Hanson, DeroyBiblio.com
Deroy -Biblio.com
Firenze.
rif. 0-01636Stampa prima metà '800 cm. 18 x 26 litogr. "Veduta presa da S.Miniato" animata unknown
Libreria Piani snc · Italia130,00 €
212 risultati
rif. 0805952810.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 0-01636Stampa prima metà '800 cm. 18 x 26 litogr. "Veduta presa da S.Miniato" animata unknown
rif. 0692905316.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 042148no publisher no date. Lithograph. Very Good. La Motte St. Jean Lithograph by Deroy. Condition Very good. Litho paper about 8.5x6.5"includes gilt and green frame glass and marbled matting frame 13x11x1". Artist Isadore Laurent Deroy. From 19th century. Professionally framed slight wear to edges of frame. no publisher unknown
rif. 0397013760.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. ria9781467062008_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Pookeyology is about a top model dancer recording artist author and songwriter named DeROY who is determined to find the true meaning to life. It is a personal journey that reveals to the reader many concepts about how to expose you paperback
rif. 27875936like new. unknown
rif. 43012434like new. unknown
rif. 71-9771Paris: French Publisher circa 1820. Lithograph. 26 x 35.5 cm sheet. With the blindstamp of Chalres Motte. Very Good light specks of foxing in the margin areas. Paris: French Publisher, circa 1820. unknown
rif. 71-9773Paris: French Publisher circa 1820. Lithograph. 26 x 35.5 cm sheet. With the blindstamp of Chalres Motte. Very Good light specks of foxing in the margin areas. Paris: French Publisher, circa 1820. unknown
rif. 75-1374Paris FR: Le Monde Illustre 1875. F. Gravure. Very Good. 2pp. Color plates. Text in French. Paris, FR: Le Monde Illustre, 1875 unknown
rif. 71-6077Paris: 19th French Publisher circa 1878. Hand-colored wood engraving. 19 x 26 cm sheet. Text in French on verso. Very Good. [Paris: 19th French Publisher, circa 1878]. unknown
rif. 16-5586Paris: Motte 1831. Original wrappers with lithograph; title page with lithograph; map: Cours de la Seine. 40 x 32cm. Paris: Motte, 1831 unknown
rif. 71-5228Paris: Imprimerie De J. Didot L’Aine Imprimeur Du Roi 1822. Original lithograph on chine colle. 52.5 x 34 cm sheet. Very Good some foxing mostly in the margins. As published in “Galerie de son Altesse Royale Madame la Duchesse de Berry. Ecole Francaise. Peintres Modernes. Ouvrage Dedie a son Altesse Royale et Lithographie par d’Habiles Artistes sous la Direction de M. Le Chevalier Bonnemaison Membre de la Legion d’Honneur Directeur de la Restauration des Tableaux du Musee Royal et Conservateur de la Galerie de son Altesse Royale”.Marie Caroline Ferdinande Louise de Bourbon-Sicile Duchesse de Barry; Daughter of Francis Duke of Calabria later King of the two Sicilies; m. Charles Ferdinand Duc de Berry son of Charles X in 1816. Mother of Henri Duc de Bordeaux exiled with the rest of the court in 1830 came back clandestinely in April 1832 in an attempt to place her son on the throne with her as a regent. Arrested and imprisoned in November 1832 freed in 1833 and sent to Palermo; she settled in Austria where she died.She commissioned a series of 250 lithographs reproducing paintings from the collection of the Duc de Berry. The plates were published from 1822 and two volumes binding the plates together were issued in 1824 and 1826. Paris: Imprimerie De J. Didot, L’Aine, Imprimeur Du Roi, 1822. unknown
rif. 71-3392Paris: H. Jeannin circa 1832. Lithograph. 28 x 36.5 cm. sheet. Very Good some specks of foxing in margins. Paris: H. Jeannin, circa 1832. unknown
rif. 71-3389Paris: H. Jeannin circa 1832. Lithograph. 75.3 x 36.5 cm. sheet. Good some of foxing in margins tears along sheet edges. Paris: H. Jeannin, circa 1832. unknown
rif. 16-4903Paris: Aumont and London: Ch. Tilt circa 1831. Small folio. 25.5 x 34.6 cm. Contemporary gilt roan. Title page by Victor Adam and 38 plates with 2 lithographs per page on rag paper by Adam and others. Light foxing. Very rare. Nont in OCLC.Inventaire du fonds français après 1800. Tome premier Abbéma-Beaumont Reprod. en fac-sim. / Bibliothèque nationale Département des estampes ; par Jean Laran. 1930.________________________________________Extract 1 : La Variété nouveau recueil de croquis par divers artistes chez Aumont et chez Tilt 1831 : 1e Lon n° 3 Le Bac Le taureau échappé.Album de lithographies comportant de sujets divers. Paysages bateaux animaux sauvages métiers et scènes animés.Superbes tirages en lithographie le tout sur beau papier.Titré et 38 planches superbement imprimées par la Maitre de la lithographie LEMERCIER.Volume in-folio reliure du temps en maroquin vieux rouge Paris: Aumont and London: Ch. Tilt, circa 1831 unknown
