CHAM (pseudonym of Amedee de Noe)Biblio.com
812 resultados
ref. 05330Paris: Chez Aubert & Cie. 1850. Jokes in Poor Taste CHAM pseudonym of Amédée de Noé. Turlupinades Contrariétés et Autres Amusemens Négatifs Jokes in Poor Taste Par Cham. Paris: Chez Aubert & Cie. ca. 1850. First edition. Folio 13 1/4 x 9 7/8 inches; 337 x 251 mm. Hand-colored lithographed title and fifteen full-page hand-colored lithographed plates with captions. Advertisement leaf at end Maison de Commission. Des Modes Parisiennes. Publisher's pictorial glazed green boards lower portion of spine renewed inner front hinge cracked some light wear to corners. An excellent copy. OCLC locates just four copies worldwide: Morgan Library & Museum; New York Public Library; Getty Institute; University of Illinois. CHAM pseudonym of Amédée de Noé 1818-1879. French caricaturist and lithographer published his first book Monsieur Lajeunesse in 1839 and from 1843 began to be regularly published in illustrated magazines such as Le Charivari which in 1835 focused primarily on publishing satires of everyday life thereafter becoming one of the most popular of French caricaturists through entertaining storybooks such as this work which satirized 'jokes in poor taste.' Several artists "followed in the wake of Daumier and Gavarni. Among the most attractive of the former is Amédéé de Noé "known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray pp. 155-156. Cham had contacts with English artists many of whom had trained on the Continent most in company with English artist and follower of the pioneering German lithographer Alois Senefelder. The Plates: 1. Tout ça c'est bel et bon! It's all well and good! 2. L'éducation es tune bonne chose! Education is a good thing! 3. Hardi! Conscrit la patrie a les yeux sur toi!. Daring! Conscript the fatherland has its eyes on you!. 4. Je veux que mon fils ait un prix! I want my son to have a prize! 5. Mes papiers.mes papiers! My papers.my papers! 6. Tiens tiens elle était pressée c'tte lettre Well well she was in a hurry that letter 7. De de quoi.de de quoi!. From what.from what!. 8. Malheureux! Tu me feras blancher avant l'âge. Unfortunate! You will make me white before my age. 9. Enfin j'en tiens un!. Finally I got one!. 10. Non vous ne vous trompez pas! No you are not mistaken! 11. Je risqué tout tant pis pour moi! I risked everything too bad for me! 12. Ah! Vous êtes ambitieux! Ah! You are ambitious! 13. Qué bonheur m'ssieu! What happiness sir! 14. Cré coquin mes chemises neuves. Naughty creation my new shirts. 15. Y sont drôles les maitres! The masters are funny there! Bobins IV 1349. Paris: Chez Aubert & Cie., 1850 unknown
ref. 2169930Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1841. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ref. 2169931Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1841. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ref. 2169928Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1841. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ref. 2169929Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1841. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ref. 9782080447906Champs
ref. 25655Le Charivari, trente-quatrième année, samedi 2 septembre 1865- Lithographie - Œuvre: Hauteur: 43.9cmx Largeur: 30.6cm - Trait carré: Hauteur: 23cmx Largeur: 19.7cm- 1 feuillet ; illustration page 3. - Au dessus de l'image, centré : "ACTUALITES" ; et à droite : "331" ; signature en bas de l'image à droite : "62 CHAM" ; en dessous de l'image à gauche : "M[ais]on Martinet Paris" ; en dessous de l'image à droite : "Lith Destouches Paris" ; en dessous, centré : "- Tout l'équipage est là dedans et on n'y voit rien. Vous deveriez bien Monsieur / Abdel Kader acheter une machine comme ça pour promener vos dames"
ref. 04212Paris: Arnauld De Vresse 1850. Exceedingly Scarce Highly Amusing Hand-Colored Caricatures Showing "The Crazy's of the Day" CHAM illustrator pseud. of Charles Amédée de Noé. Les Toqués Du Jour. Paris: Arnauld De Vresse n.d. ca. 1847. First edition. Large folio 13 3/4 x 10 5/16 inches; 349 x 261 mm. Hand-colored lithographed title and thirty-six comical scenes on eighteen fine hand-colored lithographed plates heightened with gum arabic. Each scene with printed caption below. Publisher's brown ribbed cloth bordered in blind front cover lettered in gilt. Expertly rebacked to style at an early date. Inner hinges cracked but sound corners very slightly rubbed. A near fine copy of this exceedingly scarce album. A highly amusing collection of lithographs by Cham 1819-1879 satirizing the varieties of Les Toqués Du Jour The Crazy's of the Day. Of Charles Amédée de Noé "known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray The Art of the French Illustrated Book pp. 155-156. Exceedingly scarce. No copies found in WorldCat or KVK and apparently no copies have appeared at auction certainly during the past thirty-five years. Paris: Arnauld De Vresse, 1850 unknown
