778 resultados
ref. 4448Cham rclame son correspondant & de [lui] faire envoyer les bois pour les almanachs ?... afin de pouvoir commencer y travailler. On joint P.A.S. Cham . Paris, le 17 novembre 1859. 1 p. in-8. Papier len-tte du journal Le Charivari : & Recu de Mr Pagnerre la somme de quinze cent soixante francs en un reglement fin fvrier 1860 pour dessins et affiches des Almanachs pour 1860&
ref. 4447Cham recommande au libraire-diteur Pagnerre un artiste-lithographe ...Voici un jeune homme qui dessine comme vous verrez trs gentiment. Il met sur pierre dune faon remarquable. Pourriez-vous lutiliser ou le recommander quelque diteur de votre connaissance. Il a des ides et deviendra trs certainement un caricaturiste... La librairie Pagnerre, cre par Laurent-Antoine Pagnerre dans les annes 1830 tait une des plus clbres librairies dans le Paris des annes 1830-1850, il lana la publication dalmanachs illustrs partir de 1842.
ref. 3495S.D. Cham rpond visiblement des encouragements : ...toujours le mme ! Bon, obligeant, charmant ! attendons que la pice en collaboration avec Leroy soit termine et alors la prsentation aura lieu - et j'en serai trs flatt, et honor... Collaborateur de plusieurs journaux, Cham connatra sous le Second Empire un vif succs succs.
ref. 4442Cham donne des instructions limprimeur, pour ses gravures sur bois, & Que vous seriez donc aimable de donner ces bois Gilbert cest le seul qui me grave convenablement. Les autres graveurs mreintent et ces bois sont soigns comme vous verrez. Ce sont les Quatre Bandes de lalmanach des Illustrations modernes plus les 12 mois pour le Comique...
ref. 4450Cham prvient M. Pagnerre de lavance de son travail : & Jai termin tous mes bois pour les almanachs. Ils sont votre disposition quand vous enverrez de mon cot& Puis il lui fait part de ses craintes sur lenvoi de son travail dans diffrents journaux : & Je crains denvoyer les autres au charivari ils pourraient bien se trouver mels et confondus avec les Bois du journal amusant cest pourquoi jaime mieux les savoir chez vous& Laurent-Antoine Pagnerre (1805-1854) est un libraire et homme politique franais.
ref. 4446Cham remercie son correspondant : & Vous tes vraiment trop aimable. Votre cadeau me fait le plus grand plaisir. Merci mille fois. Cest un cadeau princier& Laurent-Antoine Pagnerre (1805-1854) est un libraire et homme politique franais.
ref. 4445Invitation dner : & Voulez vous nous faire le plaisir Mme de No et moi de venir diner aprs demain Lundi 6h 1/2& Laurent-Antoine Pagnerre (1805-1854) est un libraire et homme politique franais.
ref. 4435Cham adresse Alfred Busquet, gendre de lditeur Laurent-Antoine Pagnerre, un de ses ...trs bons amis Mr. Emile Daclin qui desire faire un Almanach. Vous le connaissez de rputation, cest un homme dinfiniment desprit et dune grande originalit. Je crois quil y a une bonne affaire...
ref. 4440Cham remercie sa correspondante pour le cadeau quelle lui a fait : & Vous tes beaucoup, beaucoup, beaucoup, beaucoup, beaucoup trop aimable. Trop princier votre cadeau par ces temps de Rpublique& On joint une P.A.S. "Cham". S.l., 8 mars 1867. 1 page in-8 oblong : & Recu de Madame Pagnerre la somme de cent quatre vingt quinze francs pour complment de la solde des almanachs&
ref. 4438...Je passerai demain Lundi 4h si vous voulez bien me recevoir. Jai bien regrett ne vous avoir pas trouvs le soir ou je suis all savoir des nouvelles de ce bon Pagnerre. Dites lui je vous prie mille choses affectueuses de ma part...Laurent-Antoine Pagnerre (1805-1854), libraire et homme politique franais.
