CHAM (pseudonym of Amedee de Noe)Biblio.com
365 résultats
réf. 05311Paris: Chez Aubert & Cie. 1850. Fifteen Hand-Colored Lithographed Plates Caricaturing the British CHAM illustrator. Mœurs Britanniques. Paris: Chez Aubert & Cie. n.d. ca. 1850. Large folio 12 7/8 x 9 5/8 inches; 327 x 244 mm. Hand-colored lithographed title and fifteen numbered hand-colored lithographed plates heightened with gum arabic. Publisher's advertisement leaf at end. Small neat 1 1/8 inch repair to top margin of plate 12 not affecting image some minor and mainly marginal scattered foxing otherwise an excellent example. Contemporary quarter dark brown ribbed cloth over marbled boards. Some wear to corners and edges of boards. Of Amédée de Noé "known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray The Art of the French Illustrated Book pp. 155-156. The Plates: 1. Une femme bien attachée 2. Le Quaker 3. Le Recruteur 4. Visite au Musée 5. Mariage d'inclination 6. Les Hauts grades 7. Philanthropie. Bien entendue 8. Les Boxeurs 9. L'Écossais 10 Un Costume national 11. Baragouin Britannique 12. In the Stocks 13. Le Péage du turn-pike 14. L'Invalide de Chelsea 15. Smithfied Market. Paris: Chez Aubert & Cie., 1850 unknown
réf. 05327Paris: Chez Aubert & Cie. 1846. The Pleasures of Youth. Young Parisian Gentlemen At Play CHAM pseudonym of Amédée de Noé. Nos Gentils Hommes a Gout. Tournure Elégance Moeurs et Plaisirs de la Jeunesse Dorée. Par Cham Paris: Chez Aubert & Cie. n.d. 1846. First only edition complete. Folio 13 x 9 5/8 inches; 330 x 245 mm. Hand-colored lithographed title page and twenty hand-colored lithographed plates all heightened with gum arabic. Original pictorial lithographed green boards. Minimal rubbing to board edges and corners near fine. Rare with OCLC recording only six copies in institutional holdings worldwide and only one auction record since 1923. We have only seen one other copy of this title. A satire of the bustle behavior customs and pleasures of young Parisian gentlemen - golden youth. Of Amédée de Noé "known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray pp. 155-156. The Plates: 1. Ne vous effrayez pas! 2. Un objet de prix pour ne rien prendre 3. Fol de carrossier. 4. Un maitre dans une peau de domestique. 5. Des gages fabuleux. 6. Ton vicomte est un cuistre! 7. Pauvre créancier! 8. L'ami de coeur. 9. Tiens! C'est le m'sieu du château! 10. Palsambleu quél bon petit chic!! 11. L'etat d'heritier a bien ses charges! 12. Monsieur le baron après souper. 13. Prenez y garde John! 14. Un ci-devant. 15. Tachez donc de faire aller mes cheveux! 16 Le tir des pigeons. 17. Oh he! Ce cavalier! Ohe! 18. Bravo Marquis! Tu arrives le premier. 19. Dieu! La belle chasse. 20. Au diable les préjugés! Paris: Chez Aubert & Cie.,, 1846 unknown
réf. 03321Paris: Chez Aubert & Cie. 1846. The Pleasures of Youth. Young Parisian Gentlemen At Play CHAM pseudonym of Amédée de Noé. Nos Gentils Hommes a Gout. Tournure Elégance Moeurs et Plaisirs de la Jeunesse Dorée. Par Cham Paris: Chez Aubert & Cie. n.d. 1846. First only edition complete. Folio 13 1/4 x 9 7/8 inches; 336 x 250 mm. Hand-colored lithographed title page and twenty hand-colored lithographed plates. Pictorial lithographed advertisement and Aubert et Cie. catalogue 16 pp. at rear. Original pictorial lithographed green boards. Later dark green pebbled cloth spine and endpapers. Board edges and corners a little rubbed some light mainly marginal foxing. Small repaired tear to outer margin of lithographed advertisement leaf. An excellent example. With the bookplate of Joel Spitz on front paste-down. Provenance: purchased in Paris 1947. Rare with OCLC recording only six copies in institutional holdings worldwide and no auction records since 1923. We have only seen one other copy of this title. A satire of the bustle behavior customs and pleasures of young Parisian gentlemen - golden youth. Of Amédée de Noé "known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray pp. 155-156. The Plates: 1. Ne vous effrayez pas! 2. Un objet de prix pour ne rien prendre 3. Fol de carrossier. 4. Un maitre dans une peau de domestique. 5. Des gages fabuleux. 6. Ton vicomte est un cuistre! 7. Pauvre créancier! 8. L'ami de coeur. 9. Tiens! C'est le m'sieu du château! 10. Palsambleu quél bon petit chic!! 11. L'etat d'heritier a bien ses charges! 12. Monsieur le baron après souper. 13. Prenez y garde John! 14. Un ci-devant. 15. Tachez donc de faire aller mes cheveux! 16 Le tir des pigeons. 17. Oh he! Ce cavalier! Ohe! 18. Bravo Marquis! Tu arrives le premier. 19. Dieu! La belle chasse. 20. Au diable les préjugés! Paris: Chez Aubert & Cie.,, [1846] unknown
