrapper. A superb example. OCLC locates just four copies worldwide: Morgan Library & Museum; New York Public Library; Getty Institute; University of Illinois. CHAM pseudonym of Amédée de Noé 1818-1879. French caricaturist and lithographer published his first book Monsieur Lajeunesse in 1839 and from 1843 began to be regularly published in illustrated magazines such as Le Charivari which in 1835 focused primarily on publishing satires of everyday life thereafter becoming one of the most popular of French caricaturists through entertaining storybooks such as this work which satirized 'jokes in poor taste.' Several artists "followed in the wake of Daumier and Gavarni. Among the most attractive of the former is Amédéé de Noé "known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray pp. 155-156. Cham had contacts with English artists many of whom had trained on the Continent most in company with English artist and follower of the pioneering German lithographer Alois Senefelder. The Plates: 1. Tout ça c'est bel et bon! It's all well and good! 2. L'éducation es tune bonne chose! Education is a good thing! 3. Hardi! Conscrit la patrie a les yeux sur toi!. Daring! Conscript the fatherland has its eyes on you!. 4. Je veux que mon fils ait un prix! I want my son to have a prize! 5. Mes papiers.mes papiers! My papers.my papers! 6. Tiens tiens elle était pressée c'tte lettre Well well she was in a hurry that letter 7. De de quoi.de de quoi!. From what.from what!. 8. Malheureux! Tu me feras blancher avant l'âge. Unfortunate! You will make me white before my age. 9. Enfin j'en tiens un!. Finally I got one!. 10. Non vous ne vous trompez pas! No you are not mistaken! 11. Je risqué tout tant pis pour moi! I risked everything too bad for me! 12. Ah! Vous êtes ambitieux! Ah! You are ambitious! 13. Qué bonheur m'ssieu! What happiness sir! 14. Cré coquin mes chemises neuves. Naughty creation my new shirts. 15. Y sont drôles les maitres! The masters are funny there! Bobins IV 1349. Paris: Chez Aubert & Cie., 1850 unknown books
réf. 05330Paris: Chez Aubert & Cie. 1850. Jokes in Poor Taste CHAM pseudonym of Amédée de Noé. Turlupinades Contrariétés et Autres Amusemens Négatifs Jokes in Poor Taste Par Cham. Paris: Chez Aubert & Cie. ca. 1850. First edition. Folio 13 1/4 x 9 7/8 inches; 337 x 251 mm. Hand-colored lithographed title and fifteen full-page hand-colored lithographed plates with captions. Advertisement leaf at end Maison de Commission. Des Modes Parisiennes. Publisher's pictorial glazed green boards lower portion of spine renewed inner front hinge cracked some light wear to corners. An excellent copy. OCLC locates just four copies worldwide: Morgan Library & Museum; New York Public Library; Getty Institute; University of Illinois. CHAM pseudonym of Amédée de Noé 1818-1879. French caricaturist and lithographer published his first book Monsieur Lajeunesse in 1839 and from 1843 began to be regularly published in illustrated magazines such as Le Charivari which in 1835 focused primarily on publishing satires of everyday life thereafter becoming one of the most popular of French caricaturists through entertaining storybooks such as this work which satirized 'jokes in poor taste.' Several artists "followed in the wake of Daumier and Gavarni. Among the most attractive of the former is Amédéé de Noé "known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray pp. 155-156. Cham had contacts with English artists many of whom had trained on the Continent most in company with English artist and follower of the pioneering German lithographer Alois Senefelder. The Plates: 1. Tout ça c'est bel et bon! It's all well and good! 2. L'éducation es tune bonne chose! Education is a good thing! 3. Hardi! Conscrit la patrie a les yeux sur toi!. Daring! Conscript the fatherland has its eyes on you!. 4. Je veux que mon fils ait un prix! I want my son to have a prize! 5. Mes papiers.mes papiers! My papers.my papers! 6. Tiens tiens elle était pressée c'tte lettre Well well she was in a hurry that letter 7. De de quoi.de de quoi!. From what.from what!. 8. Malheureux! Tu me feras blancher avant l'âge. Unfortunate! You will make me white before my age. 9. Enfin j'en tiens un!. Finally I got one!. 10. Non vous ne vous trompez pas! No you are not mistaken! 11. Je risqué tout tant pis pour moi! I risked everything too bad for me! 12. Ah! Vous êtes ambitieux! Ah! You are ambitious! 13. Qué bonheur m'ssieu! What happiness sir! 14. Cré coquin mes chemises neuves. Naughty creation my new shirts. 15. Y sont drôles les maitres! The masters are funny there! Bobins IV 1349. Paris: Chez Aubert & Cie., 1850 unknown books
