Cham - Amedee-Charles-Henri (1819-1879)Biblio.com
835 Ergebnisse
1865Best.-Nr. 2181865. Lithograph. 210mm by 200mm image. Le Federal' & 'Le Confedere' Lithograph from the series "Actualities" published in 'Le Charivari'.The American Civil War 1861-1865 was a civil war fought over the secession of the Confederate States. Eleven southern slave states declared their secession from the United States and formed the Confederate States of America "the Confederacy"; the other 25 states supported the federal government "the Union". After four years of warfare mostly within the Southern states the Confederacy surrendered and slavery was abolished everywhere in the nation.Part-page illustration. Text on reverse as issued. Faint horizontal crease as issued. unknown
1865Best.-Nr. 2271865. Lithograph. 235mm by 190mm image. Blanc devenir marron ! negre oblige maintenant de courir apres ! . contraire d'autrefois !.' Lithograph from the from the series "En Amerique" published in 'Le Charivari'.The American Civil War 1861-1865 was a civil war fought over the secession of the Confederate States. Eleven southern slave states declared their secession from the United States and formed the Confederate States of America "the Confederacy"; the other 25 states supported the federal government "the Union". After four years of warfare mostly within the Southern states the Confederacy surrendered and slavery was abolished everywhere in the nation.Part-page illustration. Text on reverse as issued. Faint horizontal crease as issued. unknown
1865Best.-Nr. 2401865. Lithograph. 235mm by 205mm image. - Negre li devenu homme libre ! . cependant li pas encore blanchir ! . mais toujours attendre !.'' Lithograph from the from the series "Actualites" published in 'Le Charivari'. The American Civil War 1861-1865 was a civil war fought over the secession of the Confederate States. Eleven southern slave states declared their secession from the United States and formed the Confederate States of America "the Confederacy"; the other 25 states supported the federal government "the Union". After four years of warfare mostly within the Southern states the Confederacy surrendered and slavery was abolished everywhere in the nation.Part-page illustration. Text on reverse as issued. Faint horizontal crease as issued. Small faint waterstain outside image area. unknown
1865Best.-Nr. 2201865. Lithograph. 200mm by 250mm image. Le Bourgeois' Lithograph from the from the series "En amerique" published in 'Le Charivari'.The American Civil War 1861-1865 was a civil war fought over the secession of the Confederate States. Eleven southern slave states declared their secession from the United States and formed the Confederate States of America "the Confederacy"; the other 25 states supported the federal government "the Union". After four years of warfare mostly within the Southern states the Confederacy surrendered and slavery was abolished everywhere in the nation.Part-page illustration. Text on reverse as issued. Faint horizontal crease as issued. unknown
1865Best.-Nr. 2371865. Lithograph. 210mm by 260mm image. -Tiens ! Messieurs les Americains vous ne prenez donc pas de Vacances ' Lithograph from the series "Actualities" published in 'Le Charivari'.The American Civil War 1861-1865 was a civil war fought over the secession of the Confederate States. Eleven southern slave states declared their secession from the United States and formed the Confederate States of America "the Confederacy"; the other 25 states supported the federal government "the Union". After four years of warfare mostly within the Southern states the Confederacy surrendered and slavery was abolished everywhere in the nation.Part-page illustration. Text on reverse as issued. Faint horizontal crease as issued. A few spots at top of the sheet. unknown