rif. 71-2062Youngstown OH.: The Butler Institute of American Art 2002. 8vo. Oblong. 31 pp. Soft Cover. Color and black and white plates throughout. Very Good. Youngstown, OH.: The Butler Institute of American Art, 2002. paperback
rif. 71-0985Paris: Chez Coron circa 1830. Lithograph. 33.4 x 25 cm. sheet. Sheet mounted at corners to support sheet. Very Good. Sheet trimmed. Some light foxing sheet corners trimmed. [Paris: Chez Coron, circa 1830]. unknown
rif. 71-0936Paris: 19th Century European Publisher 1825. Lithograph. 29 x 20.7 cm. sheet. Sheet mounted at corners to support sheet. Very Good. Margins trimmed. Paris: [19th Century European Publisher], 1825. unknown
rif. 71-1122Paris: French Publisher circa 1824. . Lithograph. 16 x 12.2 cm. image. 19.8 x 14.7 cm. sheet. Very Good. Some light surface soiling. [Paris: French Publisher, circa 1824]. unknown
rif. 71-1127Paris: French Publisher circa 1824. . Lithograph. 13.5 x 19.8 cm. image. 17.7 x 13.8 cm. sheet. Very Good. Some light surface soiling specks of foxing ink notation in lower margin sheet corners cropped. [Paris: French Publisher, circa 1824]. unknown
rif. 16-4113Lausanne: J. Jouvet circa 1837. 2 handcolored lithographs 13 x 18.3 cm. Dated and annotated by an owner lower right. Lausanne: J. Jouvet, circa 1837. unknown
rif. 16-3969Buenos Aires: Circa 1860. . Restrike handcolored lithograph or collotype Collotype after the lithograph on rag paper. 23 x 38 cm image on 34.5 x 50cm. sheet.Le Breton studied medicine and took part in Dumont d'Urville's second voyage aboard the Astrolabe. After the official illustrator of the expedition died Le Breton replaced himIsidore Laurent Deroy:Painter draughtsman and lithographer born in Paris pupil of Cassas and Félix lithographs exhibited at the Salon 1827-1866. Father and teacher of Emile Deroy and Auguste-Victor Deroy. Buenos Aires: Circa 1860. unknown
rif. 51-4180Paris: L'Artiste 1834. 4to. 27 x 20.5 cm. 2 vols. Elaborate contemporary Romantic binding with gilt and blind stamping. 308 308 pp. about 108 of 110 original graphic works. Missing appear to be 1834-1 Clerget and 1834-68 Alophe. Among the other works is the original lithograph by Delacroix: Le jeune Clifford trouvant le corps de son père 1834-104; Delteil no. 99 first state of 3; Young Clifford Finding the Body of his Father image of Shakespeare King Henry VI Part IICatalogued in "Les Estampes de L'Artiste 1831-1904" by Pierre Sanchez and Xavier Seydoux nos. 1834- 2 to 1834-110. Textes des grands écrivains romantique tel que Gérard de Nerval Théophile Gautier qui est rédacteur en chef de 1856 à 1859 Jules Janin Étienne Eggis Théodore de Banville Henri Murger Charles Monselet Champfleury Charles Baudelaire Joseph Méry Eugène Sue Alphonse Esquiros Hector de Callias entre autres.Illustrés de lithographies et de gravures sur bois des plus grands artistes de l'époque puisque le fondateur Hector Brame fut l'associé de Durand-Ruel et que le repreneur de la revue n'est autre qu'Armand Houssaye qui a voulu faire de cette revue un véritable musée de la gravure. Nos volumes comptent des gravures de :Thomas Gavarni Prout Deveria Alophe Préault Dessain Deroy Beaume Noël Johannot Debacq Roqueplan Gsell Livet Champin Perrières Perlet Champmartin Bellange Dreux Charlot Boulanger Guët Delaroche Raffet Brume Scheffer Carrier Newton Peroy Vernet Decamps Leroy Grenier pour le premier volume et Giraud Alophe Noël Roqueplan Debacq Lerac Grenier Decamps Lebreton Pingret Leroy Francis Dauzat Cattemole Gavarni Provost Jaime Frey Gigoux Gintrac Delacroix Leclerc Boulanger Bourge Charlier Wilkie. Le second volume est incomplet d'une gravure page 48. Par contre il contient deux gravures d'Eugène Delacroix. .Fondée en 1831 aux plus beaux jours de la révolution romantique la revueL'Artiste connut une longue vie se transformant et se renouvelant plusieurs fois au cours du XIXe siècle pour ne s'éteindre définitivement que dans les toutes premièresannées du XXe siècle. C'est dire que durant ses soixante-quatorze ans d'existence cetterevue porte un témoignage direct sur l'évolution des mouvements artistiques etlittéraires ayant joué souvent un rôle actif soit dans la légitimation de la modernité et de l'innovation soit au contraire dans la défense des principes proclamés et propagés par les organes officiels de l'Institut et du gouvernement. Paris: L'Artiste, 1834. unknown