réf. 04607Paris: Mon. Martinet 1860. The Trial of Jean Bidoux in his Military Career CHAM Pseudonym of Charles Amédée de Noé. Les Tâtonnements de Jean Bidoux dans la Carrière Militaire. The trials of Jean Bidoux in his Military Career. Par Cham. Paris: Mon. Martinet 1860. First edition. Large quarto 13 1/4 x 9 7/8 inches; 336 x 250 mm. Pictorial lithograph title-page and eighteen lithograph plates with sixty-five amusing images. Publisher's quarter red roan over blind stamped red cloth front cover decoratively titled in gilt. Small stain to top margin of last plate otherwise a fine copy. Paris: Mon. Martinet, 1860 unknown books
réf. 06849Paris: Chez Aubert & Cie. 1845. All is Fair in Love and War" Cham's Complete Satirical Album of the French Army in Algeria - Thirty-One Lithographed Plates CHAM pseudonym of Charles Amédée de Noé. À la guerre comme à la guerre. Par Cham. Paris: Chez Aubert & Cie. n.d. 1846. First edition. Oblong folio 10 1/8 x 12 3/4 inches; 254 x 324 mm. Pictorial lithographed title-page and thirty numbered lithographed plates each with printed caption beneath presenting Cham's wonderfully comic and frequently irreverent view of the experiences and misadventures of the French army in Algeria. Publisher's original pictorial green boards front cover reproducing the design of the lithographed title-page rear cover plain. Minimal rubbing and wear to spine ends and extremities; internally remarkably clean and fresh. An exceptional survival in the original publisher's pictorial boards. Near fine. A complete suite of Cham's celebrated caricatures of the French military campaign in Algeria comprising the pictorial title and all thirty numbered plates. The title À la guerre comme à la guerre is a proverbial French expression - literally "in war as in war" - conveying the idea that in difficult circumstances one must make do with whatever is available: essentially "you have to take things as they come." It provides the perfect framework for Cham's comic assault upon the romantic conception of military life. Rather than heroic battle scenes and martial glory Cham gives us the decidedly less glamorous realities of campaigning in North Africa: exhausting marches hunger and thirst unruly Arab horses uncomfortable nights beneath canvas troublesome provisions razzias encounters with wild animals and the innumerable indignities suffered by the ordinary soldier. Officers and enlisted men alike are subjected to Cham's irreverent eye the hardships of colonial campaigning becoming the raw material for a sustained sequence of visual jokes. The album relates specifically to the French conquest of Algeria begun in 1830 and still very much an active military enterprise when these lithographs appeared. By the mid-1840s the French army was engaged in the final stages of its long struggle against the forces of Abd el-Kader. Cham transforms this serious contemporary subject into an extended comic narrative of military discomfort confusion and misadventure. CHAM pseudonym of Charles Amédée de Noé 1818-1879. One of the most prolific French caricaturists of the nineteenth century Cham belonged to the generation that followed Daumier and Gavarni and became particularly associated with Le Charivari. His extraordinary productivity - he was said to have had "an idea a day" - resulted in thousands of drawings and lithographs many subsequently gathered into albums such as the present work. "It is to be regretted that space will not serve to represent the caricaturists and depictors of manners who followed in the wake of Daumier and Gavarni. Among the most attractive of the former is Amédée de Noé known as Cham that is Ham the son of Noah of whom it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège in which Daumier was his collaborator are typical of his work" Ray The Art of the French Illustrated Book pp. 155-156. The Plates: Pictorial lithographed title-page. Ça ne vaut pas l'eau filtrée!!. Au diable les chevaux arabes! Quelle chance!! Pour faire un bon pot-au-feu. V'là soixante lieues d'avalées! Ces gueux d'arabes. Dites donc caporal. Une visite sous la tente. Encore quinze lieues à faire. Une razzia. C'est fort drôle conscrit!. Un héritage flambé. Allons bon!. Gueux de sauvages! Y a des gens qui ont du bonheur! Il est bon d'avoir des amis. C'est une flêche empoisonnée. En toute chose il ne faut jamais considérer la faim. Qué beau pays!!! Est-ce que tu attends l'omnibus. Pauvres camarades! Cristi! V'la mon paletot qui se déchire! Y a pas de bon sens! Cher papa et chère maman. Mon Général. C'est un coup superbe! Un petit homme à grandes passions. Marche de nuit. Un réveil désagréable. L'appétit est le meilleur cuisinier. A remarkably fresh example of one of Cham's most entertaining lithographic albums complete with all thirty plates and retaining the particularly desirable original pictorial boards. Paris: Chez Aubert & Cie., 1845 unknown books