1847Best.-Nr. 26021847. Lithograph. 240mm by 340mm sheet. 'Voyeux mon domestique meeieurs avec mes Rateliers Osanores il brise du fer !.' Depicts Dr Fattet the famous French dentist.Original lithograph published in Paris 1847. Signed 'CHAM' in the image. From a series titled 'Celebrites Charivariques' which was published in the French magazine 'Le Charivari'. Text on reverse folds as issued. Light overall toning. Trimmed at an angle at top of the sheet. unknown
1867Best.-Nr. 2941867. Lithograph. 255mm by 210mm image 395mm by 275mm sheet. Original lithograph published in Paris 1867. Signed 'CHAM' in the image. From a series titled _Actualites_ which was published in the French magazine satirical _Le Charivari'. Text below and on reverse folds as issued. unknown
1870Best.-Nr. 47091870. Lithograph. 275mm by 210mm sheet. Signed 'CHAM' in the image. From a series titled 'Actualities' which was published in the French magazine 'Le Charivari'. Text on reverse as issued. CONDITION : Very light folds as issued. Sheet trimmed. Text on reverse shows through slightly. unknown
1853Best.-Nr. 50251853. Lithograph. 240mm by 333mm sheet. Original lithograph published in Paris 1853. Signed 'CHAM' in the image. Originally published in the French magazine 'Le Charivari'. Text on the reverse. Dentistry interest. CONDITION : light folds. Sheet slightly trimmed. small nick top right corner. Light crease in right margin. Overall toning. unknown
1856Best.-Nr. 8161856. Lithograph. 240mm by 360mm sheet. 'Les locataires des Pyramides expropries pour cause d'utilite publique' Original lithograph published in Paris 1856. Signed 'CHAM' in the image. From a series titled 'Celebrites Charivariques' which was published in the French magazine 'Le Charivari'. Text on reverse folds as issued. unknown
1845Best.-Nr. 1201845. Lithograph. 370mm by 240mm sheet. Lithograph published in 'Le Charivari'. Text on reverse as issued. Faint vertical crease as issued. unknown
1848Best.-Nr. 47291848. Lithograph. 305mm by 235mm sheet. Lithograph from 'Le Charivari' 1848. Scenes from the life of Georges Fattet dentist: To the left Napoleon's statue has been replaced by one of Fattet; Top right a satisfied client with two sets of dentures asks for a third; bottom right Fattet is greeted by assistant. CONDITION : faint horizontal crease as issued. Margins slightly trimmed. A couple of foxing spots in the margins. unknown
1848Best.-Nr. 6651848. Lithograph. 285mm by 235mm sheet. Lithograph from 'Le Charivari' 1848. Scenes from the life of Georges Fattet dentist: Top he bows before a queen; bottom in a street procession a woman places a crown on his head and children throw flower petals along his path.Margins slightly trimmed. unknown
Best.-Nr. 25428Le Charivari. Journal illustre.; 2/12/1858 ,La page 3 contient une lithographie en noir à 2/3 de page.23,5x25 cm - sur feuille imprimée recto-verso,bon état.
1860Best.-Nr. 254131860 charivari 1860 - vingt neuvième année -1860
1860Best.-Nr. 254171860 Le Charivari. Journal illustre. 29e annee. 1860;1er trimestre, - 27 mars 1860,La page 3 contient une lithographie en noir à 2/3 de page.23,5x25 cm - charivari 1860 - vingt neuvième année -1860
Best.-Nr. 25414Le Charivari. Journal illustre. 29e annee. 1860;1er trimestre, - 20.3.1860,La page 3 contient une lithographie en noir à 2/3 de page.23,5x25 cm
1865Best.-Nr. 250461865 DE VRESSE, 1865.in8 broché,couverture jaunes mention 2e édition,cachet colportage,rousseurs et mouillure claire en coin,rare
1860Best.-Nr. 255081860 Le Charivari. Journal illustre. 29e annee. 1860 - 1/6/1860,La page 3 contient une lithographie en noir à 2/3 de page. - Lithographie: Hauteur: 36.5cm x Largeur: 28.5cm -- texte imprime au dos,bon etat.
Best.-Nr. 24191PARIS MAISON MARTINET SANS DATE XIX°,mention couverture verte 2eme édition ARNAUD DE VRESSE - UNE PLAQUETTE BROCHÉE NON FOLIOTÉE - IMPRESSION RECTO SEULEMENT À RAISON DE 4 DESSINS PAR PAGE - ROUSSEURS ÉPARSES ,une fente à la COUVERTURE,papier jauni,cachet de colportage second Empire.