ref. 06867Paris: Chez Aubert & Cie. 1851. The French Take on the British. Fifteen Hilarious Lithographs Caricaturing British Life and Manners CHAM pseudonym of Charles Amédée de Noé. Mœurs Britanniques. Paris: Chez Aubert & Cie. n.d. ca. 1850. First edition. Large folio 13 1/4 x 10 inches; 336 x 252 mm. Lithographed pictorial title and fifteen numbered lithographed plates each with printed caption below. Publisher's original cream-colored glazed lithographed boards upper cover reproducing the pictorial title design. A remarkably fine clean and fresh copy. A wonderfully entertaining series of fifteen caricatures devoted entirely to the peculiarities of the British as observed from across the Channel by one of nineteenth-century France's most popular comic artists. Cham turns his irreverent eye upon an extraordinary cross-section of British life and manners: marriage Quakers army recruiting museums philanthropy prize-fighting Scottish dress the national costume incomprehensible English conversation the stocks turnpikes Chelsea pensioners and finally Smithfield Market. The splendid pictorial title sets the tone for the album. The British lion sits beside the Union Jack with a diminutive figure perched upon its mane while immediately before it lies a tied bundle prominently marked "IRLANDE" - a pointed visual joke upon Anglo-Irish relations that would have been immediately recognizable to Cham's contemporary French audience. The individual plates continue the sustained Anglo-French satire. In Un Costume National an elegantly dressed English gentleman encounters a ragged Irishman and asks whether he comes from a hot country to which the latter replies "Non monsieur je suis Irlandais." Baragouin Britannique makes comic capital of the Frenchman's traditional bewilderment at the English language while Les Hauts Grades lampoons the spectacular proportions of British military headgear. Elsewhere Cham takes aim at Quakers army recruiting the English enthusiasm for boxing Scottish national dress philanthropy public punishment toll roads Chelsea pensioners and the notorious livestock market at Smithfield. Taken together the fifteen scenes form a delightful visual survey of British national character institutions dress and customs as perceived through decidedly French eyes. CHAM pseudonym of Charles Amédée de Noé 1818-1879 was one of the most prolific and popular French caricaturists of the nineteenth century. He published his first book Monsieur Lajaunisse in 1839 and from 1843 contributed regularly to Le Charivari producing thousands of drawings and lithographs satirizing contemporary politics society manners and everyday life. Of Cham Ray notes that several artists "followed in the wake of Daumier and Gavarni. Among the most attractive of the former is Amédée de Noé known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray pp. 155-156. Published by Aubert the celebrated Parisian house closely associated with the golden age of French caricature and with such artists as Daumier Gavarni and Grandville Mœurs Britanniques is especially appealing for its sustained concentration upon Britain. Rather than merely including occasional English subjects among a broader collection of social satires Cham devotes the entire album to British manners and national stereotypes. Copies were also produced with the plates colored by hand; Bobins records a colored copy III 842. The present copy is the uncolored issue the lithographs displaying the strength and subtlety of Cham's original draughtsmanship to particularly good effect. The Plates: Une femme bien attachée. Le Quaker. Le Recruteur. Visite au Musée. Mariage d'inclination. Les Hauts grades. Philanthropie. Bien entendue. Les Boxeurs. L'Écossais. Un Costume national. Baragouin Britannique. In the Stocks. Le Péage du turn-pike. L'Invalide de Chelsea. Smithfield Market. A remarkably fine and fresh copy of Cham's delightful visual satire on Britain and the British-fifteen wonderfully observed caricatures ranging from Quakers prize-fighters and Highlanders to Irishmen Chelsea pensioners and the inhabitants of Smithfield Market preserved in the striking original glazed pictorial boards. Ray The Art of the French Illustrated Book 1700 to 1914 pp. 155-156. Bobins III 842 colored copy. Paris: Chez Aubert & Cie., 1851 unknown