réf. 04620Paris: Chez Aubert & Cie. 1846. A Satirical View of the French in Algeria CHAM pseudonym of Amédée de Noé. À la guerre comme à la guerre. Variantes lithographiques sur le thême bien connu: Ah! quel plaisir d'être soldat. Par Cham. Paris: Chez Aubert & Cie. n.d. 1846. First edition. Oblong folio 10 1/4 x 13 1/8 inches; 260 x 334 mm. Twenty-seven of thirty-one hand-colored lithographed plates heightened with gum Arabic presenting a satirical view of the life of the French contingent in Algeria. Publisher's sixteen page catalog bound in at end. Bound without the pictorial title-page and plates 1 29 & 30. Ten plates with short lower marginal tears. Twentieth century tan cloth over boards red morocco spine label lettered in gilt. A very good albeit incomplete example. The plates: 2. Au diable les chevaux arabes! 3. Quelle chance!! 4. Pour faire un bon pot-au-feu. 5. V'là soixante lieues d'avalées! 6. Ces gueux d'arabes. 7. Dites donc caporal. 8. Une visite sous la tente. 9. Encore quinze lieues à faire. 10. Une razzia. 11. C'est fort drôle conscrit!. 12. Un héritage flambé. 13. Allons bon!. 14. Gueux de sauvages! 15. Y a des gens qui ont du bonheur! 16. Il est bon d'avoir des amis. 17. C'est une flêche empoisonnée. 18. En toute chose il ne faut jamais considérer la faim. 19. Qué beau pays!!! 20. Est-ce que tu attends l'omnibus. 21. Pauvres camarades! 22. Cristi! V'la mon paletot qui se déchire! 23. Y a pas de bon sens! 24. Cher papa et chère maman. 25. Mon Général. 26. C'est un coup superbe! 27. Un petit homme a grandes passions. 28. Marche de nuit. CHAM pseudonym of Charles Amédée de Noé 1818-1879. "It is to be regretted that space will not serve to represent the caricaturists and depictors of manners who followed in the wake of Daumier and Gavarni. Among the most attractive of the former is Amédée de Noé known as Cham that is Ham the son of Noah of whom it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège in which Daumier was his collaborator are typical of his work" Ray The Art of the French Illustrated Book pp. 155-156. Paris: Chez Aubert & Cie., 1846 unknown books
réf. 05630Paris: Lange Lévy et Comp. 1850. First Edition Bound from the Original Parts Complete with all six of the original front wrappers and the five leaves of advertisements at the end From the Bibliothèque Antoine Vautier CHAM pseudonym of Amédée de Noé. HUART Louis. CHAMPS Victor binder. Punch à Paris par Cham. Revue Drolatique du Mois. Paris: Lange Lévy et Comp. February - June 1850. Complete with all six of the original front wrappers and the five leaves of advertisements at the end. First edition bound from the original parts. Small folio 11 x 7 7/8 inches; 280 x 200 mm. 1-192 pp. Six full page engraved plates and numerous engravings throughout the text. The six original pictorial front wrappers dated from January thru July 1850 bound in at front. Five leaves of advertisements and one blank bound in at end. Bound by Victor Champs ca. 1900 stamp-signed in black on verso of front free-endpaper. Three quarter red crushed levant morocco over marbled boards ruled in gilt spine with five raised bands elaborately decorated and lettered in gilt in compartments cockerel-style endpapers. With the small octagonal bookplate of the celebrated collection of Bibliothèque Antoine Vautier on front paste-down. The commencement of Punch à Paris was in February 1850 and was intended to be a monthly published magazine however in June 1850 after just six issues Punch à Paris had to cease publication "The excessive rigors of the new press law oblige us to suspend our publication". Cham pseudonym of Charles Amédée de Noé 1818-1879 has collaborated in many satirical newspapers and has also published a number of albums of lithographs or woodcuts. Very comfortable in political and moral caricatures he is one of the first to