835 résultats
réf. 19-7712Paris: Aubert 1849. . 9.75 x 14.5 inches. Unbound sheet good with staining and marginal tearing on bottom. Signature on bottom right reads: “72 Cham.” Additional text on bottom reads: “Chez Aubert Pl. de la Bourse” and “Imp. Aubert et Cie.” Original black and white 19th century lithograph by Cham published in Le Charivari. Verso is newspaper page from Le Charivari. En Francais. Paris: Aubert, [1849]. unknown
réf. 19-7710Paris: Le Charivari 1855. . 11.25 x 16.75 inches. Unbound sheet good with slight creasing and marginal tearing. Original black and white 19th century lithograph by Cham published in Le Charivari. Verso is newspaper page from Le Charivari. En Francais. Paris: [Le Charivari], [1855]. unknown
réf. 19-7713Paris: Aubert 1850. . 9.5 x 14 inches. Unbound sheet. Very good with staining. Signature on bottom right reads: “101 Cham.” Additional text on bottom reads: “Chez Aubert Pl. de la Bourse” and “Imp. Aubert et Cie.” Original black and white 19th century lithograph by Cham published in Le Charivari. Verso is newspaper page from Le Charivari. En Francais. Paris: Aubert, [1850]. unknown
réf. 19-7716Paris: Le Charivari1845. 10 x 15 inches. Unbound sheet. Very good with slight edge wear. Original black and white 19th century lithograph by Cham published in Le Charivari. Verso is newspaper page from Le Charivari. En Francais. Paris: [Le Charivari],[1845]. unknown
réf. 19-7711Paris: Aubert 1845. . 14 x 10 inches. Unbound sheet good with staining and marginal tearing. Signature on bottom right reads: “Cham.” Additional text on bottom reads: “Chez Aubert Pl. de la Bourse 29” and “Imp. d’Aubert et Cie.” Original black and white 19th century lithograph by Cham published in Le Charivari. Verso is newspaper page from Le Charivari. En Francais. Paris: Aubert, [1845]. unknown
réf. 19-7717Paris: Aubert 1845. 14 x 10 inches. Unbound sheet. Folded page. Good with slight foxing and tearing on edges. Original black and white 19th century lithograph by Cham published in Le Charivari. Contains signature on bottom right: “Cham.” Additional text on bottom reads: “Chez Aubert Pl. de la Bourse 29” and “Imp. Aubert et Cie.” Verso is newspaper page from Le Charivari. En Francais. Paris: Aubert, [1845]. unknown
réf. 19-7715Paris: Aubert 1845. . 10 x 14 inches. Unbound sheet. Good with staining creasing on corners and marginal tearing. Signature on bottom right reads: “Cham 13.” Additional text on bottom reads: “Chez Aubert Pl. de la Bourse” and “Imp. Aubert et Cie.” Original black and white 19th century lithograph by Cham published in Le Charivari. Verso is newspaper page from Le Charivari. En Francais. Paris: Aubert, [1845]. unknown
réf. 06849Paris: Chez Aubert & Cie. 1845. All is Fair in Love and War" Cham's Complete Satirical Album of the French Army in Algeria - Thirty-One Lithographed Plates CHAM pseudonym of Charles Amédée de Noé. À la guerre comme à la guerre. Par Cham. Paris: Chez Aubert & Cie. n.d. 1846. First edition. Oblong folio 10 1/8 x 12 3/4 inches; 254 x 324 mm. Pictorial lithographed title-page and thirty numbered lithographed plates each with printed caption beneath presenting Cham's wonderfully comic and frequently irreverent view of the experiences and misadventures of the French army in Algeria. Publisher's original pictorial green boards front cover reproducing the design of the lithographed title-page rear cover plain. Minimal rubbing and wear to spine ends and extremities; internally remarkably clean and fresh. An exceptional survival in the original publisher's pictorial boards. Near fine. A complete suite of Cham's celebrated caricatures of the French military campaign in Algeria comprising the pictorial title and all thirty numbered plates. The title À la guerre comme à la guerre is a proverbial French expression - literally "in war as in war" - conveying the idea that in difficult circumstances one must make do with whatever is available: essentially "you have to take things as they come." It provides the perfect framework for Cham's comic assault upon the romantic conception of military life. Rather than heroic battle scenes and martial glory Cham gives us the decidedly less glamorous realities of campaigning in North Africa: exhausting marches hunger and thirst unruly Arab horses uncomfortable nights beneath canvas troublesome provisions razzias encounters with wild animals and the innumerable indignities suffered by the ordinary soldier. Officers and enlisted men alike are subjected to Cham's irreverent eye the hardships of colonial campaigning becoming the raw material for a sustained sequence of visual jokes. The album relates specifically to the French conquest of Algeria begun in 1830 and still very much an active military enterprise when