1968ref. 149197New York: Harcourt 1968. Octavo cloth. First edition. First book of the "Rhada" trilogy. Anatomy of Wonder 1981 4-57. A fine copy in fine dust jacket with mild rubbing to purple ink background of rear panel. #149197 Harcourt unknown books
1968ref. mon0000109067Harcourt 1968T. hardcover. Like New. 0.9000 in x 8.2000 in x 5.7000 in. STATED FIRST EDITIONrnHardcover.rnLittle wear to the mylar covered dust jacket.rnLittle cover wear.rnClean unmarked text. rnTight binding. Harcourt hardcover
1969ref. 149198New York: Harcourt 1969. Octavo cloth. First edition. Second book of the "Rhada" trilogy. Anatomy of Wonder 1981 4-57. A fine copy in fine dust jacket with mild rubbing to blue ink background of rear panel. #149198 Harcourt unknown books
1969ref. 107219New York: Harcourt 1969. Octavo cloth. First edition. Second book of the "Rhada" trilogy. Anatomy of Wonder 1981 4-57. A fine copy in nearly fine dust jacket with some scuffing to blue ink background of rear panel. #107219 Harcourt unknown books
1969ref. 82594New York: Harcourt 1969. Octavo cloth. First edition. Second book of the "Rhada" trilogy. Anatomy of Wonder 1981 4-57. A fine copy in fine dust jacket with some slight rubbing to edges. #82594 Harcourt unknown books
1969ref. 2320New York: Harcourt 1969. Octavo cloth. First edition. Second book of the "Rhada" trilogy. Anatomy of Wonder 1981 4-57. A fine copy in fine dust jacket with light shelf wear at head of spine panel and some rubbing to rear panel. #2320 Harcourt unknown books
1969ref. mon0000109066Harcourt Brace & World Inc. 1969T. hardcover. Like New. 0.6000 in x 8.2000 in x 5.5000 in. Hardcover.rnSTATED FIRST EDITIONrnLittle wear to the mylar covered dust jacket.rnLittle cover wear.rnClean unmarked text. rnTight binding. Harcourt, Brace & World, Inc. hardcover
2008ref. 3579970309Smart Publications 2008. Hardcover. Very Good. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More Spend Less.Dust jacket missing. Minor shelf and handling wear overall a clean solid copy with minimal signs of use. Secure packaging for safe delivery.Dust jacket quality is not guaranteed. Smart Publications hardcover
2008ref. 3583102716Smart Publications 2008. Hardcover. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Shelf and handling wear to cover and binding with general signs of previous use. Boards show signs of wear. All pages intact binding is sound. Clean and unmarked. Secure packaging for safe delivery.Dust jacket quality is not guaranteed. Smart Publications hardcover
2008ref. 3584257928Smart Publications 2008. Hardcover. Very Good. Former library book; Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More Spend Less.Ex-Library copy with typical library marks and stamps. Dust jacket missing. Minor shelf and handling wear overall a clean solid copy with minimal signs of use. Secure packaging for safe delivery.Dust jacket quality is not guaranteed. Smart Publications hardcover
2008ref. 1-1890572217Smart Pubns 2008. Hardcover. New. 132 pages. 9.25x6.00x0.50 inches. Smart Pubns hardcover
ref. 1890572217.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1848ref. 2091202133211425D.Bogue 1848. Soft Cover. Fine. Volume: 1 D.Bogue paperback
ref. DADAX1515799700Capstone Press 2018-12-31. paperback. New. 10.75x0.25x9.00. Buy with confidence. Excellent Customer Service & Return policy. Capstone Press paperback
1853ref. 150961853 2 volumes, reliure pleine percaline noire cartonnage romantique illustré à plaques spéciales monochromes pour le dos et le permier plat in-folio Editeur (editor hard-back percale with special covers editor for the spine and the front cover in-folio) , dos lisse ornés du titre doré dans une banderolle, plats supérieurs ornés d'un grand décor doré représentant Notre-Dame entre les colonnes Vendôme (surmontée de Napoléon en "petit caporal") et de Juillet, surmonté du blason de Paris rehaussé de rouge et de bleu, plats inférieurs ornés d'un décor doré central représentant trois personnages au tambour sur une estrade avec encadrement à froid, léger manque de dorure à la jambe de la lettre R de paris sur le plat du tome 1, coiffe légèrement manquantes , un mors inférieur fendu au niveau de la percale sur 10 cm + petit trou (manque) en haut du dos sur 1/5 de cm2 (trés aisément restaurable) au volume 2, toutes tranches dorées, un cahier légèrement débroché avec bord effiloché au tome 2, trés fines et légères rousseurs concentrées surtout sur les pages de titre, Texte sur trois colonnes, orné de 2 planches à double page en noir et 1500 gravures in et hors-texte en noir d'après les dessins de Gavarni, Grandville, Cham, Lami, Vernet, etc. , [(4) + IV + 388] + [(4) + 396] pages, 1852-1853 Paris Paulin et Le Chevalier Editeur,
ref. 3503Inter-Livres, Paris, n.d. Un volume in folio pleine toile avec jaquette, 396 pages. Reprint de l'édition de Paulin et Le Chevalier, 1852-1853. Bon état.
ref. 25458Le Charivari, Actualités 134. (Titre de l'ensemble) - 1867- Lithographie - Dimensions - Hauteur: 37.8cmx Largeur: 27.8cm- texte imprime au dos,bon etat.