1860Best.-Nr. 255071860 Le Charivari. Journal illustre. 29e annee. 1860 - 1/6/1860,La page 3 contient une lithographie en noir à 2/3 de page.23,5x25 cm - -- texte imprime au dos,bon etat.
1880Best.-Nr. 155771880 cartonnage rouge éditeur in-quarto (editor red hard-back in-quarto), décoration or et mate sur le dos et les plats (gilt and matt decoration on the spine and covers), toutes tranches jaspées (all marbled edges) - petite cicatrice de mouillure sur la tranche de tête (small scar of watersatin on the top edge), pages de garde vertes (green endpapers), page de faux-titre (half title page), 1000 illustrations, naissances de rousseurs (beginning of the redness marks), 349 pages + 1 page de Table des Matières (1 page of Table of contents), 1880 à Paris Calmann Lévy Editeur - 3 rue Auber et 15 Boulevard des Italiens à La Librairie Nouvelle,
Best.-Nr. 06030Paris: Chez Arnauld De Vresse 1851. A Fine Selection of Sixteen Hand Colored Lithographs from Five of Cham's Best Albums CHAM pseudonym of Amédée de Noé. Album Varié par M.M. Cham Daumier Gavarni et autres Dessinateurs du Charivari. Paris: Chez Arnauld De Vresse ca. 1851. Folio 12 7/8 x 10 inches; 327 x 254 mm. Lithograph title-page and sixteen fine hand colored lithograph plates all heightened with gum arabic. Plate numbers 5 and 8 are duplicates. Publisher's quarter red roan over printed yellow glazed boards front cover neatly repaired at lower corner. With the bookplate of Bernard Mamy on front paste-down. This is a slightly later published assembly of hand colored lithographs by Cham from five of his works: Nos Gentils Hommes 1846; Turlupinades ca. 1850; Moeurs Britanniques ca. 1850; Souvenirs de Garnison ca. 1850 and Moeurs Algeriennes 1844. The Plates: 1. Palsambleu Quél Bon Petit Chic!! - Voilà une rosière comme nous les aimons nous autres gentils-hommes! Palsambleu What a Good Little Chic!! - Here is a rose garden as we like them us other gentlemen! 2. Le Pas Gymnastique. - Je ne suis pas purpris qu'on fasse son chemin dans ce corps. Quand on court si fort on ne doit pas manquer d'arriver. The Gymnastic Step. - I am not surprised that one makes one's way in this body. When one runs so hard one must not fail to arrive. 3. L'Invalide De Chelsea. - Waterloo Waterloo! Mais mon brave homme voici deux heures que vous me rabâchez la même Victoire.à ce compte là combine un Français mettrait-il donc de temps à vous raconteur ses victoires. The Chelsea Invalid. - Waterloo Waterloo! But my good man for two hours you have been harping on about the same Victory. at that rate how long would a Frenchman take to tell you about his victories. 4. Tiens Tiens Elle Était Pressée C'tte Lettre Qué qu'aurait dit ça y a quinze jours qué traine dans ma loge. Well Well Was That Letter In A Hurry What would that have said it's been lying around in my dressing room for two weeks now. 5. Ah! Vous Êtes Ambitieux! Comment! Après quatre ans de surnumérariat vous n'étes pas content!. prenez y garde Mossieu je n'aime pas les intrigans. Ah! You are ambitious! What! After four years of being a surplus you are not happy!. be careful sir I do not like schemers. 6. Oui J'ai Quitté Le Service. - Dans la cavalerie je faisais un métier de cheval l'artillerie est toujours près de ses pieces quant aux équipages ça ne m'allait pas je déteste la train.pour le genie. - Oh! Le genie t'es trop béte pour en avoir c'est clair!. Yes I Left the Service. - In the cavalry I had a horse job the artillery is always near its pieces as for the crews it didn't suit me I hate the train.for the engineers. - Oh! The engineers you're too stupid to have any that's clear!. 7. Non Vous Ne Vous Trompez Pas! C'est bien ici que demeure Mademoiselle Caroline que lui voulez vous je suis son frère. No you are not mistaken! This is where Miss Caroline lives what do you want from her I am her brother. 