réf. 05630Paris: Lange Lévy et Comp. 1850. First Edition Bound from the Original Parts Complete with all six of the original front wrappers and the five leaves of advertisements at the end From the Bibliothèque Antoine Vautier CHAM pseudonym of Amédée de Noé. HUART Louis. CHAMPS Victor binder. Punch à Paris par Cham. Revue Drolatique du Mois. Paris: Lange Lévy et Comp. February - June 1850. Complete with all six of the original front wrappers and the five leaves of advertisements at the end. First edition bound from the original parts. Small folio 11 x 7 7/8 inches; 280 x 200 mm. 1-192 pp. Six full page engraved plates and numerous engravings throughout the text. The six original pictorial front wrappers dated from January thru July 1850 bound in at front. Five leaves of advertisements and one blank bound in at end. Bound by Victor Champs ca. 1900 stamp-signed in black on verso of front free-endpaper. Three quarter red crushed levant morocco over marbled boards ruled in gilt spine with five raised bands elaborately decorated and lettered in gilt in compartments cockerel-style endpapers. With the small octagonal bookplate of the celebrated collection of Bibliothèque Antoine Vautier on front paste-down. The commencement of Punch à Paris was in February 1850 and was intended to be a monthly published magazine however in June 1850 after just six issues Punch à Paris had to cease publication "The excessive rigors of the new press law oblige us to suspend our publication". Cham pseudonym of Charles Amédée de Noé 1818-1879 has collaborated in many satirical newspapers and has also published a number of albums of lithographs or woodcuts. Very comfortable in political and moral caricatures he is one of the first to give stories in drawings that will soon be called comics and as such occupies a key place in the history of comics in France and among the pioneers of the genre. Louis Adrien Huart 1813-1865 was a French journalist writer and theater director. From 1835 he wrote for Le Charivari France's main opposition satirical daily of which he was to become the most assiduous editor. In his literary and theatrical chronicles as well as in his satires of daily political news he constantly approached the legal limit set by censorship without ever exceeding it. Many legends of lithographs by Honoré Daumier came from his pen. Editor-in-chief of Charivari from 1848 he later became its editor until his death. He had the merit of discovering and promoting young talents from the new generation such as Henri Rochefort who without him would have remained a simple employee of the administration. He also wrote the text for several books illustrated by Grandville and Cham. Victor Champs 1844-1912 was one of the most prolific and renowned bookbinders of the late nineteenth century. "His bindings for bibliophiles are sought after by collectors for the good performance of their body of work and the finish of the work. Together with Carayon they were the bookbinders who in relatively simple works summed up the highest degree of perfection of execution." Fléty p.41. Provenance: Bibliothèque Antoine Vautier. One of the great French bibliophiles whose superb collection "Catalogue de Vente aux Encheres" was sold in Paris at Hotel Drouot on April 21st 1971 and on May 11th 1977. Hatin 521. Paris: Lange Lévy et Comp., 1850 unknown