ref. 05954Paris: Chez Aubert & Cie. 1850. Fifteen Hand-Colored Lithographed Plates Caricaturing the British CHAM pseudonym of Amédée de Noé. Mœurs Britanniques. Paris: Chez Aubert & Cie. n.d. ca. 1850. Large folio 13 1/4 x 10 inches; 336 x 252 mm. Hand-colored lithographed title and fifteen numbered hand-colored lithographed plates heightened with gum arabic. Publisher's cream-colored glazed lithographed boards neatly rebacked with cream-colored cloth backstrip. A little bit of marginal soiling. Otherwise a near fine copy. Of Charles Amédée de Noé 1818-1879 "known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray The Art of the French Illustrated Book pp. 155-156. The Plates: 1. Une femme bien attachée 2. Le Quaker 3. Le Recruteur 4. Visite au Musée 5. Mariage d'inclination 6. Les Hauts grades 7. Philanthropie. Bien entendue 8. Les Boxeurs 9. L'Écossais 10 Un Costume national 11. Baragouin Britannique 12. In the Stocks 13. Le Péage du turn-pike 14. L'Invalide de Chelsea 15. Smithfied Market Bobins III 842. Paris: Chez Aubert & Cie., 1850 unknown
ref. 05311Paris: Chez Aubert & Cie. 1850. Fifteen Hand-Colored Lithographed Plates Caricaturing the British CHAM illustrator. Mœurs Britanniques. Paris: Chez Aubert & Cie. n.d. ca. 1850. Large folio 12 7/8 x 9 5/8 inches; 327 x 244 mm. Hand-colored lithographed title and fifteen numbered hand-colored lithographed plates heightened with gum arabic. Publisher's advertisement leaf at end. Small neat 1 1/8 inch repair to top margin of plate 12 not affecting image some minor and mainly marginal scattered foxing otherwise an excellent example. Contemporary quarter dark brown ribbed cloth over marbled boards. Some wear to corners and edges of boards. Of Amédée de Noé "known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray The Art of the French Illustrated Book pp. 155-156. The Plates: 1. Une femme bien attachée 2. Le Quaker 3. Le Recruteur 4. Visite au Musée 5. Mariage d'inclination 6. Les Hauts grades 7. Philanthropie. Bien entendue 8. Les Boxeurs 9. L'Écossais 10 Un Costume national 11. Baragouin Britannique 12. In the Stocks 13. Le Péage du turn-pike 14. L'Invalide de Chelsea 15. Smithfied Market. Paris: Chez Aubert & Cie., 1850 unknown
ref. 10940Paris, au bureau du Charivari, s.d. (1849), 1 br. in-4, titre illustré, 16 feuillets de dessins satiriques par Cham, légendés ;
ref. 05311Paris: Chez Aubert & Cie. 1850. Fifteen Hand-Colored Lithographed Plates Caricaturing the British CHAM illustrator. Mœurs Britanniques. Paris: Chez Aubert & Cie. n.d. ca. 1850. Large folio 12 7/8 x 9 5/8 inches; 327 x 244 mm. Hand-colored lithographed title and fifteen numbered hand-colored lithographed plates heightened with gum arabic. Publisher's advertisement leaf at end. Small neat 1 1/8 inch repair to top margin of plate 12 not affecting image some minor and mainly marginal scattered foxing otherwise an excellent example. Contemporary quarter dark brown ribbed cloth over marbled boards. Some wear to corners and edges of boards. Of Amédée de Noé "known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray The Art of the French Illustrated Book pp. 155-156. The Plates: 1. Une femme bien attachée 2. Le Quaker 3. Le Recruteur 4. Visite au Musée 5. Mariage d'inclination 6. Les Hauts grades 7. Philanthropie. Bien entendue 8. Les Boxeurs 9. L'Écossais 10 Un Costume national 11. Baragouin Britannique 12. In the Stocks 13. Le Péage du turn-pike 14. L'Invalide de Chelsea 15. Smithfied Market. Paris: Chez Aubert & Cie., 1850 unknown books
ref. 06867Paris: Chez Aubert & Cie. 1851. The French Take on the British. Fifteen Hilarious Lithographs Caricaturing British Life and Manners CHAM pseudonym of Charles Amédée de Noé. Mœurs Britanniques. Paris: Chez Aubert & Cie. n.d. ca. 1850. First edition. Large folio 13 1/4 x 10 inches; 336 x 252 mm. Lithographed pictorial title and fifteen numbered lithographed plates each with printed caption below. Publisher's original cream-colored glazed lithographed boards upper cover reproducing the pictorial title design. A remarkably fine clean and fresh copy. A wonderfully entertaining series of fifteen caricatures devoted entirely to the peculiarities of the British as observed from across the Channel by one of nineteenth-century France's most popular comic artists. Cham turns his irreverent eye upon an extraordinary cross-section of British life and manners: marriage Quakers army recruiting museums philanthropy prize-fighting Scottish dress the national costume incomprehensible English conversation the stocks turnpikes Chelsea pensioners and finally Smithfield Market. The splendid pictorial title sets the tone for the album. The British lion sits beside the Union Jack with a diminutive figure perched upon its mane while immediately before it lies a tied bundle prominently marked "IRLANDE" - a pointed visual joke upon Anglo-Irish relations that would have been immediately recognizable to Cham's contemporary French audience. The individual plates continue the sustained Anglo-French satire. In Un Costume National an elegantly dressed English gentleman encounters a ragged Irishman and asks whether he comes from a hot country to which the latter replies "Non monsieur je suis Irlandais." Baragouin