these lithographs appeared. By the mid-1840s the French army was engaged in the final stages of its long struggle against the forces of Abd el-Kader. Cham transforms this serious contemporary subject into an extended comic narrative of military discomfort confusion and misadventure. CHAM pseudonym of Charles Amédée de Noé 1818-1879. One of the most prolific French caricaturists of the nineteenth century Cham belonged to the generation that followed Daumier and Gavarni and became particularly associated with Le Charivari. His extraordinary productivity - he was said to have had "an idea a day" - resulted in thousands of drawings and lithographs many subsequently gathered into albums such as the present work. "It is to be regretted that space will not serve to represent the caricaturists and depictors of manners who followed in the wake of Daumier and Gavarni. Among the most attractive of the former is Amédée de Noé known as Cham that is Ham the son of Noah of whom it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège in which Daumier was his collaborator are typical of his work" Ray The Art of the French Illustrated Book pp. 155-156. The Plates: Pictorial lithographed title-page. Ça ne vaut pas l'eau filtrée!!. Au diable les chevaux arabes! Quelle chance!! Pour faire un bon pot-au-feu. V'là soixante lieues d'avalées! Ces gueux d'arabes. Dites donc caporal. Une visite sous la tente. Encore quinze lieues à faire. Une razzia. C'est fort drôle conscrit!. Un héritage flambé. Allons bon!. Gueux de sauvages! Y a des gens qui ont du bonheur! Il est bon d'avoir des amis. C'est une flêche empoisonnée. En toute chose il ne faut jamais considérer la faim. Qué beau pays!!! Est-ce que tu attends l'omnibus. Pauvres camarades! Cristi! V'la mon paletot qui se déchire! Y a pas de bon sens! Cher papa et chère maman. Mon Général. C'est un coup superbe! Un petit homme à grandes passions. Marche de nuit. Un réveil désagréable. L'appétit est le meilleur cuisinier. A remarkably fresh example of one of Cham's most entertaining lithographic albums complete with all thirty plates and retaining the particularly desirable original pictorial boards. Paris: Chez Aubert & Cie., 1845 unknown books
réf. 04620Paris: Chez Aubert & Cie. 1846. A Satirical View of the French in Algeria CHAM pseudonym of Amédée de Noé. À la guerre comme à la guerre. Variantes lithographiques sur le thême bien connu: Ah! quel plaisir d'être soldat. Par Cham. Paris: Chez Aubert & Cie. n.d. 1846. First edition. Oblong folio 10 1/4 x 13 1/8 inches; 260 x 334 mm. Twenty-seven of thirty-one hand-colored lithographed plates heightened with gum Arabic presenting a satirical view of the life of the French contingent in Algeria. Publisher's sixteen page catalog bound in at end. Bound without the pictorial title-page and plates 1 29 & 30. Ten plates with short lower marginal tears. Twentieth century tan cloth over boards red morocco spine label lettered in gilt. A very good albeit incomplete example. The plates: 2. Au diable les chevaux arabes! 3. Quelle chance!! 4. Pour faire un bon pot-au-feu. 5. V'là soixante lieues d'avalées! 6. Ces gueux d'arabes. 7. Dites donc caporal. 8. Une visite sous la tente. 9. Encore quinze lieues à faire. 10. Une razzia. 11. C'est fort drôle conscrit!. 12. Un héritage flambé. 13. Allons bon!. 14. Gueux de sauvages! 15. Y a des gens qui ont du bonheur! 16. Il est bon d'avoir des amis. 17. C'est une flêche empoisonnée. 18. En toute chose il ne faut jamais considérer la faim. 19. Qué beau pays!!! 20. Est-ce que tu attends l'omnibus. 21. Pauvres camarades! 22. Cristi! V'la mon paletot qui se déchire! 23. Y a pas de bon sens! 24. Cher papa et chère maman. 25. Mon Général. 26. C'est un coup superbe! 27. Un petit homme a grandes passions. 28. Marche de nuit. CHAM pseudonym of Charles Amédée de Noé 1818-1879. "It is to be regretted that space will not serve to represent the caricaturists and depictors of manners who followed in the wake of Daumier and Gavarni. Among the most attractive of the former is Amédée de Noé known as Cham that is Ham the son of Noah of whom it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège in which Daumier was his collaborator are typical of his work" Ray The Art of the French Illustrated Book pp. 155-156. Paris: Chez Aubert & Cie., 1846 unknown books
réf. 19-7724Paris: Maison Martinet 1840. 8 x 10.25 inches. 11 x 14 inches mat. Unbound sheet. Mounted on blue mat board. Very good. Original black and white 19th century lithograph by Cham published in Le Charivari. Contains signature on bottom right: “50 “Cham.” Additional text on bottom reads: “M.on Martinet Paris” and “Lith. Destouches Paris.” Verso is newspaper page from Le Charivari. En Francais. Paris: Maison Martinet, [1840]. unknown