réf. 04212Paris: Arnauld De Vresse 1850. Exceedingly Scarce Highly Amusing Hand-Colored Caricatures Showing "The Crazy's of the Day" CHAM illustrator pseud. of Charles Amédée de Noé. Les Toqués Du Jour. Paris: Arnauld De Vresse n.d. ca. 1847. First edition. Large folio 13 3/4 x 10 5/16 inches; 349 x 261 mm. Hand-colored lithographed title and thirty-six comical scenes on eighteen fine hand-colored lithographed plates heightened with gum arabic. Each scene with printed caption below. Publisher's brown ribbed cloth bordered in blind front cover lettered in gilt. Expertly rebacked to style at an early date. Inner hinges cracked but sound corners very slightly rubbed. A near fine copy of this exceedingly scarce album. A highly amusing collection of lithographs by Cham 1819-1879 satirizing the varieties of Les Toqués Du Jour The Crazy's of the Day. Of Charles Amédée de Noé "known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray The Art of the French Illustrated Book pp. 155-156. Exceedingly scarce. No copies found in WorldCat or KVK and apparently no copies have appeared at auction certainly during the past thirty-five years. Paris: Arnauld De Vresse, 1850 unknown
réf. 05993Paris: Chez Aubert & Cie. 1850. Jokes in Poor Taste CHAM pseudonym of Amédée de Noé. Turlupinades Contrariétés et Autres Amusemens Négatifs Jokes in Poor Taste Par Cham. Paris: Chez Aubert & Cie. ca. 1850. First edition. Folio 13 1/16 x 9 3/4 inches; 331 x 249 mm. Hand-colored lithographed title and fifteen full-page hand-colored lithographed plates with captions. Publisher's original yellow cloth over yellow boards printed in black and bronze. A very fine copy. OCLC locates just four copies worldwide: Morgan Library & Museum; New York Public Library; Getty Institute; University of Illinois. CHAM pseudonym of Amédée de Noé 1818-1879. French caricaturist and lithographer published his first book Monsieur Lajeunesse in 1839 and from 1843 began to be regularly published in illustrated magazines such as Le Charivari which in 1835 focused primarily on publishing satires of everyday life thereafter becoming one of the most popular of French caricaturists through entertaining storybooks such as this work which satirized 'jokes in poor taste.' Several artists "followed in the wake of Daumier and Gavarni. Among the most attractive of the former is Amédéé de Noé "known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray pp. 155-156. Cham had contacts with English artists many of whom had trained on the Continent most in company with English artist and follower of the pioneering German lithographer Alois Senefelder. The Plates: 1. Tout ça c'est bel et bon! It's all well and good! 2. L'éducation es tune bonne chose! Education is a good thing! 3. Hardi! Conscrit la patrie a les yeux sur toi!. Daring! Conscript the fatherland has its eyes on you!. 4. Je veux que mon fils ait un prix! I want my son to have a prize! 5. Mes papiers.mes papiers! My papers.my papers! 6. Tiens tiens elle était pressée c'tte lettre Well well she was in a hurry that letter 7. De de quoi.de de quoi!. From what.from what!. 8. Malheureux! Tu me feras blancher avant l'âge. Unfortunate! You will make me white before my age. 9. Enfin j'en tiens un!. Finally I got one!. 10. Non vous ne vous trompez pas! No you are not mistaken! 11. Je risqué tout tant pis pour moi! I risked everything too bad for me! 12. Ah! Vous êtes ambitieux! Ah! You are ambitious! 13. Qué bonheur m'ssieu! What happiness sir! 14. Cré coquin mes chemises neuves. Naughty creation my new shirts. 15. Y sont drôles les maitres! The masters are funny there! Bobins IV 1349. Paris: Chez Aubert & Cie., 1850 unknown
réf. 05541Paris: Chez Aubert & Cie. 1850. Jokes in Poor Taste CHAM pseudonym of Amédée de Noé. Turlupinades Contrariétés et Autres Amusemens Négatifs Jokes in Poor Taste Par Cham. Paris: Chez Aubert & Cie. ca. 1850. First edition. Folio 13 1/4 x 9 7/8 inches; 337 x 251 mm. Hand-colored lithographed title and fifteen full-page hand-colored lithographed plates with captions. Advertisement leaf at end Maison de Commission. Des Modes Parisiennes. Publisher's pictorial glazed green boards. Original glassine wrapper. A superb example. OCLC locates just four copies worldwide: Morgan Library & Museum; New York Public Library; Getty Institute; University of Illinois. CHAM pseudonym of Amédée de Noé 1818-1879. French caricaturist and lithographer published his first book Monsieur Lajeunesse in 1839 and from 1843 began to be regularly published in illustrated magazines such as Le