8. Ah! Vous Êtes Ambitieux! Comment! Après quatre ans de surnumérariat vous n'étes pas content!. prenez y garde Mossieu je n'aime pas les intrigans. DUPLICATE of #5 Ah! You are ambitious! What! After four years of being a surplus you are not happy!. be careful sir I do not like schemers. 9. Le Péage Du Turn-Pike. 3 pences! Allons bon!.j'ai oublié ma bourse.je n'avais plus que dix pas pour arriver et il faut que je retourne chez moi à quatre lieues d'ici!. The Turn-Pike Toll. 3pence! Come come!.I forgot my purse.I had only ten paces to go and I must go home four leagues from here!. 10. M'est avis Jean Piarre que ce beau Monchieu qu'tire le villageen plan est un donneux de sort.y vient p'f ensorceller nos vaches bé sur.attends! attends!. It seems to me Jean Piarre that this handsome Monchieu who draws the village plan is a spell giver. he comes to bewitch our cows of course. wait! wait!. 11. Baragouin Brittannique. Godem! Oha! Frenchman ridiculous costume comical very good Oh Ah! Oh! British gibberish. Godem! Oha! Frenchman ridiculous comical costume very good Oh Ah! Oh! 12. Mœurs Algeriennes. Chinoiseries Turques. Mon tigre a décidement le spleen voilà huit jours qu'il est d'une humeur de dogue faites-moi le plaisir d'entrer dans sa cage et tachez de l'amuser il y va de votre téte. Un aveugle turc. Algerian customs. Turkish chinoiserie. My tiger is definitely feeling down he has been in a dog-like mood for eight days do me the pleasure of entering his cage and try to amuse him it is up to you. A blind Turk. 13. Ces Gueux D'Arabes. - C'est dur tout de méme qu'ils ne veulent pas nous laisser tranquilles chez nous. Those Arab Beggars. - It's hard all the same that they don't want to leave us alone at home. 14. Cap'taine! Y vous va joliment le costume de pekin!. - Oui je suis un peu chiqué n'est-ce pas.hein j'en suis pour plus de 40 francs!. Captain! The Peking costume suits you well!. - Yes I am a bit squeamish aren't I. eh I'm looking at more than 40 francs!. 15. Enfin J'en Tiens Un!. Ils dissent que c'est une maladie qui court une cholerine une bétise. C'est parbleu! Bien le cholera le vrai cholera!. C'est un cas magnifique!!. Finally I Have One!. They say it's a disease that's running around cholera a stupidity. Oh my! Cholera real cholera!. It's a magnificent case!!. 16. Foi De Carrossier. Un homme d'une position aussi élevée que la votre doit avoir la voiture la plus basse possible. Coachbuilder's Faith. A man of such high position as yours must have the lowest possible car. Paris: Chez Arnauld De Vresse, 1851 unknown books
Best.-Nr. 06867Paris: Chez Aubert & Cie. 1851. The French Take on the British. Fifteen Hilarious Lithographs Caricaturing British Life and Manners CHAM pseudonym of Charles Amédée de Noé. Mœurs Britanniques. Paris: Chez Aubert & Cie. n.d. ca. 1850. First edition. Large folio 13 1/4 x 10 inches; 336 x 252 mm. Lithographed pictorial title and fifteen numbered lithographed plates each with printed caption below. Publisher's original cream-colored glazed lithographed boards upper cover reproducing the pictorial title design. A remarkably fine clean and fresh copy. A wonderfully entertaining series of fifteen caricatures devoted entirely to the peculiarities of the British as observed from across the Channel by one of nineteenth-century France's most popular comic artists. Cham turns his irreverent eye upon an extraordinary cross-section of British life and manners: marriage Quakers army recruiting museums philanthropy prize-fighting Scottish dress the national costume incomprehensible English conversation the stocks turnpikes Chelsea pensioners and finally Smithfield Market. The splendid pictorial title sets the tone for the album. The British lion sits beside the Union Jack with a diminutive figure perched upon its mane while immediately before it lies a tied bundle prominently marked "IRLANDE" - a pointed visual joke upon Anglo-Irish relations that would have been immediately recognizable to Cham's contemporary French audience. The individual