Britannique makes comic capital of the Frenchman's traditional bewilderment at the English language while Les Hauts Grades lampoons the spectacular proportions of British military headgear. Elsewhere Cham takes aim at Quakers army recruiting the English enthusiasm for boxing Scottish national dress philanthropy public punishment toll roads Chelsea pensioners and the notorious livestock market at Smithfield. Taken together the fifteen scenes form a delightful visual survey of British national character institutions dress and customs as perceived through decidedly French eyes. CHAM pseudonym of Charles Amédée de Noé 1818-1879 was one of the most prolific and popular French caricaturists of the nineteenth century. He published his first book Monsieur Lajaunisse in 1839 and from 1843 contributed regularly to Le Charivari producing thousands of drawings and lithographs satirizing contemporary politics society manners and everyday life. Of Cham Ray notes that several artists "followed in the wake of Daumier and Gavarni. Among the most attractive of the former is Amédée de Noé known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray pp. 155-156. Published by Aubert the celebrated Parisian house closely associated with the golden age of French caricature and with such artists as Daumier Gavarni and Grandville Mœurs Britanniques is especially appealing for its sustained concentration upon Britain. Rather than merely including occasional English subjects among a broader collection of social satires Cham devotes the entire album to British manners and national stereotypes. Copies were also produced with the plates colored by hand; Bobins records a colored copy III 842. The present copy is the uncolored issue the lithographs displaying the strength and subtlety of Cham's original draughtsmanship to particularly good effect. The Plates: Une femme bien attachée. Le Quaker. Le Recruteur. Visite au Musée. Mariage d'inclination. Les Hauts grades. Philanthropie. Bien entendue. Les Boxeurs. L'Écossais. Un Costume national. Baragouin Britannique. In the Stocks. Le Péage du turn-pike. L'Invalide de Chelsea. Smithfield Market. A remarkably fine and fresh copy of Cham's delightful visual satire on Britain and the British-fifteen wonderfully observed caricatures ranging from Quakers prize-fighters and Highlanders to Irishmen Chelsea pensioners and the inhabitants of Smithfield Market preserved in the striking original glazed pictorial boards. Ray The Art of the French Illustrated Book 1700 to 1914 pp. 155-156. Bobins III 842 colored copy. Paris: Chez Aubert & Cie., 1851 unknown books
ref. 05954Paris: Chez Aubert & Cie. 1850. Fifteen Hand-Colored Lithographed Plates Caricaturing the British CHAM pseudonym of Amédée de Noé. Mœurs Britanniques. Paris: Chez Aubert & Cie. n.d. ca. 1850. Large folio 13 1/4 x 10 inches; 336 x 252 mm. Hand-colored lithographed title and fifteen numbered hand-colored lithographed plates heightened with gum arabic. Publisher's cream-colored glazed lithographed boards neatly rebacked with cream-colored cloth backstrip. A little bit of marginal soiling. Otherwise a near fine copy. Of Charles Amédée de Noé 1818-1879 "known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray The Art of the French Illustrated Book pp. 155-156. The Plates: 1. Une femme bien attachée 2. Le Quaker 3. Le Recruteur 4. Visite au Musée 5. Mariage d'inclination 6. Les Hauts grades 7. Philanthropie. Bien entendue 8. Les Boxeurs 9. L'Écossais 10 Un Costume national 11. Baragouin Britannique 12. In the Stocks 13. Le Péage du turn-pike 14. L'Invalide de Chelsea 15. Smithfied Market Bobins III 842. Paris: Chez Aubert & Cie., 1850 unknown books
ref. R320172244Chez Aubert et Cie. non daté. In-4. Relié. Etat d'usage, Coins frottés, Dos abîmé, Papier jauni. 192 pages - nombreux dessins en noir et blanc dans le texte - texte sur deux colonnes - quelques dessins ont été coloriés - papier jauni - ciuns, tranches frottés - platys tâchés - coiffes abîmées.. . . . Classification Dewey : 840-Littératures des langues romanes. Littérature française
ref. 7541Paris, chez Aubert et Cie, 1842-1843. 34 x 26 cm, collection incomplète. Manquent les livraisons 26, 27, 29, 32, 44. Livraison 9 déchirures recollées, livraison 10 déchirée sans manque, livraison 43 déchirure, livraison 46 déchirure, livraison 48 déchirure avec manque angulaire. Deux volumes reliés demi basane à coins, reliures frottées.
ref. 7541Paris, chez Aubert et Cie, 1842-1843. 34 x 26 cm, collection incomplète. Manquent les livraisons 26, 27, 29, 32, 44. Livraison 9 déchirures recollées, livraison 10 déchirée sans manque, livraison 43 déchirure, livraison 46 déchirure, livraison 48 déchirure avec manque angulaire. Deux volumes reliés demi basane à coins, reliures frottées.