Charivari which in 1835 focused primarily on publishing satires of everyday life thereafter becoming one of the most popular of French caricaturists through entertaining storybooks such as this work which satirized 'jokes in poor taste.' Several artists "followed in the wake of Daumier and Gavarni. Among the most attractive of the former is Amédéé de Noé "known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray pp. 155-156. Cham had contacts with English artists many of whom had trained on the Continent most in company with English artist and follower of the pioneering German lithographer Alois Senefelder. The Plates: 1. Tout ça c'est bel et bon! It's all well and good! 2. L'éducation es tune bonne chose! Education is a good thing! 3. Hardi! Conscrit la patrie a les yeux sur toi!. Daring! Conscript the fatherland has its eyes on you!. 4. Je veux que mon fils ait un prix! I want my son to have a prize! 5. Mes papiers.mes papiers! My papers.my papers! 6. Tiens tiens elle était pressée c'tte lettre Well well she was in a hurry that letter 7. De de quoi.de de quoi!. From what.from what!. 8. Malheureux! Tu me feras blancher avant l'âge. Unfortunate! You will make me white before my age. 9. Enfin j'en tiens un!. Finally I got one!. 10. Non vous ne vous trompez pas! No you are not mistaken! 11. Je risqué tout tant pis pour moi! I risked everything too bad for me! 12. Ah! Vous êtes ambitieux! Ah! You are ambitious! 13. Qué bonheur m'ssieu! What happiness sir! 14. Cré coquin mes chemises neuves. Naughty creation my new shirts. 15. Y sont drôles les maitres! The masters are funny there! Bobins IV 1349. Paris: Chez Aubert & Cie., 1850 unknown
réf. 05330Paris: Chez Aubert & Cie. 1850. Jokes in Poor Taste CHAM pseudonym of Amédée de Noé. Turlupinades Contrariétés et Autres Amusemens Négatifs Jokes in Poor Taste Par Cham. Paris: Chez Aubert & Cie. ca. 1850. First edition. Folio 13 1/4 x 9 7/8 inches; 337 x 251 mm. Hand-colored lithographed title and fifteen full-page hand-colored lithographed plates with captions. Advertisement leaf at end Maison de Commission. Des Modes Parisiennes. Publisher's pictorial glazed green boards lower portion of spine renewed inner front hinge cracked some light wear to corners. An excellent copy. OCLC locates just four copies worldwide: Morgan Library & Museum; New York Public Library; Getty Institute; University of Illinois. CHAM pseudonym of Amédée de Noé 1818-1879. French caricaturist and lithographer published his first book Monsieur Lajeunesse in 1839 and from 1843 began to be regularly published in illustrated magazines such as Le Charivari which in 1835 focused primarily on publishing satires of everyday life thereafter becoming one of the most popular of French caricaturists through entertaining storybooks such as this work which satirized 'jokes in poor taste.' Several artists "followed in the wake of Daumier and Gavarni. Among the most attractive of the former is Amédéé de Noé "known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray pp. 155-156. Cham had contacts with English artists many of whom had trained on the Continent most in company with English artist and follower of the pioneering German lithographer Alois Senefelder. The Plates: 1. Tout ça c'est bel et bon! It's all well and good! 2. L'éducation es tune bonne chose! Education is a good thing! 3. Hardi! Conscrit la patrie a les yeux sur toi!. Daring! Conscript the fatherland has its eyes on you!. 4. Je veux que mon fils ait un prix! I want my son to have a prize! 5. Mes papiers.mes papiers! My papers.my papers! 6. Tiens tiens elle était pressée c'tte lettre Well well she was in a hurry that letter 7. De de quoi.de de quoi!. From what.from what!. 8. Malheureux! Tu me feras blancher avant l'âge. Unfortunate! You will make me white before my age. 9. Enfin j'en tiens un!. Finally I got one!. 10. Non vous ne vous trompez pas! No you are not mistaken! 11. Je risqué tout tant pis pour moi! I risked everything too bad for me! 12. Ah! Vous êtes ambitieux! Ah! You are ambitious! 13. Qué bonheur m'ssieu! What happiness sir! 14. Cré coquin mes chemises neuves. Naughty creation my new shirts. 15. Y sont drôles les maitres! The masters are funny there! Bobins IV 1349. Paris: Chez Aubert & Cie., 1850 unknown