give stories in drawings that will soon be called comics and as such occupies a key place in the history of comics in France and among the pioneers of the genre. Louis Adrien Huart 1813-1865 was a French journalist writer and theater director. From 1835 he wrote for Le Charivari France's main opposition satirical daily of which he was to become the most assiduous editor. In his literary and theatrical chronicles as well as in his satires of daily political news he constantly approached the legal limit set by censorship without ever exceeding it. Many legends of lithographs by Honoré Daumier came from his pen. Editor-in-chief of Charivari from 1848 he later became its editor until his death. He had the merit of discovering and promoting young talents from the new generation such as Henri Rochefort who without him would have remained a simple employee of the administration. He also wrote the text for several books illustrated by Grandville and Cham. Victor Champs 1844-1912 was one of the most prolific and renowned bookbinders of the late nineteenth century. "His bindings for bibliophiles are sought after by collectors for the good performance of their body of work and the finish of the work. Together with Carayon they were the bookbinders who in relatively simple works summed up the highest degree of perfection of execution." Fléty p.41. Provenance: Bibliothèque Antoine Vautier. One of the great French bibliophiles whose superb collection "Catalogue de Vente aux Encheres" was sold in Paris at Hotel Drouot on April 21st 1971 and on May 11th 1977. Hatin 521. Paris: Lange Lévy et Comp., 1850 unknown books
réf. 06030Paris: Chez Arnauld De Vresse 1851. A Fine Selection of Sixteen Hand Colored Lithographs from Five of Cham's Best Albums CHAM pseudonym of Amédée de Noé. Album Varié par M.M. Cham Daumier Gavarni et autres Dessinateurs du Charivari. Paris: Chez Arnauld De Vresse ca. 1851. Folio 12 7/8 x 10 inches; 327 x 254 mm. Lithograph title-page and sixteen fine hand colored lithograph plates all heightened with gum arabic. Plate numbers 5 and 8 are duplicates. Publisher's quarter red roan over printed yellow glazed boards front cover neatly repaired at lower corner. With the bookplate of Bernard Mamy on front paste-down. This is a slightly later published assembly of hand colored lithographs by Cham from five of his works: Nos Gentils Hommes 1846; Turlupinades ca. 1850; Moeurs Britanniques ca. 1850; Souvenirs de Garnison ca. 1850 and Moeurs Algeriennes 1844. The Plates: 1. Palsambleu Quél Bon Petit Chic!! - Voilà une rosière comme nous les aimons nous autres gentils-hommes! Palsambleu What a Good Little Chic!! - Here is a rose garden as we like them us other gentlemen! 2. Le Pas Gymnastique. - Je ne suis pas purpris qu'on fasse son chemin dans ce corps. Quand on court si fort on ne doit pas manquer d'arriver. The Gymnastic Step. - I am not surprised that one makes one's way in this body. When one runs so hard one must not fail to arrive. 3. L'Invalide De Chelsea. - Waterloo Waterloo! Mais mon brave homme voici deux heures que vous me rabâchez la même Victoire.à ce compte là combine un Français mettrait-il donc de temps à vous raconteur ses victoires. The Chelsea Invalid. - Waterloo Waterloo! But my good man for two hours you have been harping on about the same Victory. at that rate how long would a Frenchman take to tell you about his victories. 4. Tiens Tiens Elle Était Pressée C'tte Lettre Qué qu'aurait dit ça y a quinze jours qué traine dans ma loge. Well Well Was That Letter In A Hurry What would that have said it's been lying around in my dressing room for two weeks now. 5. Ah! Vous Êtes Ambitieux! Comment! Après quatre ans de surnumérariat vous n'étes pas content!. prenez y garde Mossieu je n'aime pas les intrigans. Ah! You are ambitious! What! After four years of being a surplus you are not happy!. be careful sir I do not like schemers. 6. Oui J'ai Quitté Le Service. - Dans la cavalerie je faisais un métier de cheval l'artillerie est toujours près de ses pieces quant aux équipages ça ne m'allait pas je déteste la train.pour le genie. - Oh! Le genie t'es trop béte pour en avoir c'est clair!. Yes I Left the Service. - In the cavalry I had a horse job the artillery is always near its pieces as for the crews it didn't suit me I hate the train.for the engineers. - Oh! The engineers you're too stupid to have any that's clear!. 