plates continue the sustained Anglo-French satire. In Un Costume National an elegantly dressed English gentleman encounters a ragged Irishman and asks whether he comes from a hot country to which the latter replies "Non monsieur je suis Irlandais." Baragouin Britannique makes comic capital of the Frenchman's traditional bewilderment at the English language while Les Hauts Grades lampoons the spectacular proportions of British military headgear. Elsewhere Cham takes aim at Quakers army recruiting the English enthusiasm for boxing Scottish national dress philanthropy public punishment toll roads Chelsea pensioners and the notorious livestock market at Smithfield. Taken together the fifteen scenes form a delightful visual survey of British national character institutions dress and customs as perceived through decidedly French eyes. CHAM pseudonym of Charles Amédée de Noé 1818-1879 was one of the most prolific and popular French caricaturists of the nineteenth century. He published his first book Monsieur Lajaunisse in 1839 and from 1843 contributed regularly to Le Charivari producing thousands of drawings and lithographs satirizing contemporary politics society manners and everyday life. Of Cham Ray notes that several artists "followed in the wake of Daumier and Gavarni. Among the most attractive of the former is Amédée de Noé known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray pp. 155-156. Published by Aubert the celebrated Parisian house closely associated with the golden age of French caricature and with such artists as Daumier Gavarni and Grandville Mœurs Britanniques is especially appealing for its sustained concentration upon Britain. Rather than merely including occasional English subjects among a broader collection of social satires Cham devotes the entire album to British manners and national stereotypes. Copies were also produced with the plates colored by hand; Bobins records a colored copy III 842. The present copy is the uncolored issue the lithographs displaying the strength and subtlety of Cham's original draughtsmanship to particularly good effect. The Plates: Une femme bien attachée. Le Quaker. Le Recruteur. Visite au Musée. Mariage d'inclination. Les Hauts grades. Philanthropie. Bien entendue. Les Boxeurs. L'Écossais. Un Costume national. Baragouin Britannique. In the Stocks. Le Péage du turn-pike. L'Invalide de Chelsea. Smithfield Market. A remarkably fine and fresh copy of Cham's delightful visual satire on Britain and the British-fifteen wonderfully observed caricatures ranging from Quakers prize-fighters and Highlanders to Irishmen Chelsea pensioners and the inhabitants of Smithfield Market preserved in the striking original glazed pictorial boards. Ray The Art of the French Illustrated Book 1700 to 1914 pp. 155-156. Bobins III 842 colored copy. Paris: Chez Aubert & Cie., 1851 unknown books
Best.-Nr. 05954Paris: Chez Aubert & Cie. 1850. Fifteen Hand-Colored Lithographed Plates Caricaturing the British CHAM pseudonym of Amédée de Noé. Mœurs Britanniques. Paris: Chez Aubert & Cie. n.d. ca. 1850. Large folio 13 1/4 x 10 inches; 336 x 252 mm. Hand-colored lithographed title and fifteen numbered hand-colored lithographed plates heightened with gum arabic. Publisher's cream-colored glazed lithographed boards neatly rebacked with cream-colored cloth backstrip. A little bit of marginal soiling. Otherwise a near fine copy. Of Charles Amédée de Noé 1818-1879 "known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray The Art of the French Illustrated Book pp. 155-156. The Plates: 1. Une femme bien attachée 2. Le Quaker 3. Le Recruteur 4. Visite au Musée 5. Mariage d'inclination 6. Les Hauts grades 7. Philanthropie. Bien entendue 8. Les Boxeurs 9. L'Écossais 10 Un Costume national 11. Baragouin Britannique 12. In the Stocks 13. Le Péage du turn-pike 14. L'Invalide de Chelsea 15. Smithfied Market Bobins III 842. Paris: Chez Aubert & Cie., 1850 unknown books