1842ref. 107091Couverture rigide. Reliure toile de l'époque. 192 pages. Quelques rousseurs.
ref. 8187collection complète contenant plus de 1400 dessins contenant près de dessins par CHAM, DAUMIER, DOLLET, EUSTACHE,LAMI,LORENTZ,PLATTIER,TRIMOLET,Charles VERNIER et autres.Textes par MM BOURGET, P.BOREL,CHAM, L.HUART, LORENTZ,MARCO DE SAINT HILAIRE,HUART,MARITUS et PHILIPON. 48 livraisons en un volume in 4 carré demi-cuir marron muet, filets dorés. Faux-titre titre avec vignette d’après Grandville,Première partie :24 livraisons,en 192 pages, texte sur 2 colonnes encadré d’un filet noir.Intéressant catalogue de 16 pages,de la maison AUBERT.Faux-titre,titre orné d’une vignette d’après Grandville.Deuxième partie Livraisons 25 à 48 en 384 pages,Paris dévoilé ou les mystères Sus par CHAM, Histoire des perruques,Les burgs infiniment trop Graves par HUART…Paris chez Aubert sans date 1842 1843.Bon exemplaire.
1842ref. 47668Paris.: Chez Aubert et Cie. 1842 – 1843. Original publisher's cream boards with elaborate pictorial titles later cloth spine and corners; boards somewhat dusty. 2 vols. Folio. 352 x 278 mm. Half-title for each part with 'Table des Matières' verso printed title for each part with vignettes by Grandville 48 livraisons each of 4 leaves of text and illustration recto and verso livraison nos. 25 30 34 41 and 46 with text printed in red four double-numbers of 8 leaves in vol. II illustrated throughout in monochrome by various artists see below with more than 1400 vignettes and plates. A fine copy of Philipon's profusely illustrated satirical magazine.It is a testament to Philipon's tireless satirical efforts that after the problems he experienced in editing La Caricature - constant harassment by the authorities numerous arrests and prosecutions - he could continue to publish and in a similar vein. Announced in the first livraison as consisting of a prospective 96 livraisons publication was curtailed after only 48. The illustrators used include several principally Grandville and Daumier employed by La Caricature as well as many making their names for the first time. Illustrators included as mentioned on the title pages Cham Daumier Dollet Eustache Forest Gavarni Grandville Eugène Lami Lorentz Plattier Tromolet Vernier and others. Literary contributors included Philipon himself as well as Bourget P. Borel Cham L. Huart Lorentz and Marco Sainte-Hilaire.' . important et d'un réel intérêt.' Carteret.'Les folies les plus courtes sont les meilleures; nous avons craint que la nôtre fût trouvée trop longue et nous l'avons arrêtée court.' Philipon announcing the cessation of publication of the magazine after 48 issues.Carteret III 426. Chez Aubert et Cie. hardcover
1842Paris, Chez Aubert et Cie, 1842 - 1843. 2 volumes Grands in-4 relié demi toile rouge pour le tome 1 et demi toile noire pour le tome 2. .Dessins de CHAM, DAUMIER, DOLLET, EUSTACHE, FOREST, GAVARNI, GRANDVILLE, Eugène LAMI, LORENTZ, PLATTER, TRIMOLET, Ch VERNIER et autres. Textes de MM BOURGET, P BOREL, CHAM, L HUART, LORENTZ, Marcoi de SAINT-HILAIRE, et Ch PHILIPON COMPLET DU N° 1 à 48.
1842ref. 30205Paris, Chez Aubert et Paris, Chez Aubert et Cie, 1842 - 1843. 2 volumes Grands in-4 relié demi toile rouge pour le tome 1 et demi toile noire pour le tome 2. .Dessins de CHAM, DAUMIER, DOLLET, EUSTACHE, FOREST, GAVARNI, GRANDVILLE, Eugène LAMI, LORENTZ, PLATTER, TRIMOLET, Ch VERNIER et autres. Textes de MM BOURGET, P BOREL, CHAM, L HUART, LORENTZ, Marcoi de SAINT-HILAIRE, et Ch PHILIPON