7. Non Vous Ne Vous Trompez Pas! C'est bien ici que demeure Mademoiselle Caroline que lui voulez vous je suis son frère. No you are not mistaken! This is where Miss Caroline lives what do you want from her I am her brother. 8. Ah! Vous Êtes Ambitieux! Comment! Après quatre ans de surnumérariat vous n'étes pas content!. prenez y garde Mossieu je n'aime pas les intrigans. DUPLICATE of #5 Ah! You are ambitious! What! After four years of being a surplus you are not happy!. be careful sir I do not like schemers. 9. Le Péage Du Turn-Pike. 3 pences! Allons bon!.j'ai oublié ma bourse.je n'avais plus que dix pas pour arriver et il faut que je retourne chez moi à quatre lieues d'ici!. The Turn-Pike Toll. 3pence! Come come!.I forgot my purse.I had only ten paces to go and I must go home four leagues from here!. 10. M'est avis Jean Piarre que ce beau Monchieu qu'tire le villageen plan est un donneux de sort.y vient p'f ensorceller nos vaches bé sur.attends! attends!. It seems to me Jean Piarre that this handsome Monchieu who draws the village plan is a spell giver. he comes to bewitch our cows of course. wait! wait!. 11. Baragouin Brittannique. Godem! Oha! Frenchman ridiculous costume comical very good Oh Ah! Oh! British gibberish. Godem! Oha! Frenchman ridiculous comical costume very good Oh Ah! Oh! 12. Mœurs Algeriennes. Chinoiseries Turques. Mon tigre a décidement le spleen voilà huit jours qu'il est d'une humeur de dogue faites-moi le plaisir d'entrer dans sa cage et tachez de l'amuser il y va de votre téte. Un aveugle turc. Algerian customs. Turkish chinoiserie. My tiger is definitely feeling down he has been in a dog-like mood for eight days do me the pleasure of entering his cage and try to amuse him it is up to you. A blind Turk. 13. Ces Gueux D'Arabes. - C'est dur tout de méme qu'ils ne veulent pas nous laisser tranquilles chez nous. Those Arab Beggars. - It's hard all the same that they don't want to leave us alone at home. 14. Cap'taine! Y vous va joliment le costume de pekin!. - Oui je suis un peu chiqué n'est-ce pas.hein j'en suis pour plus de 40 francs!. Captain! The Peking costume suits you well!. - Yes I am a bit squeamish aren't I. eh I'm looking at more than 40 francs!. 15. Enfin J'en Tiens Un!. Ils dissent que c'est une maladie qui court une cholerine une bétise. C'est parbleu! Bien le cholera le vrai cholera!. C'est un cas magnifique!!. Finally I Have One!. They say it's a disease that's running around cholera a stupidity. Oh my! Cholera real cholera!. It's a magnificent case!!. 16. Foi De Carrossier. Un homme d'une position aussi élevée que la votre doit avoir la voiture la plus basse possible. Coachbuilder's Faith. A man of such high position as yours must have the lowest possible car. Paris: Chez Arnauld De Vresse, 1851 unknown books
réf. 06867Paris: Chez Aubert & Cie. 1851. The French Take on the British. Fifteen Hilarious Lithographs Caricaturing British Life and Manners CHAM pseudonym of Charles Amédée de Noé. Mœurs Britanniques. Paris: Chez Aubert & Cie. n.d. ca. 1850. First edition. Large folio 13 1/4 x 10 inches; 336 x 252 mm. Lithographed pictorial title and fifteen numbered lithographed plates each with printed caption below. Publisher's original cream-colored glazed lithographed boards upper cover reproducing the pictorial title design. A remarkably fine clean and fresh copy. A wonderfully entertaining series of fifteen caricatures devoted entirely to the peculiarities of the British as observed from across the Channel by one of nineteenth-century France's most popular comic artists. Cham turns his irreverent eye upon an extraordinary cross-section of British life and manners: marriage Quakers army recruiting museums philanthropy prize-fighting Scottish dress the national costume incomprehensible English conversation the stocks turnpikes Chelsea pensioners and finally Smithfield Market. The splendid pictorial title sets the tone for the album. The British lion sits beside the Union Jack with a diminutive figure perched upon its mane while immediately before it lies a tied bundle prominently marked "IRLANDE" - a pointed visual joke upon Anglo-Irish relations that would have been immediately recognizable to Cham's contemporary French audience. The individual plates continue the sustained Anglo-French satire. In Un Costume National an elegantly dressed English gentleman encounters a ragged Irishman and asks whether he comes from a hot country to which the latter replies "Non monsieur je suis Irlandais." Baragouin Britannique makes comic capital of