réf. 04607Paris: Mon. Martinet 1860. The Trial of Jean Bidoux in his Military Career CHAM Pseudonym of Charles Amédée de Noé. Les Tâtonnements de Jean Bidoux dans la Carrière Militaire. The trials of Jean Bidoux in his Military Career. Par Cham. Paris: Mon. Martinet 1860. First edition. Large quarto 13 1/4 x 9 7/8 inches; 336 x 250 mm. Pictorial lithograph title-page and eighteen lithograph plates with sixty-five amusing images. Publisher's quarter red roan over blind stamped red cloth front cover decoratively titled in gilt. Small stain to top margin of last plate otherwise a fine copy. Paris: Mon. Martinet, 1860 unknown
réf. 06849Paris: Chez Aubert & Cie. 1845. All is Fair in Love and War" Cham's Complete Satirical Album of the French Army in Algeria - Thirty-One Lithographed Plates CHAM pseudonym of Charles Amédée de Noé. À la guerre comme à la guerre. Par Cham. Paris: Chez Aubert & Cie. n.d. 1846. First edition. Oblong folio 10 1/8 x 12 3/4 inches; 254 x 324 mm. Pictorial lithographed title-page and thirty numbered lithographed plates each with printed caption beneath presenting Cham's wonderfully comic and frequently irreverent view of the experiences and misadventures of the French army in Algeria. Publisher's original pictorial green boards front cover reproducing the design of the lithographed title-page rear cover plain. Minimal rubbing and wear to spine ends and extremities; internally remarkably clean and fresh. An exceptional survival in the original publisher's pictorial boards. Near fine. A complete suite of Cham's celebrated caricatures of the French military campaign in Algeria comprising the pictorial title and all thirty numbered plates. The title À la guerre comme à la guerre is a proverbial French expression - literally "in war as in war" - conveying the idea that in difficult circumstances one must make do with whatever is available: essentially "you have to take things as they come." It provides the perfect framework for Cham's comic assault upon the romantic conception of military life. Rather than heroic battle scenes and martial glory Cham gives us the decidedly less glamorous realities of campaigning in North Africa: exhausting marches hunger and thirst unruly Arab horses uncomfortable nights beneath canvas troublesome provisions razzias encounters with wild animals and the innumerable indignities suffered by the ordinary soldier. Officers and enlisted men alike are subjected to Cham's irreverent eye the hardships of colonial campaigning becoming the raw material for a sustained sequence of visual jokes. The album relates specifically to the French conquest of Algeria begun in 1830 and still very much an active military enterprise when these lithographs appeared. By the mid-1840s the French army was engaged in the final stages of its long struggle against the forces of Abd el-Kader. Cham transforms this serious contemporary subject into an extended comic narrative of military discomfort confusion and misadventure. CHAM pseudonym of Charles Amédée de Noé 1818-1879. One of the most prolific French caricaturists of the nineteenth century Cham belonged to the generation that followed Daumier and Gavarni and became particularly associated with Le Charivari. His extraordinary productivity - he was said to have had "an idea a day" - resulted in thousands of drawings and lithographs many subsequently gathered into albums such as the present work. "It is to be regretted that space will not serve to represent the caricaturists and depictors of manners who followed in the wake of Daumier and Gavarni. Among the most attractive of the former is Amédée de Noé known as Cham that is Ham the son of Noah of whom it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège in which Daumier was his collaborator are typical of his work" Ray The Art of the French Illustrated Book pp. 155-156. The Plates: Pictorial lithographed title-page. Ça ne vaut pas l'eau filtrée!!. Au diable les chevaux arabes! Quelle chance!! Pour faire un bon pot-au-feu. V'là soixante lieues d'avalées! Ces gueux d'arabes. Dites donc caporal. Une visite sous la