the Frenchman's traditional bewilderment at the English language while Les Hauts Grades lampoons the spectacular proportions of British military headgear. Elsewhere Cham takes aim at Quakers army recruiting the English enthusiasm for boxing Scottish national dress philanthropy public punishment toll roads Chelsea pensioners and the notorious livestock market at Smithfield. Taken together the fifteen scenes form a delightful visual survey of British national character institutions dress and customs as perceived through decidedly French eyes. CHAM pseudonym of Charles Amédée de Noé 1818-1879 was one of the most prolific and popular French caricaturists of the nineteenth century. He published his first book Monsieur Lajaunisse in 1839 and from 1843 contributed regularly to Le Charivari producing thousands of drawings and lithographs satirizing contemporary politics society manners and everyday life. Of Cham Ray notes that several artists "followed in the wake of Daumier and Gavarni. Among the most attractive of the former is Amédée de Noé known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray pp. 155-156. Published by Aubert the celebrated Parisian house closely associated with the golden age of French caricature and with such artists as Daumier Gavarni and Grandville Mœurs Britanniques is especially appealing for its sustained concentration upon Britain. Rather than merely including occasional English subjects among a broader collection of social satires Cham devotes the entire album to British manners and national stereotypes. Copies were also produced with the plates colored by hand; Bobins records a colored copy III 842. The present copy is the uncolored issue the lithographs displaying the strength and subtlety of Cham's original draughtsmanship to particularly good effect. The Plates: Une femme bien attachée. Le Quaker. Le Recruteur. Visite au Musée. Mariage d'inclination. Les Hauts grades. Philanthropie. Bien entendue. Les Boxeurs. L'Écossais. Un Costume national. Baragouin Britannique. In the Stocks. Le Péage du turn-pike. L'Invalide de Chelsea. Smithfield Market. A remarkably fine and fresh copy of Cham's delightful visual satire on Britain and the British-fifteen wonderfully observed caricatures ranging from Quakers prize-fighters and Highlanders to Irishmen Chelsea pensioners and the inhabitants of Smithfield Market preserved in the striking original glazed pictorial boards. Ray The Art of the French Illustrated Book 1700 to 1914 pp. 155-156. Bobins III 842 colored copy. Paris: Chez Aubert & Cie., 1851 unknown books
réf. 05954Paris: Chez Aubert & Cie. 1850. Fifteen Hand-Colored Lithographed Plates Caricaturing the British CHAM pseudonym of Amédée de Noé. Mœurs Britanniques. Paris: Chez Aubert & Cie. n.d. ca. 1850. Large folio 13 1/4 x 10 inches; 336 x 252 mm. Hand-colored lithographed title and fifteen numbered hand-colored lithographed plates heightened with gum arabic. Publisher's cream-colored glazed lithographed boards neatly rebacked with cream-colored cloth backstrip. A little bit of marginal soiling. Otherwise a near fine copy. Of Charles Amédée de Noé 1818-1879 "known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray The Art of the French Illustrated Book pp. 155-156. The Plates: 1. Une femme bien attachée 2. Le Quaker 3. Le Recruteur 4. Visite au Musée 5. Mariage d'inclination 6. Les Hauts grades 7. Philanthropie. Bien entendue 8. Les Boxeurs 9. L'Écossais 10 Un Costume national 11. Baragouin Britannique 12. In the Stocks 13. Le Péage du turn-pike 14. L'Invalide de Chelsea 15. Smithfied Market Bobins III 842. Paris: Chez Aubert & Cie., 1850 unknown books
1880réf. 155771880 cartonnage rouge éditeur in-quarto (editor red hard-back in-quarto), décoration or et mate sur le dos et les plats (gilt and matt decoration on the spine and covers), toutes tranches jaspées (all marbled edges) - petite cicatrice de mouillure sur la tranche de tête (small scar of watersatin on the top edge), pages de garde vertes (green endpapers), page de faux-titre (half title page), 1000 illustrations, naissances de rousseurs (beginning of the redness marks), 349 pages + 1 page de Table des Matières (1 page of Table of contents), 1880 à Paris Calmann Lévy Editeur - 3 rue Auber et 15 Boulevard des Italiens à La Librairie Nouvelle,
réf. 25428Le Charivari. Journal illustre.; 2/12/1858 ,La page 3 contient une lithographie en noir à 2/3 de page.23,5x25 cm - sur feuille imprimée recto-verso,bon état.
1860réf. 254131860 charivari 1860 - vingt neuvième année -1860
1860réf. 254171860 Le Charivari. Journal illustre. 29e annee. 1860;1er trimestre, - 27 mars 1860,La page 3 contient une lithographie en noir à 2/3 de page.23,5x25 cm - charivari 1860 - vingt neuvième année -1860
réf. 25414Le Charivari. Journal illustre. 29e annee. 1860;1er trimestre, - 20.3.1860,La page 3 contient une lithographie en noir à 2/3 de page.23,5x25 cm
1865réf. 250461865 DE VRESSE, 1865.in8 broché,couverture jaunes mention 2e édition,cachet colportage,rousseurs et mouillure claire en coin,rare
1860réf. 255081860 Le Charivari. Journal illustre. 29e annee. 1860 - 1/6/1860,La page 3 contient une lithographie en noir à 2/3 de page. - Lithographie: Hauteur: 36.5cm x Largeur: 28.5cm -- texte imprime au dos,bon etat.
réf. 24191PARIS MAISON MARTINET SANS DATE XIX°,mention couverture verte 2eme édition ARNAUD DE VRESSE - UNE PLAQUETTE BROCHÉE NON FOLIOTÉE - IMPRESSION RECTO SEULEMENT À RAISON DE 4 DESSINS PAR PAGE - ROUSSEURS ÉPARSES ,une fente à la COUVERTURE,papier jauni,cachet de colportage second Empire.
1860réf. 255071860 Le Charivari. Journal illustre. 29e annee. 1860 - 1/6/1860,La page 3 contient une lithographie en noir à 2/3 de page.23,5x25 cm - -- texte imprime au dos,bon etat.
1865réf. 2221865. Lithograph. 200mm by 260mm image. L Americain Jonathan filant un mauvais colon.' Lithograph from the series "Actualities" published in 'Le Charivari'.The American Civil War 1861-1865 was a civil war fought over the secession of the Confederate States. Eleven southern slave states declared their secession from the United States and formed the Confederate States of America "the Confederacy"; the other 25 states supported the federal government "the Union". After four years of warfare mostly within the Southern states the Confederacy surrendered and slavery was abolished everywhere in the nation.Part-page illustration. Text on reverse as issued. Faint horizontal crease as issued. unknown
1865réf. 2381865. Lithograph. 225mm by 180mm image. -Tiens ! Messieurs les Americains vous ne prenez donc pas de Vacances ' Lithograph from the from the series "Actualites" published in 'Le Charivari'. The American Civil War 1861-1865 was a civil war fought over the secession of the Confederate States. Eleven southern slave states declared their secession from the United States and formed the Confederate States of America "the Confederacy"; the other 25 states supported the federal government "the Union". After four years of warfare mostly within the Southern states the Confederacy surrendered and slavery was abolished everywhere in the nation.Part-page illustration. Text on reverse as issued. Faint horizontal crease as issued. unknown
1865réf. 2361865. Lithograph. 180mm by 245mm image. -Tiens ! Messieurs les Americains vous ne prenez donc pas de Vacances ' Lithograph from the series "Actualities" published in 'Le Charivari'.The American Civil War 1861-1865 was a civil war fought over the secession of the Confederate States. Eleven southern slave states declared their secession from the United States and formed the Confederate States of America "the Confederacy"; the other 25 states supported the federal government "the Union". After four years of warfare mostly within the Southern states the Confederacy surrendered and slavery was abolished everywhere in the nation.Part-page illustration. Text on reverse as issued. Faint horizontal crease as issued. Faint waterstain to right hand margin. unknown