tente. Encore quinze lieues à faire. Une razzia. C'est fort drôle conscrit!. Un héritage flambé. Allons bon!. Gueux de sauvages! Y a des gens qui ont du bonheur! Il est bon d'avoir des amis. C'est une flêche empoisonnée. En toute chose il ne faut jamais considérer la faim. Qué beau pays!!! Est-ce que tu attends l'omnibus. Pauvres camarades! Cristi! V'la mon paletot qui se déchire! Y a pas de bon sens! Cher papa et chère maman. Mon Général. C'est un coup superbe! Un petit homme à grandes passions. Marche de nuit. Un réveil désagréable. L'appétit est le meilleur cuisinier. A remarkably fresh example of one of Cham's most entertaining lithographic albums complete with all thirty plates and retaining the particularly desirable original pictorial boards. Paris: Chez Aubert & Cie., 1845 unknown
réf. 04620Paris: Chez Aubert & Cie. 1846. A Satirical View of the French in Algeria CHAM pseudonym of Amédée de Noé. À la guerre comme à la guerre. Variantes lithographiques sur le thême bien connu: Ah! quel plaisir d'être soldat. Par Cham. Paris: Chez Aubert & Cie. n.d. 1846. First edition. Oblong folio 10 1/4 x 13 1/8 inches; 260 x 334 mm. Twenty-seven of thirty-one hand-colored lithographed plates heightened with gum Arabic presenting a satirical view of the life of the French contingent in Algeria. Publisher's sixteen page catalog bound in at end. Bound without the pictorial title-page and plates 1 29 & 30. Ten plates with short lower marginal tears. Twentieth century tan cloth over boards red morocco spine label lettered in gilt. A very good albeit incomplete example. The plates: 2. Au diable les chevaux arabes! 3. Quelle chance!! 4. Pour faire un bon pot-au-feu. 5. V'là soixante lieues d'avalées! 6. Ces gueux d'arabes. 7. Dites donc caporal. 8. Une visite sous la tente. 9. Encore quinze lieues à faire. 10. Une razzia. 11. C'est fort drôle conscrit!. 12. Un héritage flambé. 13. Allons bon!. 14. Gueux de sauvages! 15. Y a des gens qui ont du bonheur! 16. Il est bon d'avoir des amis. 17. C'est une flêche empoisonnée. 18. En toute chose il ne faut jamais considérer la faim. 19. Qué beau pays!!! 20. Est-ce que tu attends l'omnibus. 21. Pauvres camarades! 22. Cristi! V'la mon paletot qui se déchire! 23. Y a pas de bon sens! 24. Cher papa et chère maman. 25. Mon Général. 26. C'est un coup superbe! 27. Un petit homme a grandes passions. 28. Marche de nuit. CHAM pseudonym of Charles Amédée de Noé 1818-1879. "It is to be regretted that space will not serve to represent the caricaturists and depictors of manners who followed in the wake of Daumier and Gavarni. Among the most attractive of the former is Amédée de Noé known as Cham that is Ham the son of Noah of whom it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège in which Daumier was his collaborator are typical of his work" Ray The Art of the French Illustrated Book pp. 155-156. Paris: Chez Aubert & Cie., 1846 unknown
réf. 76-0066Paris: Martinet circa 1865. Hand-colored lithograph with gum arabic. 36 x 28 cm sheet. Very Good light foxing in the margin areas toning along sheet edges colors fresh. Paris: Martinet, [circa 1865]. unknown
réf. 76-0065Paris: Martinet circa 1865. Hand-colored lithograph with gum arabic. 36 x 28 cm sheet. Very Good light foxing in the margin areas toning along sheet edges colors fresh. Paris: Martinet, [circa 1865]. unknown
1880réf. 15669Paris: Calmann Levy 1880. Hardcover. fair. This copy has an ex-libris stamp inside of front board by Robert Florey: Robert Florey 1900-1979 was a French screenwriter director of short films and actor who moved to Hollywood in 1921. Florey worked as assistant director to Josef von Sternberg Frank Borzage and Victor Fleming before making his feature directing debut in 1926. He turned out more than 50 movies over the next 23 years from the first Marx Brothers movie "The Cocoanuts" 1929 to horror movies such as "Murders in the Rue Morgue" 1932 starring Bela Lugosi to skillful low-budget crime programmers like "The Crooked Way" 1949. Scarce. 4to. 349pp. Original contemporary illustrated paper covered boards with gold lettering and illustration to cover and spine. Blue endpapers. Ex libris Robert Florey see above. Great collection of 3b/w caricatures by the acclaimed French artist Cham a.k.a. Amedée Charles Henry de Noé. With a short biography. Head and tail of spine rubbed and worn with tear to top spine. Corners worn. Scuffing rubbing staining to boards. Minor browning to pages. In French. In overall good- condition. Calmann Levy hardcover
réf. 71-5302Paris: Aubert & Cie. circa 1877. Hand-colored lithograph. 25 x 33.5 cm sheet. Very Good a few light specks of foxing in the margins. Paris: Aubert & Cie., circa 1877. unknown
réf. 46041 April no year. French cartoonist. - caricaturist. One page 8vo laid down sl. damaged but text clear and complete. He says that Madame de Noe avec accent is fully recovered from illness and wonders if his correspondent can dine next sunday. "Un mot de reponse s.v.p." He concludes with formal best wishes. The conjoint blank leaf is laid down - on the recto of this blank is a draft acceptance signed Paggi. 1 April [no year]. unknown
réf. 76-0699Paris: Le Charivari 1862. Lithograph on newsprint. 28 x 21 cm sheet. Text on verso. Good sheet aged. Paris: Le Charivari, 1862. unknown
réf. 76-0700Paris: Le Charivari circa 1874. Lithograph on newsprint. 28 x 21 cm sheet. Text on verso. Good sheet aged. Paris: Le Charivari, circa 1874. unknown
réf. 19-7741Paris: Maison Martinet 1848. . 4to. Folded Wraps. 9pp. Very good. En Francais. Paris: Maison Martinet, 1848. paperback
1850réf. 041568Paris: Bureau De Punch 1850. 1st Edition . Hardcover. Very Good. Ii 192 Ii Pp. Quarter Grey Cloth Morocco Spine Label Gilt Marbled Boards. Begins With Title Page Dated April 1850 No Other Title Pages Or Rear Covers. Light Wear Beginning To Fray At Corners Light Foxing. Charles Amédée De Noé Known As Cham 1818 - 1879 Was A French Caricaturist And Lithographer. Raised By A Family Who Wished Him To Attend A Polytechnic School He Instead Attended Painting Workshops By Nicolas Charlet And Paul Delaroche And Began Work As A Cartoonist Taking On The Pseudonym "Cham". In 1839 He Published His First Book Monsieur Lajaunisse Which Began A Career That Would Span 40000 Drawings. In 1843 He Began To Be Published In Newspapers Like Le Charivari Whose Staff He Was On For Thirty Years. Later Works Included Proudhon En Voyage And Histoire Comique De L'assemblée Nationale. He Wrote A Number Of Comic Plays Towards The End Of His Life. Bureau De Punch hardcover
réf. 76-0724Paris: Chez Aubert circa 1860. Lithograph. 24.5 x 29 cm sheet. Very Good sheet aged light specks of foxing short tears at top sheet edge. Paris: Chez Aubert, circa 1860. unknown
réf. 19-7736Paris: Le Charivari 1872. 10.5 x 11.25 inches. Unbound sheet. Good with marginal tearing. Original black and white 19th century lithograph by Cham published in Le Charivari. Contains signature on bottom right: “87 Cham.” Additional text on bottom reads: “Yves et Barret S.C.” Verso is newspaper page from Le Charivari. En Francais. Paris: [Le Charivari], [1872]. unknown
réf. 19-7729Paris: Le Charivari 1851. 10.25 x 11.5 inches. Unbound sheet. Very good with marginal staining. Original black and white 19th century lithograph by Cham published in Le Charivari. Contains signature on bottom right: “18 Cham .” Additional text on bottom reads: Yves et Barret S.C.” Verso is newspaper page from Le Charivari. En Francais. Paris: Le Charivari, [1851]. unknown
réf. 19-7731Paris: Le Charivari 1871. 11.5 x 11.25 inches. Unbound sheet. Very good with clipped edges. Original black and white 19th century lithograph by Cham published in Le Charivari. Contains signature on bottom left: “76 Cham.” Additional text on bottom reads: “Relief Marchandeau 303 rue St. Denis.” Verso is newspaper page from Le Charivari. En Francais. Paris: Le Charivari, [1871]. unknown
réf. 19-7725Paris: Maison Martinet 1858. 10 x 14.25. Unbound sheet. Good with marginal tearing and staining. Original black and white 19th century lithograph by Cham published in Le Charivari. Contains signature on bottom left: “Cham.” Additional text on bottom reads: “592” “M.on Martinet 172 r. Rivoli et 41 r. Vivienne” and “Lith. Destouches 28 r. Paradis Pre. Paris.” Verso is newspaper page from Le Charivari. En Francais. Paris: Maison Martinet, [1858]. unknown
